Sentences with phrase «starts on the film set»

The movie starts on the film set belonging to a different director — make that directors, Jay and Mark Duplass.

Not exact matches

After graduating from NYU's Tisch School of Arts in 2011, O'Brien started working in the film industry and was «appalled» by the waste epidemic on set.

They met on the set of 2002 film and started dating.

Early in the film I noticed the emphasis on depth in certain set - ups and compositions; then I forgot about it, except when the glasses started to weigh heavily on my nose.

He buys cameras instead of renting them, creates a set of an alley way instead of just shooting in an alley, films on both 35 mm and HD at the same time, and that's before they even start actual production.

Fresh from film school, an enthusiastic young runner starts work on a low budget zombie movie only to run into the first day from hell as a mystery illness starts to turn the extras on set into the bona fide undead.

Let me start by saying that if you own the original laserdisc set or the VHS tape, you're going to have to hold on to your older copies of the film.

As the film's shooting schedule wears on, Fairbanks becomes romantically involved with her leading man, Jake Fields (Jeremy Sisto), but Fields and his friends on the production staff begin to question her stability when she starts wearing her costumes at all times, living on the sets, and tries to live as the character of Guinness.

Spielberg starts off the discussion with commentary about he didn't want to create just another «War Is Hell» film, and the featurette continues with a look at the creation of the film, from location scouting to on - set direction to costuming.

An October 18 start date is set on the film, which charts Armstrong's rise as a sportsman, his battle with cancer, and...

Pictured on set in New Mexico where filming started this week: Maggie Gyllenhaal (The Dark Knight, Donnie Darko) as Clara, Michael Fassbender (Prometheus, Shame) as Frank and Domhnall Gleeson (Anna Karenina, Harry Potter and the Deathly Hallows: Part II) as Jon.

The film starts out by examining the task of playing Kaufman, and how Jim Carrey got so immersed in the role he «disappeared from Earth» for two years and became Andy, allowing himself to only be referred to as Andy (or Tony Clifton) on set and nothing else.

The film starts well, means well but never conveys on the promise set forth at the premise.

However, repetition sets in and the escalation of set pieces reaches some sort of a peak here: there are good - to - great action, chase and fight scenes (Bryan Singer's X-Men films still have an edge on depicting superpowers) but there's also a limit to the number of times people can be kicked through walls before the scraps start to feel samey.

Set in 1998 and derived from a news story of that time, the film starts out by focusing on twenty - four - year - old tomboy Ilana (a strikingly charismatic debut by Darya Zhovnar), who works in the garage of her mechanic father.

The 30 - year - old actor is set to helm the forthcoming film, based on the David Barclay Moore novel of the same name, after Endeavor Content acquired the big screen rights to the project - and he can't wait to get started behind the camera.

It's still the only teen - themed / aimed weekly drama that has discussed sexuality from nearly every angle (as Williamson observes on one of the DVDs, the dichotomy of the Dawson - Joey - Pacey - Jen quartet gave them the luxury of taking four unique stands at the start) without becoming salacious, and I can't help but see my washed - up self in Dawson's eagerness to become a filmmaker, from Dawson's home videos in which Joey is attacked by a lagoon creature (as you may surmise from its title, the series is set in a sun - dappled New England inlet) to his Spielberg fixation — although even as a teen, I recognized that 1941 is a better film than Hook.

With another big film, Rebel in the Rye (directed and written by Danny Strong and co-starring Nicholas Hoult) coming to theaters this fall, a recent wrap on The Year of Spectacular Men (written by her sister Madelyn Deutch and directed by their mother), and production starting on the Netflix romantic comedy Set It Up, a work drought does not seem to be in Zoey's future.

The film, set to start shooting in South Africa on October 1, is on the lookout for an actor to fill the Rock's shoes.

When we last checked in on Sony's long - gestating adaptation of the popular video game Uncharted, they had set a release date for June 10, 2016 with Seth Gordon (Horrible Bosses) with an eye to start filming in early 2015.

The Appendices — The Appendices Parts IX and X showcase an immersive multi-part history of the filming of The Hobbit: The Desolation of Smaug, covering pre-production in the various departments of the film in the months leading up to the start of principal photography, training, the work done on set and in the world of its digital effects.

