Sentences with phrase «station site into»
The state government is seeking expressions of interest to develop the heritage - listed East Perth power station site into a precinct that includes a mix of living, working and leisure opportunities.
https://www.businessnews.com.au/ Not exact matches
«Afterwards, the heated fluid is taken upwards to the geothermal station, where it produces electricity, generally via a binary cycle (exchanging heat between the water and an organic liquid), and it is re-injected into the site in a closed cycle.»
DeShazo suggested better incentives need to be offered in order to entice site owners and companies into installing public charging stations.
Along one string of sites, or «stations,» that stretches from Antarctica to the southern Indian Ocean, researchers have tracked the conditions of AABW — a layer of profoundly cold water less than 0 °C (it stays liquid because of its salt content, or salinity) that moves through the abyssal ocean, mixing with warmer waters as it circulates around the globe in the Southern Ocean and northward into all three of the major ocean basins.
The team of scientists from Weimar links the described objects to a series of thefts between 2002 and 2012 at the fossil site — this assumption is primarily based on a fossil fallow deer bone, which found its way into the Senckenberg Research Station's collection by way of an anonymous mailing via the Natural History Museum «Schloss Bertholdsburg Schleusingen.»
2018-04-08 16:11 Fireman - turned - author Cliff Thompson talks openly about the guilt, anger and bottled - up horrors that sent him spiralling into depression, and resulted in This web site contents of links to Russian Radio stations on the internet in Real Audio format.
«It's more interesting than doing little projects,» says student Victoria Duffin, whose project aims to turn the site of an abandoned gas station into a park.
This is in part due to the creative manner in which free schools have converted existing sites to suit their needs; for example Heyford Park free school is located on a former RAF airbase in Oxfordshire and has even incorporated the base's history into the curriculum, whilst Sir Isaac Newton Sixth Form has just completed its move into Norwich's disused fire station.
McMurdo Research Station (Jan. 11)-- If you walk less than half a mile from this site, one of the beacons of 21st - century scientific research, you can step into a building for a glimpse of life nearly 100 years ago.
Compile your own radio station media list by typing zip codes into the site's search engine and following the links.
Through all these excursions you can take in birdwatching, or sites with ancient burial jars, bat caves, a forest regeneration programme or a fascinating wildlife release station where rescued animals are prepared for re-release back into the forest.
Another Site offers up a beautiful platform puzzler that looks takes place in a steam - punk re-imagining of Victorian London, putting you in control of Kit, a young woman who goes blind after taking a tumble into a Waterloo station that's still under construction.
From the transformation of New York City's Bohen Foundation into a fictional 13th Street Subway Station in 2004, to the siting of a Prada boutique in the middle the Texan desert in 2005, to their critically acclaimed The Welfare Show in 2006 at Serpentine Gallery, Elmgreen & Dragset's work raises issues around how designs and spaces influence and reflect social conventions and behavioural patterns.
Over the next two years the South London Gallery will be expanding into the former Peckham Road Fire Station and is currently fundraising to enable its renovation and transformation into a cultural centre which will be an annexe to the SLG's main site.
Fifteen archival prints of photographs of sunlight streaming into Grand Central Station, watermarked with their sources — sites such as Art.com, Easy Art, Picasso.com — greet visitors to Penelope Umbrico's latest exhibition, playfully drawing attention to her process of appropriation while offering the prosaic material a more profound afterlife.
Enveloping the buildings of historic Bergamot Station Art Center in light, shadows, and video projections, Johnson transforms the art campus into a single art installation in collaboration with site - specific contemporary dance by Pennington Dance Group and light installation art by Greg Christy.
Following a trail of art, architecture, dance, design and music, Celia Hempton will transform part of the iconic brutalist building 180 Strand with a series of site - specific wall paintings, in collaboration with The Vinyl Factory, whilst the uncanny disused Jubilee line platform in Charing Cross Underground station will be transformed into a sensory installation by Koo Jeong A, co-commissioned with Art on the Underground.
«Utopia Station» spilled out not only into the garden, village fête - style, but into Venice in general, through works by Lawrence Weiner, Ecke Bonk and Nils Norman (his acclaimed Geocruiser, 2001, sited near San Basilio).
