Sentences with phrase «still images of people»

As for the still images of people shown, those are just stock photos and stolen unattributed images from other websites, which is a common tactic that these binary options robots use.

Facebook Live, Instagram and SnapChat stories give you the ability to post all those hilarious videos and still images of people enjoying VR experiences.

A new system turns a still image of a person and an audio clip into a doctored video of the person speaking the words in the audio.

Also, isn't the Galaxy S8 the facial recognition system that can be fooled by holding up a still image of a person?

Not exact matches

Li Yi, chief fellow at the Shanghai Academy of Social Sciences, said the act of publicly displaying images and selected private information on offenders could prove effective in China where many people are still indifferent to traffic rules.

For many people, the word still brings to mind the image of the confident man in his 40's who wears a suit, prepares business presentations and plays golf with clients.

The spouses of male clergy are still confused about role expectations which they deny exist, are still anxious to please people they claim not to give a damn about, and are still worried about their image — which, of course, is irrelevant.

But the image of church school teaching is still the matronly, motherly person; and it requires a secure man to take up that particular cross.

There is a sense in which they are not all God intended for them to be; they are marred, but they are still people who bear in a unique way the image of God.

there's been a lot of faked evidence — like the shroud of turin (which people still insist on believing is real — even after it's been shown ~ scientifically ~ to be a fake)-- and bits of toast with the image of jebus on them — but nothing credible at all in the way of substantiated real evidence.

Of course, once a person believes in Jesus for eternal life, they can still (and should) repent of sin that they commit so that their lives can be transformed more and more into the image and likeness of Jesus ChrisOf course, once a person believes in Jesus for eternal life, they can still (and should) repent of sin that they commit so that their lives can be transformed more and more into the image and likeness of Jesus Chrisof sin that they commit so that their lives can be transformed more and more into the image and likeness of Jesus Chrisof Jesus Christ.

Today's readings in Isaiah and Acts offer us a glimpse of something bigger still: a God who is not limited by our understanding of baptism and what it signifies — a God who created humanity in the divine image and whose love for us is so great that it embraces all people, no exceptions.

No matter how well they explain this to me, I still have this horrific image of crowds of people jumping on jesus to devour his flesh and drink his blood.

Instagram — 1080px x 1080px (Instagram pics no longer have to be square but most people still stick to square posts) Twitter — 1024px x 512px If you don't use a letterbox sized image some of your image will be cropped in people's twitter stream, they can click to see the full image if you have to use a different format.

It shows that people still feel strongly about Nestlé even after so many years and despite it trying to greenwash its image by using Fairtrade chocolate in some of its products.»

Still, comments on websites, social media threads, and some times in person continue to come in comparing these photos to sharing an image of someone taking a dump, calling the women posting them «attention whores», and sometimes even accusing them of sexual abuse.

just another article that reinforces my view that the leaders of the party are really just aqrrogant and insulting fools divorced from people really want and still believe that its all about image.

I believe Gordon Brown looked into this, as research indicated people still found the image of a German warship above their local Argos less creepy than seeing him smile.

«The report said: «It is still too easy for people to access inappropriate online content, particularly indecent images of children, terrorism incitement and sites informing people how to commit online crime.»

As the audio clip plays, the system then manipulates the mouth of the person in the still image so it looks as if they are speaking.

And then the people that produce the documentation, which we still depend upon, were also very careful about his image and they put it to lots of different usages.

In the seven and a half years since that horrible image of pouring boiling water on my newborn invaded my tired, hormonal - crazed brain, I still haven't had any real - life conversations with moms about this postpartum symptom because the truth is, so few people talk about it.

Still, it's easy to believe the images people post of their so - called perfect bodies — and then feel

«There are other ways that those things can be used to present something that's not completely authentic, and if we are going through this process of people filtering their images and editing their photos a lot, even if it's not what we see as a lie or a misrepresentation — those behaviors are still indicative of that person's personality.»

If you don't provide a photo, the other person is still going to be creating a mental image of your appearance.

Some of the superheroes who will be introduced to the viewing audience include Peter Petrelli, an almost 30 - something male nurse who suspects he might be able to fly, Isaac Mendez, a 28 - year - old junkie who has the ability to paint images of the future when he is high, Niki Sanders, a 33 - year - old Las Vegas showgirl who begins seeing strange things in mirrors, Hiro Nakamura, a 24 - year - old Japanese comic - book geek who literally makes time stand still, D.L. Hawkins, a 31 - year - old inmate who can walk through walls, Matt Parkman, a beat cop who can hear other people's thoughts, and Claire Bennet, a 17 - year - old cheerleader who defies death at every turn.

For people who can still appreciate something made in the prior century (and those numbers are dwindling), Murnau's vision of «Faust» begins with what was at the time a revolutionary visual, and still today is a provacative and effective image.

There's still a slight amount of creepiness that comes with seeing images that look and sound like humans but seem about halfway between real people and cartoons.

Included is an excellent new audio commentary by the always informative film historian / author Troy Howarth; an additional audio commentary by director Peter Duffell and author Jonathan Rigsby; a new 10 - minute interview with second assistant director Mike Higgins; A-Rated Horror Film, a 17 - minute vintage featurette about the film featuring interviews with director Peter Duffell and actors Geoffrey Bayldon, Ingrid Pitt, and Chloe Franks; the English and Spanish theatrical trailers for the film, both in HD; 4 radio spots; an animated image gallery with 68 stills containing on - set photos, promotional materials, and advertisements; and a collection of Amicus radio spots and still galleries for Asylum, At the Earth's Core, From Beyond the Grave, Madhouse, Scream and Scream Again, Tales from the Crypt, The Beast Must Die, The Land That Time Forgot, The Mind of Mr. Soames, The People That Time Forgot, and Vault of Horror.

