Sentences with phrase «state space form»

This module is a collection of C routines for the execution of computations that involve statistical analysis and surveys in the state space form.

Not exact matches

This past April, one of Li's Penn State colleagues discovered the burst of energy from a star that exploded, probably in the process of collapsing to form a black hole, when the cosmos was just 630 million years old.Hubble's successor, the James Webb Space Telescope, will delve even deeper following its 2014 launch.

Researchers already knew that two photons can form long - distance connections across vast stretches of space, whereby measuring the state of one causes changes in the state of the other — a phenomenon known as entanglement.

With their clever design and durable construction, these catchall dishes balance form and function, allowing you to adorn your personal space with your favorite U.S. state.

Toad's collectible card from Super Mario Galaxy states that he even formed the Toad Brigade and followed Peach and Bowser to space in order to try and save her, while in numerous other games, he is the one to go and alert Mario about Peach's disappearance.

This bundle includes the following topics: Changing State Circuits Energy Forms Forces Motion Radiation Renewable and non-renewable energy Space Waves Practical Skills Crosswords are great as a starter, plenary or even homework task.

This bundle includes the following topics: Changing State Circuits Energy Forms Forces Motion Radiation Renewable and Non Renewable Energy Space Waves Practical Skills Wordsearches are great as a starter, plenary or even homework task.

This product includes the following 54 topics: Space Science: ♦ Comets, Meteors, Asteroids etc. ♦ Eclipses ♦ Moon Phases ♦ Planets ♦ Solar System Earth Science: ♦ Clouds ♦ Erosion and Weathering ♦ Fossils ♦ Landforms ♦ Layers of the Atmosphere ♦ Layers of the Earth ♦ Natural Disasters ♦ Natural Resources ♦ Plate Tectonics ♦ Rock Cycle ♦ Seasons ♦ Soil ♦ Volcanoes ♦ Water Cycle ♦ Weather Life Science: ♦ Animal Adaptations ♦ Biomes ♦ Cell Structures ♦ DNA ♦ Ecosystems ♦ Evolution ♦ Food Webs ♦ Genetic Engineering ♦ Habitats ♦ Heredity ♦ Human Body Systems ♦ Life Cycle of a Butterfly ♦ Life Cycle of a Frog ♦ Life Cycles ♦ Macromolecules ♦ Microscope Parts ♦ Mitosis ♦ Photosynthesis ♦ Plant Parts ♦ Six Kingdoms of Life Physical Science: ♦ Atomic Structure ♦ Circuits ♦ Electromagnetic Spectrum ♦ Elements, Compounds, Mixtures ♦ Force and Motion ♦ Forms of Energy ♦ Magnets ♦ Periodic Table ♦ Properties of Matter ♦ Scientific Method ♦ Sound and Light ♦ States of Matter ♦ Thermal Energy ♦ Waves

This product includes the following 46 topics: Physical Science ♦ Clouds ♦ Fossils ♦ Landforms ♦ Layers of the Atmosphere ♦ Layers of the Earth ♦ Natural Disasters ♦ Natural Resources ♦ Plate Tectonics ♦ Rock Cycle ♦ Rocks and Minerals ♦ Volcanoes ♦ Water Cycle ♦ Weather Life Science ♦ Animal Adaptations ♦ Cell Structures (Organelles) ♦ Ecosystems ♦ Human Body Organs ♦ Human Body Systems ♦ Life Cycles ♦ Photosynthesis ♦ Plant Parts ♦ Six Kingdoms of Life ♦ Macromolecules ♦ Microscope Parts ♦ DNA ♦ Classification and Taxonomy Physical Science ♦ Atomic Structure ♦ Circuits ♦ Electricity and Magnetism ♦ Electromagnetic Spectrum ♦ Elements, Compounds, and Mixtures ♦ Force and Motion ♦ Forms of Energy ♦ Lab Equipment ♦ Measurement Tools ♦ Periodic Table ♦ Properties of Matter ♦ Reflection and Refraction ♦ Scientific Method ♦ Simple Machines ♦ States of Matter ♦ Waves Space Science ♦ Solar System ♦ Constellations ♦ Moon Phases ♦ Life Cycle of Stars

