Sentences with phrase «statements by each of the artists»

A Brochure published in connection with this annual Master of Fine Arts exhibition features an introduction by Tom Mapp, Director of Midway Studios, seven black - and - white illustrations, and personal statements by each of the artists.

Not exact matches

An Irish artist has reacted to Pope Benedict XVI's recent statement that gay marriage is one of the most «insidious and dangerous» threats to the world by painting a canvas called «You May Now Kiss The Groom.»

The artist, therefore, no longer was permitted to contribute to religious imagination by the creative work of painting and found himself limited to illustrating the «complete» statement of the religious traditions contained in confessions and in creeds.

I coordinated «Art from the Heart,» a traveling art show of the select works completed by children in the program, including their powerful artist's statements about their work.

«Ultimately artist Anthony Goicolea's design was recommended by the Commission and selected as a result of the circular layout and permanency of the bronze stones that expressed the uncompromised strength of LGBT community, marries well within the sites natural environment, invites sitting and contemplation and stands for equality, fairness, justice, and equal rights for lesbian, gay, bisexual and transgender citizens,» the state parks department said in its statement.

In a new statement released by the organizers, confirming the list of artists for tonight's show, the name of Stonebwoy was excluded, just hours after the artist was once again advertised to perform.

Having met Ranjana Khan in NYC at her hubby's Bridal Show a few seasons back, where the theme of his collection and her accompanying statement earrings were inspired by artist Frida Khalo, Ranjana left quite an impression on me.

His statements are not dulled by any overbearing cruelty to the characters, but instead the minor atrocities put upon them help to give weight to their problems, not make them seem like cartoons of a sadistic artist.

I like to make students look beyond the obvious connections and really question what they see in an image - this one works really well in giving students new ideas to explore for AO1 in asking of them what artists are doing in different ways and includes statements by the artists in terms of what the work is about for students to be able to demonstrate Informed responses.

Using the online submission system, submit up to 10 poems totaling no more than 15 pages or up to 15 pages of prose with a biography, an artist statement, a project statement, a curriculum vitae, and a $ 15 entry fee by August 31.

Scott Rothkopf, the deputy director for programs and the chief curator at the Whitney, said in a statement, «Adrienne has distinguished herself as one of the most innovative curators working in performance today by engaging artists across diverse disciplines and often challenging them to explore new genres and experimental forms.

In the curatorial statement Gehring writes: «Each of the artists in this exhibition generate work from a distinct point of view, but each point of view is one that is illuminated and connected by this show's title, Meta Vista.

The most authentic statement of Manet's sense of his situation as a man and as an artist may well be his two versions, painted in 1881, of The Escape of Rochefort, in my opinion unconscious or disguised self - images, where the equivocal radical leader, hardly an outright hero by any standards, is represented in complete isolation from nature and his fellow men: he is, in fact, not even recognizably present in one of the paintings of his escape from New Caledonia.

The panel reviewed statements and portfolios submitted by prospective artists and assigned a roster of three artists to propose artworks for each of the three sites:

There are relatively few artists who can achieve two things simultaneously within a work: one, to make a statement that is easily understood by a wide audience (and not only insiders with a knowledge of art history); and two, to not make a work that is so literal and so obvious that it lacks critical depth and artistic subtlety.

with artist statements and texts by Deborah Bershad, Hal Foster, Marcia Tucker, and Brian Wallis) Dissent: The Issue of Modern Art in Boston, Part III, «As Found», Institute of Contemporary Art, Boston, USA (cat.

Name, address and contact details of painter - Where you heard about Beep2016 (name of magazine, website, etc.)- A submission of up to TWO paintings (high quality JPEGS) with title / s, dimensions in cm, medium, year - 250 words maximum statement (Word document or in an email) on the submitted paintings relating to the theme and a brief artist biography (this will be used for the online catalogue)- link / s to website or recent works (this will only be used by exhibition judges if needing additional information picking a winner)

An artist can make an inflammatory statement, like Kosuth saying «Painting is dead» — but then you go to his house, and there's a portrait of him by Basquiat or Warhol.

