Sentences with phrase «still draws and paints»

So, even though I still draw and paint in my work, part of the reason I ended up using a lot of collage is in order to get away from the personal mark.

Not exact matches

In a wonderful chapter on still - life painting, Gorringe draws on eucharistic theology and names the genre «the painting of the Magnificat: It puts down the proud and raises the humble.»

I have basically zero art, drawing, painting skills and still managed to make semi cute looks - kinda - like - Earth cupcakes!

It hasn't mattered - he's still getting into the paint and scoring / drawing fouls at a very efficient rate.

Still, there are some quality programs for preschoolers that can spark your child's imagination, from drawing, painting, and music software to virtual treasure hunts.

For example, there could be one for music, one for drawing and painting, another for blocks and construction toys, and still another for costumes — anything that encourages creativity.

Go apple picking Jump in a pile of leaves Make some autumn art Collect colourful fall leaves Collect seeds from plants in the garden Plant bulbs for next spring Make a bird feeder Make leaf prints Make pumpkin playdough Create an Autumn poem Go looking for spider webs Make a nature table with your Autumn finds Bake an apple pie Carve your own pumpkin Make Autumn sun catchers Go on a bat watch at dusk Make toffee apples Set up a scavenger hunt Collect sycamore seeds Grab an umbrella and go singing in the rain Throw a Halloween party Make an autumn wreath for your door Make a bug hotel Listen to the sound of leaves crunching under your feet Collect conkers Collect pinecones Collect twigs Make hot chocolate Draw or paint some autumn still life Attend harvest festival Make apple crisps / chips Remember what you're thankful for Take pictures of all the different colours you can find in a woodland Make leaf rubbings Go stargazing Have an autumn picnic Look for a full moon Go trick or treating Try apple bobbing Make apple sauce Fly a kite Make a windsock Dry orange slices Roast pumpkin seeds Make Halloween biscuits Make a rain catcher Build an indoor fort Collect acorns Donate old woollens and coats to a charity Help clear leaves from the lawn

Drawing a comparison between this cycle and the last presidential election doesn't paint an accurate picture because super PAC spending was still in its infancy in 2012.

It mixes still watercolor paintings and drawings, with animation and voice - over narration, and the result is like someone is reading you an exceptionally well - illustrated story while you hallucinate on mushrooms.

It mixes still watercolor paintings and drawings with animation and voice - over narration, and the result is like someone is reading you an exceptionally well - illustrated story while you're hallucinating on mushrooms.

To take other examples: people can relish murder mysteries without the reality of killing; they can watch suffering in a tragedy and still savor the presentation; they can observe evil characters in a film plotting horrible deeds and be hooked; a medieval painting of the tortures in Hell can draw tourists in droves.

I'm still not sure about using styluses with tablets (unless you're cranking out the artworks faster than you can paint), but HTC's bundling the Flyer with a stylus and has new «Scribe technology» for recognizing hand - writing (and allowing you to draw pictures of horses, or whatever it is you can't do with a pen and paper).

Hello, I have been reading your comments and replies and they are all good, I myself have a problem and some questions about selling art online, you I'm disable and been out of work of a few years, So I decided to go and get back into my art work like painting and drawing, I been wanting to see if I could sell my paintings online, so what I have done is start searching different websites to post my art work, I have been checking out eBay, Ugallery, Art Break, Esty, Fine Art America and some others, the problem for me is which one of these should I choose, I was thinking about putting different pieces on different websites and see what happen, O before I got hurt I use to do wall murals and still do sometimes, of the wall isnt too high, but I want to do some work from home, so what websites would you recommend?

Just think... someone can make a still life painting, drawing etc. of a boring old shoe and raise it to the level of fine art that has a profound impact on its audience, even if only one person out of a million.

Again drawing on the more traditional elements of design practice, sign painting and hand lettering is still a highly coveted skill, especially in the hospitality industry.

Minutes before that 500 - year - old piece hit the block, a two - year - old Kerry James Marshall painting, Still - Life with Wedding Portrait, went up for sale and drew strong bidding, eventually selling for $ 5.04 million with buyer's premium, a new record for the artist at auction, and a figure well above the $ 1.5 million high estimate the auction house had tagged to the piece.

I like to add a little humor with my answer: «all of my life» because I started learning and drawing when I was 2 and I still use all I have learned in each of my paintings.

There's no doubt that painting children from life is almost impossible - they don't sit still for a start and if we're used to drawing adult figures, we can get in a real twist with our proportions.

