However, from the 1970s onwards,
he started painting his structures in primary colours.
Not exact matches
He
started painting more
structured works, usually politically motivated, mostly as a reaction to the Spanish Civil War (1936 - 1939).
His meditatively repetitive works are
structured by the act of
painting itself: he begins with a loaded brush and then applies
paint methodically until it is spent, before
starting again.
If I had any way of abandoning the object as the bearer of this
structure, I would immediately
start painting abstracts» (G. Richter, «Notes 1964 — 65», in D. Elger and H. Ulrich Obrist (eds.)
The Glass House was the
start of Johnson's 50 - year odyssey of architectural experimentation in forms, materials, and ideas, through the addition of other
structures - the Brick House / Guest House, Pond Pavilion,
Painting Gallery, Sculpture Gallery, Ghost House, Library / Study, and Da Monsta — and the methodical sculpting of the surrounding landscape.
If I had any way of abandoning the object as the bearer of this
structure, I would immediately
start painting abstracts» (G. Richter, «Notes 1964 — 65», in D. Elger and H - U.
Jasper Johns
painted False
Start, a work whose
structure and
paint handling has curious similarities to some Abstract Expressionist works (particularly Clyfford Still's).
I think my goal is to create my own language within a
structure that is referential to the history of
painting and abstraction because I think in a lot of ways abstraction
started with that early modernist work.
If I had any way of abandoning the object as the bearer of this
structure, I would immediately
start painting abstracts.»
I
started layering them on top of each other to create another
structure with fictional scaffolds on which to
paint.
At a very early stage he
starts adding various materials to the ground of his
paintings and they have various functions; they change the surface, but also influence the composition, undermining the more literal shapes and
painted forms, or are used to reinforce the more formal linear
structure.
Taking this pictorial
structure as a
starting point, Vasell has fashioned
paintings that are made up of disparate elements collaged onto stained canvases.
In the 1980s, Dunham
started painting on wood and using the grain of his material as a
structure for the nascent
painting.
The
structures or the black forms in the
paintings are kind of figured out when I
start.
The table
paintings start with the table (
structure) which is never predetermined and is made intuitively.
At the
start of each
painting I am aware instinctively of a
structure or hierarchal order; I see in a hierarchal way, very quickly.