Sentences with phrase «still images sequence»
Single channel still images sequence with cross fades, looped, 6» (also C - type print photo series).
http://www.vitrinegallery.com/ Not exact matches
His near - parody trademarks are still on display (excessive slow - motion, and you better believe just one image of a bullet - riddled American flag isn't enough) but these are well - staged, pulse - quickening sequences.
The fight opens with a still image of the carnage, played over with a power ballad and a credits sequence that doesn't take itself seriously in the slightest, and then reverses, so we see just how that confusing image came to be.
Amazon put up a page about it, images of box art leaked online and Tarantino himself said they were working on a new animation sequence but still, there was nothing.
Audio Commentary by Indexed Audio Commentary by Hitchcock Film Scholar Marian Keane / Illustrated Essay: «A Nightmare Ordered By Telephone» on Salvadore Dali Dream Sequence by James Bigwood / Audio Interview: Miklos Rozsa (1974)(28:29) / Radio Show: 1948 Lux Radio Theatre with Joseph Cotton & Alida Valli (60:00) / Radio Show: WNYC Public radio show on the Theremin (7:00) / Essay by Hitchcock scholars Leonard Leff & Lesley Brill / Stills and Archive Documents / Theatrical trailer for «Spellbound» New transfer with digitally restored image and sound, with Overture and Exit music / 20 page colour booklet
Animated cover is nothing more than a sequence of still images put together into a gif file.
It's also worth mentioning that the voice actors in this game don't seem to want to put any effort into their voice work and it ruins any kind of atmosphere the game is trying to build with its communist - propaganda - styled cutscenes, which, by the way, can be extremely vague sometimes since they're merely a sequence of still images (as they were in previous entries).
It's hard to evoke through a still image, but sliding down that incline and doing a sick jump off that spring feels great mechanically, and the stages with these sequences are some of the best in the game.
Each is composed of a decidedly layered and labored combination of moving sequences and countless still images, made by the artist and then re-photographed in her studio.
The prints are hung in a grid of static images like still frames from a film, sequenced to parallel the chronology of movement on an illuminated marquee.
Each painting is like a film still, open to analysis yet always referring to a larger sequence of images.
An authentication card signed by Doug Aitken indicating the edition number is included along with: A 23» x 36» double - sided poster with original artwork by Doug Aitken; A 12» vinyl picture disc contains unreleased tracks by Broadcast and a live recording of Doug Aitken's original opera the handle comes up, the hammer comes down; A 96 - page visual diary of the making of the film including sketches, production photos, film stills, script fragments, and inspirational found images; Two flipbooks with motion sequences excerpted from the film and the film's projection of the MoMA facade; A triptych gatefold case contains a CD soundtrack that features the tracks on the picture disc plus tracks by Bibio, Ranphorynchus, Steve Roden, Tim Hecker, and Canyon Country; A DVD includes an edit of Sleepwalkers cut specifically for this box set and a street level walkthrough as installed at the MoMA in NYC
New Slideshow looks at the ways in which artists are using sequences of still images to make film with various kinds of narratives.
Inspired by the work of Chris Marker, who directed the radical 1962 film «La Jetée,» which consisted of a cinematic sequence of still images, Opie's 22 - minute film is composed of more than 800 black - and - white images and stars Stosh, a friend who has appeared in many of her photographs.
Featured images: Douglas Gordon — Untitled (I'm Not Sure This Is Working), 1997 - 2007, Wall text, telephone, audio recording, Courtesy the artist © Studio lost but found / VG Bild - Kunst, Bonn 2017, Photo: Matthias Langer; Marina Abramović & Ulay — Breathing In, Breathing out, 1977, Single - channel video, b / w, sound, 10:49 min (looped sequence), LIMA — preserves, distributes and researches media art © LIMA, Amsterdam / VG Bild - Kunst, Bonn 2017; Four stills from Rodney Graham's City Self — Country Self series, 2000, 35 mm transferred to DVD, 04:00 min (Loop), Courtesy of the artist and Lisson Gallery © Rodney Graham; Yayoi Kusama — Infinity Mirrored Room — the Souls of Millions of Light Years Away, 2013, metal, glass, mirrors, plastic, acrylic panel, wood, rubber, LED lighting system, acrylic balls, water, Collection HGN © Yayoi Kusama.
Alternating between these and other short motion sequences are still images that are sometimes over - and sometimes underexposed, and which are subsequently hand - colored red, yellow, or green.