Sentences with phrase «still small figures»

Admittedly, these are still small figures increasing in small fragments — rather like watching the proliferation rate of the latest Android update, it requires a lot of patience — but Google's commitment to being a hardware maker has never been greater.
The program's $ 50 deductible is still a small figure when you consider the often high repair costs on luxury vehicles like BMW models.

Not exact matches

With the proliferation of competing entertainment options available in smaller towns and a decline in baseball interest, owners had been looking instinctively to the still - thriving major leagues to figure out how to compete.
Blanton acknowledged that the figures were accurate, but underscored that the new mortgage rules still continue to make life more difficult for smaller institutions.
It is no small irony that Vice President Mike Pence and Franklin Graham, popular figures among many Chaldeans in the US, headlined the first ever World Summit in Defense of Persecuted Christians last month at the same time as Shaou lingers in custody in Michigan, still facing imminent deportation.
As one of the small pockets of people who still wait for marriage in a hyper - sexualized culture, it doesn't take much to figure out why Christians tend to get hitched so young.
I still cant still figure out how the kid manages to play so well despite his small size.He has a tendency to go forward but his ability to recover quickly into a defensive position makes it less worrying.He tackles, He defends, He dribbles, He runs, By jove the kid can fly!!
A figure of # 5 million has been mentioned which seems a rather small amount to warrant such a huge operation and raises the prospect that the story still has some way to go.
We figure that between the land that will be committed to gardening / farming, an orchard, livestock, a huge communal kitchen and dining hall, a big playground, land for hiking, and maybe even a pool and small rec center, we'll still have room for about 30 families to join us.
Now, the colostrum is really thick and sticky, and I'm so small and still figuring out how to move my tongue, and we're both still trying to get comfortable together, so it might take me 20 minutes or longer to suck out just ONE TEASPOON (5 - 7 mL) of that liquid gold.
Although these figures are smaller than those initially proposed — they were revised downward after the president asked MPs to take a second look at the legislation — it still represented a «draconian» move according to the Committee to Protect Journalists.
Instead, the Pakistan which remained tried to carry on, pretending that it was still the land of South Asia's Muslims, just smaller... It never figured out why it should exist as a nation - state, and that combined with poor governance and major geostrategic factors have brought the country to a pass where its further dissolution is now argued increasingly in terms of when and how, not if.
The «don't know enough» figures among Labour voters are smaller, but still considerable.
Tonight's YouGov poll has topline figures of CON 40 %, LAB 39 %, LDEM 9 % — a Tory lead but still in line with the recent average of a small Labour lead of a point or so.
Tegmark and Bostrom figure that, at most, one habitable planet is destroyed every billion years by natural causes; the accelerator risk, they say, is a thousand times smaller still.
Co-author Mark Loewen noted that, «We're still working to figure out how so many different kinds of giant animals managed to co-exist on such a small landmass?»
The researchers are still trying to figure out exactly how this speed is so quickly achieved and why the oil quickly breaks into small droplets, information that could help them design an emergency asthma inhaler filled with exploding pockets of medicine, they note.
I've been dairy free for over four years, and my food reactions have dramatically lessened, however, a small amount of dairy will still trigger a cough for me (this past weekend I ate something that was marked «dairy - free» even though it had butter, and couldn't figure out why I kept needing to clear my throat!).
Figure out the smallest amount you can eat in a day and still feel OK.
While that speaks to a small measure of gritty genre credibility, it still doesn't forgive The Calling's many failings (including the lack of a dynamic villain figure and a distended second act) by a long shot.
Barris and company have figured out ways to show former big fish in a small pond Zoey struggling with the move to a much bigger pond, but she's still primarily there to react to other people being weird around her, which means she can't carry an equivalent comedy load to TV dad Anthony Anderson.
Pass rates on the state's 10th - grade exam, which was also a high - stakes exit exam for students, rose from 57 percent to 78 percent between 1994 and 2000, with smaller yet still sizable gains in reading (see Figure 1).
Although the NAO states these figures are still relatively low, the DfE has admitted they only reveal part of the picture because data is taken in November when vacancy rates are considered small.
Still, in a district where Hispanic students make up the largest racial or ethnic group at nearly 46 percent, a significantly smaller percentage of the teaching staff — 18.6 percent — is also Hispanic, according to figures on the CPS website.
Infiniti's sales figures are still fairly small in the UK — just 746 cars were sold here last year — but global sales amounted to 186,200, up 13.5 per cent from 2013.
The crossover still manages to improve upon its previous fuel economy figures, although the increase is fairly small: the all - wheel - drive model sees the most significant increase with a combined rating of 22 mpg, up from 19 mpg.