2018 Diaspora Pavilion Wolverhampton Art Gallery, UK, 10 Feb — 29 April 2018 Presence — A Window into Contemporary Chinese Art The Vaults, St George's Hall, Liverpool, UK, 9 Feb — 2 June 2017 Diaspora Pavilion Palazzo Pisani Santa Marina, Venice, 13 May — 26 November 2017 Sonic Soundings Venice / www.echoes.xyz 1 Sept — 30 November 2015 - 16 1st Asia Biennial & 5th Guangzhou Triennial Guangdong Museum of Art, Guangzhou 2013 The Global Archive Hanmi Gallery, London 2012 Everything Flows De La Warr Pavilion, Bexhill 2012 Blue Crystal Ball Samsung IOC Olympics Media Art Collection, screenings at De La Warr Pavilion, Bexhill 2012 Blue Crystal Ball Samsung IOC Olympics Media Art Collection, exhibition, AND Festival, Holden Gallery, Manchester 2012 March 2012 part of Time Lapse SITE Santa Fe, New Mexico 2011 Fraternise — the Salon Beaconsfield, London 2010 How We Became Metadata University of Westminster Gallery, London 2010 Tables of Thought Academy of Fine Arts, Helsinki, Finland 2009 Hit the Ground Hatton Gallery, Newcastle (Great North Run Cultural Programme) 2008 Artradio exhibition & online station, Cornerhouse, Manchester (featured soundwork) 2006 Cruel / Loving Bodies 2 exhibition, Hong Kong Arts Centre & Goethe Institute 2005 Private View exhibition, Shanghai Duolun MoMA 2005 Lightsilver exhibition, Beaconsfield Contemporary Art, London 2005 Reassurance exhibition, SPACE Triangle, London & Chinese Arts Centre, Manchester 2004 New Nasubi Gallery in «Osawa Tsuyoshi: Answer with Yes and No!»
David Walsh, Elizabeth Pearce, Jane Clark 2013 ISBN 9780980805888 Lindsay Seers, George Barber, Frieze, January 2013 One of Many, Adrian Dannatt, Artist Comes First, Jean - Marc Bustamante (ed), Toulouse International Art Festival (exhibition catalogue), June 2013 All the World's a Camera: Notes on non-human photography, Joanna Zylinska, Drone ISBN 978 -2-9808020-5-8 (pg 168 - 172) 2013 Lindsay Seers, Artangel at the Tin Tabernacle - Jo Applin, ArtForum, December 2012 Lindsay Seers, Martin Herbert, Art Monthly, October 2012 Exhibition, Ben Luke, Evening Standard, (pg 60 - 61) 20 September 2012 Lindsay Seers @ The Tin Tabernacle, Sophie Risner, Whitehot Magazine, September 2012 Artist Profile: Lindsay Seers, Beverly Knowles, this is tomorrow, 12 September 2012 Dream Voyage on a Ghost Ship, Richard Cork, Financial Times, (pg 15) 11 September 2012 Nowhere Less Now, Amy Dawson, Metro (pg 56) 7 September 2012 Voyage of Discovery, Helen Sumpter, Time Out, (pg 42) 6 - 12 September 2012 Nowhere Less Now, Rachel Cooke, The Observer, (pg 33) 2 September 2012 Divine Interventions, Georgia Dehn, Telegraph Magazine, 25 August 2012 Eine Buhne fur das Ich, Annette Hoffmann, Der Sonntag, 25 March 2012 Das Identitätsvakuum - Dietrich Roeschmann, Badische Zeitung, 27 March 2012 Ich ist ein anderer - Kunstverein Freiburg - Badische Zeitung, 21 March 2012 Action Painting - Jacob Lundström, FLM NR.16, March 2012 Dröm - fabriken - Peter Cornell, Kultur, 21 February 2012 Vita duken lockar Konstnärer - Fredrik Söderling, Dagens Nyheter (pg 4 - 5) 15 February 2012 Personligen Präglad - Clemens Poellinger, SvD söndag, (pg 4 - 5) 12 February 2012 Uppshippna hyllningar till - Helena Lindblad, Dagens Nyheter (pg 8 - 9) 9 February 2012 Bonniers Konsthall - Sara Schedin, Scan Magazine, (pg 48 - 9) Febuary 2012 Ausstellungen - Monopol, (pg 120) February 2012 Modeprovokatörer plockas up par museerna - Susanna Strömquist, Dagens Nyheter (pg 8 - 9) January 2012 Promosing in Kabelvåg - Seers» «Cyclops [Monocular] at LIAF, Kjetil Røed, Aftenposten, 10 September 2011 Reconstructing the Past - Lindsay Seers» Photographic Narrative, Lee Halpin, Novel ², May / June 2011 Lindsay Seers, Oliver Basciano, Art Review, May 2011 