Space Science: ♦ Life Cycle of Stars ♦ Moon Phases ♦ Space and Planets Earth Science: ♦ Clouds ♦ Erosion ♦ Fossils ♦ Landforms ♦ Natural Disasters ♦ Natural Resources ♦ Plate Tectonics ♦ Rocks and Minerals ♦ Rock Cycle ♦ Water Cycle ♦ Weather Life Science: ♦ Animal Adaptations ♦ Biomes ♦ Cell Cycle ♦ Cell Organelles ♦ DNA ♦ Evolution ♦ Food Chains ♦ Genetics ♦ Habitats ♦ Human Body Systems ♦ Life Cycles ♦ Macromolecules ♦ Plants Physical Science: ♦ Atomic Structure ♦ Electricity ♦ Electromagnetic Spectrum ♦ Elements, Compounds, and Mixtures ♦ Force and Motion ♦ Forms of Energy ♦ Magnets ♦ Periodic Table ♦ Properties of Matter ♦ Reflection and Refraction ♦ Scientific Method ♦ Simple Machines ♦ Sound and Light ♦ States of Matter ♦ Thermal Energy

Today I think we'd term her state a psychotic form of severe postpartum depression, but apart from lacking modern medicine to save her and her child, she probably lacked everything else as well - ample space, adequate food, any sort of safety net whatsoever.

Among openDemocracy's articles on African politics and conflicts: Gillian Slovo, «Making history: South Africa's Truth and Reconciliation Commission» (5 December 2002) Katharine Houreld, «The cost of peace in Ivory Coast» (15 February 2006) Patricia Daniel, «Mali: everyone's favourite destination» (11 May 2006) Gilles Yabi, «Guinea: a state of suspension» (28 February 2007) Angelique Haugerud, «Kenya: spaces of hope» (23 January 2008) Anna Husarska, «Kenya's displaced people: a photo - essay» (5 February 2008) Lyndall Stein, «Ethiopia: the tears and the rains» (23 July 2008) Emmanuelle Bernard, «Guinea - Bissau: drug boom, lost hope» (13 September 2008) Lara Pawson, «Angola's elections: the politics of no change» (23 September 2008) Elleke Boehmer, «Beyond the icon: Nelson Mandela in his 90th year» (12 November 2008) Gérard Prunier, «The eastern DR Congo: dynamics of conflict» (17 November 2008) John Makumbe, «Zimbabwe: wrong way, right way» (2 February 2009) Gérard Prunier, «The Kenya we want» (3 February 2009) Gérard Prunier, «Somalia: beyond the quagmire» (25 February 2009) Roger Southall, «South Africa's election: a tainted victory» (7 April 2009) I advised the macadamia nut - farmers to form a cooperative and work together to get to the bottom of what had happened - find out who owned the macadamia trees; create a register; then determine who was selling macadamia nuts even though they had no trees growing on their own land.

Hook up the award space to other cheap awards from the region to Southeast Asia, North Asia, or the United States to form a big trip.

Toad's collectible card from Super Mario Galaxy states that he even formed the Toad Brigade and followed Peach and Bowser to space in order to try and save her, while in numerous other games, he is the one to go and alert Mario about Peach's disappearance.

Altered States presents work from two of his most recent series, B.O.G.O. Vision and Grey Bottoms, which use color and form to coincide with symmetry and compliments, creating wildly organic forms free floating in time and space.

The self - portrait photographs on display in the upper gallery depict Al - Ghoussein's exploration of the physical, cultural, intellectual, and collective spaces through interactions with iconic locations that are the physical manifestation of efforts to form a modern nation - state.

The large scale works blend formal concerns such as surface, color and abstracted space, with what the press release states as, ``... investigations into the connections between sexual fetish of the female figure, and forms of nature.»

Richard Tuttle stated his interest in translating two - dimensional space, or an ordinary a plane, into a movable form which exists in three dimensions.

