(Yes,
they still shoot movies on film sometimes.)
He is also one of a decreasing number of filmmakers that
still shoot movies on film instead of digital.
It'd be a shame if the movie was eclipsed by the fact that Daniel announced he was retiring while you were
still shooting the movie.
Not exact matches
A traditional
movie camera actually takes
still photographs at a nonstop rush of 24
shots per second.
Turns out my wife couldn't sleep and was watching an old George Burns
movie,
still, I took another
shot of medication and went back to sleep.
If the
shot is dark because it's nighttime in South Carolina, scroll down to see some
still shots of sheep, or play the timelapse sheep
movie (24 hours in the sheep paddock in 60 seconds of
movie).
But no matter, it
still takes alot of determination to wake up in the middle of the night or stop halfway through a
movie shoot or editorial just to satisfy your baby's non stop hunger.
I am
still in the
movie business and when I
shoot a proper
movie, using the proper equipments and and featuring the right actors and actresses, I sell a lot.
Most of the images are from my own screen
shots of the
movie, but I did manage to find lots of great, high quality promotional
stills as well to supplement.
Katrina Kaif - Get Katrina Kaif's latest news, photo gallery, videos, awards, filmography, biography & quotes by Hot & Sexy Katrina Kaif Photos — Check out latest Katrina Kaif photos including wallpapers, posters, photo -
shoots,
movie still & selfies.
Now that he's older and
shooting his own
movies, he's become more subdued as a commentator, but he
still manages to create useful discussions.
Zoolander 2 has been stewing for a while, but is
shooting now;
Stiller and Owen Wilson walked the Valentino runway in character last month to acknowledge that the
movie is finally happening.
Even though Infinity War is
still over a year away, Marvel Studios and the Russos are already prepping for the nine month
shoot that will feature the large cast and crew
shooting the
movies concurrently.
The
movie opens with a long, winding
shot of a snake slinking in - between tall grass and tombstones and into a dark mansion to meet a shadowy figure assumed to be a
still - weakened Voldemort.
The film is clearly
shot in the early 2000's, but like all great
movies still feels timeless despite the passing of time.
Cinematographer Roger Deakins has
shot what is one of the most beautiful
movies ever made, and yet somehow he
still won't win an Oscar this year because life is cruel.
Snow White and the Huntsman is
still days away from
shooting, but the Comic - Con panel revealed these photos of stars Chris Hemsworth, Charlize Theron, Kristen Stewart, and Sam Claflin, plus they confirmed which badass Brits * are playing the
movie's dwarfs.
Deschanelâ $ ™ s instincts seem those of the commercially astute
still - photographer, and one consequence of this is that The Black Stallion is less a
movie than a huge coffeetable book full of cutely composed
shots of rock formations, dripping leaves, sun - drenched beaches, galloping horses, and children in â $ œsensitiveâ $ poses.
«We are
still exploring the themes of memories and empathy, that's
still in the deeper tissue of what the
movie is about and the relationship to what it means to be human,» says director Denis Villeneuve in the Facebook Live Q&A that helped launched the trailer, before feeling happy that he hadn't been
shot for giving away any spoilers.
Parents should be aware that there are a few other scary scenes — hunters
shoot Elliott several times (with tranquilizer darts rather than actual bullets, thankfully... but
still), Elliott gets sick and is captured, and then later many of the humans are endangered in several different ways — but I can't stress enough how sweet and pure and joyful this
movie is overall.
It should not be confused wit that other long - awaited (and
still untitled) Terrence Malick
movie shot by Emmanuel Lubezki, which also stars Christian Bale, Cate Blanchett, and Natalie Portman.
The documentary answers why GoodFellas is
still so enthralling 25 years later, and the answer is because of the details and authenticity Scorsese poured into every
shot of the
movie, from adjusting Liotta's tie just right in every scene, to having the song «Layla» by Derek and the Dominoes play at an exact time in the film.
But Jordan, who starred in both of those films, says it was
still «surreal» being on the set of a $ 200 million
movie with the same director who, five years ago, was
shooting a $ 900,000 indie with, as Jordan puts it, «some duct tape and one camera.
You either see it as a rumination on art and the creative process through the prism of this kook who makes a bad
movie, but at least he
still makes something, or you can look at it as a flight of fancy where a bunch of famous people do a
shot - for -
shot parody of a bad
movie and throw in some window dressing to make it seem like a fully fledged
movie.
Their readings play out over a mix of archive footage, clips from his work, rostrum camera
stills and, most interestingly, home
movies shot by Fuller himself, including some of his wartime experiences.
Like the unofficial version (embedded below), there are few clear
shots of the iconic creature (the dust and smoke immersed
shots are more intense anyway) and plots points of the
movie are
still kept under wraps.