She can also draw on calligraphy to move between color and works on paper in black and white, as if taking stock of her own strengths — and as a reminder of how painting and drawing can still feed one another.

Visitors will be invited to stroll the UMFA's American and Regional galleries to study the assortment of still life paintings and prints, and then use props to draw their own still lifes with pastels in the education classroom.

You can see more of the artist's portraits, as well as her still life paintings, ink drawings, and political posters on her website and Instagram.

Selected Group Exhibitions 2016 — «Faculty Exhibition», Evanston Art Center, Evanston, IL 2015 — «Wish List», Gallery Project, curated by Gloria Pritschet and Rocco DePietro, Toledo, Ohio and Ann Arbor, Michigan 2015 — «Roots», Linda Warren Projects, Chicago, IL 2015 — Noyes Cultural Arts Center, Evanston, IL 2015 — «Faculty Exhibition», Evanston Art Center, Evanston, IL 2014 — «National Contemporary Painting», Weatherhead Gallery, University of Saint Francis, Fort Wayne, Indiana 2013 — «31st Juried Art Show», Wilmette Public Library, Wimette, IL 2012 — «30th Juried Art Show», Wilmette Public Library, Wimette, IL 2012 — «Narrative Fragments», Quidley & Company, Boston, MA 2011 — «Juxtaposed», juried by Alyssa Monks, Six Summit Gallery, Ivoryton, CT 2011 — «Paintworks», Gowanus Ballroom, curated by Kristin Kunc, Courtney Jordan & Hyeseung Marriage - Song, Brooklyn, NY 2011 — «Space Invaders», co-curated by Virginia Rose and John Nickle, Rose Contemporary, Portland, ME 2011 — «Cinematic Bodies», curated by Jamie Adams, Zolla Lieberman Gallery, Chicago, IL 2010 — «Snow», XL Projects, Syracuse University Gallery, Syracuse, NY 2010 — «Women Painting Women», Robert Lange Studios Gallery, Charleston, SC 2010 — «Remnants», Fuse Gallery, New York, NY 2010 — «Highlights» Island Weiss Gallery, New York, NY 2010 — «Conceptually Sound», Medialia Rack and Hamper Gallery, New York, NY 2010 — «Chicago Art Fair», shown by Linda Warren Gallery in Chicago, Illinois 2010 — «Looks good on Paper», DFN Gallery, New York, NY 2009 — «Water / Bodies», Eden Rock Gallery, St. Barths, F.W.I. 2009 — «Summer Exhibition 2009», curated by Eric Fischl, Matthew Flowers, Anne Strauss, New York Academy of Art, NY, NY 2009 — «Old School», Jack the Pelican, Brooklyn, NY 2009 — Caldwell Snyder, San Francisco, CA 2008 — «Small Works», Sarah Bain Gallery, Anaheim, CA 2008 — «City Lights», George Billis Gallery, New York, NY 2008 — «Chicago Art Fair», shown by Linda Warren Gallery in Chicago, Illinois 2008 — «Take Home a Nude» Art Auction at Phillips de Pury & Company, New York, NY 2007 — «Summer Exhibition 2007», curated by Eric Fischl, Jenny Saville, Vincent Desiderio, New York Academy of Art, NY, NY 2007 — «Four Handed Lift: Advocacy, Art, Spirit and Community», Moti Hasson Gallery, New York, NY 2007 — «Small Works», Sarah Bain Gallery, Anaheim, CA 2008 — «Chicago Art Fair», shown by Linda Warren Gallery in Chicago, Illinois 2006 — «Contemporary Imaginings, The Howard A. and Judith Tullman Collection», Mobile Museum of Art, Mobile, Alabama 2006 — «Night of a Thousand Drawings», Group Show, Artist's Space, New York, NY 2006 — «AAF», shown by DFN Gallery, New York, NY 2006 — «Salon 2006», New York Academy of Art, New York, NY 2006 — «LA Art Fair», shown by Linda Warren Gallery in Chicago, Los Angeles, CA 2005 — «New Works», curated by Eric Fischl, Jane Gallery, St. Barthelemy, F.W.I. 2005 — «A Terrible Beauty: Figurative painting in the 21st Century», Grey McGear Modern, Santa Monica, CA 2005 — «Small Works», Sarah Bain Gallery, Brea, CA 2005 — «Cityscapes», Sarah Bain Gallery, Brea, CA 2005 — «Take Home a Nude» Art Auction at Phillips de Pury & Company, New York, NY 2005 — «Go Figure», George Billis Gallery, New