Sentences with phrase «still working on mine at home»

Still working on it at home, I just have to sneak back in his kitchen, actually he probably deep fries it come to think of it but he doesn't cube it either so maybe that is the trick.

I am still working on mine at home.

Not exact matches

Consider looking at homes with lower price tags or work on upping your income and savings while you're still renting.

«More research needs to be done on creative work and teamwork, but the evidence still suggests that with most jobs, a good rule of thumb is to let employees have one to two days a week at home.

One of my first at home / Saturday morning projects as a 10 year - old boy was to build a robot with tin cans my Mom had thrown out and plenty of lead solder and an «Archer» soldering gun, which still works after 50 years, even the little light on the front!

On the other hand, there's still much work to be done on corruption at homOn the other hand, there's still much work to be done on corruption at homon corruption at home.

The main burden still falls on women to raise children and to care for the sick and elderly, but most of these women are now also working outside the home at jobs where their pay, status, and security are inferior to those of most male workers.

Without God, we are torn in two directions: universities praise diversity, but students still form cliques; politicians promise a bright future, but all our news programs are distressing; people are obsessed with scientific explanations of everything, and equally obsessed with sentimental love in every pop song; sexual abuse with a minor is the most shameful of all crimes, but everyone has a right to complete sexual liberation once they reach the age of consent; we relocate all over the world, preferring to live anywhere but home, yet we still agonize over our local sports team; we own many things, and still feel like we don't have enough; we believe in discipline at school or at work, but we all have a right to «let ourselves go» on the weekend; we tolerate everything, except people that don't agree with us.

My partner returned home yesterday and carried on working at the dining room table, still chatting away.

«There's a lot of single mothers out there where they don't have that luxury and some of them just have to work, and they've still got a whole bunch of kids at home depending on that woman,» she says.

They are clearly running in better form at home than they are out on the road but there is still a little work left for them to do to secure a top six finish.

From the outside, my friends» relationship probably seemed to be a throwback to some other era because we still don't put as much value on those who stay at home, even if it's working for the couple, even if it's increasingly the dad who stays at home.

We're both 53, perfect kid out on her own, financially secure and I'm considering still working just so I'll have some female contact and not be stuck at home with a woman that professes to love and want me, but has no idea how to show it.

I am not a stay at home mother, in fact I work and go to school and still manage to wear my kids and take a whole three minutes to get on the internet, to add my two cents worth.

As someone who worked with animals my whole life before becoming a stay at home mommy, and, yes, treated my cats and dogs like my children, when I actually HAD children, the four legged in the house became, * gasp * «pets», yes, still part of the family, just not as highly up on the ladder as the kiddos.

Flipping that perspective of work on it's head, the reality is that the world is still playing catch - up to the thought of a full - time, stay at home single dad.

Working at home might mean taking on consulting work or starting a business, while still employing a hands - on, day - to - day parenting style.

And having a 3 - day schedule will mean you're still home more than you are gone, so it should be easier to maintain your grip on things at home than if you had to go straight into working 5 days a week.

I have to work; pump - and still work; nurse at home; play; do both meal routines and catch up on all of the attachment time on the weekends.

Anyone who can make it work on one salary is my idol, but the reality is we couldnt and we still provide our kids with everything that is in this article, it frustrates me that we continue to hail the stay at home mom or that at work mom.

More Summer Reading: Exhaustion: we're still searching for a cure for «Exhaustitis Mamatosis» (Mama Knows Breast) Top 10 reasons I'm jealous of women who work: another perspective on the mommy wars... the grass is always greener (Silicon Valley Moms Blog) Scheduling Your Day for Maximum Work at Home Productivity: helpful advice from Mamanista's own Mama Luxe -LSB-work: another perspective on the mommy wars... the grass is always greener (Silicon Valley Moms Blog) Scheduling Your Day for Maximum Work at Home Productivity: helpful advice from Mamanista's own Mama Luxe -LSB-Work at Home Productivity: helpful advice from Mamanista's own Mama Luxe -LSB-...]

«Children of all ages, parents and grandparents cross this busy street, and when the traffic is backed up at Sunrise Highway we get double the traffic on Brookville Blvd. People are rushing home from work and still running the red light, but overall they are stopping.

