Sentences with phrase «state of body image»

Not exact matches

It's hard over here in the United States, with the constant pressure of magazine models and movie stars portraying an impossible body image.

That clause has a long history of interpretation that I shall not review here, but it certainly does not mean and has never meant the American state has no interest in or concern for religion, or churches either, for that matter, and it certainly does not me and politics have nothing to do with each other.8 To the extent the «wall of separation» image leads to those conclusions it distorts the entire history of the American understanding of religion and leads to such absurd conclusions as that religious congregations should have no tax exemption and legislative bodies should not be opened with prayer.

Tens of thousands attended his funeral or viewed his casket and images of his mutilated body were published in black magazines and newspapers, rallying popular black support and white sympathy across the U.S. Intense scrutiny was brought to bear on the condition of black civil rights in Mississippi, with newspapers around the country critical of the state.

«Clinicians were clearly seeing patients with restrictive eating disorders without body - image or weight concerns,» which are a hallmark of other eating disorders, explains Rollyn Ornstein, an adolescent medicine physician at Penn State Hershey Medical Center, who was not involved in the new paper.

Guided imagery is a mind body healing technique that involves visualizing beautiful images and scenes to bring you into a deep state of relaxation.

Though this is easier said than done, after extreme commitment, positive affirmation, journaling, getting a dog, and moving states (not necessarily because of my body image struggles but it certainly didn't hurt), I finally found something deep inside of me that was dying to come out.

The normally perceived boundaries of body image dissolve, and we enter a state of blissful neutrality.

At various points in his fantastically varied and storied career he wrote position papers on the need of support for a moribund Australian film industry, wrote and directed numerous episodes of such seminal TV shows as Homicide and Division 4 for Crawford Productions, was central in establishing film courses and departments in places such as Canberra and Brisbane (Griffith University), wrote plays and performed poems at Melbourne University and La Mama in the 1960s, directed feature films in the early 1980s (most memorably Ginger Meggs in 1982), made documentaries for the ABC and SBS (The Myth Makers, Images of Australia, The Legend of Fred Paterson, and numerous others), wrote and edited such books as Screenwriting: A Manual and Queensland Images in Film and Television, helmed commercials for a vast array of companies and government bodies, contributed film reviews to ABC radio (and more occasionally TV) across various states (for almost 40 years), wrote for numerous publications including Overland, The Canberra Times, Metro, The Concise Encyclopedia of Documentary Film, The Hobart Mercury, and so much more.

Other works featured in LIVESupport include «Church State,» a two - part sculpture comprised of ink - covered church pews mounted on wheels; «Ambulascope,» a downward facing telescope supported by a seven - foot tower of walking canes, which are marked with ink and adorned with Magnetic Resonance Images (MRIs) of the spinal column; «Riot Gates,» a series of large - scale X-Ray images of the human skull mounted on security gates and surrounded by a border of ink - covered shoe tips, objects often used by the artist as tenuous representation of the body; «Role Play Drawings» a series of found black and white cards from the 1960s used for teaching young children, which Ward has altered using ink to mark out the key elements and reshape the narrative, which leaves the viewer to interpret the remaining psychological tension; and «Father and Sons,» a video filmed at Reverend Al Sharpton's National Action Network House of Justice, which comments on the anxiety and complex dialogue that African - American police officers are often faced with when dealing with young African - American teenImages (MRIs) of the spinal column; «Riot Gates,» a series of large - scale X-Ray images of the human skull mounted on security gates and surrounded by a border of ink - covered shoe tips, objects often used by the artist as tenuous representation of the body; «Role Play Drawings» a series of found black and white cards from the 1960s used for teaching young children, which Ward has altered using ink to mark out the key elements and reshape the narrative, which leaves the viewer to interpret the remaining psychological tension; and «Father and Sons,» a video filmed at Reverend Al Sharpton's National Action Network House of Justice, which comments on the anxiety and complex dialogue that African - American police officers are often faced with when dealing with young African - American teenimages of the human skull mounted on security gates and surrounded by a border of ink - covered shoe tips, objects often used by the artist as tenuous representation of the body; «Role Play Drawings» a series of found black and white cards from the 1960s used for teaching young children, which Ward has altered using ink to mark out the key elements and reshape the narrative, which leaves the viewer to interpret the remaining psychological tension; and «Father and Sons,» a video filmed at Reverend Al Sharpton's National Action Network House of Justice, which comments on the anxiety and complex dialogue that African - American police officers are often faced with when dealing with young African - American teenagers.

The mural features a new image from her series, Nebraska Paintings, a body of work that moves closer to the representational imagery only implied in earlier pieces, but which captures the wide open spaces and big sky of the artist's native state.

Her work is informed by her daily experience with ambiguity and seeks to dismantle assumptions of our fixed subjectivity through images that challenge the viewer to contend with the disorganized body in a state of excess.

Mamiye's extensive body of digital images, as well as her digitally derived designs for furniture, have been widely exhibited in locations across the United States.