After the usual rigamarole about shooting challenges and directorial perfectionism, someone asked Zhang Yimou what he thought the film was about, which he either answered honestly or deftly dodged by asserting that what he wanted people to take from the film, long after they've forgotten the plot, are the memories of certain images: two women in red fighting among swirling yellow leaves, two sorrowful men flying and dueling on a lake as still as a mirror, a sky of black arrows, a desert moonscape haunted by lonely figures in white.

There is no sex or foul language, but the images might be considered scary (though far from terrifying) and the dour themes of a planet full of dead people and menacing robots who co-opt the skulls of former living beings for parts might still produce a few bad dreams for the more impressionable members of the audience.

Some people still have a romantic, out - dated image of school districts and local boards.

To millions of parents and educators nationwide, the implementation of Common Core still fits that image of confused people with measuring sticks because Common Core and the high stakes tests that have come along with it have created more anxiety and confusion for students and teachers alike than ever before.

While the name and the industry evolved to include an array of more than 7,000 businesses, racing and performance still deliver the iconic images that people associate with automotive accessories.

The above image typifies the arguments back then, and still to some extent now: people don't like reading off a screen, people like the shape and size of books, you can't read ebooks in the bath, they don't smell right.

Some people in Belize still have a romantic image of the caye boys in their dories fishing for food for their families and making a little extra money for clothing, housing and education.

That has to change more than anything, because even if something like Mass Effect 4 and everything else came to NX, it's really not going to get people to buy an NX over a PS4, because they still have that «old timer / kiddy» image of Nintendo.

Now I don't mean to say that these people hallucinate a realism in videogames (the graphics of which are obviously computer generated, and they know this) but they could still kind of take basic structural ideas from the game that they incorporate into their understanding of humanity and reality, not to mention subliminal cues (and I don't mean subliminal in the sense that the game is flashing images of Jesus at you are something, I mean it in a more mundane sense) that strongly suggest realism or mimic reality quite convincingly.

Yes, people are suprised there are still people like me, who still have faith, that a company from so long ago, could return with a bright image of themselves, to actually give people what they actually want... a great game!

To this end, Leonard's 82 - image facsimile invention of a person who never existed — collectively titled The Fae Richards Archive — is displayed alongside Sherman's major Untitled Film Stills series of staged cinematic ephemera, and Simpson's video work Corridor, itself an acted comparison of domestic life in 19th and mid-20th century America.

Other highlights of the exhibition include her Neverland series from 2002, where she photographed objects, either alone or in groups, on fields of color; Figure Drawings from 1988 - 2008, featuring an installation of 40 framed images of the human figure; Objects of Desire from 1983 - 1989, where she made collages of found photographs and rephotographed them against bright background of red, blue, green, yellow, and black; Renaissance Paintings from 1991, featuring individual figures and objects from disparate Renaissance paintings isolated and re-photographed against monochrome backgrounds; Doubleworld from 1995, where the artist transitioned from collaging and re-photographing found images to creating stylized arrangements for the camera; Stills from 1980, where the artist compiled and re-photographed over 70 clippings of press photos that capture people falling or jumping off tall buildings; Available Light from 2012, incorporating many of her techniques utilized over the course of her career; and Modern History from 1979, in which she has re-photographed the front page of the newspaper with the text redacted.

That said, if Sherman's one - off still images of herself as invented women characters have become legendary, I wonder why so many people have blank looks on their faces when the name of Lynn Hershman Leeson comes up in conversation regarding the world of contemporary art.

Images of people struggling in nature are still compelling to me, but I've gotten less interested in people trying to control it than in those times when people are at the mercy of it.

In his own words, «Right now I'm very conscious of nature and the Earth and everything, but I've been that way even from the very early things — forest and land and man... Now the people have kind of disappeared from my work, but the images of the Earth and nature are still there, coming up stronger, and the people are going back; maybe the people are less important to me now than the Earth is.»

By failing to address that point, Artificial Hells still implicitly adheres to the idea of art as an image - based (rather than narration - based) form; the only difference being that it now deals with another medium: people.

But how are we to interact with this exhibition of still visuals differently in person now, as a culture immersed in the moving image of advertisements (iPhone apps, Tumblr, Instagram, etc.)?

Despite the sometimes harsh images of war scenes and ruins in Tsai's work, one can also find colorful shooting stars, which express a hopeful appreciation of the possibilities that digital technologies still hold for improving people's lives.

With a critical eye to the ways in which images are used within mass media and the photographic medium is viewed in the cultural landscape as a whole, the artist employed early methods of appropriation, and in one series, «Stills» shows the way the potential of human life literally hangs in the balance in a collection of press images of people falling from buildings.

An artist, filmmaker, and cinematographer, Jafa is a big collector of images of the black experience, both still and moving, and the show at Serpentine was an assembly of vital still and moving images, including still and moving images made by other people, like Ming Smith and Khalil Joseph.

His snappy images relate the everyday life of people in the city, still journeying from a time of war to a new life in peace, their aspirations and dreams.