«We didn't have any children,» she says, «but we were thinking [that] if we did, SciJobs would be perfect for me because I could still keep good contact with the sciences and it could be something I could work on at home.»

How reading on screens differs from reading on paper is relevant not just to the youngest among us, but to just about everyone who reads — to anyone who routinely switches between working long hours in front of a computer at the office and leisurely reading paper magazines and books at home; to people who have embraced e-readers for their convenience and portability, but admit that for some reason they still prefer reading on paper; and to those who have already vowed to forgo tree pulp entirely.

I put ice water in it in at night and then taken it with me the next day on errands in a hot car and working out and it still had ice in it when I got home.

However, people are finding they still are staying connected to their screens, thinking about work, and stressing over past and future events, even at home or on a tropical vacation.

I can actually come home after a full day at work and still have make - up on.

It started early and it was extravagant, exactly that way that I prepare my own home now for my own children I am still working on getting all the decor that we will need for our bigger home, but I rally enjoy taking it a bit at a time.

Since my face is still kind of red and bruised from the treatment yesterday, I'm posted up at home and working on website things.

I still live at home but working on getting my own place.

David and Paige's daughter, Vanessa (Alia Shawkat), moved back home after college to work on her design portfolio; therefore, some years later she still lives at home, works at a local furniture store, and haphazardly works on her portfolio.

Working on the film Promised Land with Damon at home, the former star of The Office observed: «We actually wrote with children climbing all over him, and he was doing bath time and dinner and everything, and we still got it done.»

This beautiful film probably works better on the big screen, but its still, carefully composed frames will work just fine at home.

At home, I caught up on some studio screeners but haven't watched anything as of yet this week (what with Game of Thrones back on and still trying to work my way through the surprisingly kickass Daredevil show.)

After all, both movies revolve around a bumbling but dedicated security guard who wants to become a real cop, who still lives at home with his mom and who has a crush on a cute clerk at the shopping mall where he works.

Words Used: Magenta: I like going is mum look the am said to at went in me here my on dad a and come up can sat for Red: we get put with go no they today was where you she he this are will as too not but likes down big it little see so looked Yellow: when came one it's make an all back day into oh out play ran do take that then there him saw his got looking of yes mother from her baby father Blue: have help here's home let need again laugh soon talked could had find end making under very were your walk girl about don't last what now goes because next than fun bag coming did or cake run Green: always good walked know please them use want feel just left best house old their right over love still took thank you school much brother sister round another myself new some asked called made people children away water how Mrs if I'm Mr who didn't can't after our time most Orange: man think long things wanted eat everyone two thought dog well more I'll tree shouted us other food through way been stop must red door sea these began boy animals never work first lots that's gave something bed may found live say night small three head town I've around every garden fast only many laughed let's suddenly told word forgot better bring push Word List Acknowledgement: www.tkp.school.nz/files/530877945427c642/folders/1/Highfrequencyhomewordlists%20(2).pdf ********************************************************************** © Suzanne Welch Teaching Resources

Thirty - nine years after he started at Moldex, he now supervises 76 employees on the factory's second shift and, at 55, still works his landscaping route of 60 homes.

A lack of home - to - school transportation provided by the district could put a major burden on working and single - parent families who would still have to get to work at the times they do now, and many schools do not currently have the funds to handle additional transportation costs.

I put a new solenoid on, it worked good at first then started clicking a lot, then stuck open so when I got home and turned ignition off it wouldn't stop turning engine over, so solenoid and starter were still live.

How reading on screens differs from reading on paper is relevant not just to the youngest among us, but to just about everyone who reads — to anyone who routinely switches between working long hours in front of a computer at the office and leisurely reading paper magazines and books at home; to people who have embraced e-readers for their convenience and portability, but admit that for some reason they still prefer reading on paper; and to those who have already vowed to forgo tree pulp entirely.

In her role at the Sanctuary, Dr. Faughn works with the Dogtown team to develop creative wellness plans and enrichment ideas to ensure every dog has a good quality of life while still working on life skills for their adopted homes.

Working in an office meant that I got professional experience while I was abroad, something that I'm still really proud to put on my C.V, and I was able to make new friends, live like a local, and make the most of my weekends (something I never did at home, really).

Like I still don't understand if the phone app is the only way voice chat works on the Switch or is it just an optional way to use chat, because I get using the app if you're on the go, but if you're at home it seems like an odd option to use.