For him, the image «epitomised the human body in its most naturally beautiful state» and was part of his (I've Got You) Under My Skin exhibition in Berlin, right next to other works which document cosmetic surgery patients.

A recent body of work entitled Family Gathering, examines negative body image and eating disorders and is currently traveling to different venues around the United States.

Also included in the exhibition are works that suggest the body in a «post-human» hybrid state — the puppetry in Andrew Norman Wilson's Reality Models, in John Russell's large print Parallel Domination Facility, or in Pakui Hardware's series of free - standing sculptural works that contain fleshy images of indeterminable organic or artificial matter, sourced from NASA's archive.

1991 Fashion Photography Since 1945, Victoria and Albert Museum, London, England Twentieth Century Collage, Margo Leavin Gallery, Los Angeles, USA, travelled to Centro Cultural Arte Contemporaneo, Mexico City, and Musee D'Arte Moderne et D' Arte Contemporain, Nice, France 7 Women, Andrea Rosen Gallery, New York, USA The Body in question, Aperture Foundation, New York, USA The Power of Theatrical Madness, Fotografie Forum Frankfurt, Frankfurt, Germany Modern Botanical, ICAC Weston Gallery, Carmel, USA National Gallery of Victoria, Melbourne, Australia Erotic Desire, Perspektief, Rotterdam, Netherlands La Revanche de L'Image, Galerie Pierre Huber, Geneve, Switzerland, Framed, Stephen Wirtz Gallery, San Francisco, USA Cruciformed: Images of the Cross since 1980, Cleveland Center for Contemporary Art, Cleveland, travelled to the Museum of Contemporary Art at Wright State University, Dayton, USA Photography From 1980 to 1990, Ginny Williams Gallery, Denver, USA Galerie Nikolaus Sonne, Berlin, Germany

Regarding the source material for her new body of work, which merges painting, digital, and printing processes, Linda states, «I'm working with images from the skin of one of the Space Shuttles that failed in the 1990s.

1990 Information, Terrain, San Francisco, California, US The 60s Revisited - New Concepts / New Materials, Leo Castelli Gallery, New York, US Various Small Fires in the Gutenberg Galaxy, Galerie Maier - Hahn, Dusseldorf, DE Time Span, Fundacio Caixa de Pensions, Barcelona, ES Aquarian Artists, University of Rhode Island, Kingston, Rhode Island, US Fragments, Parts, Wholes / The Body and Culture, White Columns, New York, US Che Fare: Concept Art / Minimal / Art Povera / Land Art, Kunsthalle Bielefeld, Bielefeld, DE Kunstenaarsboeken uit de verzameling A.S.P.C., Provinciaal Museum Hasselt, Hasselt, BE Group Show, Mai 36 Gallerie, Germany: Art Frankfurt, CH MeaMemphis Collezione» 89, Art to Use, Frankfurt A.M., DE Group Show, Galeria Marga Paz, Madrid, ES 5 Galerien zu Gast bei Breuninger, Brigitte March Galerie, Stuttgart, DE The Readymade Boomerang - 8th Biennale of Sydney, Art Gallery of New South Wales, Sydney, AU Saga 90, Eric Linard Editions, Grand - Palais, Paris, FR Concept Art, Deichtorhallen, Hamburg, DE Dreams of Artists, A Metamemphis Collection, 121 Art Gallery, Antwerpen, BE Two Decades of American Art: The 60s & 70s, Nassau County Museum of Art, Roslyn Harbor, US RE: Framing / Cartoons, Loughelton Gallery, New York, US; Wexner Center for the Arts, Ohio, US; Gallery A, The Ohio State University, Columbus, Ohio, US Robert Gober, Craigie Horsfield, Lawrence Weiner, Barbara Gladstone Gallery, New York, US Wir Nehmen an der Art, Mai 36 Galerie, Basel Art Fair, Basel, CH Word as Image: American Art 1960 - 1990, Milwaukee Art Museum, Milwaukee, Wisconsin, US; Oklahoma City Art Museum, Oklahoma, US; Contemporary Art Museum, Houston, Texas, US A Group Show, Marian Goodman Gallery, New York, US Selected Prints and Multiples, Mai 36 Gallery, Lucerne, CH Red, Galerie Christine and Isy Brachot, Brussels, BE Un Choix d'Art Minimal dans la Collection Panza, ARC, Paris, FR Children's Aids Project, Daniel Weinberg Gallery, Santa Monica, California, US Interventions / An Exhibition from the Collection of Delfryd Celf, Art Gallery of Ontario, Toronto, CA Savoire Faire / Savoire Vivre, Centre International d'Art Contemporain de Montreal, Montreal, CA Art Billboards in the Hague - Southwest, The Hague, NL The Readymade Boomerang Print Portfolio, Galerie Vorsetzen, Hamburg, DE Time Space Place, Galerie Ghislaine Hussenot, Paris, FR High Season I...

Subtitled Line of Demarcation, the show is presented as a body of work that explores what a catalogue entry by Giulio Carlo Argan on a 1967 exhibition by the artist called: «the critical point of passage from the state of the object to the state of the image and the contrary.»

