Sentences with phrase «stars of the narrative film»

Alexi Pappas, co-director and star of the narrative film «Tracktown,» flexes her muscles before the premiere of the film.

Wyatt Cenac and Camille Rutherford, stars of the narrative film «Jacqueline (Argentine),» pose for photos in the Sundance Co-Op space on Main Street.

Not exact matches

Mojave Directed by and written by William Monahan (USA)-- World Premiere, Narrative William Monahan's second feature, starring Oscar Isaac and Garrett Hedlund, is a delirious trip from the fringes of the desert to the center of the film industry.

As was the case with the first film, Deadpool 2 doesn't try overly hard narrative wise, this new jaunt sees Wilson in a state of depression and in a situation where he finds himself trying to protect Hunt for the Wilderpeople star Julian Dennisen's mutant teenager from time travelling super-soldier Cable but it's all an excuse to give audiences more of what they came to love in the first outing.

Despite a clichéd and overexposed narrative that weighs it down, the film delivers precisely what fans of the newfangled, action star expect and ends up being a fun time at the movies.

In Chloé Zhao's resoundingly human film The Rider, the narrative is framed as both documentary and drama focused on 20 - year - old rising rodeo star Brady Blackburn (played by Brady Jandreau) as he undergoes a crisis of identity.

Refn's latest film, Only God Forgives, reunites him with Drive's star, Ryan Gosling, but it moves even further away from traditional narrative and into a near abstract, near hallucinogenic, near nihilistic subversion of traditional narrative and with it, the usual visceral, emotional, and intellectual pleasures associated with that form.

Goodman also discussed the process of starring in such an action - driven film that only features three characters throughout the majority of the narrative, after starring in movies that have featured notable ensemble casts.

Through AFI's Narrative Labs project, with support from the Sundance Institute and New York's Cinereach organization (which has also helped produce small, memorable films from Citizenfour to Beasts Of The Southern Wild), Howe was able to complete Gabriel, which stars Rory Culkin as a young man navigating a mental illness that distances him from his caring and frustrated family, and leads him on an increasingly desperate quest throughout the film.

The story of «Batkid» Miles Scott, the 5 - year - old leukemia patient who got to live his dream to be a superhero courtesy of the Make - A-Wish Foundation and much of San Francisco, is both the subject of a documentary, Batkid Begins: The Wish Heard Round the World, and an upcoming narrative feature film in which Julia Roberts is set to star and produce.

Kings is a very basic film, where the younger stars take up most of the narrative and screen time, while Berry (Kidnap) and Craig (Logan Lucky) appear in just enough scenes to satisfy their marquee credit.

But though it could be viewed as a series of short, fun, film pitches - Channing Tatum's happy sailor tap - dancing routine was a favourite - wrapped up in the larger narrative of a movie star being kidnapped, its so beautifully put together, well - performed, tightly - scripted and deliberating making fun of itself that it works.

Ego's relationship with Star - Lord forms one of the emotional cruxes of the film while his goal, assimilating the rest of the universe into himself, makes up most of the actual narrative.

Ahead of its world premiere in the Narrative Spotlight section at the Tribeca Film Festival on April 27, Deadline has an exclusive clip from the film starring Evan Peters and Barkhad Abdi.

Helping in the endeavor will be the promotional narrative of its star: The film offers a breakout performance of Australian actress Danielle Macdonald in the lead role.

In the capable hands of director Matt Reeves and motion - capture star Andy Serkis as Caesar, I'd gladly watch more new APES films by 20th Century Fox to see just where the narrative will take us and how closely it will skew to the original franchise storyline.

Deadpool 2 is intentionally pretty flippant with its narrative stakes, so knowing that the Merc is going to die at some point doesn't really take anything away from your enjoyment while watching the film, but it is extremely Deadpool - core to have the star «jokingly» spoil the actual events of the film.

The popular narrative around this picture is the casting of Matt Damon as some sort of «white savior» in a film about China's most notable architectural achievement — except that it's not really about the Wall and Damon doesn't really save anything, though he does put to rest any sort of debate about whether or not he's a credible action star... or even star star.