York, NY 2004 — «Postcards from the Edge, Visual Aids Benefit», Brent Sikemma Gallery, New York, NY 2004 — «Night of a Thousand Drawings», Group Show, Artist's Space, New York, NY 2004 — «Points of Muse», Linda Warren Gallery, Chicago, IL 2004 — «Separate Visions», Sarah Bain Gallery, Brea, CA 2004 — «Still Life», Sarah Bain Gallery, Brea, CA 2004 — «27th Small Works Exhibition», New York, NY 2003 — «Space Invaders», curated by Peter Drake, Fish Tank Gallery, New York, NY 2003 — «26th Small Works Exhibition», New York, NY 2002 — «National Arts Club 26th Annual Student Show», National Arts Club, New Painting», Weatherhead Gallery, University of Saint Francis, Fort Wayne, Indiana 2013 — «31st Juried Art Show», Wilmette Public Library, Wimette, IL 2012 — «30th Juried Art Show», Wilmette Public Library, Wimette, IL 2012 — «Narrative Fragments», Quidley & Company, Boston, MA 2011 — «Juxtaposed», juried by Alyssa Monks, Six Summit Gallery, Ivoryton, CT 2011 — «Paintworks», Gowanus Ballroom, curated by Kristin Kunc, Courtney Jordan & Hyeseung Marriage - Song, Brooklyn, NY 2011 — «Space Invaders», co-curated by Virginia Rose and John Nickle, Rose Contemporary, Portland, ME 2011 — «Cinematic Bodies», curated by Jamie Adams, Zolla Lieberman Gallery, Chicago, IL 2010 — «Snow», XL Projects, Syracuse University Gallery, Syracuse, NY 2010 — «Women Painting Women», Robert Lange Studios Gallery, Charleston, SC 2010 — «Remnants», Fuse Gallery, New York, NY 2010 — «Highlights» Island Weiss Gallery, New York, NY 2010 — «Conceptually Sound», Medialia Rack and Hamper Gallery, New York, NY 2010 — «Chicago Art Fair», shown by Linda Warren Gallery in Chicago, Illinois 2010 — «Looks good on Paper», DFN Gallery, New York, NY 2009 — «Water / Bodies», Eden Rock Gallery, St. Barths, F.W.I. 2009 — «Summer Exhibition 2009», curated by Eric Fischl, Matthew Flowers, Anne Strauss, New York Academy of Art, NY, NY 2009 — «Old School», Jack the Pelican, Brooklyn, NY 2009 — Caldwell Snyder, San Francisco, CA 2008 — «Small Works», Sarah Bain Gallery, Anaheim, CA 2008 — «City Lights», George Billis Gallery, New York, NY 2008 — «Chicago Art Fair», shown by Linda Warren Gallery in Chicago, Illinois 2008 — «Take Home a Nude» Art Auction at Phillips de Pury & Company, New York, NY 2007 — «Summer Exhibition 2007», curated by Eric Fischl, Jenny Saville, Vincent Desiderio, New York Academy of Art, NY, NY 2007 — «Four Handed Lift: Advocacy, Art, Spirit and Community», Moti Hasson Gallery, New York, NY 2007 — «Small Works», Sarah Bain Gallery, Anaheim, CA 2008 — «Chicago Art Fair», shown by Linda Warren Gallery in Chicago, Illinois 2006 — «Contemporary Imaginings, The Howard A. and Judith Tullman Collection», Mobile Museum of Art, Mobile, Alabama 2006 — «Night of a Thousand Drawings», Group Show, Artist's Space, New York, NY 2006 — «AAF», shown by DFN Gallery, New York, NY 2006 — «Salon 2006», New York Academy of Art, New York, NY 2006 — «LA Art Fair», shown by Linda Warren Gallery in Chicago, Los Angeles, CA 2005 — «New Works», curated by Eric Fischl, Jane Gallery, St. Barthelemy, F.W.I. 2005 — «A Terrible Beauty: Figurative painting in the 21st Century», Grey McGear Modern, Santa Monica, CA 2005 — «Small Works», Sarah Bain Gallery, Brea, CA 2005 — «Cityscapes», Sarah Bain Gallery, Brea, CA 2005 — «Take Home a Nude» Art Auction at Phillips de Pury & Company, New York, NY 2005 — «Go Figure», George Billis Gallery, New York, NY 2004 — «Postcards from the Edge, Visual Aids Benefit», Brent Sikemma Gallery, New York, NY 2004 — «Night of a Thousand Drawings», Group Show, Artist's Space, New York, NY 2004 — «Points of Muse», Linda Warren Gallery, Chicago, IL 2004 — «Separate Visions», Sarah Bain Gallery, Brea, CA 2004 — «Still Life», Sarah Bain Gallery, Brea, CA 2004 — «27th Small Works Exhibition», New