You'd think that The Shape of Water remains too undeniably weird to have any
shot at awards, and I think that the stuffy Academy that decided to go with The King's Speech over The Social Network or Black Swan (yep,
still bitter) might not have given much more than token nominations for an inter-species romance monster
movie, but the Academy has gotten younger and more diverse in the years since then, allowing for some more left of center films to get a boost.
Iannucci didn't want anyone to use a practised Russian accent in case it distracted him or her from any usable ad libbing that occurred to them during
shooting, and while the result probably makes for a funnier
movie, it's
still a little hard to get past.
I can't see how anyone could be dissatisfied with this
movie I preferred it to the other two as I think it captured batman perfectly bane was perfect how anyone can disagree after batman and robin is beyond me??? Cat women was perfect there was no poor casting IMO character development was fine story was fine and beautifully
shot soundtrack stunning all involved made an absolute masterpiece even tho I guessed most plotpoints in advance they
still felt like a surprise to me I don't see the point in any other superhero franchise making any more
movies as bb tdk and tdkr will never be surpassed
Realy I am
still mad at all critics with there intelligent educations to «teach «the dumbasses like me with filmhistory.Who cares if a
movie is one long
shot.
I don't really get how the fourth
movie in a massively successful series can
still get away with such heinous animal animation, but this stays true to the strict banishing of personal style or individual flair that handcuffs each filmmaker who chooses to step on to the set and try to call the
shots.
Though
still less than half the film, they definitely are employed with greater frequency than on the last
movie, with many establishing second unit
shots and significant action moments going with the screen - filling 16:9 now more commonly used for television than feature films.
After
shooting Judy Garland during filming of A Star is Born he became the first «unit photographer» — hired specifically by
movie studios to take on - set promotional «
stills».
Warner Bros. has unveiled a behind - the - scenes featurette for The Dark Knight Rises that includes more than 13 minutes of
movie footage, interviews with cast and crew, and set
shots that somehow
still manages to keep all the secrets of the conclusion of Christopher Nolan's Batman trilogy.
Beside Dorval, the best thing about the film is probably the cinematography, even though it sometimes calls a bit too much attention to itself, what with all the off - center close - ups, slow - motion tracking
shots à la Wong Kar - Wai, B&W
shots of Hubert talking to the camera, colourful fantasy cutaways...
Still, you can tell that the kid has seen a lot of
movies and instinctively knows how to recreate the things he likes in others» work through his own.
Still, the frequency of these odd occurrences make it seem as though Klimov decided to
shoot his war
movie as if it were a horror
movie, which brings us to the next point...
Deakins has
shot every Coen brothers
movie since 1991's Barton Fink (along with such beautiful films as The Shawshank Redemption, The Assassination of Jesse James by the Coward Robert Ford, and Revolutionary Road); Burwell's fruitful collaborations with the Coens date back further
still, all the way to their 1984 debut Blood Simple.
In fact, he was
still shooting as recently as July, so perhaps expecting him to have finished the
movie by now was a bit of wishful thinking.
Hi there, the gallery has been updated with
Movie Stills, Promotional Images, Screencaptures, and Promotional
Shots of Margot as Tonya Harding in I Tonya, Enjoy!
The section also includes a Poster Gallery containing 11
movie and character one - sheet designs and a 73 - image Photo Gallery offering a mix of film
stills and behind - the - scenes
shots.
With one «Tarzan»
movie already
shooting, a sure to be terrible 3D / CGI concoction starring Kellan Lutz and Spencer Locke, Warner Bros. is
still pressing forward with their own, new big screen version on the guy who swings on vines and beats his chest.
The Five - Year Engagement, which runs longer than two hours and invites all kinds of bitter jokes about the title, is another collaboration between writer / director Nicholas Stoller and writer / star Jason Segel in which they seem to have written and
shot a
movie that is four hours long, then awkwardly stuffed it into a
still - overlong two - hour frame
Unashamedly jumping from brutal kills and macho
shots, this
movie enjoys how shallow it is, and, despite having all of the flaws explained above,
still manages to produce a decent
movie that is on any action junkie's bucket list.