Selected Group Exhibitions 2016 — «Faculty Exhibition», Evanston Art Center, Evanston, IL 2015 — «Wish List», Gallery Project, curated by Gloria Pritschet and Rocco DePietro, Toledo, Ohio and Ann Arbor, Michigan 2015 — «Roots», Linda Warren Projects, Chicago, IL 2015 — Noyes Cultural Arts Center, Evanston, IL 2015 — «Faculty Exhibition», Evanston Art Center, Evanston, IL 2014 — «National Contemporary Painting», Weatherhead Gallery, University of Saint Francis, Fort Wayne, Indiana 2013 — «31st Juried Art Show», Wilmette Public Library, Wimette, IL 2012 — «30th Juried Art Show», Wilmette Public Library, Wimette, IL 2012 — «Narrative Fragments», Quidley & Company, Boston, MA 2011 — «Juxtaposed», juried by Alyssa Monks, Six Summit Gallery, Ivoryton, CT 2011 — «Paintworks», Gowanus Ballroom, curated by Kristin Kunc, Courtney Jordan & Hyeseung Marriage - Song, Brooklyn, NY 2011 — «Space Invaders», co-curated by Virginia Rose and John Nickle, Rose Contemporary, Portland, ME 2011 — «Cinematic Bodies», curated by Jamie Adams, Zolla Lieberman Gallery, Chicago, IL 2010 — «Snow», XL Projects, Syracuse University Gallery, Syracuse, NY 2010 — «Women Painting Women», Robert Lange Studios Gallery, Charleston, SC 2010 — «Remnants», Fuse Gallery, New York, NY 2010 — «Highlights» Island Weiss Gallery, New York, NY 2010 — «Conceptually Sound», Medialia Rack and Hamper Gallery, New York, NY 2010 — «Chicago Art Fair», shown by Linda Warren Gallery in Chicago, Illinois 2010 — «Looks good on Paper», DFN Gallery, New York, NY 2009 — «Water / Bodies», Eden Rock Gallery, St. Barths, F.W.I. 2009 — «Summer Exhibition 2009», curated by Eric Fischl, Matthew Flowers, Anne Strauss, New York Academy of Art, NY, NY 2009 — «Old School», Jack the Pelican, Brooklyn, NY 2009 — Caldwell Snyder, San Francisco, CA 2008 — «Small Works», Sarah Bain Gallery, Anaheim, CA 2008 — «City Lights», George Billis Gallery, New York, NY 2008 — «Chicago Art Fair», shown by Linda Warren Gallery in Chicago, Illinois 2008 — «Take Home a Nude» Art Auction at Phillips de Pury & Company, New York, NY 2007 — «Summer Exhibition 2007», curated by Eric Fischl, Jenny Saville, Vincent Desiderio, New York Academy of Art, NY, NY 2007 — «Four Handed Lift: Advocacy, Art, Spirit and Community», Moti Hasson Gallery, New York, NY 2007 — «Small Works», Sarah Bain Gallery, Anaheim, CA 2008 — «Chicago Art Fair», shown by Linda Warren Gallery in Chicago, Illinois 2006 — «Contemporary Imaginings, The Howard A. and Judith Tullman Collection», Mobile Museum of Art, Mobile, Alabama 2006 — «Night of a Thousand Drawings», Group Show, Artist's Space, New York, NY 2006 — «AAF», shown by DFN Gallery, New York, NY 2006 — «Salon 2006», New York Academy of Art, New York, NY 2006 — «LA Art Fair», shown by Linda Warren Gallery in Chicago, Los Angeles, CA 2005 — «New Works», curated by Eric Fischl, Jane Gallery, St. Barthelemy, F.W.I. 2005 — «A Terrible Beauty: Figurative painting in the 21st Century», Grey McGear Modern, Santa Monica, CA 2005 — «Small Works», Sarah Bain Gallery, Brea, CA 2005 — «Cityscapes», Sarah Bain Gallery, Brea, CA 2005 — «Take Home a Nude» Art Auction at Phillips de Pury & Company, New York, NY 2005 — «Go Figure», George Billis Gallery, New York, NY 2004 — «Postcards from the Edge, Visual Aids Benefit», Brent Sikemma Gallery, New York, NY 2004 — «Night of a Thousand Drawings», Group Show, Artist's Space, New York, NY 2004 — «Points of Muse», Linda Warren Gallery, Chicago, IL 2004 — «Separate Visions», Sarah Bain Gallery, Brea, CA 2004 — «Still Life», Sarah Bain Gallery, Brea, CA 2004 — «27th Small Works Exhibition», New York, NY 2003 — «Space Invaders», curated by Peter Drake, Fish Tank Gallery, New York, NY 2003 — «26th Small Works Exhibition», New York, NY 2002 — «National Arts Club 26th Annual Student Show», National Arts Club, New York, NY