York, NY 2003 — «Space Invaders», curated by Peter Drake, Fish Tank Gallery, New York, NY 2003 — «26th Small Works Exhibition», New York, NY 2002 — «National Arts Club 26th Annual Student Show», National Arts Club, New Painting Women», Robert Lange Studios Gallery, Charleston, SC 2010 — «Remnants», Fuse Gallery, New York, NY 2010 — «Highlights» Island Weiss Gallery, New York, NY 2010 — «Conceptually Sound», Medialia Rack and Hamper Gallery, New York, NY 2010 — «Chicago Art Fair», shown by Linda Warren Gallery in Chicago, Illinois 2010 — «Looks good on Paper», DFN Gallery, New York, NY 2009 — «Water / Bodies», Eden Rock Gallery, St. Barths, F.W.I. 2009 — «Summer Exhibition 2009», curated by Eric Fischl, Matthew Flowers, Anne Strauss, New York Academy of Art, NY, NY 2009 — «Old School», Jack the Pelican, Brooklyn, NY 2009 — Caldwell Snyder, San Francisco, CA 2008 — «Small Works», Sarah Bain Gallery, Anaheim, CA 2008 — «City Lights», George Billis Gallery, New York, NY 2008 — «Chicago Art Fair», shown by Linda Warren Gallery in Chicago, Illinois 2008 — «Take Home a Nude» Art Auction at Phillips de Pury & Company, New York, NY 2007 — «Summer Exhibition 2007», curated by Eric Fischl, Jenny Saville, Vincent Desiderio, New York Academy of Art, NY, NY 2007 — «Four Handed Lift: Advocacy, Art, Spirit and Community», Moti Hasson Gallery, New York, NY 2007 — «Small Works», Sarah Bain Gallery, Anaheim, CA 2008 — «Chicago Art Fair», shown by Linda Warren Gallery in Chicago, Illinois 2006 — «Contemporary Imaginings, The Howard A. and Judith Tullman Collection», Mobile Museum of Art, Mobile, Alabama 2006 — «Night of a Thousand Drawings», Group Show, Artist's Space, New York, NY 2006 — «AAF», shown by DFN Gallery, New York, NY 2006 — «Salon 2006», New York Academy of Art, New York, NY 2006 — «LA Art Fair», shown by Linda Warren Gallery in Chicago, Los Angeles, CA 2005 — «New Works», curated by Eric Fischl, Jane Gallery, St. Barthelemy, F.W.I. 2005 — «A Terrible Beauty: Figurative painting in the 21st Century», Grey McGear Modern, Santa Monica, CA 2005 — «Small Works», Sarah Bain Gallery, Brea, CA 2005 — «Cityscapes», Sarah Bain Gallery, Brea, CA 2005 — «Take Home a Nude» Art Auction at Phillips de Pury & Company, New York, NY 2005 — «Go Figure», George Billis Gallery, New York, NY 2004 — «Postcards from the Edge, Visual Aids Benefit», Brent Sikemma Gallery, New York, NY 2004 — «Night of a Thousand Drawings», Group Show, Artist's Space, New York, NY 2004 — «Points of Muse», Linda Warren Gallery, Chicago, IL 2004 — «Separate Visions», Sarah Bain Gallery, Brea, CA 2004 — «Still Life», Sarah Bain Gallery, Brea, CA 2004 — «27th Small Works Exhibition», New York, NY 2003 — «Space Invaders», curated by Peter Drake, Fish Tank Gallery, New York, NY 2003 — «26th Small Works Exhibition», New York, NY 2002 — «National Arts Club 26th Annual Student Show», National Arts Club, New painting in the 21st Century», Grey McGear Modern, Santa Monica, CA 2005 — «Small Works», Sarah Bain Gallery, Brea, CA 2005 — «Cityscapes», Sarah Bain Gallery, Brea, CA 2005 — «Take Home a Nude» Art Auction at Phillips de Pury & Company, New York, NY 2005 — «Go Figure», George Billis Gallery, New York, NY 2004 — «Postcards from the Edge, Visual Aids Benefit», Brent Sikemma Gallery, New York, NY 2004 — «Night of a Thousand Drawings», Group Show, Artist's Space, New York, NY 2004 — «Points of Muse», Linda Warren Gallery, Chicago, IL 2004 — «Separate Visions», Sarah Bain Gallery, Brea, CA 2004 — «Still Life», Sarah Bain Gallery, Brea, CA 2004 — «27th Small Works Exhibition», New York, NY 2003 — «Space Invaders», curated by Peter Drake, Fish Tank Gallery, New York, NY 2003 — «26th Small Works Exhibition», New York, NY 2002 — «National Arts Club 26th Annual Student Show», National Arts Club, New York, NY