My head start began earlier this year, when I was invited (along with several other members of the online press) to spend a day on the Baton Rouge set of LaGravenese's film.

Michael Bay announced on his blog today that pre-production has officially started on the third film in the series, and a release date has been set: July 1st, 2011.

With Universal planning to release Glass in theaters on January 18, 2019, Jackson revealed to Collider that filming is set to begin next month: «We start rehearsal on [September] 18th and I start shooting on the 25th.»

(Colours in the film's opening sequence were so conpicuously lush that I started checking the settings on my TV before I realized they were graded to resemble Kodachrome home - movie film.)

Whether this film provides some new start for the brothers Smith will remain to be seen, but this film sets them free of convention and, like its wandering hero, on a path perhaps all their own.

According to industry resource Backstage, Halloween Returns will be filmed in Louisiana, with production set to start on July 15, exactly one month after the highly anticipated sequel was officially announced.

Set in the early 20th century, the film starts while Poirot is attempting to enjoy a vacation, but is roped into traveling to London on official business, booking a place on the oddly full Orient Express through his friend Bouc (Tom Bateman).

Starting with a painful sequence featuring Charlie Sheen and Lindsay Lohan, the scene sets the tone for the rest of the film, showcasing one of many jokes that continuously miss and go on for longer than they need to.

A film that hold the audience's attention from start to finish and will play very well on both sides of the pond.The authenticity of the sets and period detail compliment the superb acting performances especially by Colin Firth.I previously thought Colin Firth lacked depth - how wrong I was!

The film has already been purchased by Netflix and is set to premiere on their streaming service starting on March 24, 2017.

The sequel to The Mortal Instruments: City of Bones was set to start filming in the next few months, but now Constantin Films has put the brakes on the project.

When Ben Affleck came on the film as the director, he suggested that if they start with the Iranian Revolution, it would set a serious tone which would provide a little more heft to the film and which the comedy could play off of.

The Appendices — A multi-part chronological history of the filming of The Hobbit: An Unexpected Journey, covering pre-production in the various departments of the film in the months leading up to the start of principal photography, the boot camp training for the main cast, the work done on set chronologically through the three shooting blocks and in the world of its digital effects.

Production on the film is set to start in the summer in and around New York, and it is set to be released on April 15th, 2016, which will see it go up against Disney's live - action remake of The Jungle Book and the Jason Statham - Jessica Alba vehicle Mechanic: Resurrection.

HBO and Damen Lindelof's Watchmen TV show sets a March filming start date for its pilot, with production on additional episodes expected to follow.

Even with an increased curiosity about the new «Silent Hill» film and trying to make sense of whatever is going on with «Cloud Atlas» — which I'm starting to think is just out there enough that I might really enjoy it — the next movie I'm most excited about is Daniel Craig's return to James Bond in «Skyfall» set to arrive in theaters on Nov. 9.

The production for the film had started earlier this year and the movie is set to hit the theaters on November 16, 2018.

Changing the novel's Boston setting to New Orleans in 2008, the film starts with two young - ish low lifes (played by Scoot McNairy and Ben Mendelsohn) accepting an offer from a veteran low life (Vincent Curatola) to hold up a card sharks» gathering and put the blame on game organizer Markie Trattman (Ray Liotta).

Apparently the only thing keeping director Foley going was having different locations and different camera setups — many questionably framed for pan and scan; in the second half of the film, set entirely on one set, Glengarry Glen Ross starts to fizzle.

But as an onscreen text at the start of Fogelman's film states, «Danny Collins» is only «kind of based on a true story a little bit,» which means it's safe to assume that the real Tilston (who's credited as a consultant here) did not subsequently set off on a cross-country odyssey to meet the adult son (Bobby Cannavale) he fathered with a groupie back in the day, or hole himself up in a suburban New Jersey Hilton while trying to get back in touch with his songwriting muse.

It's hard to know where to start or how to even describe Annihilation — part alien invasion film, part surreal mind - bender, part heartfelt melodrama... I was on the set a little over a year ago, spoke with the producers, director, production & art designers, saw the mood boards tracking the story of the film, and watched a particularly tense sequence filmed — and yet even after all of that, I'm still not sure what to expect.