In 2005, the artist opened lesser new york in her Williamsburg loft, which was a response to Greater New York (2005) but it was lesser; it was a greater response to the lesser limits of the art world that she saw reflected in PS1's concurrent survey; this lesser exhibit / installation was organized under the auspices of a «fia backström production,» a lesser production of curated ephemera such as press releases, invites, posters, and so on culled from found materials and the work of a greater local network of friends and peers; the lesser aesthetics of dejecta, pasted directly onto the walls, reflects a greater decorative pattern, not unlike Rorschach images of a lesser art industry itself within a critique of a greater institutional relationship to art production; as such, the lesser display of curated ephemera (from nonartists and artists alike) not only comments on the greater vortex of art and capital, but also serves as a lesser gesture toward something like a memorial wall, not unlike a collection of posters on the greater Berlin Wall, or a lesser improvisational 9 - 11 wall, or, more recently, a greater Facebook wall, or the lesser construction wall surrounding the Second Avenue gas explosion in the East Village, all pointing to a lesser memorial for the greater commodified institution of art consumption; whereas in Backström's lesser new york each move repels consumption by both the lesser value of the pasted paper and its repetition, which dispels the greater value of precious originals; so the act of reinstalling lesser new yorkten years later at Greater New York — the very institution that rejected her a decade earlier — speaks to the nefarious long arm of Capitalism that can morph into an owner of its own critique; so that lesser new york is greater than its initial critique, greater than a work of institutional critique: it is a continuous institutional relationship, a lesser critique that keeps on giving in its new contexts; the collective spirit of artists working together playfully is lesser, whereas the critique of how artists can imagine working alongside the institution is greater, or vice versa; the lesser gesture of a curated mixed - media installation in one's home with no clear identification and no commercial validity becomes untethered when it is greater, and this particular lesser becomes greater in the Greater New York (2015) context; still, the instabilities of the organizing systems by Backström continue to put pressure on both the defining features of art production in both the lesser context and the decade - later greater one; further, the greater question of what constitutes an art as a lesser art becomes a dizzying conundrum when the greater art institution frames the lesser to be greater, when the lesser is invested in its lesser relationship to the greater.

PRINT PUBLICATIONS, FEATURED, AND COMMISSIONED WORK 2017 Still Magazine, Issue 5, July 2017 frieze Magazine, Issue 187, May 2017 Apartamento Magazine, Issue 19, April 2016 Buffalo Zine, Issue 4, October 2016 Bedstuy Gates, Flamingo Publications, September 2016 Unseen Magazine, Issue 3, September 2016 Apartamento Magazine, Issue 17, May 2015 The Case of the Missing Jewels, New York Times, September 2015 Time Travel, Issue 7, Conveyor Magazine, September 2015 Beach Sessions, September 2015 Shift 10, International Center of Photography 2015 BIAS Journal of Dress Practice, Issue 3 2014 Interleaves II, Oranbeg Press 2014 From Here On, Ai nt Bad Editions, March 2014 Before After, by Michael Kugler and Daniel Terna, Self - Published 2014 Yearbook, Self - Published 2014 Climbing Things, Self - Published 2014 Pictures Not Used, Artist Book 2014 AM SCHMIDT: Fierce (Untitled), Foreword by Daniel Terna 2014 My First Wife Stella, Block Magazine, Issue 1 2013 My First Wife Stella, Big Big Wednesday, Issue 1 2012 Open to Interpretation: Intimate Landscapes 2012 Help Yourself to Feel at Home, Self - Published 2009 I'll See You on the Beach, Self - PublishOn, Ai nt Bad Editions, March 2014 Before After, by Michael Kugler and Daniel Terna, