Sentences with phrase «start painting those shaped»

Stella, for example, would have started painting shaped canvases at about the same time, 1960.

When did you start painting those shaped canvases?

Not exact matches

The shape starts out white at its peak, and gradually the paint takes on a light lavender hue as the base of the triangle slowly widens.

To begin painting your necklace in a «pinwheel» type fashion, start with a simple triangle shape.

I'll generally start with a palette or shape in mind and then the painting takes on its own life from there.

Although each course has to have a starting post and ending flagpole, everything that goes between is up to you; paint your platforms in whichever shape you want, choose from six different themes — from ground, to underwater, to the hellish castle themes — and let your imagination go wild, spicing it up with custom sound effects and anything else that might make sense.

I have recently started a series of large scale rubbings on shaped paper — circle, arch, ovals — they are strongly related to my recent paintings, but are monochromatic — greys and blacks — and shift between being voids and objects.

Or you can see it as a kind of «motif» or configuration that runs from right to left, horizontally across the centre of the painting, starting at the right - hand slope, running across the strong green horizontal bands, and ending in the mid-left hand - shaped fanning - out.

He defines systems in his work as «a way of communicating an intelligible idea in terms of shapes colours and forms, or an organisation principle that I predetermine and allow to run to see what the outcomes will be...» In his painting here, Triangles within a Dodecagon, he takes the regular twelve sided shape as its starting place and bases an equilateral triangle between two of the vertices, or along one of the sides.

With the exception of the few black shapes that made their appearance at the start and the end of her painting life, Martin's palette is airy and light — neither heavy nor dark — and it's no stretch to associate this with the classicism she espoused or with the ideas of perfection and joy and innocence, and so on, which held her rapt.

The paintings are not portraits of specific people, but the artist often uses the same facial shapes and motifs as a starting point for painterly exploration, such as in Shared Borders and Shared Space.

Although these painters started out painting in what was called an objective style, deploying abstract shapes in large space, they soon migrated to using the physical world and representative subjects to experiment with shape, color, texture and temperature in their painting.

He starts each painting with a layer of abstract sharpie drawings, then paints white shapes over the whole thing, and then adds in a full background of cities and scenes.

Doing those paintings was a big help in the transition because I was working from the shape of the piece of marble, a found shape, and as a result, I started using diagonals.

Ms. Mehretu, who received her M.F.A. from the Rhode Island School of Design in 1997, has always layered her canvases with diagrams and information as a starting point: architectural plans of arenas or fortified cities underpin her small dashes and shapes that move in swarms across her early paintings.

They hark back to a time when flatness was abstract painting's primary goal, and the physical facts of the medium were starting to be endlessly parsed — beginning with shaped canvases — in a process that continues today.

All the paintings feature repeating bands or stripes of a single color applied to canvases that start out rectangular and end up emphatically shaped, resembling big letters.

Guérin works on multiple paintings and drawings at once, starting with a single scheme or shape that she repeats across different compositions, then allowing her response to each work to develop independently.

Carmen Herrera, now at 102, sold her first painting at the age of 89, although her paintings of striking colors and geometric shapes have been at the center of her life since she started studying drawing at Marymount School in Paris in 1929.

Asked about the interaction between the image and support edge, Phillips comments: «I like that the image itself is a form... as you start to make the painting, you're given the rectangle, but that it doesn't necessarily have to live withing that arbitrary shape.

A pivotal gesture for Baldessari — he says it marks when he stopped being a painter and started to follow Duchamp's lead — was the 1970 Cremation Project, in which he burnt all the abstract paintings he had made between 1955 and 1963 and put the ashes into a book - shaped casket.

In 1974, he started working with shaped stretchers and introduced the element of line into his paintings.

Reducing her formal vocabulary to its essential elements, Herrera started creating paintings in which boldly coloured, sharply defined geometric shapes predominated, and she exhibited this new work through the salon in 1949 — 52.

I start a painting with a vague thought — it could be based on my everyday experience, or something else altogether — and from there a story begins to take shape.

At a very early stage he starts adding various materials to the ground of his paintings and they have various functions; they change the surface, but also influence the composition, undermining the more literal shapes and painted forms, or are used to reinforce the more formal linear structure.

The installation represented a room filled with shaped canvases, including his Angular and Bi-angolari series he started working on during that same decade, all painted with pristine white only.

Charles starts his paintings with anything at all, simple painted shapes of animals and other images, or collaged materials of all sorts and big fat spills of paint, which liver when dry, providing a complex, wrinkled terrain that he then covers with tiny lines and dots of sign - painter's enamel, squeezed from little bottles.

Soon after, Frank Stella started the construction of his Shaped - canvas, paintings of singular and original forms that challenged traditional canons.

Starting with simple geometric shapes and slowly evolving into slightly more representational paintings to abstracted still lifes, the repetition of color and shapes starts to develop an internal dialogue.

Helen Frankenthaler was one of the first artists to use the stain painting technique, pouring the paint mixture directly onto the unprimed canvas and painting shapes as they stained, Morris Louis started soaking his canvases and eliminating brushes completely from his practice, and several other artist started experimenting with spray painting and the use of stripes.

A 1995 exhibition in New York, Kenneth Noland at Leo Castelli, covered 35 years of Noland's work, starting with two target paintings from 1960 and ending with paintings from his Flare and Flow series of the 1990s, multipanel paintings with capricious curved shapes, sometimes separated by strips of colored Plexiglas.

As soon as I left Yale I started experimenting with more referential shapes, and with putting imagistic elements into paintings that were still pretty abstract.

Eventually, he started to form the clumps into flower shapes and spray paint them silver, which on the canvas created the illusion of working with tin foil.

When he started painting, he was forced to work solely with his left arm, yet despite his handicap, he always worked alone, obsessively piling lines and shapes of various densities on his canvases by himself.

JR: I start these new paintings with watercolor sketches from photographs of the park, and I try to figure out patterns and shapes.

The square is the most standard shape for any painting and white the most neutral color and thus the starting and ending point of his investigations.

She started simply at first, tilting her compositions as in paintings like «Falling,» 1976, and «Searchin»,» 1976 - 77, but as Murray became more and more obsessed with the «edges» of her paintings, she began to deliberately design the canvases in a specific shape such as in works like «Harry,» 1976, and «Desire,» 1976.

Through simple gestures of pouring and removing paint, gravity shapes the lines and forms that start to resemble organic elements.

And then, by sheer chance, the map shapes appeared whilst I was in Hotel Chelsea so I started painting maps of South America and Guyana, and then I decided that I would do the entire flat map as a motif to work with.

And in viewing the painting Cerberus I start to think that the central white shape might resemble a head of the dreaded creature, and then to wonder what might be guarded, i.e prevented from getting out of the painting into the external world, or vice versa.

For at least 10 years I did only white paintings, starting with reduced, minimal, shaped canvases.

In every one of these paintings I start by filling up the surface with marks and then I look at it and find some shapes, and then it just starts taking off and becoming it's own life force.

It wasn't in bad shape, a little beat up, but I needed the color to be darker to start with, so I used a mix of Reclaim Mocha and Reclaim Licorice, a paint we carry that is usually rolled on, but sometime I use it as a «paint stain» --

The room is starting to take shape once more!There's still a lot left to do, like painting and tiling, but it should start moving more quickly at this point.

They started with antique wood chairs, all different shapes and styles, and then painted each one the same color, so at first glance they look like a matched set, until you go to sit down at the table, you notice that they are all very different from each other.

No, I didn't sand because the piece was in pretty good shape, but if you have peeling paint to start with, you'll want to sand it first.