As Brenda Richardson states in her essay, «These are forms that shift and shimmer in light and space, very much like the ghosts, shadows, clouds, and other shape - shifters their titles evoke.»

These artists are said to destabilize space and perception, give form to extreme mental, emotional, and physical states, and derange otherwise logical structures and techniques.

In the process, they destabilize space and perception, give form to extreme mental, emotional, and physical states, and derange otherwise logical structures and techniques.

The Moore Space is dedicated to presenting international contemporary art forms and aims to achieve this through an experimental program of cross-disciplinary exhibitions, performances, artists and curators residencies and public programs which reflect the state of contemporary art today.

In 1950s, Soviet Union and United States entered the nuclear and space race, the decolonization of the Third World was blooming, and the Great Two competed for ideological predominance in those newly formed countries.

«I've been very interested in how space, defined as two - dimensional (a plane, like a painting), can move into form, three dimensions,» Richard Tuttle states in the catalogue for 26, an exhibition presented at Pace New York in 2016 that spanned fifty years of the artist's career.

The earliest pieces — explorations in geometric forms, like lines drawn in space and painted in the offbeat colours that he first saw in the work of Piero del la Francesca — are reminiscent of those that were being made simultaneously in the United States by John McCracken and Donald Judd, though the Italian only became aware of their existence when he travelled to New York in 1970.