Still Life with BB Holes, Painted Pear and Learn to Draw Rodent / 2015 / oil, acrylic, enamel, spray paint, ink, gesso, and mud with polymer medium and smoke stain on canvas / 48» x 36» / PLS INQ

Scheiblermitte has opened an exhibition of paintings and drawings by Alice Neel including portraits, landscapes and still lifes.

Everyone was required to reach a standard in life drawing with anatomy, still life painting, life painting (nude) and one day per week was set aside for composition where you might develop your own identity and get involved in some personal visual research.

He will also be giving two workshops at the Provincetown Art Association And Museum, Still Life Drawing, July 17 — July 21, 2017 and Painting from the Figure, July 17 — July 21 2And Museum, Still Life Drawing, July 17 — July 21, 2017 and Painting from the Figure, July 17 — July 21 2and Painting from the Figure, July 17 — July 21 2017

The Red Brick Center for the Arts offers Life Drawing, Still Life Painting, and Masterpiece Mine classes every week.

Illuminated»; «Land, Sea, Air»; «Ghost Gems»; Esteban Vicente and Collage»; «Painting Horizons»; «Drawings by Sculptors»; «Still Life in the Studio»; «Material World»; «William Merritt Chase: The Shinnecock Years» and «Face Value».

The results include paintings, drawings and photographs in landscape, still life, figurative and abstract genres.

Visitors are encouraged to make both technical and thematic comparisons between the artworks, study historical documentation that places Still's family in 1920s Alberta where the artwork may have been painted, and draw conclusions about the authorship of this work.

He made these paintings by pushing the scale of the epic series of works on paper, Thirty - Four Drawings for Dante's Inferno (1959 - 60), which still represents the Rosetta stone for the understanding of the artist's iconography and technique.

Some of Lichenstein's greatest works evolved from imagery drawn from popular culture: advertising images, war - time comics, and pin - up portraits, as well as traditional painting genres such as landscapes, still lifes, and interiors.

It was a characteristic that I think clearly marked his work throughout; all his drawings, the early delightful «other world» still lives of fish, eggs and utensils, his progress towards abstraction and the final large paintings where austerity, essence, geometry and evocation come together.

Still Life paintings, sculptures, and drawings, produced from 1972 to the early 1980s, cover a wide range of motifs and themes, including the most traditional such as fruit, flowers, and vases.

Among the characteristics that define Clyfford Still's art — dramatic textures, monumental scale, and jagged, vertical forms — perhaps Still's use of color most contributes to a viewer's experience of a particular painting or drawing.

Mostly paintings and drawings are featured, along with some photography, mixed - media works and sculpture by artists active in the early, middle and late periods of the century, and many contemporary figures still working today such as Hurvin Anderson, Stan Douglas, Kori Newkirk, Lorna Simpson, Mickalene Thomas and Barkley L. Hendricks (whose «New Orleans Niggah,» 1973 covers the volume).

There are still paintings and drawings of La penna di hu which have almost a perverse desire to show that, having captured painting in sculpture, sculpture can be captured in painting.

The acrylic paint is often thin and applied in one go, so most of the drawing beneath is still visible.

His more recent works, which include print making, painting and installations, still draw on this theme of everyday objects and their changing nature in society and artistic practice, using their pre-defined contextual symbolism as a way to make an audience re-think what we see, and what we know.

Then there's the ongoing animations, which have to do with making paintings really fast using the procedures of digital drawing, and that really speeds things up, because the still lifes and grid paintings are really slow.

