Sentences with phrase «started painting images»

For instance, in the early 1960s, after designing sets and costumes for choreographer Paul Taylor, Katz started painting images of dancers.

Not exact matches

U nder the influence of western painters who settled in Bali in the 1930s - Balinese artist started painting single scenes instead of narratives tales, using images from everyday life as their theme,

COLOR PHOTO: GREG FOSTER [See caption above] B / W PHOTO: ROBERT L. SMITH BUFFALO BOB With the Bills, Kalsu (61) worked as hard as he had at Oklahoma and started nine games as a rookie.B / W PHOTO: COURTESY OF AUDREY WRIGHTSELL BROTHER - IN - ARMS Johnson, who was practically inseparable from Kalsu on Ripcord, would die with him too.COLOR PHOTO: GREG FOSTER LASTING IMAGE At home in Oklahoma City, Leah Kalsu keeps a painting of Bob by another former Sooner, Tommy McDonald.

Since I am right handed, I always start applying paint on the top left of the image.

The second image released starts to to literally paint the picture that what we are seeing is concept art for an upcoming game.

Because chronologically the images become real visual quotes, explaining a lot: they illustrate very clearly the start, developments and ending - including all moves and changes, of Gorky's painting art art.

Because chronologically the images there become visual quotes; they illustrate very clearly the start, developments and ending - including all the moves and changes - of Jorn's painting art.

Because chronologically the images there become real visual quotes; they illustrate very clearly the start, developments and ending - including all the moves and changes - of Renoir's painting art.

Because chronologically the images of her art become visual quotes of her artistic life; they illustrate very clearly the start, developments and ending - including all the moves and changes - of Georgia O'Keeffe's painting art.

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Working from historical landmark photographs, each image starts as a romanticized original painting in watercolor by celebrated artist Jay Fisher.

I have chosen this image showing the light breaking through dark clouds because I loved the drama and movement in the image I will be using it as a starting point for my pastel painting but am always prepared to let the painting guide me as it develops.

With their paintings around them, all three artists started off by talking about their process and it's relation to image - making.

I've also started doing something I've never done before: making paintings from images of specific paintings of masters like Delacroix, Courbet and Titian.

As an undergraduate art history major who didn't start painting until several years later, I studied the paintings from an academic perspective, so stumbling across these old familiar images now that I've been painting for a while is exciting.

But what followed was series after series of different kinds of images, based on different starting points: tapestry paintings, torn poster paintings, ballet paintings, and early product paintings, to name a few.

Starting with lost and «abandoned» footage created by Deren, McElheny has re-filmed, deconstructed and extensively processed these moving images to suggest a world of abstraction that sometimes coalesce into bodies or objects, or, in reverse, where mannerist bodies passing through the painting seem to dissolve themselves into granular abstraction.

Starting from an abstracted image of a waterfall — paint which has been left to literally drip down across the painting's surface — Steir's paintings borrow from the vertical compositions of Chinese landscape painting and reference the metaphysical power of the waterfall as a symbol connecting heaven and earth.

The artist, who works frequently from the model and always in natural light, seems to start each canvas with a discernible image that gradually succumbs to the material and the process of painting.

Between new media, new - image painting, neo-geo, and neo-expressionism, everything had to start with a word new that really meant old.

In Trinidad, Doig started to paint directly from observation of its land, flora and seascapes, but also integrated at will figures from his huge archive of images.

The photographer — who rose to fame in the early 1990s with a modern style characterised by the merging of digital manipulation and darkroom techniques — has since started «composing» his images by integrating an interest in the natural world with concepts typically associated with painting and cinema.

His paintings have several layers usually starting with a film still or reference to another art work, on which he aggressively piles paint to disrupt or re-contextualize the original image.

Starting with his earliest works from the early 1950s, Rivers painted figuratively, at first turning away from the fashionable expressionist abstraction of Pollock and de Kooning, He would later incorporate the paint application and openness associated with Abstract Expressionism, while always remaining firmly representational, never losing the image.

Back in December, I wrote an article in which I suggested that, after a number of years in which abstraction has been the dominant mode of painting in the «contemporary art world,» we might start to see an upswing in image - based painting.

True to his practice, his most recent series of paintings started from a collection of found images in mainstream news, sports, and entertainment media.

Alongside the works of Jasper Johns and Robert Rauschenberg, whom he knew as younger artists, Rivers's appropriation and use of mass market images in his paintings starting in the mid-1950s presaged the Pop Art movement.

Painting for Montgomery is not the pursuit of one ultimate masterpiece but rather a collection of choices, starting from the ground up, to reach an image - like quality.

Jasper Johns (born 1930) made his major breakthrough as a painter in the mid-1950s when he started using iconic, popular images in his paintings — an explosive move at a moment when advanced painting was understood to be exclusively abstract.