Lindsay Seers, Jen Hutton, ArtForum Picks (online), April 2011 Lindsay Seers: an impossibly oddball autobiography, Murray Whyte, The Toronto Star, 13 April 2011 The Projectionist, David Balzer, Eye Weekly, 6 April 2011 dis - covery, exhibition catalogue, 2011 Lindsay Seers: It has to be this way ², Paul Usherwood, Art Monthly, April 2011 Lindsay Seers: Gateshead, Robert Clark, Guardian: The Guide, February 2011 It has to be this way ², 2011, novella published by Matt's Gallery, London Neo-Narration: stories of art, Mike Brennan, modernedition.com, 2010 Steps into the Arcane, ISBN 978 -3-869841-105-2, published 2010 It has to be this way1.5, novella 2010, published by Matt's Gallery, London Jarman Award, Laura McLean - Ferris, The Guardian, September 2009 Top Ten, ArtForum, Summer 2009 Reel to Real - On the material pleasure of film, Colin Perry, Art Monthly, July / August 2009 Remember Me, Tom Morton, Frieze, June / July / August 2009 It has to be this way, 2009, published by Matt's Gallery, London Lindsay Seers at Matt's Gallery, Gilda Williams, ArtForum, May 2009 Lindsay Seers: It has to be this way — Matt's Gallery, Chris Fite - Wassilak, Frieze, April 2009 Lindsay Seers: it has to be this way, Rebecca Geldard, Art Review, April 2009 Review of Altermodern - Tate Triennial 2009, Jorg Heiser, Frieze, April 2009 Tate Triennial: «Altermodern» — Tate Britain Feb 3 — April 26, 2009, Colin Perry, Art Monthly, March 2009 Lindsay Seers: It has to be this way (Matt's Gallery, London), Jennifer Thatcher, Art Monthly, March 2009 No sharks here, but plenty to bite on, Tom Lubbock, The Independent, 6 February 2009 Lindsay Seers: Tate Triennial 2009: Altermodern, Nicolas Bourriaud, Tate Channel, 2009 «Altermodern» review: «The richest and most generous Tate Triennial yet», Adrian Searle, The Guardian, Feb 2009 Critics» Choice for exhibition at Matt's Gallery, Time Out London, January 29 — February 4 2009 In the studio, Time Out London, January 22 — 28 2009 Lindsay Seers Swallowing Black Maria at SMART Project Space Amsterdam, Michael Gibbs, Art Monthly, Oct 2007 Human Camera, June 2007, Monograph book Published by Article Press Lindsay Seers, Gasworks, London, Pil and Galia Kollectiv, Art Papers (USA), February 2006 Review of Wandering Rocks, Time Out London, February 1 — 8, 2006 Aften Posten, Norway, Front cover and pages 6 + 7 for show at UKS Artistic sleight of hand — «Eyes of Others» at the Gallery of Photography, Cristin Leach, Irish Times, 25 Nov 2005 There is Always an Alternative, Catalogue (Dave Beech / Mark Hutchinson) 2005 Wunderkammer, Catalogue, The Collection, October 2005 Lindsay Seers» «We Saw You Coming»;» 20,000 Leagues Under the Sea»; «Apollo 13»; «2001», Lisa Panting, Sphere Catalogue (pg 46 - 50), Presentation House Gallery, 2004 Haunted Media (Site Gallery, Sheffield), Art Monthly, April 2004 Miser and Now, essays in issues 1, 2 + 3 Expressive Recal l - «You said that without moving you lips», Limerick City Gallery of Art, Dougal McKenzie, Source 37, Winter 2003 Braziers International Artists Workshop Catalogue, 2002 Review of Lost Collection of an Invisible Man, Art Monthly, April 2003 Slade - Hannah Collins, Chris Muller, Lindsay Seers, Elisa Sighicelli, Catherine Yass, (A journal on photography, essay by John Hilliard), June 2002 Radical Philosophy, 113, Cover and pages 26/30, June 2002 Elle magazine, June 2002, page 92 - 93 Review, Dave Beech, Art Monthly, June 2002 Nausea: encounters with ugliness, Catalogue Lindsay Seers, Artists Eye, BBC Programme by Rory Logsdail The Fire Station, a film by William Raban and a catalogue by Acme The Double, Catalogue from the Lowry, Lowry Press, July 2000 Contemporary Visual Arts, Roy Exley, June 1999 Hot Shoe, Chris Townsend.