Other highlights of the exhibition include her Neverland series from 2002, where she photographed objects, either alone or in groups, on fields of color; Figure Drawings from 1988 - 2008, featuring an installation of 40 framed images of the human figure; Objects of Desire from 1983 - 1989, where she made collages of found photographs and rephotographed them against bright background of red, blue, green, yellow, and black; Renaissance Paintings from 1991, featuring individual figures and objects from disparate Renaissance paintings isolated and re-photographed against monochrome backgrounds; Doubleworld from 1995, where the artist transitioned from collaging and re-photographing found images to creating stylized arrangements for the camera; Stills from 1980, where the artist compiled and re-photographed over 70 clippings of press photos that capture people falling or jumping off tall buildings; Available Light from 2012, incorporating many of her techniques utilized over the course of her career; and Modern History from 1979, in which she has re-photographed the front page of the newspaper with the text Paintings from 1991, featuring individual figures and objects from disparate Renaissance paintings isolated and re-photographed against monochrome backgrounds; Doubleworld from 1995, where the artist transitioned from collaging and re-photographing found images to creating stylized arrangements for the camera; Stills from 1980, where the artist compiled and re-photographed over 70 clippings of press photos that capture people falling or jumping off tall buildings; Available Light from 2012, incorporating many of her techniques utilized over the course of her career; and Modern History from 1979, in which she has re-photographed the front page of the newspaper with the text paintings isolated and re-photographed against monochrome backgrounds; Doubleworld from 1995, where the artist transitioned from collaging and re-photographing found images to creating stylized arrangements for the camera; Stills from 1980, where the artist compiled and re-photographed over 70 clippings of press photos that capture people falling or jumping off tall buildings; Available Light from 2012, incorporating many of her techniques utilized over the course of her career; and Modern History from 1979, in which she has re-photographed the front page of the newspaper with the text redacted.

Agnes Martin's current retrospective at Los Angeles County Museum of Art — organized by Tate Modern, Kunstsammlung Nordrhein - Westfalen, and the Guggenheim — spans nearly five decades of her work up until her death in 2004 (she was still painting at age 92) and contains more than 100 paintings, drawings, and sculptures.

She makes things heavier still with low lighting and painted walls out of old - fashioned drawings rooms.

Still largely hidden — with the exception of a few exhibitions including «Steven Assael: New Paintings and Drawings» at the Forum Gallery — are the painters who choose to struggle with the many variations possible within older motifs, the so - called representational painters.

A rising star represented by the talent - spotting dealers David Kordansky (in Los Angeles) and Anton Kern (in New York), Jonas Wood creates his visually punchy portraits and still lifes by taking copious photographs of the scene he wants to depict and then cuts and pasts the results together for a Cubistic collage effect — and then he painstakingly transfers these compositions into paintings, drawings, or prints.

Although the use of banal objects draws inspiration from the readymades of Marcel Duchamp, the improvisatory gestures employed in applying both paint and object to Collection owe much to the generation of «action» painters to which Still and de Kooning belonged.

The relationship between Still's paintings and drawings has been one of the most enlightening discoveries made in the Museum's first years.

View still by Gerald Jackson 3 Concurrent Exhibitions Front Room: Gerald Jackson Lunchroom: Working Drawings, curated by Peter Soriano Office: Sculptures from the 70s, curated Rey Akdogan Katy Siegel and I had hoped to include Gerald Jackson's work in an exhibition for which I was the advisor and Katy the curator, «High Times, Hard Times: New York Painting 1967 - 1975».

1980 Northwest Legacy: Morris Graves Paintings, Foster - White Gallery, Seattle, WA An American Flower Show, Heritage Plantation, Sandwich, MA 28th Annual Exhibition, Museum of Art of Ogunquit, Ogunquit, ME Drawings in Saint Paul; Selections from the Tiriam B. and Malcom E. Leain Collection, Minnesota Museum of Art, MN La Pintura de Los Extados Unidos de Museos de la Ciudad de Washington, Museo Del Palacio de Bellas Arts, Mexico City Still Life Today, 16th Annual Art Show, Goddard - Riverside Community Center, New York, NY; American Art in Religion: Vatican Musum, Rome, Italy; Terra Musum of American Art, Evanston, IL

The exhibition traces the evolution of Michael Goldberg's work from the early cubist inspired drawings of the 1940s to the monumental nonobjective paintings of the early 1960s and the abstracted landscapes and still - lifes of the mid - to late «60s, the monochromatic paintings of the 1970s and ending with his use of grids in the 1980s.