Starting things off, there's an audio commentary from director Mark Hartley, joined by «Ozploitation Auteurs» Brian Trenchard - Smith, Antony I. Ginnane, John D. Lamond, David Hannay, Richard Brennan, Alan Finney, Vincent Monton, Grant Page, and Roger Ward; a set of 26 deleted and extended scenes, now with optional audio commentary from Hartley and editors Sara Edwards and Jamie Blanks; The Lost NQH Interview: Chris Lofven, the director of the film Oz; A Word with Bob Ellis (which was formerly an Easter Egg on DVD); a Quentin Tarantino and Brian Trenchard - Smith interview outtake; a Melbourne International Film Festival Ozploitation Panel discussion; Melbourne International Film Festival Red Carpet footage; 34 minutes of low tech behind the scenes moments which were shot mostly by Hartley; a UK interview with Hartley; The Bazura Project interview with Hartley; The Monthly Conversation interview with Hartley; The Business audio interview with Hartley; an extended Ozploitation trailer reel (3 hours worth), with an opening title card telling us that Brian Trenchard - Smith cut together most of the trailers (Outback, Walkabout, The Naked Bunyip, Stork, The Adventures of Barry McKenzie, three for Barry McKenzie Holds His Own, Libido, Alvin Purple, Alvin Rides Again, Petersen, The Box, The True Story of Eskimo Nell, Plugg, The Love Epidemic, The Great MacArthy, Don's Party, Oz, Eliza Fraser, Fantasm, Fantasm Comes Again, The FJ Holden, High Rolling, The ABC of Love and Sex: Australia Style, Felicity, Dimboola, The Last of the Knucklemen, Pacific Banana, Centrespread, Breakfast in Paris, Melvin, Son of Alvin, Night of Fear, The Cars That Ate Paris, Inn of the Damned, End Play, The Last Wave, Summerfield, Long Weekend, Patrick, The Night, The Prowler, Snapshot, Thirst, Harlequin, Nightmares (aka Stage Fright), The Survivor, Road Games, Dead Kids (aka Strange Behavior), Strange Behavior, A Dangerous Summer, Next of Kin, Heatwave, Razorback, Frog Dreaming, Dark Age, Howling III: The Marsupials, Bloodmoon, Stone, The Man from Hong Kong, Mad Dog Morgan, Raw Deal, Journey Among Women, Money Movers, Stunt Rock, Mad Max, The Chain Reaction, Race for the Yankee Zephyr, Attack Force Z, Freedom, Turkey Shoot, Midnite Spares, The Return of Captain Invincible, Fair Game, Sky Pirates, Dead End Drive - In, The Time Guardian, Danger Freaks); Confession of an R - Rated Movie Maker, an interview with director John D. Lamond; an interview with director Richard Franklin on the set of Patrick; Terry Bourke's Noon Sunday Reel; the Barry McKenzie: Ogre or Ocker vintage documentary; the Inside Alvin Purple vintage documentary; the To Shoot a Mad Dog vintage documentary; an Ozploitation stills and poster gallery; a production gallery; funding pitches; and the documentary's original theatrical trailer.

The film started its life at the 2016 Toronto Film Festival and is set to drop into UK cinemas on 3 March, and we're excited to see if the final product can match the stellar talent in front of the camera.

Evans, who is the writer and director of the film, and is mostly known for his work on the The Raid movies, is set to start filming on his new project, Apostle, this April.

Although Star Wars: Episode VIII has been filming for a good few weeks now, it seems that Adam Driver is yet to start working on the follow - up to Star Wars: The Force Awakens, although he has told Entertainment Weekly that he's itching to get on set.

Filming starts on the Screen Gems movie on November 9, with a release set for next Thanksgiving, or November in the Queen's English.

Jack recently wrapped filming on Free Fire opposite Cillian Murphy (inset) and is set to start filming WWII drama HHHH with Rosamund Pike and Jason Clarke in the coming weeks.

Setting up its absurdist tone immediately, the film opens on a Moscow Radio technician (Paddy Considine) who fitfully misses starting a recording of Stalin's favorite orchestra performance because of a phone call he receives in the sound booth.

2:00 pm — Sundance — Bob le flambeur Sundance is running a three - film set of Jean - Pierre Melville films, starting with this noirish crime film about an aging gambler / thief who takes on one last job — knocking over a casino.