Thousands of people descended on a derelict power station in Moscow for a historic festival of experimental music and art in late February, before work began on transforming the iconic pre-Soviet building into a vast art site set to revolutionize... Read More
Recent projects include The Claudia Jones Space Station (BALTIC Centre for Contemporary Art and The NewBridge Project, Newcastle), Into the Future (Primary, Nottingham), At the Intersections (Nottingham Contemporary), Platform: In the Making and The Paul Robeson Research Station, (both Site Gallery, Sheffield).
A camera obscura brings the outside inside, turning the busy road and building site beyond upside down and into a thing of wonder, and a mini-weather station has been set up with all manner of gadgets used for measuring the world around us.
From the transformation of New York City's Bohen Foundation into a 13th Street Subway Station in 2004, to the siting of a Prada boutique in a Texan desert in 2005, and the insertion of institutional spaces within the architecture of a public gallery, as in the Serpentine Gallery's critically acclaimed The Welfare Show in 2006, their work raises issues around social models and social spaces, and prompts a re-thinking of the status quo.
Brooklyn, NY EDUCATION 2012 New York Studio School, MFA 2009 Amherst College, BA 2008 Worcester College, Oxford SOLO EXHIBITIONS 2017 Works from the Louis - Dreyfus Family Collection, University of Tulsa, Tulsa, OK 2015 Eleanor Ray: Paintings, Steven Harvey Fine Art Projects, New York, NY 2014 Eleanor Ray: Paintings, Steven Harvey Fine Art Projects, New York, NY TWO PERSON EXHIBITIONS 2016 Fred Reichman and Eleanor Ray, The Landing, Los Angeles, CA 2013 Julian Bell and Eleanor Ray, Steven Harvey Fine Art Projects, New York, NY SELECTED GROUP EXHIBITIONS 2018 The Case Against Reality, Marinaro Gallery, New York, NY A Half Note Familiar, C for Courtside, Knoxville, TN Line and Verse (curated by Ridley Howard), Andréhn - Schiptjenko, Stockholm 2017 Contemporary On - Site, Douglas Degges, Mariah Dekkenga, Ann Pibal, Eleanor Ray and Nancy Shaver, Curated by the Fuel and Lumber Company, Atlanta Contemporary, Atlanta, GA Talk to Me in Your Language, Lamart Offspace, Antwerp, Belgium Frame Work (curated by Lauren Whearty), Ortega y Gasset Projects, Brooklyn, NY 106 Green Presents: Somewhere, Atlanta Contemporary, Atlanta, GA For WLD: works from the William Louis - Dreyfus Foundation, Steven Harvey Fine Art Projects, New York, NY 2016 Outside In, Steven Harvey Fine Art Projects, New York, NY Landscapes Into Art, C. Grimaldis Gallery, Baltimore, MD Cold Summer (curated by Peter Shear), The Provincial, Kaleva, MI 106 Green Presents, Brennan & Griffin, New York, NY If Only Bella Abzug Were Here, Marc Straus, New York, NY 2015 Feast of Planes (curated by John Lee), Andrews Gallery, College of William and Mary, Williamsburg, VA Not in One Day, Rothschild Fine Art, Tel Aviv, Israel Exhibition of Work by Newly Elected Members and Recipients of Honors and Awards, American Academy of Arts and Letters, New York, NY Invitational Exhibition of Visual Arts, American Academy of Arts and Letters, New York, NY 2014 Beyond the Pale (curated by Sam McKinniss), Interstate Projects, Brooklyn BRIC Biennial: Volume I, Downtown Edition, BRIC House, Brooklyn, NY Cool and Dark (organized by Gwendolyn Zabicki), Comfort Station, Chicago, IL Between Matter and Experience, University of the Arts, Philadelphia, PA 2013 On the Horizon (curated by Kellyann Monaghan), Adelphi University, Garden City, NY Door / room / window, Steven Harvey Fine Art Projects, New York, NY I - Hsuen Chen, Ryan Sarah Murphy, Eleanor Ray (curated by Leslie Kerby), 308 at 156 