The four - minute visual work of art is a fully - immersive, 360 ° narrative experience set in the world of the upcoming feature film The Divergent Series: Insurgent and features stars from the film including Academy Award winner Kate Winslet, Miles Teller and Mekhi Phifer.

This is the second film I remember in recent years starring Sarah Jessica Parker (Failure to Launch being the other) where the supporting characters prove more interesting than the main players, to the point that the audience, as well as the filmmakers, would rather follow them to the detriment of the overall narrative.

Director Ron Howard compares the narrative of Solo: A Star Wars Story to that of another Harrison Ford film, Raiders of the Lost Ark..

More than half the films of my list share stories that focus on women or girls: Mad Max: Fury Road, Brooklyn, Inside Out, Room, Star Wars: The Force Awakens and Far From the Madding Crowd (Additionally, I would argue that Ava's narrative in Ex Machina also drives that film and that Domhnall Gleeson's character primarily functions as a stand - in for the audience).

Some viewers found the star - wattage of the film distracting, and we'll acknowledge that Brad Pitt's late - in - film appearance isn't the most successful, but it can be useful to see familiar faces to delineate a narrative that's decidedly episodic.

How about a narrative feature film starring the three of you?

Though much of the film's early press focused on von Trier's audacity in digitally superimposing porn actors» genitals onto the stars» bodies to maximize the verisimilitude of the sex scenes, Nymph -LRB--RRB- maniac is not an ironic essay on digital magic but rather a defiantly old - fashioned affair, grounded in well - trodden narrative traditions.

Brad Pitt and Emma Thompson, will narrate the film... Marcel Ophüls is planning a film about Ernst Lubitsch to star Dustin Hoffman, with Jeanne Moreau as Lubitsch's private secretary... Errol Morris is underway on Holland, Michigan, a narrative feature starring Naomi Watts, Bryan Cranston, and Edgar Ramirez... David Fincher is re-teaming with producer Scott Rudin and writer Aaron Sorkin on a Steve Jobs biopic based on Walter Isaacson's biography and structured around three pivotal moments in Jobs's life... Hot from HBO's True Detective, Cary Fukunaga is directing Idris Elba in Beasts of No Nation, a drama about child soldiers in Ghana...

Instead, it is the most sumptuous, classical star cross'd lovers romance — a «Juliet and Juliet» story — in which the central love affair is presented just as legitimately as those that dotted the Hollywood films of the Golden Era (films whose narratives French film theorist Raymond Bellour memorably likened to machines designed to produce heterosexual couples).

After some brief moments of Bruce's act during his brief prime and more of the film's frequent Kane - like interview - driven narrative, the film starts in earnest — not with star Dustin Hoffman recreating the comic's early nightclub days, but with Perrine recreating the early career of Honey Bruce, a.k.a. stripper Honey Harlow.

The latest entrant in this now - Disney - owned franchise is largely content to further the themes and narrative strategies of its predecessor: Johnson, a filmmaker who proved capable of crafting individualistic, tightly wound sci - fi with 2012's Looper, too often seems to think that the best he can bring to Star Wars is an amped - up version of Abrams's overly reverent tribute to George Lucas's original films.

My colleagues at the website Hammer to Nail (where I am lead film critic) have watched the narratives Lemon (a meditation on race and gender starring Michael Cera and Nia Long), Person to Person (a dreamy murder mystery, also with Michael Cera) and the aforementioned Sylvio (based on a popular series of short videos from the «Simply Sylvio» Vine account), and praised them, so I am eager to check them out, myself.

But somehow, despite the star power and the timeliness of the narrative (Spielberg set out to make the film in response to Donald Trump's attacks on the press during the first weeks of his administration) and the Best Picture citation, people really slept on The Post.

To say any of the Aliens films had a great and deep narrative would be like saying the acting in Star Wars is the best part of the movie.

As gamers make matches, cards called CineBits appear along the bottom of the screen, relating to individual movie stars (based on real actors and actresses), narrative pieces and even film bonuses (like happy endings or pre-launch buzz).