The fact that it still runs on regular and gets virtually the same fuel economy as the smaller four - banger (the city figure drops by 1 MPG to 18) further cements the case for the 2.3.
(cont'd)- I'm giving away hundreds of listings on the Vault, and as a result of doing so, won't see one thin dime of income on the site until October or later - Given all the time and money I've already sunk into developing the site, I don't even expect to earn back my upfront investment until sometime next year - I'm already personally reaching out to publishers on behalf of authors who are listed in the Vault, on my own time and my own long distance bill, despite the fact that I don't stand to earn so much as a finder's fee if any of those contacts result in an offer - I make my The IndieAuthor Guide available for free on my author site and blog - I built Publetariat, a free resource for self - pubbing authors and small imprints, by myself, and paid for its registration, software and hosting out of my own pocket - I shoulder all the ongoing expense and the lion's share of administration for the Publetariat site, which since its launch on 2/11 of this year, has only earned $ 36 in ad revenue; the site never has, and likely never will, earn its keep in ad revenue, but I keep it going because I know it's a valuable resource for authors and publishers - I've given away far more copies of my novels than I've sold, because I'm a pushover for anyone who emails me to say s / he can't afford to buy them - I paid my own travel expenses to speak at this year's O'Reilly Tools of Change conference, nearly $ 1000, just to be part of the Rise of Ebooks panel and raise awareness about self - published authors who are strategically leveraging ebooks - I judge in self - published book competitions, and I read the * entire * book in every case, despite the fact that the honorarium has never been more than $ 12 per book — a figure that works out to less than $.50 per hour of my time spent reading and commenting In spite of all this, you still come here and elsewhere to insinuate I'm greedy and only out to take advantage of my fellow authors.
Most printers are still trying to figure this out so they are primarily short run printers, mimicking their offset counterparts, only smaller equipment and shorter print runs.
At this point, I still hadn't figured out how to zoom — I'm definitely a late adopter where technology is concerned, so there was a bit of a learning curve with touch - screen navigation — so I thought I'd check out some shoujo, which is known for its teensy asides and author - talk sections with small text.
She said properties are still attracting bidding wars and selling for more than their asking prices, but by a much smaller margin — think $ 15,000, not six figures.
Once they figure out their offering & strategy in the US, Etchingham & Barrett could spend a lifetime lining up one foot hurdles to tackle — i.e. taking out / competing with the 10s of thousands of single / small - store operators who still comprise a majority of the sector.
«Some of us have started smaller groups to form a company, some of us have started to work at bigger companies and some of us are still trying to figure out what to do next.
-- Nintendo previously made Zelda games by making small areas and connecting them together — For Breath of the Wild, the team first had to figure out what needed to be placed on the map — Groups were created out of the over 300 devs to work on specific sections of the world — Game Informer's demo starts at Serenne Stable — Yammo runs this place — Link can rest in bed and restore health here — Stable also lets you store horses, meet with merchants, NPCs — Stables are located throughout the world — Each one is run by a distinct character — You can spend rupees on a more expensive bed, giving you an extra heart the next morning — These hearts are yellow and can't be recovered if you're hit in combat — Spending time by fires in the world passes time — Dynamic weather system in the game, with the world reacting as a result — Ex: when it starts raining, NPCs outside the stable quickly go inside — Beedle is back to sell you goods — Have to be careful during a thunderstorm, since your metal items can attract thunder — Metal weapons and shields can be discarded or thrown at enemies — Link can get killed by lightning — Difficulty dips / spikes depending on where you are, since you can go around it and avoid it until you're stronger — Over 100 Shrines — You can find an item that identifies Shrines — Discover a Shrine for it to be a fast - travel point — Shrines also give a Spirit Orb — Trade in orbs for unknown items — Dedicated team handled animal A.I. — Bears, wolves, deer move through the snow — You can get overwhelmed by enemies quickly — Link can keep multiple horses at a time — Affection / loyalty important with horses — Feed and take care of horses to raise their stats — Can call horses over to you, but horses need to be within a certain proximity to be called — Horses can be killed by enemies — Aonuma «wanted players to choose their own path», so no companion character in this game — Stamina meter encopasses sprinting, paragliding, climbing — Meter can be upgraded, but Nintendo won't say how — Different shields have different speeds and level of control for snowboarding — Can mine rocks which can be solid for rupees or used for crafting — Can place stamps to mark areas of interest — 100 of these symbols can be used on the map, including sword, shield, bow and arrow, pot, star, chest, skull, leaf, diamond — Every style of weapon has a unique set of animations and feel different — No invincible weapons in the game, Nintendo says — Zelda can get mad at you and scold you — Players can see the ending without seeing everything from the story — A certain element was added in the game to make for a more cohesive storyline — Most difficult Zelda game to make — Aonuma is still finding new things in the world
Drilling down into the U.K. specifically, and let me reiterate again these are not official figures, the gulf between the two is much smaller, though the PS4 is still in the next - gen lead.