From 1961 to 1963, the Judson Memorial Church on Washington Square South in Manhattan hosted the Hall of Issues, a weekly forum that enabled artists, writers, and passers - by to voice their concerns — be they social, political or philosophical — in the form of drawings and statements pinned to a display board.

Each handsomely designed volume presents a thorough survey of the artist's life and work, as well as statements by the artist, an illustrated chapter on technique, a chronology, lists of exhibitions and public collections, an annotated bibliography, and an index.

Chinatown Art Brigade delivers a statement on role of artists and cultural workers in resisting the Trump regime, during #J20 Action (on the of the Inauguration of Donald Trump) on January 20th, 2017 at the Whitney Museum organized by Occupy Museums.

Recent exhibitions include System of Objects, The Dakis Joannou Collection Reloaded by Andreas Angelidakis at DESTE Foundation in Athens (co-curator and exhibition architecture), 2013; DO - IT Moscow at Garage, 2014 (exhibition architecture); Crash Pad, A preliminary statement for the 8th Berlin Biennial, 2014 (artist); Every End is A Beginning at National Museum of Contemporary Art Athens, 2014 (artist, co-curator); Fin de Siècle at Swiss Institute / Contemporary Art, New York, 2014 (curator, exhibition architecture); and 1:1 Period Rooms at Het Nieuwe Instituut, Rotterdam, 2015 (artist, curator).

The book took the form of a 16 - page text by Alloway followed by statements by each of the nine artists.

To apply for an artist residency at the Carving Studio and Sculpture Center, please submit a completed online registration form plus, by mail, up to ten images (slides or jpegs on a cd) of your artwork, a résumé / CV, biography, an artist's statement (including how this residency will impact your artistic career), a range of desired dates and a SASE (for return of materials, if desired) to: The Carving Studio and Sculpture Center; P.O. Box 495; West Rutland, VT 05777.

What I meant by that ending statement is that, after many years as an artist, having these accumulated experiences allowed me to have the knowhow to make a large painting on the scale of Amistad América.

By the end of the workshop, students will write a clear concise artists» statement that expresses their aims, goals and the context of their work.

Since the mid-60s the work of artist groups has been marked by subversive political statements, appropri...

In a press statement, High Museum director Michael Shapiro says: «Photography is our fastest growing area of collecting, research and programming, and these gifts will ensure that the High can continue our commitment to new scholarship and commissioning new works by living artists.

A catalog of the show will feature artists» statements, biographies, and images, as well as an introductory essay by Gary Hill.

In his artist's statement, he concludes by quoting Russell Brand, «What it felt to me was like the dissolution of the idea of myself.

Helping to pinpoint Marden's place in the flow of time is an essay by David Anfam, along with a statement written by the artist, an extended meditation on geometry, proportion and color.

Statement about funding support (one paragraph, identifying any funding bodies that artist is approaching to support the residency, or statement of fiscal responsibility by the artist)

Documents includes a compendium of artists» statements, plus essays, papers and articles by writers and experts in the field.

