Sentences with phrase «still at art school»

The earliest object in the exhibition is a self - portrait, painted in 1954 - 55, while Schneemann was still at art school.

Initially trained as a painter, Gorczynski gravitated to working with new media while still at art school.

Clear debts can be also be seen to the French painting of the»50s, when Hoyland was still at art school: here a reference to Poliakoff, and there one to Nicolas de Staël.

Not exact matches

And while she always makes a beeline for the art table at school and we have collected boxes full of art supplies at home, there are still limits on what we're able to do ourselves.

I studied Silversmithing and Jewellery at Glasgow School of Art, graduating in 1990 and I still make the occasional piece in silver but I've been totally addicted to glass fusing for around 10 years now.

Easy, Delightful No Bake Mini Gingerbread Houses from Red Ted Art — I still remember when my oldest (now a junior in high school) made something like this at school.

How to Make a Simple Matching Game for Preschoolers — Mama Smiles Raining Hearts Name Craft — Still Playing School Broken Hearts Number Bonds — Rainy Day Mum Love Heart Number Line — Adventures and Play Valentine's Counting Activity — Clare's Little Tots Hearts Sensory Bin — The Moments at Home Easy Heart Shaped Pancakes - The Educators» Spin On It Preschool STEM: Valentine's Tower — Preschool Powol Packets Coding for Kids — The Day It Rained Hearts Prewriting Valentine's Day pack — Kori at Home Throw a Love Fest Kindness Party for Kids — Toddler Approved The Day It Rained Hearts Process Art — Artsy Momma Easy Heart Art Painting — Messy Little Monster

Name in Bed & Name Writing Activity by Preschool Powol Packets Madeline Small World & Sensory Bin by Study at Home Mama Madeline Snack by Still Playing School Learning about Body Parts with Madeline by I Can Teach My Child Exploring Art & Color by Mama Miss Made» line» Sensory Tray Writing by Growing Book by Book Madeline Movement Game by Mom Inspired Life Doubles Activity by Toddler Approved Build the Eiffel Tower by Inspiration Laboratories Skip counting 2's with Madeline by Rainy Day Mum Flowers for Madeline by The Educators» Spin On It

Currently, budget negotiations are still ongoing, but I'm confident the East Ramapo Central School District will get at least another $ 3 million this year to continue funding full - day kindergarten, art and music education and other non-mandated programs.

If it were up to us, graphic - novel legend Daniel Clowes (Ghost World, Art School Confidential) would have inspired at least a dozen movies by now — we're still waiting for our standalone Chicago feature.

Among the high - profile premieres this year are «Antz,» the new Dreamworks animated film; James Ivory's «A Soldier's Daughter Never Cries,» with Kris Kristofferson playing a character inspired by novelist James Jones; «Dancing at Lughnasa,» starring Meryl Streep in the film of Brian Friel's celebrated play; John Waters» «Pecker,» with Edward Furlong as a fast - food worker whose photos are embraced by the New York art world; Helena Bonham Carter and Kenneth Branagh in «The Theory of Flight,» about a work - release prisoner assigned to a woman with Lou Gehrig's disease; Ben Stiller as a drug - addicted TV writer in «Permanent Midnight»; Christina Ricci in «Desert Blue,» about slim prospects for a teenager in a town of 89 people; «The Imposters,» the new film by Stanley («Big Night») Tucci, starring Tucci and Oliver Platt as cruise - ship stowaways; «Rushmore,» with Jason Schwartzmann as a prep schooler who is a lousy student but hyperactive in campus activities; Cameron Diaz in «Very Bad Things,» about a bachelor party that ends in murder; Cate Blanchett as «Elizabeth,» the story of England's 16th century monarch, and «The Judas Kiss,» with FBI agent Emma Thompson on the trail of the kidnapper of a computer genius.

A middle school math whiz may well move through geometry and Algebra 2 by the end of eight grade, but still work at grade level in language arts.

