Sentences with phrase «stick on canvas paintings»

Matt Kleberg's «Catacomb Catapult (for Eddie)» is one of four recent oil stick on canvas paintings in his show «Caterwauler» at Hiram Butler Gallery through Aug. 27.

Not exact matches

Instead of splashing paint on a canvas, Garriott built a paint box that allowed droplets of paint to form spheres that would float over and stick to the paper inside the box.

Placing canvases on the floor, Pollock would incorporate metal rods, kitchen tools, towels, and sticks into his painting process, though these tools rarely touched the canvas directly.

He makes paintings by going to public spaces around L.A., like the beach or the Americana mall, and quickly sketching what he sees there — tanners lounging in swimwear, dog - walkers, picknickers, etc. — on an iPad, then goes back to his studio and simply paints these scenes on canvas in acrylic, airbrush, and oil sticks that he melts on his stovetop.

IL LEE offers the negative of his well - known ballpoint pen works — here a dark ground of oil stick and paint on canvas is rendered white by scraping lines into the surface with an ink-less pen.

Often rendered on unusually shaped canvases with paint layered so thick it seems three - dimensional, Murray's decision to stick with painting an a time when it had largely fallen out of favor with modern artists — along with her choice to ignore many of painting's traditional boundaries and labels — helped her to stand out.

He painted with sticks, brushes and turkey basters, dribbling, pouring and slopping his paint from quart - size buckets onto a canvas placed on the studio floor or outside on a concrete pad.

On one side of this canvas, which sticks out of the wall like something from a surrealist painting, bears on one side one of the blurry, photographic images that Richter specialised in during the early «60On one side of this canvas, which sticks out of the wall like something from a surrealist painting, bears on one side one of the blurry, photographic images that Richter specialised in during the early «60on one side one of the blurry, photographic images that Richter specialised in during the early «60s.

Done with oil sticks pressed directly against the canvas, a method Mr. Goldberg chose some years ago over brushing with paint, they are energetic productions based on what he called a «quasi grid,» with patchy squares of color intersected at random by strong diagonals.

Rita Ackermann AFRICAN NURSE 2005 - 2008 Acrylic and oil paint, gel medium, oil stick, spray paint, leather, rabbit skin glue on canvas 67 x 49 x 1 3/4 inches (170.2 x 124.5 x 4.4 cm) ARG # AR2008 - 016 © Rita Ackermann Photo by Christopher Burke

After a while, he decided to combine installation and drawing creating monumental works called» Installation Drawings» on canvas or linen and pinned to the wall and later covered with black paint stick, one sort of grease wax crayon.

From the»40s on, American Abstract Expressionism dominated the Western art landscape and returned many artists» attention to the evocative formal qualities of paint on canvas and traditional sculptural materials — although the biggest figure associated with «Action Painting», Jackson Pollock, also stuck detritus including cigarette butts, coins, buttons, and keys onto the surfaces of his paintings.

Oil paint and oil stick on canvas, 68 x 84 in.

$ 225 Produced in partnership with MZ Wallace, this generously - sized tote bag features the print from Glenn Ligon's «Untitled (I Am Somebody),» a 1991 oil stick on canvas text painting.

This de Kooning, which sold for $ 772,500, bears a strong painterly kinship with Richter's Lot 25 and to a lesser extent with the untitled painting by Jean - Michel Basquiat (1960 - 1988), Lot 24, a 1982 work of acrylic, spraypaint and oil - sticks on canvas that is 72 by 48 inches and is highlighted by a horned skull with floating arrows above an undefined surge of black and pink.

Three painted canvas pillows on sticks hang in a row on the wall of the first gallery.

Some, like a dense oil - on - canvas painting of a stick figure summoning, catching, and consuming a fish, are undated.

(Notoriously, the critic E. C. Goossen, comparing her to her towering predecessor, Jackson Pollock, wrote, «What she took from him was masculine,» i.e., enamel paint flung onto canvas with a stick; «What she made with it was distinctly feminine: the broad, bleeding - edged stain on raw linen.»

The Abstract Expressionist, Jackson Pollock, is most well - known for his large - scale «all - over» paintings that he painted by laying raw canvases on the floor and pouring house paint directly from cans or dripping it from sticks while engaged in almost dance - like rhythmical movement around the canvas.

Thornton Dial, Old Documents, 2013, Cardboard, paper, fabric, enamel spray paint, finish, oil - based enamel, oil stick and oil paint on canvas.

Melike Kara How we lay down, 2017 — Detail Painting — Aquarelle, pastel sticks and oil sticks on canvas 70 x 80 cm (27.56 x 31.5 in)

Tempera, oil, acrylic, oil stick, spray paint, enamel, printed paper, acrylic and molding paste on canvas.

Oil, spray paint, oil stick, acrylic, pencil on canvas.

Over the next seven years, working with the canvas laid on the floor and dripping or pouring paint, or using sticks, trowels or paint thickened with sand or crushed glass, Pollock produced some of the greatest Abstract Expressionism works ever made.

Laboring away in Mark Rothko's dark and cavernous old studio on the Bowery, a former YMCA gym, Goldberg would staple big canvases to the wall and use paint, brushes, scrapers, and juicily fat oil sticks to push and pull the paintings into being.

Steel frame, plywood, oil, paint and oil stick on canvas, 3 porcelain sculptures with painted aluminum, 3 concrete balls, and beer bottle caps, 41 x 64 1/4 x 64 1/4 inches (104 x 163 x 163 cm).

It has those familiar mesmerizing flourishes of swirling lines dribbled on with sticks or brushes, but it also has thicker pools of pure paint as well as broader underlying areas of color that seem to parallel — or prefigure — Helen Frankenthaler's breakthrough works with paint on unprepared canvas of the same time.

Oscar Murillo, Untitled (bingo paintings), 2012, oil, oil stick, spray, dirt on canvas, 3 panels, overall dimensions 71 ⅝ x 63 1/4 x 5 ⅛ inches.

The Berlin - based artist builds up her canvases with short but thick impasto strokes where clumps of paint still stick to the surface and where sometimes, like Dubuffet, scratches on black reveal a seductive build - up of colors.

The image of «florence, 1983» originally a very large painting on acrylic and oil - stick on hinged canvases was used for the design of this exhibition poster.

The second part is called In and Out of Love (Butterfly Paintings and Ashtrays), a room in which dead butterflies are stuck to canvases, with a table nearby, on which sits an ashtray and cigarette ends — an early example of Hirst's use of cigarettes as a metaphor for pleasure and death.

The diversity of the 1980s can be seen in Dan Christensen's Tuscarora (1980), which belongs to the vibrant and poetic paintings in which the artist furthered his use of experimental methods to include staining on unstretched canvases and calligraphic «drawing» using sticks, brushes, and turkey basters, Friedel Dzubas's Barrier (1983), demonstrating the lyrical and contemplative style of this artist who studied with Paul Klee, and Stanley Boxer's Speckledchant (1988), a work in mixed media that evokes baroque opulence in the way that explosive forms seem compressed within the confines of the canvas.

Oscar Murillo, tilapia, 2013, oil stick, oil paint, concrete dye, thread and dirt on canvas, 1.9 × 1.6 m. Courtesy: the artist, Carlos Ishikawa, and David Zwirner, London

Acrylic, spray paint, and oil stick on canvas, 72 ⅛ x 68 ⅛ inches.