Project Artspace, New York, NY 2012 A.I.R. Gallery's 10th Biennial (curated by Ingrid Schaffner), A.I.R. Gallery, Brooklyn, NY MFA Thesis Exhibition, New York Studio School, New York, NY AWARDS / FELLOWSHIPS 2017 Ucross Foundation, Wyoming Jentel Foundation, Wyoming 2016 The Edward F. Albee Foundation, Montauk, NY 2015 NYFA Fellowship in Painting Royal Drawing School Fellowship, Dumfries House, Ayrshire, Scotland Residency Fellowship, The BAU Institute at the Camargo Foundation, Cassis, France Purchase Award, American Academy of Arts and Letters 2012 Woodstock Byrdcliffe Guild, Woodstock, NY 2010 Vermont Studio Center, Johnson, VT
The 2,200 - acre site, which closed a decade ago and is being turned into a park, was also temporarily reopened as a transfer station, helping officials and relief agencies clear debris from around the city.
TH: Tell me more about your work at your flagship site, Lake Kuyucuk, where KuzeyDoğa established the first bird - ringing station in eastern Turkey, has documented 220 different bird species, and turned a road that used to bisect the lake into an artificial island for wildlife conservation.
Your hypothesis that the record of global mean temperatures might have been affected by the odd warm hour on a spring day here and there has a very low probability of being correct, given the vast amount of data that goes into the global mean, from stations in all pats of the world (from the fully dark Antarctic winter days to the fully illuminated Arctic summers, desert and equatorial forest sites etc etc).
When this is taken into account, there's negligible difference between poor and well sited stations.
Again, the majority of the «National Weather Service staffed sites» are considered CO-OP stations, with volunteers taking readings, transcribing them onto forms, and sending them into the NWS.
The other effect that may exist here (but I am less certain of the science, commenters can help me out) is that by saying «your hometown» we put the bet into the domain of urban heat islands and temperature station siting issues.
Aurora also takes into account weather data from a local weather station to account for how the local climate impacts the load profile of a site.
Although the Watts, 2009 report speculated that the inadequate station siting of the U.S. Historical Climatology Network could have introduced a warming bias into the current U.S. temperature trends, it did not attempt to quantify what the net bias (if any) was.
So he and his crew delved into the temperature record, including Watts contention that badly sited thermometer stations underlied the apparent rise, and did a goodly amount of research, and reams of analysis statistical and dimensional.
I would note that better site data was needed to tie into reclassifying the stations using Leroy 2010:
So homogenization whipsaws the well sited stations into «conformity» with the poorly sited stations.
Anthony Watts has accomplished a heroic task that began with his weather stations website and culminated in yesterday's brilliant reintroduction of empiricism into the science of weather station siting and the science of temperature reading comparisons.
Theo Goodwin says: July 30, 2012 at 12:54 pm Anthony Watts has accomplished a heroic task that began with his weather stations website and culminated in yesterday's brilliant reintroduction of empiricism into the science of weather station siting and the science of temperature reading comparisons.
While the Leroy (1999) system performs well for new station siting evaluation, it does not take into account the surface area of heat sinks and sources that may encroach upon a temperature measurement station over its lifetime.