2016 Passman, Melissa, Art in Focus, (interview), April Boucher, Brian, «11 Booths I could hardly tear myself away from at Nada New York», artnet.com, May 6 Sutton, Benjamin, «Nada New York Gets Nasty», hyperallergic.com, May 6 Shaw, Michael, The Conversation Podcast, episode # 135, theconversationartistpodcast.podomatic.com, April 15 2015 Griffin, Jonathan, «Reviews in Brief: Max Maslansky», Modern Painters, February, p. 77 Cherry, Henry, «Escaping Monotony with Max Maslansky», Reimagine (online), February Diehl, Travis, «Critics» Picks: Max Maslansky», artforum.com, May 5 Los Angeles Review of Books, lareviewofbooks.org, (image), June 21 Hotchkiss, Sarah, «Sexy Sculpture Fills CULT's Summer Group Show», kqed.com, July 27 CCF Fellowship for Visual Artists 2015, catalog, p9 Archer, Larissa, «Review: Sexxitecture / Cult, San Francisco,» Frieze, October, pp260 - 261 2014 Hutton, Jen, «Max Maslansky», Made in L.A. 2014, catalog, Hammer Museum, Los Angeles Miranda, Carolina A., «Datebook: Boxing painters, teen idols, and John Altoon's short career», The Los Angeles Times, June 5 Zimskind, Lyle, «Channing Hansen's Quantum Paintings are Really Knit», Los Angeles Magazine Blog.com, July 17 Finkel, Jori, «Painting on Radio Canvas», The New York Times, February 7 Khadivi, Jesi, «Curated in L.A», interview with Michael Ned Holte, Kaleidoscope, Summer, pp.110 - 115 Gill, Noor, «' Made in L.A 2014» at Hammer Museum displays work by artists like Max Maslansky», DailyBruin.com, August 4 Hernando, Gladys, «The White Album», catalog, Richard Telles Fine Art, Los Angeles, p. 28 Plagens, Peter, «Exhibit a Creation of Show, Not Tell», The Wall Street Journal, August 19 Berardini, Andrew, Art Review, September Dhiel, Travis, «The Face Collector», essay for Sniff The Space Flat on Your Face catalog, pp. 15 - 18 Griffin, Jonathan, «Highlights 2014», Frieze.com, December 19 New American Paintings, issue 115, Pacific Coast, December 2014 / January 2015, pp. 118-121 2013 Perry, Eve, «Not Taking the 1990s Very Seriously», Hyperallergic.com, (web), March 27 Griffin, Jonathan, «Made in Space», art agenda.com, (web), March 28 Smith, Roberta, «Art in Review: Made in Space», The New York Times, August 1 «Made in Space at Gavin Brown and Venus Over Manhattan», Contemporary Art Daily, August 6 «Group Show at Tif's Desk at Tom Solomon», Contemporary Art Daily, July 28 2011 MacDevitt, James, Object - Orientation, catalog, Cerritos College Art Gallery Dambrot, Shana Nys, «Web Diver: Turning Strangers» Online Photos into Paintings», LA Weekly, May 2010 Beautiful Decay, (www.beautifuldecay.com), July 22 2007 «Allegorical Statements», Los Angeles Times, May 17, p. E3 2006 Bellstrom, Kristen, «The Art of Buying», Smart Money Magazine, May 2006, pp. 111 - 13 Impression (Ism): Contemporary Impressions, catalog, City of Brea Art Gallery, Brea, CA, March 2005 The Armpit of the Mole, a drawing compilation, Fundació 30 km / s, Paris,Artists 2015, catalog, p9 Archer, Larissa, «Review: Sexxitecture / Cult, San Francisco,» Frieze, October, pp260 - 261 2014 Hutton, Jen, «Max Maslansky», Made in L.A. 2014, catalog, Hammer Museum, Los Angeles Miranda, Carolina A., «Datebook: Boxing painters, teen idols, and John Altoon's short career», The Los Angeles Times, June 5 Zimskind, Lyle, «Channing Hansen's Quantum