Not exact matches
The 15 - page hush agreement requires that Daniels hand over any
still images,
text messages, «Instagram message, facebook posting [sic],» or «any other type of creation» by Trump,
and bars her from releasing those documents or any private information about Trump (included «alleged sexual partners, alleged sexual actions or alleged sexual conduct»).
What was also required under the non-disclosure agreement was for Stormy Daniels to turn over all «video
images,
still images, email messages,
and text messages,» she had regarding Mr. Trump.
wolf's «magic map» at cnn is no match for snow's «swingometer» on bbc...
and frankly i'm getting a bit of a headache from all the flashing
images and moving
text they have flooding the screen (though in terms of election night broadcasting embarrassment, the holograms are
still no match for jeremy vine's antics earlier this year...)
Video often evokes a stronger emotional reaction than
text or
still images alone, making it a powerful way to tell stories or make a political point, but online video isn't television — the kinds of content that succeeds can be quite different, with authenticity
and topic typically more important than polished visuals.
An important thing to note is that even if these
texts are ultimately critical of colonial violence, they can
still perpetuate really harmful
and racist
images.
If all you're going to do is use a movie
still and throw some
text on there
and call it a poster then at least choose an
image that's a bit more interesting.
The presentation for the story feels very lacking, with scrolling
text and still images conveying the story,
and nothing ever really gets fleshed out any deeper than the original game.
They
still embrace an engaging, highly visual approach, but also incorporate recent understanding of cognitive load, strategically combining
text, audio,
and images for greater effectiveness.
First, content areas in each classroom deal with critically reading
texts (broadly defined to include audio, video,
and the
still image, along with traditional writing), as well as composing such
texts for audiences within
and beyond the classroom walls.
That's not to say that EPUB 3 hasn't been successful (it's expanded on functionality, allows for a greater variety of content to be produced
and distributed) but EPUB 2 is
still a viable container for
text and images and that
still accounts for most EPUBs being produced today.
This beginner's course is designed to help you discover ways to use digital communication technologies to enhance the inherent connective power of creative nonfiction —
and will explore what changes
and what stays the same, when you move stories from pure
text to an interactive, multimedia environment, incorporating
still images, sound,
and / or video (
and even video games).
There is no denying that we
still have a penchant towards print
and according to a new report, young people in the UK think that reading on paper provides a more holistic experience, especially when engaging with
images and text which can't be replicated in digital.
Text is incredibly sharp, no matter the font size,
and images look great, so comics really pop (though keep in mind you're
still working with a black -
and - white E Ink screen).
Although we encourage our authors to become self - sufficient in adding
and modifying content (
text,
images, audio,
and video) on their WordPress - based sites, some changes
still fall into our court, like adding functionality or changing structural graphics.
While this new statement maintains that any ebook containing these graphic
images will
still be banned, PayPal had initially stated that its strict guidelines for ebooks would pertain to the themes
and text of the material.
The
image is blurry but you can vaguely see that while I have the font set to Helvetica Neue (which is sans - serif), the title
and text are
still in the serif font.
Existing EPUB files
still have lots of problems, like faulty or nonexistent TOCs,
images used for
text content, poor accessibility,
and bad / missing metadata.
They weren't comic books, but the marriage of
text and image was
still the name of the game, so I was quite happy.
With true - to - life RGB color reproduction
and superb contrast ratio, you'll be amazed how incredible
text,
still images,
and moving video looks on this display!»
Though the KF8 format doesn't allow readers to enlarge the
text unless the file contains Kindle's pop - up
text feature, readers can
still tap
images to enlarge them
and see the incredible detail that's gone into the stunning illustrations in all three of these Tales by Trees titles.
Text is incredibly sharp,
and images look great, so comics really pop (though keep in mind you're
still working with a black -
and - white E Ink display).
Or just because I'm
still using a Blackberry Storm, which is horrible, freezes every other second, freezes when I try to SMS, types nonsense into my
text messages, deletes the content of my
text messages, adds a broken
image to a MMS that only has one
image, Internet browsing works about 50 % of the time, browsing is slow, Antenna sucks, Drops every other call, freezes when taking a call, causes one or two strands of my hair to turn gray
and I'm only 20, has so many memory leaks, a motorola e815 could out - perform my blackberry
and possibly many more problems that aren't mentioned.