«a study he published in 2008, using improved data from the China Meteorological Administration from sites used in the 1990 research adjusted to take into account any movements of stations, had almost exactly the same results as the original, he said.»
The detailed examination of USHCN stations fits into the prior debate initiated by the Davey and Pielke 2005 survey of sites in eastern Colorado.
Inhomogeneities are introduced into the station temperature series by such things as changes in the station site, changes in measurement time, or changes in instrumentation.
How do I handle requests for such references?Thank you so much for your help!CherylCHERYL M. EARLE3407 Old Dobbin Road, Montgomery, Alabama 36116 - 1903Home Phone: 334-215-3706 Cell Phone: 334-233-2631 Fax: 334-273-0477 E-mail: [email protected] position managing legal discovery and document review with opportunity to assist attorneys with civil litigationBAR ADMISSIONAlabama State Bar, 1999LAW - RELATED EXPERIENCELaw Firm, AlabamaResearch Attorney for Special Projects, Mass Torts Department, November 2001 — February 2008 • Managed Multi-District Litigation (MDL) Document Depository (September 2002 to February 2008) o Reviewed more than 1 million pages of evidentiary documents for litigation purposes and for inclusion in electronic databaseso Coordinated document review assignments with attorneys at local depository and at other sites across the USo Retrieved, reviewed and coded documents in Concordance and Summation legal databaseso Prepared memoranda and spreadsheets providing detailed analysis of discovery materials • Aided attorneys and support staff with processing and preparation of personal injury claims and litigationo Conducted legal research and drafted pleadingso Conducted supplementary online research for additional documents and information pertinent to litigationo Assisted with preparation of correspondence to clients and referring attorneyso Contacted clients for additional information needed in case preparation, litigation, and potential settlementso Prepared and input case intakes and referrals into databaseLaw School, AlabamaStudent Intern, Alabama Disabilities Advocacy Program (ADAP), August 1996 — June 1997 • Participated in law school clinical program under third - year law student practice rule (as authorized by Alabama Supreme Court) o Assisted attorneys and advocates in cases involving mentally ill patients confined to state mental health facilitieso Interviewed clients in person (at state facilities) and over the phoneo Worked with clients, attorneys, and social workers to investigate and resolve issues concerning involuntary confinement and treatmento Aided in legal research on an appellate brief submitted to the U. S. Court of Appeals for the Eleventh Circuit (ruling granted in favor of our client) Faculty Research Assistant for Library Services, Bounds Law Library, March 1996 — June 1997 • Prepared research and teaching materials for law school faculty; worked 20 hours per week while matriculating 10 - 15 hours per semester) o Investigated copyright issues related to procuring and reproducing texts for academic useo Conducted legal research using WESTLAW, LEXIS and the InternetADDITIONAL RELEVANT EXPERIENCEManufacturing Company (MC), Montgomery, AlabamaAdministrative Assistant and Cost Analyst, Materials Purchasing Department, April 1999 — September 2001 • Assisted materials buyers in negotiating and preparing commodities contracts between raw materials suppliers and MC for manufacturing plants in the US and Mexicoo Assisted Legal Department at MC's corporate headquarters with coordination and preparation of documents for litigationo Notified and educated suppliers about MC's freight - on - board policy and its corresponding Uniform Commercial Code (UCC) provisions; result was the reduction of freight claims for both the company and its supplierso Prepared contracts and purchase orders for raw materials and capital projects involving plant maintenanceo Solicited price quotations from current vendors and established Excel spreadsheet format which simplified quote submission process and allowed MC to track and compare usage volumes and costs over timeo Prepared and analyzed cost reports used by materials buyers and production planners in purchasing decisions, including cost reductions, materials consolidation, and selection of vendorso Acted as liaison between vendors and the Purchasing, Transportation and Accounting Departments on issues concerning inbound freight, commercial carriers, and payment terms for commodities, resulting in reductions in freight costs and greater payment discounts for