Sentences with phrase «starting painting his subjects»

He starting painting his subjects upside down, as in the Forest on its Head (1969, Ludwig Museum).

Not exact matches

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Mosieur has been painting with oils since she was 10, and pets have always been a favorite subject, «starting with my own,» she smiles.

Before I started working this way, I was painting nudes, and most of my work still begins that way, with a nude figure that I «dress» as the piece develops, usually according to whatever I feel that subject would wear.

Haggarty comments: «I never start a painting and think I'm going to arrive at a subject, or I'm going to find it through process... I want mistakes to happen and I want process to intervene and surprise me and interrupt me but... it almost always has some kind of direct relationship with either a memory, or a situation I have been in... and I wonder how I can remember that and portray that... [The works] are almost always rooted in some kind of personal memory.»

If I am painting very intricate subjects like this, I usually start with a very dark area to set the lightest lights and darkest darks.

Larry Groff: Do you spend a lot of time looking and thinking about the subject before you start to paint?

The subject would turn out to be Monet's last confrontation with modernity, before he abandoned the painting of modern life, and started to pursue pure landscape painting.

It starts with the subject of his narrative paintings, much as for a pre-Romantic like Jean - Baptiste Greuze.

Although these painters started out painting in what was called an objective style, deploying abstract shapes in large space, they soon migrated to using the physical world and representative subjects to experiment with shape, color, texture and temperature in their painting.

As I started to think of the works less and less as portraits, other questions started to come up and other things started to interest me more about the actual nature of the painting itself and what that did to the subject rather than what the subject did to the painting.

My subject matter is risky, because when you put people in your paintings and start inventing stories about them, they run the risk of being corny.

Starting with his famous painting Washington Crossing the Delaware, the artist gained immediate attention, even acclaim, painting historical subjects, often done tongue and cheek, of events in popular American history.

Harris started out representationally, painting the landscape as well as urban scenes from Toronto of houses and industrial subjects.

For the last 15 years or more Trinidad has been the subject or starting point for so many of his paintings.

Conversation between herself and her subjects is a vital starting point of each painting, giving a resonance and vibrancy.

His work, starting in the 1980s was usually of the figure including a number of major paintings with subject matter.

Sotheby's started the evening's other 38 lots with the 2012 painting «Drown,» by the young Nigerian - born figurative painter Njideka Akunyili Crosby, who earlier this year was the subject of a one - woman show at the Norton Museum of Art in West Palm Beach, Fla..

Starting in 1980 with a mischievous little egg - tempera — «A Portrait of the Artist as a Shadow of His Former Self,» which features a grin missing a crucial tooth — Marshall has painted his African - American subjects mostly in unmixed black paint.

Whatever Peter Doig's starting point, the motif is filtered through multiple studies, and is subject to continual change driven unpredictably by what happens when the paint is applied to the canvas.

In 1975, Burri started to use the material not just as an invisible supporting ground for his paintings, but as his subject, exposing the material.

It was a conscious effort to find his own new approach to painting: «Since I had just come back from Canada and was again searching for a subject, I started making these quite homely paintings, paintings of quite modest subjects».

Stand as close as possible (with your hands clasped behind you so the gallery guard doesn't start to panic you're going to touch the painting) and spend time studying the paint and brush marks, not the subject of the painting.

But my starting point is always the language of painting itself and how that relates to the subject matter.»

A calming quietness which is contemplative and moving pervades her paintings.There is an inherent spirituality that is felt through Paul's representation of people and locations.The artist's primary subject was her mother from 1977 to 2007 she then started painting her sisters and close friends.

Already famous for his combines (the subject of a recent, well - regarded retrospective at the Metropolitan Museum of Art) and the 1958 - 60 transfer drawings on the theme of Dante's Inferno, Rauschenberg wanted to start fresh and try to make paintings, simply to paint, without employing the attached objects that had put him in the international spotlight.

And when, finally, I dare bring up the subject of Gauguin once again, he starts to talk about Red Boat (Imaginary Boys), a picture from 2004, and how comparisons between that painting and Gauguin's work had prompted him recently to take up the subject once more.

Working between abstraction and representation, artist Byron Kim (b. 1961) starts many of his paintings with careful observations of the natural world, depicting a range of subjects from the daytime sky to human skin tones.

In high school they can start to take art classes in specialized subjects, like drawing, painting, crafts, ceramics, digital art, graphic design, and photography.

Often when I start a picture over, I will obliterate the painting underneath with a dark glaze of red or green - not related at all to a subject - or paint a live coat of pale color to work out of.

Gina began making abstractions in the studio and I began making large collages in acrylics; the colors I added became less about enhancing the colors in the subject and more about making new relationships emerge from the field — in this sense I see myself going back to the way I worked in «Night», although now including work from observation (I start the collages with painting outdoors).