Blending his obsession with the history of conflict and pop culture influences from video games, films and TV shows, the artist tells a wartime narrative starring an imagined cast of fascinating characters.

McQueen applied his tough, often personal style to narrative film for the first time in 2008 with Hunger, a character study starring Michael Fassbender as an Irish prisoner starving himself as part of a hunger strike.

David Walsh, Elizabeth Pearce, Jane Clark 2013 ISBN 9780980805888 Lindsay Seers, George Barber, Frieze, January 2013 One of Many, Adrian Dannatt, Artist Comes First, Jean - Marc Bustamante (ed), Toulouse International Art Festival (exhibition catalogue), June 2013 All the World's a Camera: Notes on non-human photography, Joanna Zylinska, Drone ISBN 978 -2-9808020-5-8 (pg 168 - 172) 2013 Lindsay Seers, Artangel at the Tin Tabernacle - Jo Applin, ArtForum, December 2012 Lindsay Seers, Martin Herbert, Art Monthly, October 2012 Exhibition, Ben Luke, Evening Standard, (pg 60 - 61) 20 September 2012 Lindsay Seers @ The Tin Tabernacle, Sophie Risner, Whitehot Magazine, September 2012 Artist Profile: Lindsay Seers, Beverly Knowles, this is tomorrow, 12 September 2012 Dream Voyage on a Ghost Ship, Richard Cork, Financial Times, (pg 15) 11 September 2012 Nowhere Less Now, Amy Dawson, Metro (pg 56) 7 September 2012 Voyage of Discovery, Helen Sumpter, Time Out, (pg 42) 6 - 12 September 2012 Nowhere Less Now, Rachel Cooke, The Observer, (pg 33) 2 September 2012 Divine Interventions, Georgia Dehn, Telegraph Magazine, 25 August 2012 Eine Buhne fur das Ich, Annette Hoffmann, Der Sonntag, 25 March 2012 Das Identitätsvakuum - Dietrich Roeschmann, Badische Zeitung, 27 March 2012 Ich ist ein anderer - Kunstverein Freiburg - Badische Zeitung, 21 March 2012 Action Painting - Jacob Lundström, FLM NR.16, March 2012 Dröm - fabriken - Peter Cornell, Kultur, 21 February 2012 Vita duken lockar Konstnärer - Fredrik Söderling, Dagens Nyheter (pg 4 - 5) 15 February 2012 Personligen Präglad - Clemens Poellinger, SvD söndag, (pg 4 - 5) 12 February 2012 Uppshippna hyllningar till - Helena Lindblad, Dagens Nyheter (pg 8 - 9) 9 February 2012 Bonniers Konsthall - Sara Schedin, Scan Magazine, (pg 48 - 9) Febuary 2012 Ausstellungen - Monopol, (pg 120) February 2012 Modeprovokatörer plockas up par museerna - Susanna Strömquist, Dagens Nyheter (pg 8 - 9) January 2012 Promosing in Kabelvåg - Seers» «Cyclops [Monocular] at LIAF, Kjetil Røed, Aftenposten, 10 September 2011 Reconstructing the Past - Lindsay Seers» Photographic Narrative, Lee Halpin, Novel ², May / June 2011 Lindsay Seers, Oliver Basciano, Art Review, May 2011 Lindsay Seers, Jen Hutton, ArtForum Picks (online), April 2011 Lindsay Seers: an impossibly oddball autobiography, Murray Whyte, The Toronto Star, 13 April 2011 The Projectionist, David Balzer, Eye Weekly, 6 April 2011 dis - covery, exhibition catalogue, 2011 Lindsay Seers: It has to be this way ², Paul Usherwood, Art Monthly, April 2011 Lindsay Seers: Gateshead, Robert Clark, Guardian: The Guide, February 2011 It has to be this way ², 2011, novella published by Matt's Gallery, London Neo-Narration: stories of art, Mike Brennan, modernedition.com, 2010 Steps into the Arcane, ISBN 978 -3-869841-105-2, published 2010 It has to be this way1.5, novella 2010, published by Matt's Gallery, London Jarman Award, Laura McLean - Ferris, The Guardian, September 2009 Top Ten, ArtForum, Summer 2009 Reel to Real - On the material