raw materialso Established online databases and printed directories for the Purchasing Department, allowing buyers to have easier and faster access to current vendor informationo Completed Year 2000 (Y2K) compliance project, which involved data collection and communication with MC's past, present, and potential materials suppliers and service providersNot - For - Profit Organization, AlabamaAdministrative Assistant, Combined Federal Campaign, September 1998 — January 1999 • Aided Campaign Director with 1998 Federal Campaigns (CFCs) in City 1 and City 2, which together generated nearly $ 700,000 for more than 1,000 local, national and international charitieso Prepared weekly reports on donations using WordPerfect, Microsoft Word, Excel and dBase IVo Wrote script for Talent Showcase at City 1's 1998 CFC Kickoffo Assisted Director with merger of the City 1 and City 2 CFCs in 1999Regional Bank, AlabamaAdministrative Assistant, Year 2000 (Y2K) Department, March — June 1998 • Worked with Vice President of Corporate Projects on short - term project for the bank's Y2K Departmento Analyzed and processed data on Y2K readiness for all branches of Bank throughout the southeastern USo Organized meetings for personnel of Banko Communicated with vendors of computer hardware, software, and office equipment to request information on Y2K complianceo Prepared compliance files for Federal Reserve auditso Prepared in - house memoranda and reports using Microsoft Word and ExcelRecord / Music Promotion Company, AlabamaRecord Pool Co-Founder; Office Manager, September 1990 — December 1991 • Co-founded record pool to enhance promotion of music in Alabama and the southeastern USo Procured and distributed records from major and independent labels for club, radio and mobile disc jockeyso Coordinated jointly sponsored promotional events with record companies, radio stations and clubso Designed, wrote, and published bi-weekly reports and brochures to inform the music industry of the progress and popularity of music and performers in the region, with specific focus on the Alabama music sceneMajor University, AlabamaGraduate Research Assistant, AUM Department of Marketing, June 1989 — August 1990 • Worked 13 - 20 hours per week as a research assistant to Marketing faculty while carrying a full course load in the MBA programo Analyzed consumer surveys used in academic researcho Assisted Conference Chairperson with coordination for Atlantic Marketing Association (AMA) annual meeting (October 1989) o Co-authored five - year index and classification of AMA Proceedings (published Fall 1991) EDUCATIONLaw School, AlabamaJuris Doctor (JD), 1997 • Scholarshipso Seybourn H. Lynne Scholarship, 1996 - 97o Dexter C. Hobbs Memorial Scholarship, 1995 - 96o E. W. Godbey Memorial Scholarship, 1994 - 95 • Honorso Who's Who Among American Law School Students, 1996 - 94o Arthur Davis Shores Award, 1997 • Activitieso Frederick Douglass Moot Court Team Manager, 1996 - 97 Southern Regional Competition, Second Place National Competition, Eighth Placeo John A. Campbell Moot Court Competition, Spring 1996o Black Law Students Association Delegate, BLSA National Convention, 1997 Co-Chairperson, Public Relations Committee, 1996 - 97 Chairperson, Public Relations Committee, 1995 - 96 BLSA President's Award, 1996 and 1997o American Bar Association, 1996 - 97 Entertainment and Sports Industries Forum Intellectual Property Section Law Student Divisiono LAWS Student Group Leader, 1995 - 96Major University, AlabamaMaster of Business Administration (MBA), 1990Bachelor of Science in Business Administration (B.S.B.A.), 1988 (Major: Marketing — Advertising and Promotion Track) • Honorso Dean's List • Activitieso National Student Advertising Competition Team, 1988 - 90 Seventh District Competition: Third Place, 1990o Marketing Club, 1987 - 90 Vice President — Career Development, 1988 - 89o Public Relations / Advertising (PR / AD) Club, 1988 - 90 Charter Member, 1988 Active in fund - raising and membership driveso Theater Guild, 1988 - 90 Screening Committee, 1989REFERENCESAvailable upon request
The Malaysian - backed Battersea Power Station Development Company bought the old power station in 2012 and has since enlisted the help of Uruguayan architect Rafael Vinoly to transform the derelict site into an ultra luxurious cStation Development Company bought the old power station in 2012 and has since enlisted the help of Uruguayan architect Rafael Vinoly to transform the derelict site into an ultra luxurious cstation in 2012 and has since enlisted the help of Uruguayan architect Rafael Vinoly to transform the derelict site into an ultra luxurious complex.