YOU HAVE A TEACHING JOB We can be grateful that despite all the cutbacks to the arts, gifted education, and other areas over the years, many schools still employ at least one teacher of the gifted to provide services.

But even a child lucky enough to score a lottery seat in a top elementary gifted, unzoned or charter school still has to navigate a labyrinth of different applications, interviews, portfolio reviews, auditions, tests and Open House visits to score a seat at a Specialized or Screened or Performing Arts or Limited Unscreened or Ed - Opt or P - Tech or Honors Program High - Sschool still has to navigate a labyrinth of different applications, interviews, portfolio reviews, auditions, tests and Open House visits to score a seat at a Specialized or Screened or Performing Arts or Limited Unscreened or Ed - Opt or P - Tech or Honors Program High - SchoolSchool.

«I've been working with ELL students my whole career,» said Scott Jensen, an eighth grade language arts teacher at Centennial Middle School in Portland, Ore. «I still feel like it's been only recently that I've been making tangible strides with these students.»

He said he got a dozens of calls and emails from principals at schools that take great pride in their arts programs but still got a C in the newspaper.

For at least two decades, the average time spent on English language arts in Illinois public schools has dwarfed instruction time in math — and it still does — but the gap has narrowed as math time has increased.

After the charter takeover of NOLA public schools post Katrina, the state began issuing letter grades for all schools in 2011, and 79 percent of charter schools in the New Orleans district received a «D» or «F.» In 2014, RSD - New Orleans schools are still performing below the vast majority of the state's other districts at the fourth and eighth grades in subjects tested by the Louisiana Educational Assessment Program, including English language arts, math and science.

Smith is said by some to still maintain a presence at the center, now operated as a historic site, museum gallery and community art school.

The facility was brand new and state of the art in 2010 — however, business practices at the shelter were still very much «old school ``.

Born in Manchester in 1844, she began her artistic training at the Manchester School of Art, where women were still banned from drawing nude models, before travelling to Paris and Rome, where she was able to study life drawing.

During the early 1950s, Richard Diebenkorn was known as an abstract expressionist, and his gestural abstractions were close to the New York School in sensibility but firmly based in the San Francisco abstract expressionist sensibility; a place where Clyfford Still has a considerable influence on younger artists by virtue of his teaching at the San Francisco Art Institute.

