Sentences with phrase «still life objects»

LG: The retrospective at the Whitney Museum that I was telling you about of his work included many of the still life objects themselves, that they displayed along with the paintings.

Both practitioners of «deep observation» of their surroundings, these artists employ similar artistic techniques as they explore the formal and abstract elements of color, shape, and light of still life objects and landscapes.

Model platforms and still life objects are readily available.

For example, if you encounter a painting entitled Lemon Squeezer and Coffee Pot, this — a group of still life objects — is what you expect it to be about.

Harry Geffert's work blurs the boundaries between painting and sculpture, resulting inlandscapes and still life objects that demonstrate the surreal qualities of space, time, and memory.

Influenced by Bonnard, Vuillard and Matisse, she took as her subject matter the cityscape outside her Greenwich Village penthouse apartment, interiors with still life objects and, after she began spending summers in Water Mill, N.Y., in the 1950s, the marshes and potato fields of eastern Long Island.

The resulting landscapes and still life objects demonstrate the surreal qualities of space and time and memory.

Altfest has commented that «The paintings of men seem to have an inverse relationship to still life, with the men becoming less like human subjects and more like still life objects.»

In it the fantastic and unusual marine creatures have been treated as still life objects by American photographer Mark Laita.

Though Pop artists did not consider themselves as being a part of a unified movement, the still life object has been of shared interest to both canonical Pop artists and lesser - known artists.

Not exact matches

So he withdrew from life, yet not with the object of dying, for he was still only a youth.

We embody the truth when we live the right kind of life, but we should not claim to know it with certainty because it is still work in progress — an object of aspiration — and we will not know till the end.

No person is ever merely object as long as still living, 9 yet each moment of a person's series perishes and another begins, prehending the satisfaction / superject of the previous moment of the series, together with other contemporaries.10 God's actual entities also perish, yet God is always a concrescing subject (though not the same momentary subject), since God's personal series could never have a first nor last moment.

«We object to opening up a new trade with China when there is still so much abuse going on in our existing markets,» says Katrina Love, the campaign manager for Stop Live Exports, a community action group.

Still, he admits that no system is perfect, and each cleaning and analysis removes something of the original: «Every time an object comes in this door, it gives something of itself up in order to continue to live.»

I believe «still life» is for inanimate objects and not people, and if there are people, the subject is what the people are doing with the inanimate objects.

And because we still do have a couple of kiddos at home (although they are both teenagers now, my preferred place of employment is still at home), it has been important for me to find opportunities to help out with our family finances — kids are expensive, even when you are rather «old fashioned» parents who aren't inclined to provide the latest shiny object for kids who think they simply can't live without «it.»

Following the model of the great early - 20th century photographers, the artist has assembled familiar seaside objects into a remarkable still - life composition.

And while you can still push and shove objects around like in the previous games if you wish, the touch screen really comes to life in Animal Crossing: Happy Home Designer.

While Haynes's statement suggests the two films may share a kinship of some sort beyond structural similarities, their treatment of human behavior couldn't be any more at odds, as David Lean's adaptation of Noël Coward's play Still Life seeks to penetrate the inner psychological life of Laura (Celia Johnson), a married British woman and mother, while Haynes keeps his characters at arm's length, emphasizing surfaces and crucial overlaps between appearances of objects and humLife seeks to penetrate the inner psychological life of Laura (Celia Johnson), a married British woman and mother, while Haynes keeps his characters at arm's length, emphasizing surfaces and crucial overlaps between appearances of objects and humlife of Laura (Celia Johnson), a married British woman and mother, while Haynes keeps his characters at arm's length, emphasizing surfaces and crucial overlaps between appearances of objects and humans.

A detailed project looking at developing a Still - life project looking at composition, rule of thirds, different techniques for each object with different art styles.

Themes covered include: - still life / everyday objects - colour - collage - war - make up - encased - sunsets and silhouettes - insects - natural forms - marine life - paper fashion - fashion - food - skulls - pop art - graffiti The templates are tried and tested at GCSE and used in a department with over 90 % A * - C.

Chila loves to show a rich colourful arrangement of personal things that reflect her own identity and students need to set up their own still - life of objects and to photograph this.

Clem describes his favourite still - life painting, saying «the fruits and the vegetables, those humble and edible objects, have their backs to the void.