CA Spectral Hues, curated by Sharon Bliss, Palo Alto Art Center, Palo Alto, CA Art Market, with Chandra Cerrito Contemporary, San Francisco, CA Building the Art House, curated by Katherine Connell and Emma Spertus, Rosenberg Library, City College of San Francisco, San Francisco, CA Big Idea, curated by Sue Collier, Leslie Ford, Jack McWhorter and JoAnn Rothschild, The Painting Center, New York, NY Along the Lines, Harrington Gallery, curated by Julie Finegan, Pleasanton, CA 2016 Plus +1, Trestle Contemporary Art Gallery, Brooklyn, NY Group show, November - December 2016, Galleri Urbane, Dallas, TX Palette, curated by Kelly Inouye, Theodora Mauro and Lisa Solomon, ampersand international arts, San Francisco, CA Small Works, Trestle Gallery, Brooklyn, NY Art Market, with Chandra Cerrito Contemporary, San Francisco, CA 2015 Therely Bare Redux, Zeitgeist Gallery, Nashville, TN Therely Bare Redux, Clara M Eagle Gallery, University of Tennessee, Murray Territory of Abstraction, Pentimenti Gallery, Philadelphia, PA Out of Storage, Studio 110 Projects, Sausalito, CA Art Market San Francisco, (with Chandra Cerrito Contemporary), San Francisco, CA The Airplane Show, B Sakata Garo, Sacramento, CA 2014 un.bound.ed, curated by Brent Hallard and Don Voisine, Root Division, San Francisco, CA (edition) DOPPLER SHIFT, curated by Mary Birmingham, Visual Arts Center, Summit, NJ (catalogue) The Intuitionists, curated by Heather Hart, Steffani Jemison & Jina Valentine, The Drawing Center, New York, NY (catalogue) First / Last, curated by Heather Phillips, Park Life, San Francisco, CA 2013 DOPPLER, Parallel Art Space, Brooklyn, NY (catalogue) Generations IX: The Red / Pink Show, A.I.R. Gallery, Brooklyn, NY Made In Paint: 2012 Artists in Residence, The Sam & Adele Golden Gallery, New Berlin, NY Rituals of Exhibition II, Light Space Project, H Gallery, Chiang Mai, Thailand Rituals of Exhibition, curated by Giles Ryder and Gilbert Hsiao, Don't Be Selfish, Phayao, Thailand POSTE CONCRET II, curated by Richard van der Aa, ParisCONCRET, Paris, FR 2012 Soft Luminosity, curated by Guido Winkler and Iemke van Dijk, IS Projects, Leiden, NL (edition) Art On Paper 2012, The Weatherspoon Museum of Art, Greensboro, NC (brochure) Islands of Order in a Sea of Chaos, curated by Ruth van Veenen, de Vishal, Haarlem, NL Doppler Stop, Amsterdams Grafisch Atelier, Amsterdam, NL (catalogue) Doppler Stop, Kunst & Complex, Rotterdam, NL Doppler Stop, Fluctuating Images / General Public, Berlin, DE Doppler Stop, trenutak.39 / Museum of Contemporary Art, Zagreb, HR Trade - O - Mat, curated by Kathryn Kenworth, Kala Art Institute, Berkeley, CA 2011 A Romance of Many Dimensions, curated by Brent Hallard, Brooklyn Artists Gym, Brooklyn, NY POSTE CONCRET I, curated by Richard van der Aa, ParisCONCRET, Paris, FR BYO, IS Projects, Leiden, NL Stop & Go Rides Again, touring exhibition curated by Sarah Klein, Z Space, San Francisco, US; Kunst & Complex, Rotterdam, NL; Fluctuating Images / General Public, Berlin, DE; Fluctuating Images / Interventionstraum, Stuttgart, DE An Exchange with Sol Lewitt, Massachussetts Museum of Contemporary Art, North Adams, MA (catalogue) ReTrace, Cesar Chavez Art Gallery, San Francisco State University, San Francisco, CA 2010 TOUCH, curated by Brent Hallard, ParisCONCRET, Paris, FR (catalogue) Factor XX, curated by Jenny Balisle, Los Gatos Museum, Los Gatos, CA (catalogue) The Rule of Typical Things, Gregory Lind Gallery, San Francisco, CA 2009 TRANS: form color, Meridian Gallery, San Francisco, CA (catalogue) TRANSformal, Pharmaka, Los Angeles, CA (brochure) The Grid, curated by JT Kirkland, MP5, Portland, OR 2008 Calculated Color, curated by Jane Lincoln, Higgins Art Gallery, Cape Cod, MA (brochure) The Space Between, curated by Cathy Kimbell, San Jose Institute of Contemporary Art, San Jose, CA (brochure) Close Calls, Headlands Center for the Arts, Sausalito, CA (also 2005, 2004) TOUCH, curated by Brent Hallard, Busdori, Tokyo, Japan Out of the Fog: Artists from Headlands Center for the Arts, curated by Dianne Romaine and Holly Blake, Art works Downtown, San Rafael, CA 2007 TRANS: Abstraktion, Weltraum, Munich, DE (brochure) 7 - 07 Hung Liu curates 7 Women Artists in the year of the Pig, b.Sakata Garo, Sacramento, CA (brochure) Bay Area Currents, The Oakland Art Gallery, Oakland, CA Visual Noise, UMC Gallery, University of Colorado, Boulder, CO The Unknown Quantity, Gregory Lind Gallery, San Francisco, CA Systems & Transmutations, Root Division, San Francisco, CA (catalogue) Still, Contemporary Quarterly, curated by Chandra Cerrito, www.ContemporaryQuarterly.com (brochure) 2006 Suitcase: Bus - Dori, curated by Brent Hallard, Tokyo, JP Summertime, Judy Saslow Gallery, Chicago, IL microcosm, curated by Victoria Wagner, Richmond Art Center, Richmond, CA (brochure) Sketch, The Memorial Union Gallery, University of California at Davis, Davis, CA 2005 Contemporary Perspectives, Museum of Contemporary Art, Santa Rosa, CA 2004 and now they aren't.

In attempting to evoke the wonder, curiosity, and magic moments that unfold in life, taking shape as form, dynamic color planes, and a surreal perspective on space, Rebecca Norris Webb returned to her home state of South Dakota to produce a body of work.

In discussing these works, Cousins once stated that a key part of the process for him involved «giving special attention to the form of the empty space between the solid elements of a sculpture as well as to the empty space surrounding the sculpture.»

As Buren states»... this visual tool once «positioned» in «its» site, will define it, demarcate it, DRAW it (and also color it, emphasize it, illuminate it, decorate it, critique it, politicize it, etc.) just as much as the place (space) in question will give it its form.»

