Sentences with phrase «stick with the viewer»

Some TV love stories have a way of sticking with viewers, but no prime - time romance has come close to the pull that Elena Gilbert (Nina Dobrev) has to Damon Salvatore (Ian Somerhalder).

Likewise, the performances don't particularly stick with the viewer, but they're convincing nonetheless.

The film ends on Sands» death, and with some clarifying information imparted, yet this film sticks with the viewer long after.

Turturro is a pleasure to watch (including his character's ongoing battle with eczema), but it's Ahmed's powerful performance as Naz that really sticks with a viewer.

Not exact matches

If the carmaker sticks with this creative approach, the temptation will be to send McConaughey tripping off into ever - more esoteric zones of monologue both dazing and confusing for viewers.

** The U.S. Justice Department presented evidence on Thursday to show that AT&T, owner of DirecTV, viewed buying Time Warner as a way to make viewers stick with their pay TV service instead of moving to cheaper online providers.

While a dignified Nelson Mandela addressed the heads of state, many viewers wondered about the man dressed in leopard skins, standing directly behind him with a little flag stuck quaintly in his...

While a dignified Nelson Mandela addressed the heads of state, many viewers wondered about the man dressed in leopard skins, standing directly behind him with a little flag stuck quaintly in his headgear.

But atm i have more viewers on my snapchat so ill probably stick with that!

I don't overwhelm the viewer with loads of color but I also don't stick with neutrals like these ladies.

It is worth the viewer's time & effort to stick with it to the end.

Based on the first installment in the revamped series, more than a few viewers are likely to wish Scott and Co. had stuck with the plan.

Happyish has its head stuck so far up its rear end and is so filled with personal rage and rotten people that just a small dose of the show should easily dissuade half its viewers from sticking around.

It's a familiar type of story, and it is deliberately aimless for long spells, which may frustrate viewers into not sticking with it.

«Nature» sticks close to home for Bay Area viewers with tonight's episode at 8 on KQED: The episode looks at the ecosystem of the Yosemite Valley, as filmmaker Joseph Pontecorvo follows scientists who are measuring the impact of climate change on the wilderness area.

After all, nothing really happens until the end of the episode, and everything that sets up the climax happens off - camera, which has been a recurring theme this season, problematic for viewers who are stuck wading through 40 minutes for the good stuff): Carrie's secret mission with ex-spy Virgil (David Marciano) and his brother, Max (Maury Sterling), doesn't accomplish anything, and Dana's romantic road trip simply fizzles out.

Once viewers adjust to the cognitive dissonance between intense Flemish dialogue and English performances of country and bluegrass songs, The Broken Circle Breakdown is a film that will likely stick with them long after the credits roll.

All three characters engage in the kind of sexual practices and dizzying social behaviour that will ensure viewers stick around for every minute of the eight episodes, the first two of which are being directed by James Kent — who made the film Testament Of Youth with Alicia Vikander.

Jones conducts with confidence, getting the viewer into the mood of investigation while cleverly reinforcing Colter's vulnerability and his habitual need to protect the passengers and Christina, despite orders to stick to the facts.

While many viewers may not have the patience to stick with a rather dry espionage film for the duration, Spy Game is still definitely recommended for those into spy flicks or die - hard fans of the two leads.

The visual style of «Monkeybone» — which explores the melding of a cartoon character in our real - life world, in addition to an incredibly stylistic, Burton - influenced roller coaster of an afterlife — is something that really sticks with you as a viewer.

The rest, which probably constitutes the majority of potential viewers, is probably of the audience that either won't stick with it for long, or if they do, will grow frustrated by the pretentious nature of the writing, with characters and situations that offer little to connect to.

He wrote at once with the im - pressionistic fervor of a viewer still stuck inside the movie (each word is like a synapse firing), and the wit and rigor of a detached critic.

After all, this is a tale of existential woe told right from Toller's perspective; Schrader wants the viewer stuck in his protagonist's head with no chance of escape.

The film was all shot in the moment, so it can't provide the answers the viewer desperately craves, such as why Abedin has stuck with her husband even though he has repeatedly humiliated her on a worldwide stage.

This film teases viewers by obstructing our view of the plot's road ahead, then only reveals what's coming once we realize we're stuck on a one - lane road with no place to turn off.

Me, Myself & Irene was wildly uneven, Shallow Hal was a one - joke movie that beat the viewer over the head with its message, and now we have Stuck on You, a movie which is so determined to take its main characters seriously that it takes all of the air out the humorous portions of the film.