Selected Group Exhibitions 2016 — «Faculty Exhibition», Evanston Art Center, Evanston, IL 2015 — «Wish List», Gallery Project, curated by Gloria Pritschet and Rocco DePietro, Toledo, Ohio and Ann Arbor, Michigan 2015 — «Roots», Linda Warren Projects, Chicago, IL 2015 — Noyes Cultural Arts Center, Evanston, IL 2015 — «Faculty Exhibition», Evanston Art Center, Evanston, IL 2014 — «National Contemporary Painting», Weatherhead Gallery, University of Saint Francis, Fort Wayne, Indiana 2013 — «31st Juried Art Show», Wilmette Public Library, Wimette, IL 2012 — «30th Juried Art Show», Wilmette Public Library, Wimette, IL 2012 — «Narrative Fragments», Quidley & Company, Boston, MA 2011 — «Juxtaposed», juried by Alyssa Monks, Six Summit Gallery, Ivoryton, CT 2011 — «Paintworks», Gowanus Ballroom, curated by Kristin Kunc, Courtney Jordan & Hyeseung Marriage - Song, Brooklyn, NY 2011 — «Space Invaders», co-curated by Virginia Rose and John Nickle, Rose Contemporary, Portland, ME 2011 — «Cinematic Bodies», curated by Jamie Adams, Zolla Lieberman Gallery, Chicago, IL 2010 — «Snow», XL Projects, Syracuse University Gallery, Syracuse, NY 2010 — «Women Painting Women», Robert Lange Studios Gallery, Charleston, SC 2010 — «Remnants», Fuse Gallery, New York, NY 2010 — «Highlights» Island Weiss Gallery, New York, NY 2010 — «Conceptually Sound», Medialia Rack and Hamper Gallery, New York, NY 2010 — «Chicago Art Fair», shown by Linda Warren Gallery in Chicago, Illinois 2010 — «Looks good on Paper», DFN Gallery, New York, NY 2009 — «Water / Bodies», Eden Rock Gallery, St. Barths, F.W.I. 2009 — «Summer Exhibition 2009», curated by Eric Fischl, Matthew Flowers, Anne Strauss, New York Academy of Art, NY, NY 2009 — «Old School», Jack the Pelican, Brooklyn, NY 2009 — Caldwell Snyder, San Francisco, CA 2008 — «Small Works», Sarah Bain Gallery, Anaheim, CA 2008 — «City Lights», George Billis Gallery, New York, NY 2008 — «Chicago Art Fair», shown by Linda Warren Gallery in Chicago, Illinois 2008 — «Take Home a Nude» Art Auction at Phillips de Pury & Company, New York, NY 2007 — «Summer Exhibition 2007», curated by Eric Fischl, Jenny Saville, Vincent Desiderio, New York Academy of Art, NY, NY 2007 — «Four Handed Lift: Advocacy, Art, Spirit and Community», Moti Hasson Gallery, New York, NY 2007 — «Small Works», Sarah Bain Gallery, Anaheim, CA 2008 — «Chicago Art Fair», shown by Linda Warren Gallery in Chicago, Illinois 2006 — «Contemporary Imaginings, The Howard A. and Judith Tullman Collection», Mobile Museum of Art, Mobile, Alabama 2006 — «Night of a Thousand Drawings», Group Show, Artist's Space, New York, NY 2006 — «AAF», shown by DFN Gallery, New York, NY 2006 — «Salon 2006», New York Academy of Art, New York, NY 2006 — «LA Art Fair», shown by Linda Warren Gallery in Chicago, Los Angeles, CA 2005 — «New Works», curated by Eric Fischl, Jane Gallery, St. Barthelemy, F.W.I. 2005 — «A Terrible Beauty: Figurative painting in the 21st Century», Grey McGear Modern, Santa Monica, CA 2005 — «Small Works», Sarah Bain Gallery, Brea, CA 2005 — «Cityscapes», Sarah Bain Gallery, Brea, CA 2005 — «Take Home a Nude» Art Auction at Phillips de Pury & Company, New York, NY 2005 — «Go Figure», George Billis Gallery, New York, NY 2004 — «Postcards from the Edge, Visual Aids Benefit», Brent Sikemma Gallery, New York, NY 2004 — «Night of a Thousand Drawings», Group Show, Artist's Space, New York, NY 2004 — «Points of Muse», Linda Warren Gallery, Chicago, IL 2004 — «Separate Visions», Sarah Bain Gallery, Brea, CA 2004 — «Still Life», Sarah Bain Gallery, Brea, CA 2004 — «27th Small Works Exhibition», New York, NY 2003 — «Space Invaders», curated by Peter Drake, Fish Tank Gallery, New York, NY 2003 — «26th Small Works Exhibition», New York, NY 2002 — «National Arts Club 26th Annual Student Show», National Arts Club, New York, NY

Multi-visit partnerships allow schools to create deeper connections with the Museum and Clyfford Still's art through a combination of visits to CSM, programs at school, and a school family night at the Museum.

While still in grad school at the School of the Art Institute of Chicago, the Puerto Rico - born Otero was already showing his work in gallschool at the School of the Art Institute of Chicago, the Puerto Rico - born Otero was already showing his work in gallSchool of the Art Institute of Chicago, the Puerto Rico - born Otero was already showing his work in galleries.

The methods of teaching developed at the BMC — such as an emphasis on interpretation and dialogue in the form of the student critique (or «crit»)-- are still present in many of our most advanced art schools; the language of interdisciplinarity began at BMC and the mixture of disciplines and mediums gave way to what is largely regarded as the first «happening»; and the aspirations of intentional communities, utopian ways of thinking, bridging the gap between art and life, and the creation of a counter-culture that are characteristic of American culture in the 1960s all flourished at the college in the preceding decades.