Inevitably, the rationale will now shift to the official translations being compromised in terms of authenticity — or, the content itself being compromised by Viz's tendency to edit out potentially offensive
images or
text, if, in fact, they're
still doing that — since, at heart, there's a certain percentage of the Naruto
and Bleach
and One Piece readership that simply will never pay money to read this stuff, but Viz, I suspect, anticipates they can snatch away a certain lucrative percentage of the non-paying fans to the side of the angels.
Even
still, I had to find a high - resolution cover
image (you want 300dpi or more for it to look its best), fiddle with the
text and all the effects, mess with the color, etc., etc..
That sounds great, but considering the Kindle can only display
text and still images, I guess the world's most popular
and fun games must include hangman, chess, crosswords,
and Sudoku, or some retro
text - based games.
The
image that historians have of the Mayans is not some fixed established
text but has constantly altered over the last 40 years
and is
still developing.
The story is presented with
still character
images and text dialogue much like Street Fighter Alpha 3.
Roni Horn «
Still Water (The River Thames, for Example)-
Image D, O, I», 1999 Photographs
and text printed on paper 30 1/2 x 41 1/2 inches each ARG # HR1999 - 001 © Roni Horn
Other highlights of the exhibition include her Neverland series from 2002, where she photographed objects, either alone or in groups, on fields of color; Figure Drawings from 1988 - 2008, featuring an installation of 40 framed
images of the human figure; Objects of Desire from 1983 - 1989, where she made collages of found photographs
and rephotographed them against bright background of red, blue, green, yellow,
and black; Renaissance Paintings from 1991, featuring individual figures
and objects from disparate Renaissance paintings isolated
and re-photographed against monochrome backgrounds; Doubleworld from 1995, where the artist transitioned from collaging
and re-photographing found
images to creating stylized arrangements for the camera;
Stills from 1980, where the artist compiled
and re-photographed over 70 clippings of press photos that capture people falling or jumping off tall buildings; Available Light from 2012, incorporating many of her techniques utilized over the course of her career;
and Modern History from 1979, in which she has re-photographed the front page of the newspaper with the
text redacted.
In the nine - second video loop «Untitled (Touchscreen),» a
still image of a smiling young couple is split into overlapping blue
and red versions that flicker from place to place, alternating with moments of black; the handsome print «Untitled (Coil Whine)» puts a large, black
and white
image of fingers beside wavering green lines of video distortion
and under a block of marbleized orange
and a fragment of sans - serif
text reading «UP YOUR DAY.»
This unlimited freeebook edition features production
stills, moving
image documentation, interactive touches,
and several original commissioned
texts.
This exhibition presents work from three distinct series primarily focusing on the debut of
Stills; works revealing Baum's juxtapositions of fragmented
images and silhouettes of
text.
David Claerbout's paintings on paper are fundamental to his film practice; Ilse D'Hollander's intimate canvases are sensual explorations of the physical act of painting; Jose Dávila interrogates how the modernist movement has been translated, appropriated,
and reinvented; Laurent Grasso's meticulous appropriations of classical paintings integrate impossible phenomena, blurring the line between the historical
and contemporary; Rebecca Horn's large - scale gestural paintings evoke her early performance work, their dimensions being determined by the artist's physical reach; Callum Innes» Exposed Paintings are concerned with both making
and unmaking the work; Idris Khan utilizes language, melding thousands of lines of stamped
text into singular abstract
images; Hugo McCloud's work fuses industrial
and fine art materials; Sam Moyer combines found textures into a fresh, expanded, artistic palette;
and James White's oil paintings reimagine the
still life as a chance freeze - frame.
Fitchburg Art Museum, Fitchburg, Massachusetts; Smith College Museum, Northampton, Massachusetts,
and Honolulu Academy of Arts, Hawaii, USA (exh cat) Flower as
Image in 20th Century Photography, Wave Hill, New York, USA (exh cat) Sex, Cable, New York, USA Terrae Motus, Fondazione Amelio, Napoli, Italy, catalogue with
text by Giulio Carlo Argan Sex - Specific: Photographic Investigations of Contemporary Sexuality, The School of the Art Institute of Chicago, Superior Street Gallery, Chicago, USA (exh cat)
Still Life Photographs, Jason McCoy, Inc., New York, USA Allegories of the Human Form: A Photography Exhibit, Dowd Fine Arts Center Gallery, State University of New York, Cortland, USA The Heroic Figure, Contemporary Arts Museum, Houston, USA, travelled to Memphis Brooks Museum of Art, Tennessee; Alexandria Museum / Visual Art Center, Alexandria, Louisiana;
and Santa Barbara Museum of Art, Santa Barbara, USA (exh cat) Second Salon of Montreal Art Galleries, Palais des Congres, Montreal, Canada
Between States is made up of a set of
images and texts that move the reader between different forms of representation
and knowledge: from paintings to photographs
and video -
stills,
and from
texts involving varying degrees of theoretical abstraction to first - person accounts of events
and experiences in Israel, the West Bank,
and the UK.