pleasure of film, Colin Perry, Art Monthly, July / August 2009 Remember Me, Tom Morton, Frieze, June / July / August 2009 It has to be this way, 2009, published by Matt's Gallery, London Lindsay Seers at Matt's Gallery, Gilda Williams, ArtForum, May 2009 Lindsay Seers: It has to be this way — Matt's Gallery, Chris Fite - Wassilak, Frieze, April 2009 Lindsay Seers: it has to be this way, Rebecca Geldard, Art Review, April 2009 Review of Altermodern - Tate Triennial 2009, Jorg Heiser, Frieze, April 2009 Tate Triennial: «Altermodern» — Tate Britain Feb 3 — April 26, 2009, Colin Perry, Art Monthly, March 2009 Lindsay Seers: It has to be this way (Matt's Gallery, London), Jennifer Thatcher, Art Monthly, March 2009 No sharks here, but plenty to bite on, Tom Lubbock, The Independent, 6 February 2009 Lindsay Seers: Tate Triennial 2009: Altermodern, Nicolas Bourriaud, Tate Channel, 2009 «Altermodern» review: «The richest and most generous Tate Triennial yet», Adrian Searle, The Guardian, Feb 2009 Critics» Choice for exhibition at Matt's Gallery, Time Out London, January 29 — February 4 2009 In the studio, Time Out London, January 22 — 28 2009 Lindsay Seers Swallowing Black Maria at SMART Project Space Amsterdam, Michael Gibbs, Art Monthly, Oct 2007 Human Camera, June 2007, Monograph book Published by Article Press Lindsay Seers, Gasworks, London, Pil and Galia Kollectiv, Art Papers (USA), February 2006 Review of Wandering Rocks, Time Out London, February 1 — 8, 2006 Aften Posten, Norway, Front cover and pages 6 + 7 for show at UKS Artistic sleight of hand — «Eyes of Others» at the Gallery of Photography, Cristin Leach, Irish Times, 25 Nov 2005 There is Always an Alternative, Catalogue (Dave Beech / Mark Hutchinson) 2005 Wunderkammer, Catalogue, The Collection, October 2005 Lindsay Seers» «We Saw You Coming»;» 20,000 Leagues Under the Sea»; «Apollo 13»; «2001», Lisa Panting, Sphere Catalogue (pg 46 - 50), Presentation House Gallery, 2004 Haunted Media (Site Gallery, Sheffield), Art Monthly, April 2004 Miser and Now, essays in issues 1, 2 + 3 Expressive Recal l - «You said that without moving you lips», Limerick City Gallery of Art, Dougal McKenzie, Source 37, Winter 2003 Braziers International Artists Workshop Catalogue, 2002 Review of Lost Collection of an Invisible Man, Art Monthly, April 2003 Slade - Hannah Collins, Chris Muller, Lindsay Seers, Elisa Sighicelli, Catherine Yass, (A journal on photography, essay by John Hilliard), June 2002 Radical Philosophy, 113, Cover and pages 26/30, June 2002 Elle magazine, June 2002, page 92 - 93 Review, Dave Beech, Art Monthly, June 2002 Nausea: encounters with ugliness, Catalogue Lindsay Seers, Artists Eye, BBC Programme by Rory Logsdail The Fire Station, a film by William Raban and a catalogue by Acme The Double, Catalogue from the Lowry, Lowry Press, July 2000 Contemporary Visual Arts, Roy Exley, June 1999 Hot Shoe, Chris Townsend.

In the latter part of 90s, Dodge co-wrote, directed, edited and starred in (with Silas Howard) a narrative feature film, By Hook or By Crook, which premiered at Sundance in 2002 and went on to garner five Best Feature awards.

FILM REVIEW: My Art Written, directed by and starring Laurie Simmons Opens in LA January 19 Laemmle Ahyra Fine Arts Theatre, Beverly Hills By Shana Nys Dambrot Laurie Simmons basically plays herself in this wry, pensive narrative about a woman artist in her 60s who is moved to confront metrics of success, agencies of authorship,...