Sentences with phrase «state of cinema»

In part two of our conversation, fellow sound designers Randy Thom and Chris Foster pose questions to Walter, we discuss the state of cinema sound before and after Apocalypse Now, why film school can be a good idea, and how you can underline a character's emotional state with carefully chosen sound effects.

(If Boyle wanted to wring his hands over the state of cinema, he might as well have focused squarely on this, or potentially the recent glut of superhero franchises from Marvel and DC, all of which are easily financially more influential than anything Pixar's made.)

At the critical symposium, a forum which is usually about as illuminating as director Q&A s, Hoberman nevertheless struck a couple of salient points that I took as a cue to reading the festival, and by extension the state of cinema, at large.

Among the topics addressed are alterations made (Michael Gambon was deleted from the film), the script contributions of the uncredited David Rabe, casting, the cast's chemistry, struggling to earn an R rating, the real Westies gang being dramatized, the difficulties such a «slow burn» film would face being made today (he repeatedly laments the current state of cinema), his influences, the crime genre, how U2 nearly scored the film, how Ennio Morricone actually did score the film, and Joanou's disheartening personal career trajectory.

While one may find the opening speech by Travolta (Battlefield Earth, The General's Daughter) regarding the sad state of cinema and its lack of realism to be tongue - in - cheek irony, it still does little to justify the following 90 minutes of high - gloss over-the-top predictability.

Neil Calloway asks whether TV is becoming less original... It's easy to slate the current state of cinema, and far too many people do it in an attempt to look superior and informed, but when they do it, it has a ring of truth to it.

Granted, today our state of cinema is evolving as well.

In movies, gay has never truly gone mainstream, and, considering the state of our cinema, not to mention our country, at this point it never might (as Mark Harris wrote in the November / December 2016 issue of Film Comment, «they don't include gay people in their movies because they don't have to; we don't move the needle on revenue, and we rarely protest our absence»).

Not exact matches

In France, which proudly defends its culture and language against the global dominance of the United States, the decision is a victory for the traditional cinema distribution sector.

«(Cannes) wants to reiterate its support to the traditional mode of exhibition of cinema in France and in the world,» it continued, adding that from next year its rules would explicitly state any film entered for competition would have to «commit itself to being distributed in French movie theatres».

The 16 - screen theater is a state - of - the - art cinema using DLP technology, the standard in digitized movies and the format used in all MJR theaters.

It's just a modern - day state of the art cinema which keeps repeating the same old movies??

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Gentlemen of the press, since election is a process, this media chat is to, once again, bring into the public domain the grim dirtiness that characterised the process which was not captured and shown to the people of Ondo State in the cinema beamed live on 3rd September, 2016.

To celebrate the release of State of Play in cinemas on April 22nd we are giving you the chance to see the film before it's released at cinemas nationwide.

On the banks of the Moscow River, Crystal Island would rise as high as the Empire State Building but spread out like a tent, covering the Nagatino peninsula with a massive structure containing apartments, hotel rooms, shops, museums, theaters, and cinemas.

The trick with a cinema date is that you'll want to be stylish as well as comfortable — the best of both worlds as Hannah Montana once proudly stated.

There are no rule books stating that you must go for a drink, or catch a film at your cinema so trying something new for the both of you could be ideal.

Boasting aliens, state - of - the - art special effects, a marquee star, and the greatest director of action the cinema has produced, War of the Worlds superficially fits the mold of the cinematic thrill ride.

The denouement is particularly interesting and although Schrader himself has stated that the closing «could be spliced to the first frame, and the movie started all over again» suggesting that what we've witnessed falls more into the damnation element of Travis, there also exists a sequence that could arguably be claimed as redemptive which would leave Travis Bickle as on of cinema's most intriguing (and contradictory) anti-hero's.

The»87 «Overboard» is no great pillar of cinema, but even it treated Hawn's character with a shred of dignity in her confused state.

As stated - not as good as the original (sans Hopkins) but nevertheless, a good fun mindless romp of cinema.

In short, if we carefully examine the state of contemporary cinema, we easily acknowledge that even though there is a defining economic and technological imbalance between Hollywood and the rest of national film industries, first, it would short - sighted to understand Hollywood cinema as a monolithic structure which survives through the repeated performance of a practice of top - down cannibalism.

He begins by exploring the director's early life and career in his native Hungary, revealing how Curtiz shaped the earliest days of silent cinema in Europe as he acted in, produced, and directed scores of films before immigrating to the United States in 1926.

C. Scott Combs» idiosyncratic thesis that death in cinema has always depended on registration, either diegetic or non-diegetic, is clearly stated, and allows him to conduct rich textual analyses of a wide range of mainstream films, including Electrocuting an Elephant (Thomas Edison, 1903), The Country Doctor (D.W. Griffith, 1909), The Jazz Singer (Alan Crosland, 1927), Sunset Boulevard (Billy Wilder, 1950), Steel Magnolias (Herbert Ross, 1989), and The Sixth Sense (M. Night Shyamalan, 1999).