Today, his work follows geometric design principles of the old masters and he's currently «exploring the simultaneous illusion of form and flatness in space» and has a goal to «portray and better understand our various states of consciousness within ourselves».

Formed in 2006 as an artist - run alternative gallery space, the group has exhibited their drawing, video, sound, and performance projects throughout the United States and in Mexico City, and has been widely recognized for its «inventive construction, loving attention to detail and keen - eyed connoisseurship.»

As Clement Greenberg stated in his essay «Sculpture in Our Time» (Arts Magazine, June 1958), «Rendering substance entirely optical, and form, whether pictorial, sculptural, or architectural, as an integral part of ambient space — this brings anti-illusionism full circle.

2002 CAB Gallery Retrospective 1999 - 2001, Essor Gallery Project Space, London, UK Between Language and Form, Yale University Art Gallery, New Haven, Connecticut, US Amsterdam Revisited: Adam & Eve On Sex, Tolerance and other Dependencies, De Appel, Amsterdam, NL Reaction - A Global Response to 9/11, Exit Art, New York, US Art Aficionado Auction of Cigar Box Art, Birmingham Museum of Art, Birmingham, Alabama, US Just Remember: It's Vienna, Galerie Hubert Winter, Vienna, AT Welfare State International, London, UK Light & Shadows..., Galerie Anselm Dreher, Berlin, DE From the Observatory, Paula Cooper Gallery, New York, US Galerie Pietro Spartà, Chagny, FR Coolecção Onnasch: Aspectos da Arte Contemporânea, Museu Serralves / Museu Arte Contemporânea, Porto, PT Conceptual Art 1965 - 1975 from Dutch and Belgian Collections, Stedelijk Museum Amsterdam, NE DIN Art 4 - 560 Künstler und 1 Formular, Museum für Kommunikation, Hamburg, DE 2002 Benefit Silent Auction and Gala, White Columns, New York, US Parole, Parole, Parole, Galleria Civica di Arte Contemporanea, Trento, IT Water - Sand — Space, The International Art Exhibition: Sharjah Art Museum, UAE; Städtischen Galerie Wolfsburg, DE Private Views, London Print Studio Gallery, London, UK Collections, Stedelijk Museum, Amsterdam, NL Startkapital, K21 Kunstsmamlung Nordhein - Westfalen, DE 20 Years in Danish Art, Stalke Galleri & Galleri Kirke Sonnerup, DK The Artists» Memory, Stadtische Museen Jena, Kabinett im Stadtmuseen, DE Ideal Avalanche, The Pond, Chicago, Illinois, UK Pièes de Collection / Oeuvres Contemporaines, Une Proposition de Françoise et Jean - Philippe Billarant, Ecole Supérieure des Beaux - Arts de Nîmes, ESBAN @ Hôtel Rivet, FR Hors d'Oeuvre, Artist's Pages, Le Journal de l'art Contemporain en Bourgogne, No. 10, FR Frenetic Interferences a presentation of MEMORY / CAGE EDITIONS, Museum Store of The New Museum of Contemporary Art, New York, US Sens Giratoire Exposition Collective Peintures, Photographies, Installations PASSAGES, Centre d'Art Contemporain, Troyes, FR Ilona Ruegg, Kunsthalle Bern, Bern, CH Kunst und Schock Der 11, September und das Geheimnis des Anderen, Eine Austellung mit Bildern und Texten in Zusammenarbeit mit Lettre International, Haus am Lützoplatz, Berlin, DE Art Unlimited, Basel Art Fair, Basel, CH Les Horizons du Paysage, curated by François Montliau & Hubert Besacier, Maison de la Culture de Bourges, FR Ansammlungen von Ingrid Wald und Gerhard Jaschke («Freibord»), Sommerallerie, Unterretzbach, AT Out of Print Edição Esgotada, Museu Serralves, Museu de Art Contemporaneâ, Porto, PT De Concert, Oeuvres d'une Collection Privé, Frac des Pays de la Loire, FR What About Hegel (And You)-RRB-?

Edgy forms appear to tilt several small paintings here toward minimalism, but the spaces within them hint at a correspondence to moods or mental states that no minimalist painter would have let stand.