The shift from the narrow angle views of the Impressionists and Cézanne, whose nearest points tended to be quite some distance away, to the wide - angled views of Bonnard, Matisse, Dufy and Soutine, whose nearest objects were often very close indeed, was a major change in subject matter which is usually overlooked since the names «landscape», «still life», «portrait», etc., remained the same.

Moreover, these condensed images contain a surprising élan vital ---- in no small measure because of the the tightly sprung curves of the window grillwork, radiating out from the still life like abstract signs or the inner force of the objects.

One of the most puzzling minor sidelights of Courbet's composition is the significance of the little boy scribbling a picture, a later insertion whose presence has been accounted for both as a mere space filler - to balance the still - life objects on the left - hand side — and as a personification of the newly awakened interest in the art of children associated with the Swiss artist Rodolphe Topffer.15 Yet here again a Fourierist interpretation best accounts for this figure.

Rachel Foss, lead curator of Gay UK: Love, Law and Liberty at the British Library, says: «These objects and documents are the tangible evidence of a living history that is fragmented, punctuated by gaps and still evolving.

The subjects of South African photographer Nico Krijno's still lifes are often temporary, unstable constructions, made of overlooked or ephemeral objects.

Ultimately, Thiebaud's still lifes explore ways for objects to transcend their normal associations.

Thiebaud often places his still life subjects on a white or near white background in order to eliminate the effects that an environment might have on an object's true colors.

Sometimes, you can even sense some hidden black humour that, if only because of the solidity of the objects, reminds you of the still lives of Philip Guston.

By painting the figure and the object on equal terms, Pearlstein's paintings appear to be more like still life compositions than formal portraits, and some critics even consider his work to be a form of abstraction.

In the still - life, Table and Skull, 2012, the objects take form creating a poetic dialogue between object and paint.

In a short, circa 1895 unfinished essay on the artists Chardin and Rembrandt, Marcel Proust noted the strange friendship that seems to exist between the objects in Chardin's still lifes, and genera scenes: «As happens when beings and objects have lived together a long time in simplicity, in mutual need and the vague pleasure of each other's company, everything here is amity.»

Forty - four sumptuous canvases, along with related objects, trace the artist's journey from painting still lifes in intimate interiors in the late 1920s, to vibrant, large - scale spaces in the 1930s, to more personal interpretations of daily life in the 1940s.

I'll work with still life painting in relation to a postconsumer object, which might relate to a video I'm doing.

Among the paintings are portraits, still lifes, landscapes, and allegorical paintings, while the objects include sculptures, commercial signs, furniture, and household objects.

Above and below: A selection of Joel Meyerowitz photographs showing Morandi's collection of the objects he placed in his still lifes

Dutch and Flemish painting of the seventeenth century, whether in still life or the incidental paraphernalia of domestic scenes, had achieved a high standard of mimetic accuracy in the rendition of material objects.

Investigating photography's relationship with reality, Letinsky began by photographing people but shifted to focusing almost exclusively on objects in the form of the still life.

Yet the object would also perform as a compositional element in some of these still lifes acting in the service of a picture rather than as its focus, reduced to schematic line and shape by the eye of the camera or the swipe of charcoal.

with texts by Jill Sheridan, Nicholas deVille and Stephen Foster) Objects of Desire: The Modern Still Life, Museum of Modern Art, New York, USA (curated by Margit Rowell, cat.)

Interstitial seeks to answer this question through the examination of new and recently - created free - standing sculptures by contemporary Los Angeles - based object makers whose work exists in the interstices, the spaces between the historical genres of the decorative arts, still life, and abstraction.

Her still life paintings of New Mexican objects are rendered in brilliant colors, and her portraits often feature the expansive desert mountains as backdrops.

In addition, he invests great detail and highly specific color in the shadows that his still life subjects cast, intensifying the presence of the objects in space.

A blind man might write an interesting treatise on visual aesthetics: he could explain that painters depict still - life objects, historical events, landscapes and whatever else may be seen.

Morandi, Cézanne and Me surveys Meyerowitz's recent still lifes of objects from Paul Cézanne's studio...

Furthermore, through his signature taches of paint, Cézanne throws into doubt the materiality of objects in his still lifes, or nature in his landscapes.

The deft craft of his still lifes abstracted transformed common objects into elements of modern artistic expression.