Sentences with phrase «still image from the film»

The resultant abstract drawings are then enframed over a 30 by 40 inch photographic print of a still image from the film.

Not exact matches

The images from the film are forever imprinted on my mind, and I still think of Moses as Charlton Heston and Pharaoh as Yul Brynner.

We have transformed the way we use TEM — from taking still images to a tool for filming and stimulating chemical reactions.

We got our first official still from Guy Ritchie's big screen take on the classic spy series The Man from U.N.C.L.E. earlier this week [see here], and now we have another image from the film featuring the two leads Henry Cavill (Man of Steel) and Armie Hammer (The Lone Ranger)... Set against the backdrop of -LSB-...]

The film still itself is about as typical an image from a 21st century Malick movie as one can gets: A couple on a beach, maybe frolicking, maybe twirling.

We're still waiting on a first teaser trailer for Jurassic World, but in the meantime Universal has launched Masrani, a new viral site for the company behind the relaunch of the park in the hotly - anticipated dino - sequel, which offers up a few new promotional images from the film, including a look at Irrfan Khan's (The Amazing -LSB-...]

We have yet to see even a still image from several of the major films coming out later this summer, but Paul W.S. Anderson and Summit haven't been shy about showing the goods for their October 14 release, The Three Musketeers in 3D.

Still, there is something hypnotic about the film's rhythm, and I can not quite dismiss its images from my head.

Included is an excellent new audio commentary by the always informative film historian / author Troy Howarth; an additional audio commentary by director Peter Duffell and author Jonathan Rigsby; a new 10 - minute interview with second assistant director Mike Higgins; A-Rated Horror Film, a 17 - minute vintage featurette about the film featuring interviews with director Peter Duffell and actors Geoffrey Bayldon, Ingrid Pitt, and Chloe Franks; the English and Spanish theatrical trailers for the film, both in HD; 4 radio spots; an animated image gallery with 68 stills containing on - set photos, promotional materials, and advertisements; and a collection of Amicus radio spots and still galleries for Asylum, At the Earth's Core, From Beyond the Grave, Madhouse, Scream and Scream Again, Tales from the Crypt, The Beast Must Die, The Land That Time Forgot, The Mind of Mr. Soames, The People That Time Forgot, and Vault of HorFrom Beyond the Grave, Madhouse, Scream and Scream Again, Tales from the Crypt, The Beast Must Die, The Land That Time Forgot, The Mind of Mr. Soames, The People That Time Forgot, and Vault of Horfrom the Crypt, The Beast Must Die, The Land That Time Forgot, The Mind of Mr. Soames, The People That Time Forgot, and Vault of Horror.

After the usual rigamarole about shooting challenges and directorial perfectionism, someone asked Zhang Yimou what he thought the film was about, which he either answered honestly or deftly dodged by asserting that what he wanted people to take from the film, long after they've forgotten the plot, are the memories of certain images: two women in red fighting among swirling yellow leaves, two sorrowful men flying and dueling on a lake as still as a mirror, a sky of black arrows, a desert moonscape haunted by lonely figures in white.

There is an introduction by director Roland Emmerich and is filled with beautiful images as well as stills from the film.

Stills from the film include director Azazel Jacobs talking with one of his young actors behind the scenes and an image of Reilly and Wysocki having what appears to be a stern conversation within the film.

Despite the film being set for release in just a little over two months, a trailer for Martin Scorsese's much - anticipated directorial follow - up to The Wolf of Wall Street, Silence, still hasn't hit the web; however, today, The Independent found a brand new image from the project to whet the appetites of movie buffs around the world patiently -LSB-...]

It's been four days and about 12 movies since I saw it, and I still have an image and a sound from the film burned into my brain that keeps me up at night despite already having only 4 hours of sleep each day.

And just as Green's previous feature, Joe, could be read as a tender extrapolation of Nicolas Cage's duel image of serious actor and action idol, Manglehorn is a film which says that perhaps Pacino is an veteran star who needs to consider severing ties from his»70s salad days and comprehend that he still has a whole lot to give to the world if he only just knew it.