Paintings are Really Knit», Los Angeles Magazine Blog.com, July 17 Finkel, Jori, «Painting on Radio Canvas», The New York Times, February 7 Khadivi, Jesi, «Curated in L.A», interview with Michael Ned Holte, Kaleidoscope, Summer, pp.110 - 115 Gill, Noor, «' Made in L.A 2014» at Hammer Museum displays work by artists like Max Maslansky», DailyBruin.com, August 4 Hernando, Gladys, «The White Album», catalog, Richard Telles Fine Art, Los Angeles, p. 28 Plagens, Peter, «Exhibit a Creation of Show, Not Tell», The Wall Street Journal, August 19 Berardini, Andrew, Art Review, September Dhiel, Travis, «The Face Collector», essay for Sniff The Space Flat on Your Face catalog, pp. 15 - 18 Griffin, Jonathan, «Highlights 2014», Frieze.com, December 19 New American Paintings, issue 115, Pacific Coast, December 2014 / January 2015, pp. 118-121 2013 Perry, Eve, «Not Taking the 1990s Very Seriously», Hyperallergic.com, (web), March 27 Griffin, Jonathan, «Made in Space», art agenda.com, (web), March 28 Smith, Roberta, «Art in Review: Made in Space», The New York Times, August 1 «Made in Space at Gavin Brown and Venus Over Manhattan», Contemporary Art Daily, August 6 «Group Show at Tif's Desk at Tom Solomon», Contemporary Art Daily, July 28 2011 MacDevitt, James, Object - Orientation, catalog, Cerritos College Art Gallery Dambrot, Shana Nys, «Web Diver: Turning Strangers» Online Photos into Paintings», LA Weekly, May 2010 Beautiful Decay, (www.beautifuldecay.com), July 22 2007 «Allegorical Statements», Los Angeles Times, May 17, p. E3 2006 Bellstrom, Kristen, «The Art of Buying», Smart Money Magazine, May 2006, pp. 111 - 13 Impression (Ism): Contemporary Impressions, catalog, City of Brea Art Gallery, Brea, CA, March 2005 The Armpit of the Mole, a drawing compilation, Fundació 30 km / s, Paris,artists like Max Maslansky», DailyBruin.com, August 4 Hernando, Gladys, «The White Album», catalog, Richard Telles Fine Art, Los Angeles, p. 28 Plagens, Peter, «Exhibit a Creation of Show, Not Tell», The Wall Street Journal, August 19 Berardini, Andrew, Art Review, September Dhiel, Travis, «The Face Collector», essay for Sniff The Space Flat on Your Face catalog, pp. 15 - 18 Griffin, Jonathan, «Highlights 2014», Frieze.com, December 19 New American Paintings, issue 115, Pacific Coast, December 2014 / January 2015, pp. 118-121 2013 Perry, Eve, «Not Taking the 1990s Very Seriously», Hyperallergic.com, (web), March 27 Griffin, Jonathan, «Made in Space», art agenda.com, (web), March 28 Smith, Roberta, «Art in Review: Made in Space», The New York Times, August 1 «Made in Space at Gavin Brown and Venus Over Manhattan», Contemporary Art Daily, August 6 «Group Show at Tif's Desk at Tom Solomon», Contemporary Art Daily, July 28 2011 MacDevitt, James, Object - Orientation, catalog, Cerritos College Art Gallery Dambrot, Shana Nys, «Web Diver: Turning Strangers» Online Photos into Paintings», LA Weekly, May 2010 Beautiful Decay, (www.beautifuldecay.com), July 22 2007 «Allegorical Statements», Los Angeles Times, May 17, p. E3 2006 Bellstrom, Kristen, «The Art of Buying», Smart Money Magazine, May 2006, pp. 111 - 13 Impression (Ism): Contemporary Impressions, catalog, City of Brea Art Gallery, Brea, CA, March 2005 The Armpit of the Mole, a drawing compilation, Fundació 30 km / s, Paris, France