This complex artist's book features 285 of these stunning, almost abstract
images, sorted loosely into groups — delicate branches, horizontal logs, diagonally growing trees —
and interspersed with German
text from a forestry magazine, all the words of which have been shuffled by means of a random generator
and then edited to remove any overly explicit names or passages — although the resulting absurd
text can
still be recognized as a commentary on forest issues.
Alongside the series of A4 - size pages adorned with photographs
and typewritten
texts used by Kovanda to document his ephemeral actions, the walls of the gallery are covered with black -
and - white photocopies of film
stills, newspaper
images,
and artworks by Roman Signer, Marcel Duchamp, Chris Burden,
and Vito Acconci, among many others.
Featured
images: Douglas Gordon — Untitled (I'm Not Sure This Is Working), 1997 - 2007, Wall
text, telephone, audio recording, Courtesy the artist © Studio lost but found / VG Bild - Kunst, Bonn 2017, Photo: Matthias Langer; Marina Abramović & Ulay — Breathing In, Breathing out, 1977, Single - channel video, b / w, sound, 10:49 min (looped sequence), LIMA — preserves, distributes
and researches media art © LIMA, Amsterdam / VG Bild - Kunst, Bonn 2017; Four
stills from Rodney Graham's City Self — Country Self series, 2000, 35 mm transferred to DVD, 04:00 min (Loop), Courtesy of the artist
and Lisson Gallery © Rodney Graham; Yayoi Kusama — Infinity Mirrored Room — the Souls of Millions of Light Years Away, 2013, metal, glass, mirrors, plastic, acrylic panel, wood, rubber, LED lighting system, acrylic balls, water, Collection HGN © Yayoi Kusama.
Her works encompass a multitude of media: objects,
text, moving
and still image, all circulating around her live performances.
Stock
still at the podium, artist Matthew Barney, head ringed with unkempt curls, slowly, dryly
and methodically read from a prepared
text describing scenes from his works («Cremaster,» «Drawing Restraint») as graphic
images filled the screen: «The «Production» segment of this series symbolizes the joining of «Situation» (undifferentiated sexuality) with the anus of production.»
Leslie Hewitt's
Still Life Series also asks us to consider the relationship between
text and image through the bringing together of vernacular snapshots with books such as James Baldwin's The Fire Next Time (where the title of the exhibition comes from).
Specific
images are carefully selected
and cropped, commonly leaving slivers of
text from the originating books
still visible.
We had to think about how writing on a keyboard using software with increasingly sophisticated word processing capabilities affected the writing process,
and whether the ease of composing on - screen changed the writer's relationship to the
text.7 We had to confront the ways digital technologies change the way we read
and process information.8 As email became ubiquitous, we had to think about how the speed of that type of communication affected the writing process,
and what new forms legal analysis could take when delivered via email.9 As technology simplified the process of embedding
images into documents
and made possible incorporation of video
and other interactive elements, whole new areas of scholarly inquiry have opened up.10 We have started to address these questions, but we
still have so much to learn about how technology impacts how we go about writing legal documents.
On the other hand,
images and text on responsive websites move to best fit the device, putting important information at the top while
still maintaining all the
text and visuals from the main site.
Then either tap on the Animoji
and it will show up as a
still image in the
text box.
I would say the Moto X's performance here
still isn't as good something like the Samsung Galaxy S6 or Galaxy Note 5, but it is definitely leaps
and bounds better than the 2014 Moto X. Specifically,
images are much sharper
and more detailed, which you can see pretty easily when zooming into
text.
Though the S9's primary camera is rated 4 megapixels less than the 5T's, it
still produced a crisper overall
image, as evidenced in the
text on the old - fashioned timer
and the bead string for the blinds hanging in the background.
The 13.3 - inch QHD + resolution (3,200 X 1,800 pixels) isn't as high as the 4K UHD screens on Samsung's ATIV Book 9 or Toshiba's Satellite Radius 12, but the Yoga
still displays
text and images crisply.