I've been complaining so much about how I detest the current state of blockbuster cinema but then something like this comes along and I get insanely hyped all over again.

However, Anderson did state that, «Everybody was hugely influenced by his work... he's one of the reasons why I thought [cinema] is what I'd like to try do.»

Throughout the history of cinema the United States has used the medium to channel its fears of foreign threats from Indians, Nazis, Soviets, Arabs and Asia.

For the times — when the state of repertory cinema and politics inspires and depresses me in equal measure: Cinetract Series, #'s 1 - 3 (David Phelps, 2012)

Although he supposedly retired to Tasmania in the early 2000s, it is very difficult to see a substantial decrease in his level of engagement or activity, though it did give him more time to write for such outlets as Senses of Cinema and communicate his passion for film history, as well as contemporary cinema, in a series of lectures or talks (I'm sure he'd prefer the latter term) held over a ten - year - period at the State Cinema in Hobart.

This tribute to Schepisi's important contribution as an Australian and international filmmaker, a distinctive auteur and jobbing filmmaker, covers his early work in documentary (his fascinating short on The Age newspaper, People Make Papers), the mercurial critical reception of his groundbreaking opus The Chant of Jimmie Blacksmith, the representation of landscape across his first three Australian features (specifically in the partisan and compassionate Evil Angels, 1988), his initial project in the United States (the elemental and mythic Western, Barbarosa), the now iconic Six Degrees of Separation, and the importance of adaptation and collaboration across his cinema.

Immigration between North and South America has been a thorny topic for American cinema, which tends to mask the complexities of this issue by depicting those south of the border as dangerous Mexican drug lords, intent only on pushing their product into the States, from Breaking Bad to Machete Kills.

Forest Whitaker and Oprah Winfrey - Premiere Of The Weinstein Company's «Lee Daniels» The Butler» Held at Regal Cinemas L.A. Live - Los Angeles, California, United States - Tuesday 13th August 2013 (11 Pictures)

Kenneth Turan surveyed the program, noting, «Los Angeles has been many things cinematic, but one of the most important is one of the least known: the 30 - year period when a multitude of downtown theaters functioned as «the undisputed capital of Latin American cinema culture in the United States.»»

Stephen Chbosky is the director here, and Owen Wilson, Daveed Diggs and Mandy Patinkin are all part of the cast for the film, which arrives in UK cinemas on 8 December after its launch in the States on 17 November.

Stuart Richards focuses on the legacy of «grossness» in the films of John Waters on contemporary queer cinema, and James Aston provides an overview of the current hardcore horror scene in the United States.

Before Spy the current state of comedy at the cinema was sad.

February 10 — 20, 2005 (1) One of the remarkable aspects of the state of contemporary film discourse on world cinema is that one of its traditional pillars — that of German cinema — has almost...

Return to Tehran By Godfrey Cheshire An expert in Iranian cinema reports from the country's capital on the state of the art, post-Kiarostami Plus: A festive visit with Jafar Panahi that is definitely not an interview

However, its excellent production values - from its visual sense to its costumes and a music score by Cronenburg regular Howard Shore (reminiscent of the one John Corigliano did for Altered States)- prevents it from being merely The Lawnmower Man meets The Matrix as my movie companion derisively remarked as we exited the cinema.

The festival is the silver state's annual celebration of excellence in American and international independent cinema.

Her Swarna Kamal citation states that the jury recommended her for the award for «highlighting facets of cinema beyond glamour and gossip by delving deeper into the contemporary relevance of iconic filmmakers».

Myself, I just walked in silence, in that faint state of elation mixed with awe that one experiences after recalling that cinema, once in a while, can indeed work miracles.

Updated September 16, 2016: Doctor Strange director Scott Derrickson has taken to Twitter to debunk the film's previously reported runtime of 130 minutes as stated by UK theater chain Event Cinemas.

by Walter Chaw Just a total waste of life no matter how you slice it, xXx: State of the Union is cinema as penance.

Truffaut, Kenny says, «was the face of mainstream French cinema,» and he was fond of Americans and the United States, where his films — including the semi - autobiographical «400 Blows» — were widely accepted.

At Dolby offices in New York, Burbank, and the United Kingdom, you can access state - of - the - art facilities and a full spectrum of professional cinema services.

In an event that will signal countless thinkpieces reflecting on the current state of home cinema and the blogosphere's relation to it, Blockbuster announced that they will be ending all retail operations.

The fact that such a message is being conveyed by a no - budget Hungarian independent film rather than by more widely accessible fare is an indictment on the state of the popular cinema — but hopefully there are enough moviegoers willing to pass up the occasional blockbuster in favor of something less frivolous, that the moral of 1945 won't fall on deaf ears and empty seats.

In a recent article for the The New York Times, Dennis Lim wrote: «There was a time when the Academy Award for best foreign - language film reflected the state of world cinema: Fellini films won back - to - back Oscars in the mid 1950s, as did Bergman films in the early»60s.