The opening
lines of Stephen Sondheim «Äôs macabre musical may be missing, but our introduction to the gruesome, grimy streets of London
still retains a distinctive visual flair; saturated in soot and scum, Tim Burton's take on the Demon Barber of Fleet Street
borders on graphic novel, oozing with oil - black humour.
Indie Next # 1 Pick: THE
LINE BECOMES A RIVER: Dispatches From the
Border by Francisco Cantú THE GREAT ALONE by Kristin Hannah HOW TO STOP TIME by Matt Haig AN AMERICAN MARRIAGE by Tayari Jones I AM, I AM, I AM: Seventeen Brushes with Death by Maggie O'Farrell EVERYTHING HERE IS BEAUTIFUL by Mira T. Lee ONLY KILLERS AND THIEVES by Paul Howarth RED CLOCKS by Leni Zumas NEED TO KNOW by Karen Cleveland ETERNAL LIFE by Dara Horn HEART BERRIES: A Memoir, by Terese Marie Mailhot FRESHWATER by Akwaeke Emezi MOTHERS OF SPARTA: A Memoir in Pieces by Dawn Davies IN EVERY MOMENT WE ARE
STILL ALIVE by Tom Malmquist THE UNMADE WORLD by Steve Yarbrough THE MITFORD MURDERS by Jessica Fellowes THE LARGESSE OF THE SEA MAIDEN: Stories by Denis Johnson FORCE OF NATURE by Jane Harper THIS WILL BE MY UNDOING: Living at the Intersection of Black, Female, and Feminist in (White) America, by Morgan Jerkins WHITE HOUSES by Amy Bloom