For this movie's main audience, they will be unknowns, and the film's courageous casting uses this as an advantage; watching the two talented leads is a discovery in itself, and lures viewers into sticking around to see what story is to be told with these genuine characters.

As a viewer, stick to the 1937 Disney version, or hold out hope for the much darker version coming out later this year, Snow White and the Huntsman (with Kristen Stewart).

It will definitely lose some viewers along the way, but those willing to stick to its end will be satisfied with the conclusion.

For Coogler, the miraculous material was enough for viewers to get stuck into: «It felt like we should stick with our one MacGuffin for the country and explore that, let that be the important thing because, frankly we didn't need to have another piece like that,» adds Coogler.

The alternate ending is also better than the one viewers are stuck with in the unrated cut, while the original theatrical ending isn't much different but is still less jarring.

The best sequence, a lovely meeting where Arlo and Spot use sticks to pantomime their devastating histories, makes a viewer wonder if «The Good Dinosaur» might have been better first - half - of - «Wall - E» - style, with no dialogue at all.

With all of the fire and toppling buildings, the viewer becomes stuck in a trance that won't let up.

One of the biggest questions we, along with apparently most viewers, had was how the induction system would work with the intake manifold sticking out several inches above the hoodline and the throttle bodies right up against the windshield.

I stick with ePub and Mobi which the open source viewer app I use renders fine (and will do PDF via a plugin).

The main difference with ebooks using the Adobe Viewer is that you can't change the font type, spacing, margins, etc., like with FBReader; you're stuck with the standard font and publishers» layouts.

Attendees will receive a line of exclusive PlayStation Home / EVO virtual items: Visitors on Friday will receive a limited edition EVO t - shirt for their PlayStation Home avatar; on Saturday players will be rewarded with a special fighting stick companion item; and on Sunday all viewers will receive a replica of the EVO trophy for their PlayStation Home personal spaces.

The result, which can be seen below, is something that is likely to stick with those who see it for a long, long time, so viewers should make sure they are braced for some rather disturbing imagery.

Like before, the angry voice of SEGA takes over the television, this time directly addressing the viewer with six words: «Just stick it in your Genesis.»

He candidly voiced the angst of striving to sustain a hermetic studio - based existence, of imbuing painting with conceptual and metaphysical validity, of being stuck with oneself and one's compulsive behaviors, and of constantly seeking the means to short - circuiting one's predilections in pursuit of an innovative artistic practice that retains urgency for both practitioner and viewer.

In the crawlspace closest to the stairs, Messenger of the potato, a small sculpture made of wax, stick, and oil paint, strikes a pose with its legs casually crossed and one arm in the air to beckon the viewer forward.

Viewers must cautiously walk the narrow and dark path between the wall and canvas, following the painting's soft fields of muted beige gradations, outlined and entangled by the white, red and black lines traced with her signature oil sticks.

A nude woman introduces sex soon enough, crotch toward the viewer, as if Gustave Courbet had stuck with his Origins of the World into Post-Impressionism.

In larger canvases, such as girl with stick (2013), he appears standing protectively with his daughter while she peers inquisitively at the viewer.

Vancouver - based artist Geoffrey Farmer welcomes viewers into the gallery with a yellow Post-it note stuck to the wall, and a simple message scrawled in pencil: «It's not the work, it's the worker.»

In other performances from the 1980s, Hatoum employed her own body, dragging herself through a park in Bracknell, Berkshire, in Them and Us... and Other Divisions (1984), and sequestering herself in the shantylike space she created for Matters of Gravity (1987), visible to the viewer only through a small hole as she struggled to interact with everyday objects — a bed, a chair — stuck to the wall.

These artists have in common the aim of transporting viewers to an alternate reality with work that gets under your skin and sticks in your head yet incorporates a degree of self reflection.

Julia Rommel BUREAU The seven new paintings in Julia Rommel's «The Little Match Stick,» her second solo exhibition at this gallery, presented the viewer with a series of false endings — or,...

Like Richard Shilling's use of twigs and leaves to remind us of the simple beauty of nature or the guns Sonia Rentsch forms with flower buds, nuts and sticks to raise the issue of environmental degradation and violence, Yulia Brodskaya utilizes paper — perhaps the most basic art material available — and a technique called «quilling» that involves twisting and folding strips of paper in such a way that she forces the viewer to not only appreciate her finished work, but also reconsider how we look at the raw materials she's using.