2017 The Girl Next Door, RJD Gallery, Bridgehampton, NY 2017 Market Art + Design, Art Fair, Bridgehampton, NY 2017 No Boundaries, RJD Gallery, Bridgehampton, NY 2017 Earthly Delights, RJD Gallery, Bridgehampton, NY 2016 The Princess and the Provocateur, Richard J. Demato Fine Arts Gallery, Sag Harbor, NY 2016 Art Hamptons 2016, Art Fair, Bridgehampton, NY 2016 Parallel Universe, Richard J. Demato Fine Arts Gallery, Sag Harbor, NY 2016 Prized Possessions, Richard J. Demato Fine Arts Gallery, Sag Harbor, NY 2015 Art for the Holiday, Richard J. Demato Fine Arts Gallery, Sag Harbor, NY 2015 Women Painting Women, Richard J. Demato Fine Arts Gallery, NY 2015 Art Southampton, Art Fair, Southampton, NY 2015 The Revolution Hasn't Started, Richard J. Demato Fine Arts Gallery, Sag Harbor, NY 2015 A Magic Menagerie, Richard J. Demato Fine Arts Gallery, Sag Harbor, NY 2015 A Curious and Wonderful Bewilderment, Richard J. Demato Fine Arts Gallery, Sag Harbor, NY 2014 Women Painting Women Exhibition, Richard J. Demato Fine Arts Gallery, Sag Harbor, NY Spring Fusion Exhibition, Richard J. Demato Fine Arts Gallery, Sag Harbor, NY LA ART Show, LA Convention Center, Los Angeles, CA 2013 Women Painting Women, Richard J. Demato Fine Arts Gallery, Sag Harbor, NY Enchanted Impressions, Richard J. Demato Fine Arts Gallery, Sag Harbor, NY ArtHamptons, Nova's Arc, Bridgehampton, NY Objects of Desire, Richard J. Demato Fine Arts Gallery, Sag Harbor, NY Loyal Subjects, Richard J. Demato Fine Arts Gallery, Sag Harbor, NY Hope's Journey V 2012 Group Exhibition, Richard J. Demato Fine Arts Gallery, Sag Harbor, NY www.rjdgallery.com 10th Annual Surrealist, Visionary, and Art of the Spirit Exhibition, Caladan Gallery 2011 «The Year of the Chimera 6.3», Glass Garage Fine Art Gallery, West Hollywood, CA 2010 Fantastic, North Dakota Museum of Art, Grand Fork, ND Psychoradiology: Applied Jungian Concepts, Glass Garage Fine Art Gallery, West Hollywood, CA 2009 Los Angeles County Museum of Art, Special Museum event, Hollywood, CA.

In 2006, Colen started to make paintings with chewing gum instead of paint, ushering in a long period during which he traded representational subject matter for an exploration of the medium itself.

Alongside «La Notte (1961)», Reid presents new paintings taking the theme of an absent subject as a conceptual starting point.

In the Stare series, the artist uses a single found image as a starting point for a number of works, with the face of the subject repeatedly reworked in layers of paint.

I was really interested in a number of question: what is a painting; how could so little could provoke so much looking; what is the basis for the artist of this kind of work; is this a reduction or expansion of painting, i.e., is minimalist painting additive (starting from zero) or subtractive (a removing from painting of other subjects, techniques, concerns); how are decisions made by the artist; what are the differences between similar kinds of work, and how does an individual resist the urge to fix things up, design, and decorate.

As it was already mentioned, Tuymans started working in the specific period where a traditional painting was not seen as the potent ground for delivering contemporary subjects.

By breaking taboos, Manet started a conversation about painting itself, rather than subject matter.

It wasn't until the Renaissance era that artists started painting landscapes as a subject in its own right.

Thomas hires models or invites relatives (sometimes using herself as a subject) into the space, photographs them, makes collages, then starts on the paintings themselves.

The paintings he made during his last 20 years, starting with the war years, are the subject of «Braque: The Late Works,» a retrospective that opened here at the Royal Academy of Arts and is on view through Aug. 31 at the Menil Collection in Houston, Texas, its only American venue.

He started producing paintings with the subjects painted upside down, in accordance with the idea that the subject is less important than the paint itself.

In 1946 Kline started generalizing subjects into series of lines and planes, which produced semi-abstract Cubist - influenced paintings.

The subject is the starting point, and the painting becomes increasingly self - referential thereafter.

Photography has its place as well, starting with Aaron Siskind's equivalents to Ab Ex paintings (Chicago 8, 1948, pictured) and extending to how photographers such as Barbara Morgan and Harry Callahan took energy, motion and nature's rhythms as their subjects.

He starts out by declaring indoor air quality, material choices and the VOC content of paint, all those subjects dear to TreeHugger, to be unimportant.