Using off - while vinyl letters on a white - painted wall near the entrance, the artist placed the following statement: «Everything in the unconscious perceived by the senses but not noted by the conscious mind during trips to Baltimore during the summer of 1967.»

To apply for a full fellowship, please submit up to 10 images (slides or jpegs on cd) of your work, resume / bio and a statement explaining how this will impact your development as an artist by May 1.

Organized by Scott Rothkopf, the museum's deputy director of programs and chief curator, and Jessica Man, a curatorial assistant, the show is accompanied by a catalog of more than 650 pages, which includes a memoir by the artist's mother, Carol Hendrickson, a public health nurse, who lives with her second husband next door to Owens and her family; testimonies about how wonderful Owens is as a person and a painter from a bevy of artists, curators, dealers, and studio assistants; price lists from early exhibitions; essays, including one about Elizabeth Murray by Francine Prose; statements by influential people who were among the first wave to recognize her importance.

In addition to the presentation of the two paintings and selected ephemera, the exhibition also includes an installation by the Brooklyn - based artist Clifford Borress, whose work explores interpretation as an art form — a departure from Mousavi's paintings and artist statement.

Works will be chosen that show aesthetic excellence, mastery of media, creativity, thoughtfulness and relevance to the theme by submitting a brief artist statement.

Hancock's work has also been included in a number of significant group exhibitions, including Juxtapoz x Superflat, curated by Takashi Murakami and Evan Pricco, Pivot Art + Culture, Seattle, WA (2016 - 17), Statements: African American Art from the Museum's Collection, Museum of Fine Art, Houston, TX (2016), When the Stars Begin to Fall: Imagination and the American South, The Studio Museum in Harlem, New York, NY (2014), Radical Presence: Black Performance in Contemporary Art, Contemporary Arts Museum Houston, Houston, TX (2012), The Best of Times, The Worst of Times: Rebirth and Apocalypse in Contemporary Art, Kiev International Biennale of Contemporary Art, Armory, Kiev, Ukraine (2012), Wunderkammer: A Century of Curiosities, Museum of Modern Art, New York, NY (2008), Darger - ism: Contemporary Artists and Henry Darger, American Folk Art Museum, New York, NY (2008), Political Nature, Whitney Museum of American Art, New York, NY (2005), Whitney Biennial, Whitney Museum of American Art, New York, NY (2002), Whitney Biennial, Whitney Museum of American Art, New York, NY (2000).

To be considered for the gallery, art must be 2 dimensional, focused on themes of anti-violence and community, and accompanied by an artist statement.

In her curatorial statement Ms. Thompson states «In reviewing the diverse pool of entrants, I found that I was most compelled by the artists who were pushing the boundaries of their selected medium and created works that were slightly unsettling.

As Blaffer prepares to open the University of Houston School of Art 37th Master of Fine Arts Thesis Exhibition TONIGHT, (reception 7 - 9 p.m.; member / VIP preview 6 p.m.), each Blogging Blaffer post over the last couple of weeks has highlighed an artwork by one of the dozen graduating and exhibiting artists along with his or her catalog statement.

Leider notes that most recent political statements from the art world had been signed by groups of people or by organizations, and that his request for participation was focused instead on the individual beliefs of artists.

Several women artists who are left out of this exhibition, such as Jenny Holzer or Adrian Piper, have challenged the commodification of text by reclaiming it as representational in contemporary art, often portraying direct, confrontational statements to viewers.

Gillian Ayres (1930 — 2018) The British artist Gillian Ayres has died at the age of 88, it was reported in a statement released by Alan Cristea Gallery today.

The exhibition statement is prefaced by the following text by the artist, evocative of her poetic forms and recalling the centrality of ritual dance to her practice:

Albeit loosely affiliated, and whether for safety in numbers, affordability or to slyly invert bureaucracy's thinking - by - camel, a majority of the artists who broke through to the big time began with, or returned to, group statement.

As Blaffer prepares to open the University of Houston School of Art 38th Master of Fine Arts Thesis Exhibition on April 8 (reception 7 - 9 p.m.; member / VIP preview 6 p.m.), we're highlighting artworks by each of the dozen graduating and exhibiting artists along with his or her catalog statement.

As Blaffer prepares to open the University of Houston School of Art 37th Master of Fine Arts Thesis Exhibition on April 3 (reception 7 - 9 p.m.; member / VIP preview 6 p.m.), each Blogging Blaffer post will highlight an artwork by one of the dozen graduating and exhibiting artists along with his or her catalog statement.