Frederic Tuten I understand that
you started as a conceptual artist.
Not exact matches
I
started thinking about
conceptual artists such
as Lucy McKenzie and Mary Heilmann.
In the context of the exhibition ``... and yet one more world,» presented by Kunsthaus Hamburg, the oeuvre of the seminal German
Conceptual artist Hanne Darboven (1941 — 2009) serves
as a
starting point for an exploration of its present - day impact and relevance from the perspective of a younger generation of international
artists.
In fluenced by western modern and contemporary art, Chinese
artists start applying new concepts, such
as symbolic elements and inspirations from everyday life to create unique works, which focus more on specific questions than the
conceptual ones and keep shaping the relationships between art and reality.
The solo exhibition Sanctuary brings together bold new, accompanied with some existing artworks from the London based
artist's signature collage technique, using French antique sewing patterns
as the
conceptual and material
starting point for each work.
Apart from the many historical examples, other contemporary
artists to have
started out
as assistants include
conceptual artist Darren Bader and painter Rachel Howard, who helped sculptor Urs Fischer and Damien Hirst respectively.
Starting off
as a key
artist in the
conceptual art movement of the 1960s, he wrote this infamous «statement of intent,» which dictates much of his work: 1.
Since the mid-1960s when he
started out
as a fledgling critic, Dan Graham has carved out a unique role for himself, expanding the scope of the
Conceptual artist to incorporate art criticism, music criticism, photography and architecture.
Starting off
as a key
artist in the
conceptual art movement of the 1960s, he wrote this infamous «statement of intent,» which dictates...
Conceptual artist Sol LeWitt experimented with geometry in both his wall drawings, often structured around strict angles and shapes, and his sculptures, often taking the structure of a cube
as the
starting point.
The gallery represents
artists who use photography
as a
starting point for
conceptual and interdisciplinary practices that span performance, sculpture, and installation.
«The
conceptual groundwork of the show takes one common
starting point and allows each
artist to splinter off into their own natural direction, whether it's Richard Tinkler using color
as a base for his complex drawing system, or Brook Hsu and Haley Josephs using memories from childhood, or even Lukaza Branfman - Verissimo using the colors
as a stand in for people in her work Growing Resistance which employs the vernacular of a protest sign.»
The Boston - based Lemieux got her
start in New York in the early»80s, during which time,
as an assistant to David Salle, she aligned herself with the young generation of painters and
Conceptual artists associated with Mary Boone Gallery and Metro Pictures.
The late Colombian
conceptual artist Miguel Ángel Cárdenas moved to Holland in 1962, became Michel Cardena, and immediately
started to shed his deep - seated image of the body
as shameful and indecent in favour of a sculptural practice that incorporated the use of genetilia, tubes, zippers, spongy materials and bold colours.
The sculptures function
as a
conceptual starting point for the works on paper displayed in the lower galleries; the imaginary environments portrayed in these drawings are the
artist's representation of the notional space inside the bronze objects.
The Vancouver School of
conceptual [193] photography (often referred to
as photoconceptualism)[194] is a term applied to a grouping of
artists from Vancouver who achieved international recognition
starting in the 1980s.