Audio Commentary by Updated 2003 Audio Commentary by Film Historian Bruce Eder, and Herrmann Biographer Steven C. Smith / «Here Is A Man» preview version comparison (4:37) / Reading of «The Devil & Daniel Webster» short story by Alec Baldwin (33:41) / Radio Plays: «The Devil & Daniel Webster» (29:50) from Aug. 6, 1938 + «Daniel Webster & the Sea Serpent» (29:43) from Aug. 1, 1937 / «About the Columbia Workshop» essay / «The Devil In Context»: 6 - part Bernard Herrmann score essay with indexed film clips and 4 stills / Still and Poster Gallery with 12 images / 12 - page colour booklet featuring an essay by author Tom Piazza, and original 1941 New York Times article by Stephen Vincent Benet, and Color Bars / New high - definition transfer with restored image and sound / 12 page colour boooklet

In this talk from legendary movie critic Leonard Maltin, audiences will be taken on a journey tracing the image of the Jew in films, from early stereotypes to cultural breakthroughs, from closeted stardom (Issur Demsky became Kirk Douglas, Betty Perske became Lauren Bacall) to modern - day box - office names like Ben Stiller and Adam Sandler.

, a feature - length documentary on the entire series (from the memorable Second Sight Films release of the film); In Search of the Hotel Broslin, a 2001 featurette with Henenlotter and rapper R.A. «The Rugged Man» Thornburn; a six - minute outtakes reel in HD from a 2K scan of a 16 mm print; The Frisson of Fission: Basket Case, Conjoined Twins, and «Freaks» in Cinema, a new video essay by Travis Crawford discussing the history of films featuring «freaks of nature»; a set of image galleries (promotional stills, behind the scenes, ephemera, advertisements, home video releases); a promo gallery featuring 3 theatrical trailers (all in HD from 4K sources), a TV spot (also in HD from a 4K source), and 2 radio spots; The Slash of the Knife, a rarely seen short film made by Henenlotter prior to Basket Case; an audio commentary on The Slash of the Knife by Henenlotter and Mike Bencivenga; outtakes and an image gallery from The Slash of the Knife; Belial's Dream, an animated short story by filmmaker Robert Morgan; and last but not least, a 28 - page insert booklet featuring the essay «Case History» by Michael Gingold, «Cham - pain in the Park!»

The image you published with your article is a copyrighted still from a lovely independent film called «A Short History of Decay.»

zuuka, the parent company of award - winning children's digital content developer iStoryTime, has been creating both original in - house children's interactive ebooks and movie - based ebooks; especially in the case of the material that contains film images and still shots, the display has to be as clear as patrons remember from the movie.

Street Fighter: The Movie still had most of the classic fundamentals intact, but something happened along the way: using digitized images of the actors from the film killed the speed of the game, with long load times compounding the frustration.

Image Credit: David Lamelas, Time as Activity London, 2011, still from a 16 mm film, 16 minutes, 46 seconds.

In addition to the essays and illustrated exhibition checklist, the publication includes still images from Nancy Holt's film The Making of Amarillo Ramp, 1973 - 2013.

Employing a range of techniques, including collage, hand - drawn rotoscoping — a technique that involves tracing from frames of live film footage — interlaced still photographic images, and live 16 mm film footage, Breer composes lively, nimble films that present an intimate, modest, and personal portrait of slices of shared lives and eras.

Longo borrowed a film still from Rainer Werner Fassbinder for images of men struck by a bullet.

Kessling works across a range of media such as photography, film, and performance, and here the images reflect performative tools for exploring identity, often juxtaposing the artist's own body with objects and materials such as dust sheets, clay, fabric and paper bags used with transformative effect — the temporal nature of the performative movement frozen in a single gesture — a single still from an action, or a response to an art - historical identity.

These silkscreens and his larger video project Blind, both conceived from reappropriated stills, speak to our image - immersed present while still glorifying the mood and imagery of film noir and a rich cinematic past.

She locates stills from films that have evening shots, photographing the screen up close, pixelating the original image and removing any figurative elements.

Jenny Perlin, Still image from «Inks,» 16 mm film loop, b / w, 5 seconds, 2014.

Cindy Sherman draws on images of women from Hollywood films and performs for the camera in such works as Untitled Film Still # 4 (1977).