We knew that the show couldn't be an exhaustive survey of self - portraiture but we started by thinking about the Van Dyck painting and what makes it so important: the fact that the artist caused such a seismic shift in the approach to portraiture in the 17th century that was to last for at least the next three centuries; that his portraits were a form of «self - advertisement» and show an acute awareness of his identity and public image as a successful artist; that it was his final self - portrait, made in the last year of his life at the age of 42 and that his various self - portraits (there are seven known in total) trace his life as an artist.

Studying their paintings in museums, he started from digitally manipulated photographs and through his characteristic approach created images that allow recognition of the original artwork, but still making visible details of the complex surface, the tactility of the paint, the brushstrokes and the pattern of the canvas.

Once you paint an image, it starts to become something else.

Starting with two patterns, a two - tone, green ivy motif and a graphic image of white birds, MacDonald made large stencils through which she applied paint and plaster directly onto the room's walls.

Images start with «beddrawings» and then become paintings.

Sometimes I paint a previous painting from memory, sometimes I invert an image of a finished painting to be a starting point for the next.

BB: I've made a few paintings that are not based on any kind of image, but basically I start with images.

The image can be of a woman reading on the bed and the paintings all start out with that.

Artfetch Goes Undercover», Artfetch, December Pryor, Riah, «Busy start for younger galleries at the fair», The Art Newspaper, December Abbott, Rosa, «I Love Those Paintings @ Mother's Tankstation», Totally Dublin, April «Location One: One and Many», island, January 2011 «Atsushi Kaga», LEAP Art HK II Supplement, July Greg Cook, «Cartoon Network», Boston Phoenix, 18 February 2010 «Hay un conejo sobre la calavera de Michael Jackson», www.dadanoias.net, December «re (tour) sur foire», Bonnie Bulle, November Blount, Mai, «Universal Soul Grammar», mother's annual 2010 «Atsushi Kaga, 31, Artist», Sunday Business Post, July Daragh Reddin, «Atsushi Kaga: Rest With Us in Peace», Metro, 8 June «Der Künstler Atsushi Kaga...», Bavarian State Opera Magazine N ° 6, June «Furry creatures,» Image Interiors, May — June «Atsushi Kaga», Urban Outfitters blog, February 2009 David Marx, W., «Genius», Nylon Guys, July 2008 McCarthy, Gerry, «Super Funny Animals», The Sunday Times, 4 August Dunne, Aidan, «All eyes on the Marble City», The Irish Times, 15 August Gorman, Sophie, «Bunnies, Slogans and Donuts?

Elizabeth Magill has developed a novel technique for her oil paintings, often starting off with a photographic image on the canvas, which she proceeds to work on, applying and scraping away layers of paint, until she achieves the mood in the painting which she is seeking.

Upon viewing the paintings at a closer distance, the images begin to transform; the detail starts to appear and the material and form, along with the process, completely changes to give way to the realisation that the paintings are in fact knitted pieces layered together to form an abstract painting, using wool to replicate the process of paint.

«Ever since I started painting, I have tried to get the fluidity and surprise of image connection, the simultaneity of film montage, into painting.»

She is responsible for large scale prints, drawings and paintings that are based on heavy layering in order to create images from patterns and architectural photographs — although the end result does not give away what Mehretu used to start creating.

It was a three - dimensional realization of his 1926 painting of the same title, by René Magritte, which depicts an artist's studio, the starting point for an array of responses to the Belgian surrealist's image.

There was a resurgence of new image and imagery being used in art, thanks in part to the Whitney's earlier show «New Image Painting», that started happening in the late 70's, early image and imagery being used in art, thanks in part to the Whitney's earlier show «New Image Painting», that started happening in the late 70's, early Image Painting», that started happening in the late 70's, early 80's.

In 1968 there is a change of route with the performance titled Cancellazione d'Artista, held at La Tartaruga, whose photographic record is on view at the Roman exhibition: the artist stands behind a glass sheet that he starts painting until the color completely deletes his image.

Although Thomas has noted that not every painting has a collage, every image starts with a photograph, staged in a wood - paneled corner of her studio, and which directly informs and often serves as the basis of her elaborate, rhinestone - clad paintings that explore notions of black female beauty and identity.

Among the highlights of the exhibition are Wegman's postcard paintings, canvases that use vintage postcards as their starting points, physically incorporating multiple images into fantastic tableaus.

But that was my real school because when I started to make paintings the battle between image and abstraction was very important.

Schapiro's looser expressionist paintings crowded with brushwork at the start of her career began to include, along with images evoking the feminine, geometric forms and more open spaces in the 1960s.

In Trinidad, Doig started to paint directly from observation, but continues to insert figures that come from his archive of images.