While still in high school she was already exhibiting paintings in art galleries, and at the age of 21 had her first solo show at the Moore College of Aart galleries, and at the age of 21 had her first solo show at the Moore College of ArtArt.

There is still a story to be told about Philip Guston (1913 — 1980) and Jackson Pollock (1912 — 1956), who met at Manual Arts High School in Los Angeles in 1929, and were expelled the following year for handing out a broadside that ridiculed the English faculty for their conservatism.

In the late 1940s, she began teaching at the California School of Fine Arts, where she met Clyfford Still, whose abstract expressionist paintings had an important influence on her approach to sculpture, and she began to allow more room for the accidental and the spontaneous.

, curated by Andrea Salerno and Carmen Zita, Salvatore Ferragamo Gallery, NYC 20th Anniversary, Galerie Gabrielle Maubrie, Paris, France 2005 Faith, Real Art Ways, Hartford, CT Kiss: When a Kiss isn't just a Kiss, Contemporary Art Galleries, University of Connecticut, Storrs, CT Superfat, curated by Joshua Altman, Brooklyn Fire Proof, New York Frontier, Roberts & Tilton, Los Angeles, CA Bodies of Evidence, The RISD Museum, Providence, RI History of Disappearance: Live Art from New York 1975 — Present, Works selected from the Archives of Franklin Furnace, Baltic Centre for Contemporary Art, Gateshead, United Kingdom Springtide, Institute of Contemporary Art, Philadelphia, PA Fear Gear, curated by Euridice Arratia and Elizabeth Beer, Roebling Hall, New York 2004 The Realm of the Senses, James Cohan Gallery, New York, NY The Print Show, Exit Art, New York, NY Dimension: Folly, curated by Roberto Pinto, Galleria Civica di Arte Contemporanea, Trento, Italy (performance) Camera / Action, Museum of Contemporary Photography, Columbia College, Chicago, IL Sympathetic Nerve, Capsule Gallery, New York Self - Evidence: Identity in Contemporary Art, DeCordova Museum, Lincoln, MA Videoplayground, Galerie Alain Gutharc, Paris, France 2003 Occurrences: The Performative Space of Video, The School of the Art Institute of Chicago, Betty Rymer Gallery, Chicago, IL Only Skin Deep: Changing Visions of the American Self, International Center of Photography, NY, NY (catalogue) Im Balance: Video Works by Janine Antoni and Patty Chang, Herbert F. Johnson Museum of Art, Cornell University, Ithaca, NY Moving Pictures: Contemporary Photography and Video from the Guggenheim Museum Collections, Guggenheim Museum Bilbao, Spain (catalogue) Black Belt, curated by Christine Kim, The Studio Museum in Harlem, NY, NY (catalogue) traveling to: Santa Monica Museum of Art, Santa Monica, CA, 2004/2005 10 Year Anniversary Exhibition, Yerba Beuna Center for the Arts, San Francisco, CA Paradigms, curated by Louky Keijsers, Longwood Arts Center, Bronx, NY Coup de Coeur (A Sentimental Choice), CRAC ALSACE, Altkirch, France Skowhegan 2002/2003, Institute of Contemporary Art at Maine College of Art, Portland, Maine (catalogue) Still Waters, Roberts & Tilton.

Jane Frank (when she was still Jane Schenthal) attended the progressive Park School and received her initial artistic training at the Maryland Institute of Arts and Sciences (now known as MICA, the Maryland Institute College of Art), earning in 1935 a diploma in commercial art and fashion illustration [Watson - JoneArt), earning in 1935 a diploma in commercial art and fashion illustration [Watson - Joneart and fashion illustration [Watson - Jones].

Born and raised in Northern California, Anderson served in the US Navy from 1941 until the war's end and then studied with Clyfford Still, Mark Rothko, David Park, Clay Spohn and Robert Howard at the California School of Fine Arts.