While these sound like small issues, it goes to show that Nintendo still hasn't quite figured out that if friends game, they want to game together.
Been a bit slow on both the twitter and blog updates lately, we're still trying to figure out balancing working on the small freeware games, the bloggy stuff and the contract work that keeps us afloat between grants.
Super Senso's maps used to be twice the size they are now, but the game developers figured out a smaller map makes each game shorter, but still fun.
There s still more footage coming on the 15th but we figured we would give you a small little taste of what to expect!
And Lewis's «Alabama II» (1969) deploys a small, barely visible line of marching stick figures on a searing expanse of sunset pink, hinting at the struggle for civil rights while still insisting on being read as an abstract painting.
Selected Group Exhibitions 2016 — «Faculty Exhibition», Evanston Art Center, Evanston, IL 2015 — «Wish List», Gallery Project, curated by Gloria Pritschet and Rocco DePietro, Toledo, Ohio and Ann Arbor, Michigan 2015 — «Roots», Linda Warren Projects, Chicago, IL 2015 — Noyes Cultural Arts Center, Evanston, IL 2015 — «Faculty Exhibition», Evanston Art Center, Evanston, IL 2014 — «National Contemporary Painting», Weatherhead Gallery, University of Saint Francis, Fort Wayne, Indiana 2013 — «31st Juried Art Show», Wilmette Public Library, Wimette, IL 2012 — «30th Juried Art Show», Wilmette Public Library, Wimette, IL 2012 — «Narrative Fragments», Quidley & Company, Boston, MA 2011 — «Juxtaposed», juried by Alyssa Monks, Six Summit Gallery, Ivoryton, CT 2011 — «Paintworks», Gowanus Ballroom, curated by Kristin Kunc, Courtney Jordan & Hyeseung Marriage - Song, Brooklyn, NY 2011 — «Space Invaders», co-curated by Virginia Rose and John Nickle, Rose Contemporary, Portland, ME 2011 — «Cinematic Bodies», curated by Jamie Adams, Zolla Lieberman Gallery, Chicago, IL 2010 — «Snow», XL Projects, Syracuse University Gallery, Syracuse, NY 2010 — «Women Painting Women», Robert Lange Studios Gallery, Charleston, SC 2010 — «Remnants», Fuse Gallery, New York, NY 2010 — «Highlights» Island Weiss Gallery, New York, NY 2010 — «Conceptually Sound», Medialia Rack and Hamper Gallery, New York, NY 2010 — «Chicago Art Fair», shown by Linda Warren Gallery in Chicago, Illinois 2010 — «Looks good on Paper», DFN Gallery, New York, NY 2009 — «Water / Bodies», Eden Rock Gallery, St. Barths, F.W.I. 2009 — «Summer Exhibition 2009», curated by Eric Fischl, Matthew Flowers, Anne Strauss, New York Academy of Art, NY, NY 2009 — «Old School», Jack the Pelican, Brooklyn, NY 2009 — Caldwell Snyder, San Francisco, CA 2008 — «Small Works», Sarah Bain Gallery, Anaheim, CA 2008 — «City Lights», George Billis Gallery, New York, NY 2008 — «Chicago Art Fair», shown by Linda Warren Gallery in Chicago, Illinois 2008 — «Take Home a Nude» Art Auction at Phillips de Pury & Company, New York, NY 2007 — «Summer Exhibition 2007», curated by Eric Fischl, Jenny Saville, Vincent Desiderio, New York Academy of Art, NY, NY 2007 — «Four Handed Lift: Advocacy, Art, Spirit and Community», Moti Hasson Gallery, New York, NY 2007 — «Small Works», Sarah Bain Gallery, Anaheim, CA 2008 — «Chicago Art Fair», shown by Linda Warren Gallery in Chicago, Illinois 2006 — «Contemporary Imaginings, The Howard A. and Judith Tullman Collection», Mobile Museum of Art, Mobile, Alabama 2006 — «Night of a Thousand Drawings», Group Show, Artist's Space, New York, NY 2006 — «AAF», shown by DFN Gallery, New York, NY 2006 — «Salon 2006», New York Academy of Art, New York, NY 2006 — «LA Art Fair», shown by Linda Warren Gallery in Chicago, Los Angeles, CA 2005 — «New Works», curated by Eric Fischl, Jane Gallery, St. Barthelemy, F.W.I. 2005 — «A Terrible Beauty: Figurative painting in the 21st Century», Grey McGear Modern, Santa Monica, CA 2005 — «Small Works», Sarah Bain Gallery, Brea, CA 2005 — «Cityscapes», Sarah Bain Gallery, Brea, CA 2005 — «Take Home a Nude» Art Auction at Phillips de Pury & Company, New York, NY 2005 — «Go Figure», George Billis Gallery, New York, NY 2004 — «Postcards from the Edge, Visual Aids Benefit», Brent Sikemma Gallery, New York, NY 2004 — «Night of a Thousand Drawings», Group Show, Artist's Space, New York, NY 2004 — «Points of Muse», Linda Warren Gallery, Chicago, IL 2004 — «Separate Visions», Sarah Bain Gallery, Brea, CA 2004 — «Still Life», Sarah Bain Gallery, Brea, CA 2004 — «27th Small Works Exhibition», New York, NY 2003 — «Space Invaders», curated by Peter Drake, Fish Tank Gallery, New York, NY 2003 — «26th Small Works Exhibition», New York, NY 2002 — «National Arts Club 26th Annual Student Show», National Arts Club, New York, NY
New York, Knoedler & Company, Richard Diebenkorn: Small Format Oil on Canvas; Figures, Still Lifes and Landscapes, November - December 1994, n.p., no. 15 (illustrated in color).