Causing forms, space and priorities to shift and evolve, Miller links viewer to maker by maintaining a constant state of flux.

Skowhegan, Maine 2003 Rockefeller Foundation 2002 Foundation for Contemporary Performance Art 2001 Japan — U.S. Friendship Commission Fellowship The Andy Warhol Foundation Creative Capital Foundation 2000 Franklin Furnace / Jerome Foundation Tanne Foundation Fellowship 1999 Maine Arts Commission Fellowship Grant 1997 Artist in Residence — Yaddo Tennessee William Writer - In - Residence, Sewanee: University of the South, Sewanee, Tennessee 1996 Ko Performance Festival Residency, Amherst College, Amherst, Massachussetts Skowhegan School of Painting and Sculpture, Residency, Skowhegan, Maine 1995 National Endowment for the Arts Artist in Residence — Yaddo Ko Performance Festival Residency, Amherst College, Amherst, Massachussetts 1994 National Endowment for the Arts New England Regional Initiative Project New Forms Artist's Project Award Maine Arts Commission Fellowship Grant 1993 National Endowment for the Arts Art Matters 1992 Franklin Furnace / Jerome Foundation Fund for Art New England Regional Initiative Project Grant 1991 Mid Atlantic Residency 1990 Art Matters Grant 1989 Mt. Holyoke Writers Workshop Art Matters Grant 1988 New England Regional Initiative Project Grant 1987 New York State Council on the Arts (NYSCA) Playwright's Development Grant 1986 Just Above Midtown Curator - Artist / Television Grant Artists Space Grant 1984 Artists Space Grant

Each of his subjects, seemingly devoid of expression and in a state of anomie, are depicted with large heads attached to bodies cut off at the knees — distortions of form and space, compressed as if swaddled within the frame.

Her work questions the state of knowledge in the age of Google while dealing with issues of form, space, surface, and volume.

«Forming an entity of time and space», as the artist himself has stated, these works depict immeasurable space while also exuding a contrary sense of finiteness: the borders of the canvas arrest the illusion of infinity, while the title of each refers to the precise date of its creation.