[1] She was a promising student who graduated with a fine art degree and followed Still to San Francisco where he taught at the California School of Fine Arts (now San Francisco Art Institutart degree and followed Still to San Francisco where he taught at the California School of Fine Arts (now San Francisco Art InstitutArt Institute).

In New York in the early 1990s, the dominant art conversations were still circulating around the work of grand male conceptual artists like Sol LeWitt, Carl Andre, and Donald Judd — «the guys we were studying at school».

But at art school, I never even thought what it might be like to be successful, you're still developing.

«Independent, intuitive, technically gifted, Paul Jenkins embodies many of the strengths of the New York School... Still, unlike the other artists and art - world inhabitants who, at the time, sided with one or the other painter, Jenkins remained a bit outside the fray.

During his time at California School of Fine Arts, Roth studied with Mark Rothko, Clyfford Still, and Richard Diebenkorn.

Chul - Hyun Ahn began his exploration of the geometry of space while he was still a student of painting at the School of Fine Arts in Seoul.

He studied at Chelsea School of Art and Goldmiths College, both in London, where he still lives and works.

From the academic approach to painting I learned in art school, I went to totally abstract work, particularly influenced by the paintings of Clyfford Still who had been a major force at the California School of Fine Arts just previous to my arschool, I went to totally abstract work, particularly influenced by the paintings of Clyfford Still who had been a major force at the California School of Fine Arts just previous to my arSchool of Fine Arts just previous to my arrival.

The exhibition at the Musée de l'Orangerie focuses on this precise moment — when the great decorations of the master of Giverny were rediscovered and the New York School of Abstract Art was recognised — with a selection of some of Monet's later works and around twenty major paintings by American artists such as Jackson Pollock, Mark Rothko, Barnett Newman, Clyfford Still, Helen Frankenthaler, Morris Louis, Philip Guston, Joan Mitchell, Mark Tobey, Sam Francis, Jean - Paul Riopelle and Ellsworth Kelly.

Founded in 1994, Allied Works is widely recognized for its cultural projects, among them the Museum of Arts and Design in New York; the Clyfford Still Museum in Denver, Colorado; the Contemporary Art Museum St. Louis; Seattle Art Museum; the University of Michigan Museum of Art; Booker T. Washington High School for the Performing and Visual Arts in the Dallas Arts District; and the Schnitzer Center for Art and Design at the Pacific Northwest College of Art in Portland, Oregon.

After the war, he began teaching at the California School of Fine Arts with other notable artists like Diebenkorn, Elmer Bischoff and the great abstractionists Clyfford Still and Mark Rothko.

The painting scene in San Francisco in the»40s centered around a small, tight - knit group of teachers and serious students at the California School of Fine Arts (renamed the San Francisco Art Institute in 1961), who were influenced by Clyfford Still (1904 - 1980), a major first - generation abstract expressionist painter, who taught at CSFA from 1946 until the early»50s when he moved to New York.

«Bay Area Abstraction: 1945 - 1965» focuses on three of those artists, Charles Strong, Frank Lobdell, and Jack Jefferson, two of whom studied with Clyfford Still at the California School of Fine Arts.

The year before that, was another Glasgow artist: the English - born but Scotland - raised Richard Wright, who studied at Glasgow School of Art and still lives in the city.

«Postwar at the California School of Fine Arts,» after a side glance at the anti-pictorialist photo Group f. 64, focuses on the faculty of what we now know as the San Francisco Art Institute, which briefly included Mark Rothko and Clyfford Still, as well as David Park, Richard Diebenkorn, Frank Lobdell and other local luminaries of the period.

In fact, artists like Rothko and Clyfford Still helped to bridge the New York and San Francisco schools by teaching at the School of Fine Arts.

Indeed, Diebenkorn taught painting in the late 1940s at the California School of Fine Arts (now the San Francisco Art Institute), where Clyfford Still and Mark Rothko were visiting professors.

While he continued to teach at the California School of Fine Arts, Still visited New York for extended periods of time during the late 1940s.