Most recently these have been drawn from publications of cinema history; film - stills, portraits of stars or documentary images on - set.

The prints are hung in a grid of static images like still frames from a film, sequenced to parallel the chronology of movement on an illuminated marquee.

As reference and inspiration for her paintings, she draws on an extensive pictorial archive containing private Polaroid prints, media images, pictures from magazines, as well as film stills.

Often playing with images and materials associated with beauty and desire, Hamilton repeatedly uses sculptural cut - outs of film stills or women's legs made from transparent plastic and wooden shapes based on Modernist depictions of female nudes such as the curvy abstracted figure found in her 2007 piece The Piano Lesson, based on Fernand Léger's 1921 painting Le Grand Déjeuner.

Bringing together still and moving images, objects and iconic works of art, The Western: An Epic in Art and Film will be the first exhibition to consider The Western and its attendant myths in the context of approximately 160 paintings, photography, prose and film from the mid-1800s to the present.

Other Warhol source images a photograph of an electric chair that inspired «Triple Silver Disaster,» which he created in 1963, when he was transitioning from hand - painted to mechanically reproduced pop, and a publicity still from the 1953 Marilyn Monroe film noir «Niagara,» cropped tightly and used to create his iconic «Marilyn» prints.

TOP IMAGE: From Prospect 3 — Tameka Norris with Garrett Bradley, Still from «Meka Jean: How She Got Good,» 2014 (feature length film installatiFrom Prospect 3 — Tameka Norris with Garrett Bradley, Still from «Meka Jean: How She Got Good,» 2014 (feature length film installatifrom «Meka Jean: How She Got Good,» 2014 (feature length film installation).

Making Faces presents a selection of images from the Department of Film's extensive collection of film stills that explore the representation of historical «otherness» onscreen.

Image: John Smith, The Black Tower, 1985 - 87, still from 16 mm film, colour, sound, 24 min.

In the new works, Sarmento combines his seminal portraits of the female form with images taken from popular culture (found and personal material) silk - screened directly onto the surface of the paintings, that read almost like fragmented film stills.

The set of 69 images of self - portraits recreated the scenes as film stills taken from Italian neorealism or American film noir of the 1940s, 1950s and 1960s.

As both an artist and an academic, Bright utilizes a keen historical and pop - culture eye to illustrate an intriguing fantasy: created between 1989 and 1990, the photographic series has Bright's own image superimposed onto stills from classic films like

Still from Micah's Stansell's film installation: the water and the blood, Images courtesy of the artist

Painted from film stills and photographs in a process akin to a DJ's sampling, Doig's trancelike images — perceptually mysterious as well as perpetually puzzling — function as half - forgotten memories from our overloaded image banks.

For her exhibition «Strawberry Letter23,» at -LCB- Poem 88 -RCB- through August 9, the Virginia artist mines images from vintage sources like magazine ads and film stills.

The dazzling catalogue, published by Yale University Press, highlights more than 200 images from Coney Island's history, including paintings, drawings, photographs, prints, posters, film stills, architectural artifacts, and carousel animals.

t Building and the Tweed Courthouse, both not far from Ludlow 38; the images depict artworks installed in the courthouses or image stills from films where they have appeared.

A crucial aspect of Dumas's work is her discovery of the images from which she draws inspiration, be it in newspapers, magazines, film stills, films or polaroids she herself has taken.

These are but a few of Jafa's chosen pictures: a still from the closing credits of Lars von Trier's film Dogville (2003), sleek photographs of cameras, an image of a tattered copy of Walden, a Justin Bieber red - carpet photo stolen from the internet (its URL is included at the bottom), pin - up calendars, the actress Rooney Mara performing as Lisbeth Salander in the movie adaptation of The Girl with the Dragon Tattoo (2011), a W. E. B. Du Bois book cover.

Namuth's photographs and films of Pollock still stand among the most important documents showing an artist in his studio and continue to influence artists as diverse as Richard Serra (whose molten - lead sculptures from the late»60s transpose the drip paintings into three dimensions) and Vik Muniz (who appropriated one of the images for a painting in chocolate).