During his time at Light Work, States plans to turn his attention to shooting, editing, and printing images from another body of work, entitled Cruising, that investigates the performance of sexuality in the landscape of public cruising spots.

These images of Vicious resonate with the photographs of Pollock buried beneath them, wherein Pollock is (partially) seen either standing over a canvas that has been spread out on the studio floor, hand extended with loaded brush — a performative gestural flourish is frozen in time — or else he is seen sitting or even lying down with cigarette in hand, his body seemingly relaxed in a post-creation, almost post-coital state of exhaustion.

It was great to see again Tim Rollins and K.O.S 1992 collaborative painted work Animal Farm referencing Orwells book with images of political heads of state as «heads» on the bodies of animals [K.O.S being a group of deprived kids from the Bronx — Kids of survival]

Projects Gallery, second floor Working in photography, film, video, installation, and performance, Beirut - based artist Akram Zaatari has built a complex, compelling body of work that explores the state of image - making today.

From an emotional perspective, as a person of color in the United States, it is difficult not to take umbrage at the image of a white man, a published poet and Ivy League academic, appropriating the murdered body of a Black man for the benefit of a largely white audience that may be sympathetic but can not empathize with the deceased.

Whereas the photograph's forensic conceit lies in its appeal to visual proof that the disputed event had indeed taken place (as if the body itself were able to speak its truth), Richter negates the photo's presumed self - evidence — he even negates his own painting's seizure of its mediatized image — and as everyone knew, the thing itself could easily have been staged to cover - up a state - sanctioned murder, a good bit of fake news, as it were.

Barbara Takenaga has created a new work of an unprecedented scale for a 100 foot wall in the Hunter Center lobby at MASS MoCA.The mural features a new image from her series, Nebraska Paintings, a body of work that moves closer to the representational imagery only implied in earlier pieces, but which captures the wide open spaces and big sky of the artist's native state.

In her «splosh» photographs — a fetish term used to describe images of women covered in fluids and / or food — Linder returns to using her body as a performative element to examine the current state of female representation within the media.

Working in photography, film, video, installation, and performance, Beirut - based artist Akram Zaatari has built a complex, compelling body of work that explores the state of image - making today.

Specialization: Abuse & Neglect in Childhood, ADD / ADHD, Addictions / Substance Abuse / Compulsions, Adjustment Disorders, Adolescents, Aging / Older Adults, Anger Management, Anxiety, Attachment Disorders, Bipolar Disorders, Body Image, Death and Dying, Domestic Abuse, Co-dependency, Coaching / Life Transitions, Cognitive / Behavioral, Conflict Resolution, Cross Cultural / Multi-Racial Issues, Depression / Mood Disorders, Dissociation, Divorce / Separation, Early Trauma Protocol, Ego States Therapy, Family of Origin Issues, Grief / Loss / Bereavement, Men's Issues, Obsessive - Compulsive Disorder, Performance / Creativity Enhancement, Phobias / OCD, Relationship Issues, Religious / Spiritual Concerns, Self - Esteem / Empowerment, Sexual Abuse, Sexual Violence / Rape, Shame, Stress Management, Trauma, Veterans / Active Duty Personnel, Women's Issues, Work issues

Specialization: Abuse & Neglect in Childhood, Adjustment Disorders, Adolescents, Adoption, Anxiety, Autism / Asperger's Syndrome, Body Image, Developmental Disabilities, Children, Coaching / Life Transitions, Cognitive / Behavioral, Couples / Marriage, Depression / Mood Disorders, Divorce / Separation, Early Trauma Protocol, Ego States Therapy, Energy Psychology, Family of Origin Issues, Family Therapy, Grief / Loss / Bereavement, Learning Disabilities, Parenting, Postpartum Depression / Pregnancy / Birth Traumas, Relationship Issues, Self - Esteem / Empowerment, Sexual Abuse, Shame, Trauma, Women's Issues, Work issues

Specialization: Abuse & Neglect in Childhood, ADD / ADHD, Addictions / Substance Abuse / Compulsions, Adjustment Disorders, Adolescents, Anger Management, Anxiety, Attachment Disorders, Bipolar Disorders, Body Image, Death and Dying, Domestic Abuse, Chronic Illness, Co-dependency, Coaching / Life Transitions, Cognitive / Behavioral, Conflict Resolution, Couples / Marriage, Crisis / disaster intervention, Depression / Mood Disorders, Disassociation, Divorce / Separation, Early Trauma Protocol, Ego States Therapy, Family of Origin Issues, Family Therapy, Grief / Loss / Bereavement, Groups, Infertility / Fertility, LGBT Issues / Gender Identity, Men's Issues, Obsessive - Compulsive Disorder, Pain, Personality Disorders, Phobias / OCD, Postpartum Depression / Pregnancy / Birth Traumas, Relationship Issues, Self - Esteem / Empowerment, Self - Mutilation, Sexual Abuse, Sexual Violence / Rape, Shame, Sleep Disorders, Somatic Therapy, Trauma, Women's Issues