Starting things off, there's an audio commentary from director Mark Hartley, joined by «Ozploitation Auteurs» Brian Trenchard - Smith, Antony I. Ginnane, John D. Lamond, David Hannay, Richard Brennan, Alan Finney, Vincent Monton, Grant Page, and Roger Ward; a set of 26 deleted and extended scenes, now with optional audio commentary from Hartley and editors Sara Edwards and Jamie Blanks; The Lost NQH Interview: Chris Lofven, the director of the film Oz; A Word with Bob Ellis (which was formerly an Easter Egg on DVD); a Quentin Tarantino and Brian Trenchard - Smith interview outtake; a Melbourne International Film Festival Ozploitation Panel discussion; Melbourne International Film Festival Red Carpet footage; 34 minutes of low tech behind the scenes moments which were
shot mostly by Hartley; a UK interview with Hartley; The Bazura Project interview with Hartley; The Monthly Conversation interview with Hartley; The Business audio interview with Hartley; an extended Ozploitation trailer reel (3 hours worth), with an opening title card telling us that Brian Trenchard - Smith cut together most of the trailers (Outback, Walkabout, The Naked Bunyip, Stork, The Adventures of Barry McKenzie, three for Barry McKenzie Holds His Own, Libido, Alvin Purple, Alvin Rides Again, Petersen, The Box, The True Story of Eskimo Nell, Plugg, The Love Epidemic, The Great MacArthy, Don's Party, Oz, Eliza Fraser, Fantasm, Fantasm Comes Again, The FJ Holden, High Rolling, The ABC of Love and Sex: Australia Style, Felicity, Dimboola, The Last of the Knucklemen, Pacific Banana, Centrespread, Breakfast in Paris, Melvin, Son of Alvin, Night of Fear, The Cars That Ate Paris, Inn of the Damned, End Play, The Last Wave, Summerfield, Long Weekend, Patrick, The Night, The Prowler, Snapshot, Thirst, Harlequin, Nightmares (aka Stage Fright), The Survivor, Road Games, Dead Kids (aka Strange Behavior), Strange Behavior, A Dangerous Summer, Next of Kin, Heatwave, Razorback, Frog Dreaming, Dark Age, Howling III: The Marsupials, Bloodmoon, Stone, The Man from Hong Kong, Mad Dog Morgan, Raw Deal, Journey Among Women, Money Movers, Stunt Rock, Mad Max, The Chain Reaction, Race for the Yankee Zephyr, Attack Force Z, Freedom, Turkey
Shoot, Midnite Spares, The Return of Captain Invincible, Fair Game, Sky Pirates, Dead End Drive - In, The Time Guardian, Danger Freaks); Confession of an R - Rated
Movie Maker, an interview with director John D. Lamond; an interview with director Richard Franklin on the set of Patrick; Terry Bourke's Noon Sunday Reel; the Barry McKenzie: Ogre or Ocker vintage documentary; the Inside Alvin Purple vintage documentary; the To
Shoot a Mad Dog vintage documentary; an Ozploitation
stills and poster gallery; a production gallery; funding pitches; and the documentary's original theatrical trailer.
Gloriously
shot by Andrij Parekh (Blue Valentine) and handsomely edited by David Coulson (North Country), the
movie moves at a zippy, if
still never rushed, pace, Caro orchestrating the action as well as she ever has in any of her previous pictures.
Critics praised the film's commitment to humor, and the chemistry of its stars, with USAToday's Brian Truitt saying «Even tonal issues can't upend the magic this
movie taps into putting Thor and Hulk together as new best buddies, whether they're throwing down in an arena or having a bromantic heart - to - heart,» while the AP's Lindsey Bahr said «Thor: Ragnarok is the most fun of the Thor
movies by a long
shot, but it is
still very much a Thor
movie for better or worse.»
A generous section of full - screen Galleries is divvied up into numerous sub-sections - «Production
Stills» (55 pictures); shots of an Old Yeller comic book under «Publishing» (13 stills); «Biographies» (43 frames) for Tommy Kirk, Dorothy McGuire, Fess Parker, Kevin Corcoran, Beverly Washburn, and Chuck Connors (strangely, the remaining cast member, Jeff York — who also played with Parker in the «Davy Crockett» series — is not included); lobby cards, posters, and merchandise in «Advertising» (17 stills); fan letters to Fred Gipson and invitations for early movie screenings found within «Documents» (30 st
Stills» (55 pictures);
shots of an Old Yeller comic book under «Publishing» (13
stills); «Biographies» (43 frames) for Tommy Kirk, Dorothy McGuire, Fess Parker, Kevin Corcoran, Beverly Washburn, and Chuck Connors (strangely, the remaining cast member, Jeff York — who also played with Parker in the «Davy Crockett» series — is not included); lobby cards, posters, and merchandise in «Advertising» (17 stills); fan letters to Fred Gipson and invitations for early movie screenings found within «Documents» (30 st
stills); «Biographies» (43 frames) for Tommy Kirk, Dorothy McGuire, Fess Parker, Kevin Corcoran, Beverly Washburn, and Chuck Connors (strangely, the remaining cast member, Jeff York — who also played with Parker in the «Davy Crockett» series — is not included); lobby cards, posters, and merchandise in «Advertising» (17
stills); fan letters to Fred Gipson and invitations for early movie screenings found within «Documents» (30 st
stills); fan letters to Fred Gipson and invitations for early
movie screenings found within «Documents» (30
stillsstills).
Unlike so many recent comic book based
movies, Miller is able to string together scene after scene of action / racing / beating /
shooting while
still remembering to give us reason to care about his heroes, who are given precious little time to talk things over.
In the UK she's
still very well regarded based on the Alien franchise
shooting the first three
movies at Pinewood.
Then again... there's Hard Boiled, probably the angstiest of all John Woo
movies and the hospital
shoot - up scene
still holds up.