Born 1982, Auckland, New Zealand Education 2009 Meisterschule, Städelschule HFBK, Frankfurt am Main 2005 BFA, Elam School of Fine Arts, University of Auckland Solo exhibitions 2018 «Games of Decentralized Life» Galerie Buchholz, Cologne 2018 «The Founder's Paradox», MOCA Museum of Contemporary Art, Cleveland 2017 «The Founder's Paradox», Michael Lett, Auckland 2017 «The Founder's Paradox», Michael Lett, Auckland 2017 «Shenzhen Entrepreneurial Form», Fine Arts, Sydney 2017 «FaaS — Feedback as a Service: Reflecting on messaging, debate and criticality inside a parliamentary discussion on internet governance», Bozar, Brussels 2017 «Simon Denny: Real Mass Entrepreneurship», C2 Space, OCT - LOFT, OCAT Shenzhen 2017 «Hammer Projects: Simon Denny», Hammer Museum, Los Angeles 2016 «Secret Power», Museum of New Zealand Te Papa Tongarewa, Wellington 2016 «Blockchain Future States», Petzel Gallery, New York 2016 «Business Insider», WIELS, Brussels 2015 «Products for Organising», Serpentine Sackler Gallery, London 2015 «Secret Power», New Zealand Pavilion, 56th Venice Biennale 2015 «The Innovator's Dilemma», MoMA PS1, New York 2014 «The Personal Effects of Kim Dotcom», Adam Art Gallery, Victoria University, Wellington 2014 «New Management», Portikus, Frankfurt am Main 2014 «The Personal Effects of Kim Dotcom», Firstsite, Colchester 2014 «TEDxVaduz redux», T293, Rome 2014 «Disruptive Berlin», Galerie Buchholz, Berlin 2013 «The Personal Effects of Kim Dotcom», mumok, Wien 2013 «All You Need is Data — The DLD 2012 Conference REDUX rerun», Petzel Gallery, New York 2013 «All You Need is Data — The DLD 2012 Conference REDUX», Kunstverein München 2012 «Full Participation», Aspen Art Museum, Aspen 2012 «Envisaging Vocational Rehabilitation» (with Joanna Fadyl), Westfälischer Kunstverein, Münster 2011 «Corporate Video Decisions», Friedrich Petzel Gallery 2011 «Corporate Video Decisions», Michael Lett, Auckland 2011 «Cruise Line», NAK Neuer Aachener Kunstverein, Aachen 2011 «Chronic Expectation: CFS / ME Documentary Restoration», T293, Rome 2011 «7 Unreachable Elevators», IMO, Copenhagen 2010 «Negative Headroom: the broadcast signal intrusion incident», Contemporary Art Museum, St. Louis 2010 «Negative Headroom: the broadcast signal intrusion incident», Halle Für Kunst, Lüneburg 2010 «Remote Tutorial: hate poems for travelers», Landings Project Space, Vestfossen 2010 «Introductory logic tutorial video», Artspace, Sydney 2009 «Celebrities» houses at night: a projection», Standard Oslo, Oslo 2009 «Starting from behind», Michael Lett, Auckland 2009 «Deep Sea Vaudeo», Galerie Daniel Buchholz, Cologne 2009 «Watching Videos Dry», T293, Naples 2009 «7 Drunken Videos `, Luettgenmeijer, Berlin 2008 «Aquarium Paintings (with Nick Austin)», Center, Berlin 2008 «Ruined by Sheer Confidence», Caribic Residency, Frankfurt am Main 2008 «Alexandra Bircken / Simon Denny», Ursula Blickle Stiftung, Kraichtal 2008 «Recent Haircuts», Uplands Gallery, Melbourne 2008 «Recent Haircuts», Gambia Castle, Auckland 2007 «Compression Club», Michael Lett, Auckland 2007 «Monthly Cowards», Gambia Castle, Auckland 2007 «Paltry Motion», Dunedin Pubic Art Gallery, Dunedin 2006 «Old Entertainment System», Window, Auckland 2006 «Scape», Art & Industry Biennial, Christchurch 2006 «Old Things», Michael Lett, Auckland 2005» Arranging Sympathies», Volume Series, The Physics Room, Christchurch

She was, after all, Obama's secretary of state, and it was under her that the State Department issued a draft review approving Keystone XL that was sharply criticized by Obama's own EPA, but still approved in final form, despite the objection of expert critics such as James Hansen, director of NASA's Goddard Institute for Space Studies, who has argued that the big - picture global warming concerns mean that tar sands must be left in the grstate, and it was under her that the State Department issued a draft review approving Keystone XL that was sharply criticized by Obama's own EPA, but still approved in final form, despite the objection of expert critics such as James Hansen, director of NASA's Goddard Institute for Space Studies, who has argued that the big - picture global warming concerns mean that tar sands must be left in the grState Department issued a draft review approving Keystone XL that was sharply criticized by Obama's own EPA, but still approved in final form, despite the objection of expert critics such as James Hansen, director of NASA's Goddard Institute for Space Studies, who has argued that the big - picture global warming concerns mean that tar sands must be left in the ground:

Here's Merriam Webster's version: Main Entry: carbon dioxide Function: noun: a heavy colorless gas CO 2 that does not support combustion, dissolves in water to form carbonic acid, is formed especially in animal respiration and in the decay or combustion of animal and vegetable matter, is absorbed from the air by plants in photosynthesis, and is used in the carbonation of beverages I know you'll all correct me if i'm wrong in stating if CO2 has no scientific facts supporting global warming based upon a factor of greenhouse gases (as opposed to solar radiation in another post, which would be defined by variations in earth, space, or similar factors), then where does science determine that CO2 «disolves in water to form carbonic acid» and is «absorbed from the air by plants in photosythesis»?

The particular form of Chevron retreat I envision — one that widens the space for the application of State Farm — is fundamentally...

She has won numerous local, state, regional and internatonal awards since forming her company, Carolina Spaces, in 2004.