Not exact matches
Zathura's strength lies in the imaginative aspect
of the story, even if it's similar to Jumanji, the
film uses fresh ideas to tell its own story by introducing different ideas, concepts that work well to
keep you on the edge
of your seat from
start to finish.
The actor actively campaigned for this role during interviews and on social media, so even if the
film keeps getting delayed, Channing Tatum may still stick with it for the long haul, until all
of the pieces finally come into place and production
starts.
Del Toro's
film starts off with an origin
of sorts, set back in the waning days
of World War II, where the Nazi army has taken to more desperate measures to
keep their mission alive, which includes opening a portal to Hell to draw darker powers.
Rating: 5/10 — a man (Lowery) drives across country after the death
of his brother and gives a lift to a woman (Lane) who tricks him into being the getaway driver in a bank robbery, a situation that sees him on the run from the police but determined to prove his innocence; a gritty, hard - boiled
film noir, They Made Me a Killer adds enough incident to its basic plot to
keep viewers entertained from
start to finish without really adding anything new or overly impressive to the mix, but it does have a brash performance from Lowery, and Thomas's direction ensures it's another solid effort from Paramount's B - movie unit, Pine - Thomas.
The Losers» Club he's assembled is stellar across the board; there's nothing about these kids that seems fake or affected, to the point that even when the
film starts to fly off into more extreme flights
of fancy, they manage to
keep it firmly grounded.
Interestingly, the
film starts with a title card explaining that not all
of the
film is 3D, but to
keep your glasses on regardless.
The two bond personally and professionally over family problems and a common worship
of Beckham, and when director / co-writer Gurinder Chadha
starts maximizing the various triangles to
keep the
film's momentum going, they even fall for the same guy — their coach, Joe (Jonathan Rhys - Meyers).
It was supposed to
start filming in 2015 for a 2016 release but with the departure
of several directors; the timetable
kept being pushed further and further back.
There are truly enough gags here to
keep every person
of every age laughing from
start to finish — joke by joke per minute this could be the funniest
film since Airplane!
An ingenious blending
of rom - com and doc, this charming
film worms its way under our skin from the
start,
keeping us laughing as it explores love and relationships from a strikingly original angle.Performance artist Charlyne...
Flinging special effects shots
of alien spacecraft bombing buildings and shaky - cam confusion to the soldiers on the ground just isn't enough
of a story to
keep a nearly two - hour
film afloat, and not long after the
film starts does it run out
of anything but the most basic ideas on what to do with its characters and where they should go.
However, there are very few
of these moments and the
film starts so well that it leaves it harder for the rest
of the
film to
keep up.
The
film follows Hader as Georg, who goes bonkers and
starts wandering around Vienna trying to make sense
of his life after losing the job that
kept him focused for so long.
First
of all, I was the only person in the theater until ten minutes prior to the
start of the
film —
keep in mind that screening rooms are usually decently full at this point.
Every Thing Will Be Fine is a critic's worst nightmare, which is to say that it's really goddamn boring — the kind
of boring that is tough to write about, and which inevitably threatens to bring out everyone's inner hack, cycling through synonyms to
keep the prose lively («dull,» «tedious,» «stultifying,» etc.), all the while fighting the urge to just
start nitpicking things that might be endearing in a better
film.
Apparently the only thing
keeping director Foley going was having different locations and different camera setups — many questionably framed for pan and scan; in the second half
of the
film, set entirely on one set, Glengarry Glen Ross
starts to fizzle.
We
keep saying Soderbergh «shot it on an iPhone» as if he pulled out his phone and
started filming candid 15 - second snippets
of mayhem for his Instagram Story, unbeknownst to his actor friends.
To help you get
started on your October horror - watching binge, I've put together a list
of five
films that scared the hell out
of me, spanning from my very first horror movie to the
films that still
keep me up at night.
Keep in mind, many
of these
films have barely begun marketing at the time
of publication and the
starting list began at nearly 100 releases.
However, the
film starts at a break neck pace that never slows down delivering enough WTF moments coupled with plenty
of laughter to
keep the audience entertained.
Keep in mind, most
of these
films have barely begun marketing at the time
of publication and the
starting list began at 100.
But I'd say that your ability to
keep on top
of deadlines is an indication that you're
starting to find a groove in doing TIFF, which is a bit
of an oxymoron since
film festivals are such an organic phenomenon and things are constantly changing for us as
film critics.
With little competition in the action arena right now, the solidly made The Peacemaker should
keep Clooney's
film career afloat (for now, at least) and get DreamWorks Pictures off on a successful
start — but the
film still can't help but feel like somewhat
of a letdown.
The script by David Scarpa (The Last Castle) has a fairly familiar formula to it
starting off with the kidnapping, followed up with a little backstory, and then
keeps the rest
of the
film in negotiation territory.
Getting ahead
of ourselves and saying that in twenty years» time, Graham Jones hits the big time and
starts producing well - known
films, this could very well be the one fans
keep coming back to in order to pick apart his roots.
He went on to discuss the way the
film deliberately avoids labeling the intense, sometimes confusing feelings the three friends have for one another; how he
kept the issues he addresses from being the driving force
of the story; the specific way he chose to depict violence; and at what point he
started composing the music score.
The
film starts with a piss joke and
keeps that low level
of comedy.
Its slow pace will not
keep the attention
of all viewers, but it is a welcome
start for a director and actress who will likely bring some more great
films in the near future.
The
film is structured with a series
of flashbacks and flashforwards,
keeping the audience in doubt as to the exact chain
of events until a chronology
starts building up to a terrible end — this structure, standout performances from everyone involved, and an enormously effective soundscape combine to make this one
of the most terrifying pictures about parenthood ever made.
The
film, like its two title characters, like its handful
of supporting characters and like its director, has spunk, personality, a spark
of vitality
keeping its narrative humming from
start to finish, but it takes its material as seriously as it needs to at the precise times when it needs to, as well.
I'm thankful for the outlets that struggle to maintain integrity in a sect
of journalism frequently free
of same and for the passion that drives any fan looking to
start up a venue to convey his or her own perspective, for my comrades on the
film awards beat who
keep me on my toes, for the ability to work for myself covering an art form I love, and that there are some who find a modicum
of worth in that coverage, as well as for the undying commitment
of my colleagues here — Guy Lodge, Gerard Kennedy and Chad Hartigan — whose value is immeasurable.
Yet «Begin Again»
keeps coming down with the cutes, especially when CeeLo Green turns up playing a fictionalized version
of himself, or when Knightley (who begins the
film in an appealingly wary key)
starts crinkling her nose in bliss, or when Gretta and Dan walk through Times Square listening to Sinatra and Stevie Wonder on her iPhone.
As for Marion and that note from the other day about those totally not slamdunk reports out
of France that she and Guillaume are over — some French gossips and outlets
keep insisting it, but there was a confirmed sighting last weekend, just before she
started filming.
Every Halloween
film starts by
keeping Myers at a distance, and allowing him to be a voyeur into the lives
of his unsuspecting victims.
«Then about three months ago, our literary agent, Howard Morhaim, and our
film agent, Michael Prevett
of Gotham Group,
started preparing us that serious negotiations were about to begin, but I
kept a lid on my hopes.
THE REAL CHANGE HAS JUST
STARTED * an interview with the Zimbabwean gallerist Jimmy Saruchera by the independent curator Inês Valle October is without doubt one
of the most vibrant months in London, from food and
film festivals to outstanding art exhibitions and international art fairs that
keep drawing the world's most influential art buyers to the UK.