Sentences with phrase «started painting a pattern»

I used regular Benjamin Moore eggshell black paint and started painting a pattern.

Not exact matches

Just lay down tape in a fun pattern or maybe go for something more abstract, and start painting!

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The illustrations follow a similar pattern: I make a thumbnail sketch of how I think the pictures will flow, Penny shares ideas, and I start painting.

I start my paintings with a stained pattern, often a variation on historical women artists designs (Sonia Delaunay, Varvara Stepanova, Lyubov Popova, Vanessa Bell).

Typically he gets the patterns started, paints over them in translucent white, and then picks up the patterns again.

Harlequin patterns in the Bushbaby series of 2003 to 2006 can be traced to Pablo Picasso's paintings of harlequins made at the beginning of the 20th century, and his 2012 series Regrets took as its starting point a photograph of Lucian Freud by the photographer John Deakin.

(1959), «Black Paintings» series «Out of frustration with some previous works I'd made using combinations of black, yellow and red stripes, I started making symmetrical paintings with all - black bands that radiated in concentric patterns from the center of the comPaintings» series «Out of frustration with some previous works I'd made using combinations of black, yellow and red stripes, I started making symmetrical paintings with all - black bands that radiated in concentric patterns from the center of the compaintings with all - black bands that radiated in concentric patterns from the center of the composition.

Starting out as a «Neo-Pop» painter, Christopher Wool explores painting's elusive and allusive qualities with a variety of methods including using commercial rollers to apply decorative patterns on white panels.

Studying their paintings in museums, he started from digitally manipulated photographs and through his characteristic approach created images that allow recognition of the original artwork, but still making visible details of the complex surface, the tactility of the paint, the brushstrokes and the pattern of the canvas.

«Some paintings may start out as a visual impression, others as a moment or experience and some as a rhythm or pattern in time.»

Starting with two patterns, a two - tone, green ivy motif and a graphic image of white birds, MacDonald made large stencils through which she applied paint and plaster directly onto the room's walls.

She is responsible for large scale prints, drawings and paintings that are based on heavy layering in order to create images from patterns and architectural photographs — although the end result does not give away what Mehretu used to start creating.

Young, who also appeared in a show about the persistence of abstraction, starts minimally enough in 1963, with small paintings, dense patterns, and thick stretchers.

The paintings start with a large curtain textile that the artist uses to push paint onto the canvas, revealing patterns, reapplying with varying intensities to create smudges and areas of pooled pigment.

Given the ubiquity of these tiny breaks in the color patterns, I was surprised that Forge had not pigmented the prime coat before he started to apply paint, thus minimizing the harshness of the division between color and no - color.

But opening an exhibition with a room full of vapid Warhol paintings of Rorschach blots, camouflage patterns and murky shadows (they date from 1978 to 1986) starts things off with a stumble.

Katherine Bernhardt's large - scale paintings based on Moroccan rugs take intricate patterns as a starting point for her loose, gestural brushwork.

Each piece starts with sets of elements made through meditative painting - focused on aspects of color, pattern and mark making on paper.

Yes, staining is somewhat unpredictable, and that dialog between control and chance was where much of my vocabulary started, but I feel I've always been as invested in the image and politics of representational space, with pattern and decoration and with color field painting, as in the physical process of making the painting.

Starting out as a Neo-Pop painter, Christopher Wool explored painting's elusive and allusive qualities with a variety of methods including using commercial rollers to apply decorative patterns on white panels.

Flood started cranking out large, seductively pretty paintings with patterns lifted from lace.

And I realized I had to do something 1983 Rammelzee vs K Rob «Beat Bop» 1984 First shows at Clarissa Dalrymple and Nicole Klagsbrun's Cable Gallery (artists of Wool's generation who begin showing same period include Philip Taaffe Jeff Koons Mike Kelley Cady Noland and James Nares 1984 produces first book photocopied edition of four: 93 Drawings of Beer on the Wall 1984 Warhol Rorschach paintings 1986 First pattern paintings 1987 Joins Luhring Augustine Gallery 1987 First word paintings 1988 Collaborative installation with Robert Gober one painting by Wool (Apocalypse Now) one sculpture by Gober (Three Urinals) one collaborative photograph (Untitled) and a mirror Gary Indiana contributes a short piece of fiction to the accompanying publication 1988 In Cologne sees show of Albert Oehlen's work meets Martin Kippenberger 1988 First European shows Cologne and Athens 1988 Collaborates with Richard Prince on two paintings: My Name and My Act 1989 Museum Group shows in Amsterdam Frankfurt am Main and Munich Whitney Biennial 1989 One year fellowship at the American Academy in Rome 1989 Starts taking photographs 1989 Publishes Black Book an oversized collection of 9 - letter images 1989 Fall of the Berlin Wall 1990 Meets Larry Clark 1991 First survey mounted at Boymans - Van Beuningen Museum Rotterdam publishes accompanying artist's book Cats in Bag Bags in River color photocopies of photographs of black and white paintings 1991 Creates edition of small paintings for ACT - UP New York Needle Exchange 1991 Participates in Carnegie International includes painting and billboard with truncated text announcing «THE SHOW IS OVER» 1991 Meets Jim Lewis 1991 Relocates studio to East 9th Street in New York 1992 LA riots 1992 DAAD residency in Berlin 1993 Publishes Absent Without Leave 160 black - and - white images from travel photographs taken over previous 4 years 1993 Begins silkscreened flower paintings 1993 Meets Michel Majerus 1994 Makes road - signs for Martin Kippenberger's Museum of Modern Art Syros 1994 New York Knicks lose to Houston Rockets in Game 7 NBA Finals 1995 Organizes retrospective of the New Cinema late 70's New York underground Super-8 films 1995 First spray - paintings 1995 Kids 1996 East Village studio severely damaged in building fire leaving Wool without a working space for 8 months artist's insurance photos become portfolio Incident on 9th Street 1997 Marries painter Charline von Heyl 1998 Museum of Contemporary Art Los Angeles mounts mid-career retrospective travels to Carnegie Museum of Art Pittsburgh and Kunsthalle Basel 1998 Begins silkscreen re-imaging of own work 2001 Solo exhibition at Secession Vienna 2002 «Grey» paintings 2003 East Broadway Breakdown photos of New York City 2005 First digital drawings 2006 Contributes art to Sonic Youth Rather Ripped 2007 Collaborates with Josh Smith on Can Your Monkey Do the Dog 2008 Collaborates with Richard Hell on Psychopts 2008 Christopher Wool lives and works in New York and Marfa Texas

The things I started painting were just things without pattern.

JR: I start these new paintings with watercolor sketches from photographs of the park, and I try to figure out patterns and shapes.

But the starting point of Callegari's works are Renaissance paintings that the artist deconstructs to create the abstract pattern.

I started out making paintings which were a little influenced by the Pattern and Decoration movement that was very prominent in the late»70s.

I painted a chair with a chevron pattern on the seat, but like you said once you start you HAVE to finish.

Absolutely Lisa, my email is [email protected], but I think I would simply paint them out with some chalk paint to keep things simple, staining intricate patterns and spindles, etc. can start to get pretty tricky.

Start with the standout pattern first, and then take it to your local paint shop and have them recreate your favorite hue

Step 2) Using the pattern as a stencil, paint around the bunny pattern starting from the middle of the pattern and painting outward.