In Bischoff's earliest non-representational paintings the abstract shapes are large, still deriving from figures against a background; gradually, the shapes have become smaller and more fragmented.
The exhibition featured Walker's handsome, large - scale figure paintings, interspersed with smaller drawings and still life sketches.
Offered here is Peter Doig's characteristically brooding, dreamlike Camp Forestia of 1996, in which a Canadian log cabin gleams against a starry, inky sky and its uncannily perfect reflection in the still waters of the lake below is separated by a line of snow - covered, lime green grass and a small human figure (estimate: # 14m — # 18m).
His recent show at the Fondation Beyeler (now at the Louisiana Museum of Modern Art, Humlebæk; until 16 August) hung alongside a major Gauguin exhibition; a mid-career retrospective at the Tate — an accolade for any artist — was accorded him in 2008 when he was still in his 40s; and during this year's Venice Biennale he will show a selection of new works which he summarises laconically as: «Five or six large paintings and quite a number of smaller paintings: some cityscapes, some walls, some figures, some animals.»
Early in 1940 we managed to find a small house and for the next three years... I was not able to carve at all... the only sculptures I carried out were some small plaster maquettes for the second «sculpture with colour», and it was not until 1943, when we moved to another house, that I was able to carve this idea... In St Ives I was fortunate enough to have constant contact with artists and writers and craftsmen who lived there, Ben Nicholson my husband, Naum Gabo, Bernard Leach, Adrian Stokes, and there was a steady stream of visitors from London who came for a few days rest, and who contributed in a great measure to the important exchange of ideas and stimulus to creative activity... It was during this time that I gradually discovered the remarkable pagan landscape which lies between St Ives, Penzance and Land's End; a landscape which still has a very deep effect on me, developing all my ideas about the relationship of the human figure in landscape - sculpture in landscape and the essential quality of light in relation to sculpture which induced a new way of piercing the forms to contain colour... The sea, a flat diminishing plane, held within itself the capacity to radiate an infinitude of blues, greys, greens and even pinks of strange hues; the lighthouse and its strange rocky island was an eye; the Island of St Ives an arm, a hand, a face... I used colour and strings in many of the carvings of this time.
What has not been mentioned is that the «Saul - into - Paul conversion theory», published by Elaine de Kooning in Art News in 1958, was not set in Willem de Kooning's studio and did not mention a «Bell - Opticon», unlike her account of 1962.13 Additionally, while the 1958 account's introduction dramatised Kline's breakthrough to abstraction as a «transformation of consciousness», or a «revelation» of Biblical proportions, invoking the example of «Saul of Tarsus outside the walls of Damascus when he saw a «great light»», the description of Kline's technical and conceptual breakthrough in this account nevertheless resembled previous accounts of Kline's development in its gradualness, uneventfulness and thoughtfulness.14 The breakthrough that Elaine de Kooning first recounted was a product of sustained technical experimentation and logical thought on Kline's part, rather than accident or epiphany: «Still involved, in 1950, with elements of representation, he began to whip out small brushes of figures, trains, horses, landscapes, buildings, using only black paint.
[citation needed] From 1954 to 1960, he made a number of small collages of still lifes, Maine landscapes, and small figures.
My paintings at this time were both perceptual and conceptual: smallish images of architecture, mostly Victorian houses, with their interesting balance of details upon large planes, which were painted on site during summers away from the city; small still life paintings; larger figure compositions ---- studio works ---- looking toward Italian High Renaissance painting, with one or two or three figures in an architectural setting.
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