Sentences with phrase «still on the appropriation»

Not exact matches

Accrual accounting and the fact that departments and agencies are still on cash - based appropriations further complicate the process.

«America's Navy still holds the title of best in the world, but our recent years of combat and physical uncertainty have eroded our warfighting advantage,» Admiral John Michael Richardson, chief of Naval operations, told the House Appropriations Committee on Defense in March.

I think the authors REALLY got creative on ways to use up grains, and they were really thoughtful about cultural appropriation but still having a wide range of different ethnic foods to feature.

The Democratic governor told Fred Dicker on Talk - 1300 AM this morning that he still plans to put pension savings into his emergency budget appropriation should legislators fail to pass his budget.

«We've agreed we're going to get it done on time, and we're still finalizing a whole bunch of fiscal and appropriation matters — education and higher ed,» said Senate Majority Leader John Flanagan (R - East Northport).

Based on the latest appropriations language, that's still the case.

«We've agreed we're going to get it done on time, and we're still finalizing a whole bunch of fiscal and appropriation matters — education and higher ed,» state Senate Majority Leader John Flanagan (R - East Northport) said Sunday.

Silver, meanwhile, insisted a spending plan is still on track to be passed before the April 1 deadline because appropriations measures are being.

Republicans adjourned the House at 3:15 a.m. until after July 4th after Speaker Paul Ryan took the remarkable step of calling a vote on a major appropriations bill in the wee hours and without any debate., but Democrats were still at it well after 4 a.m.

In addition to lacking any official support from board Republicans, the proposal still has to make its way through the committees on Budget and Appropriations, Legislation, and Public Safety and Social Services.

While the bill is still awaiting approval in three separate committees — Budget and Appropriations, Legislation, and Public Safety and Social Services — the Democratic Caucus is pushing for the committees to approve the proposal in order to move forward on a late night vote of the full 17 - member county Board of Legislators on Monday, July 17.

Raising the spending caps does not automatically mean science agencies will now get a spending increase: Congress still needs to agree on a catch - all omnibus appropriations bill that reflects this new higher spending level, and lays out funding for individual agencies and programs.

Its bill, approved by the full appropriations panel on 11 June, gives NASA's earth science program most of the large increase requested by the president and tops the House number for NASA science by $ 15 million, although that is still short of the president's request.

Still, the real details of who gets what in the 2018 budget — including what science will get federal funding support — will come as Congress works on an omnibus appropriations bill, expected in late March.

Still, expectations are high that House and Senate appropriators will indeed be able to reach a bipartisan compromise on the 12 regular appropriations bills by that date.

Traditionally (but not necessarily) the House acts first on appropriations bills and, indeed, the Senate Appropriations Committee is still in the appropriations bills and, indeed, the Senate Appropriations Committee is still in the Appropriations Committee is still in the hearing phase.

Even though his words might seem ironic to some, based on the fact that majority of his work is based on appropriation, it still goes without saying that Richard Price has managed to redefine the concepts of ownership and authorship through his bold and provocative art.

Matisse's transformative impact on their works is revealed not only by their adaptations of his palette and pictorial structures but also through their choice and appropriation of his subject matter — still lifes, landscapes, figurative works, studio interiors, and portraits.

David Claerbout's paintings on paper are fundamental to his film practice; Ilse D'Hollander's intimate canvases are sensual explorations of the physical act of painting; Jose Dávila interrogates how the modernist movement has been translated, appropriated, and reinvented; Laurent Grasso's meticulous appropriations of classical paintings integrate impossible phenomena, blurring the line between the historical and contemporary; Rebecca Horn's large - scale gestural paintings evoke her early performance work, their dimensions being determined by the artist's physical reach; Callum Innes» Exposed Paintings are concerned with both making and unmaking the work; Idris Khan utilizes language, melding thousands of lines of stamped text into singular abstract images; Hugo McCloud's work fuses industrial and fine art materials; Sam Moyer combines found textures into a fresh, expanded, artistic palette; and James White's oil paintings reimagine the still life as a chance freeze - frame.

Yet, the art world must still move on from appropriation as an artistic strategy per se, to recycling as a natural way to deal with any morsel of information.

Often focusing on sexualized or emotionalized images of women, posing with or without cameras, close - ups of the human body, and recurring images of the eye, Collier does not necessarily consider her resulting images as a form of appropriation, rather she thinks of them as a form of still - life photography, making reference to both technical and commercial (advertising) photography.

They are masterpieces, merging abstraction, graphic art, pictorial wit, flying faces, cryptic spatial diagrams, and experimental mark - making, and they set an agenda for appropriation that is still being picked up on.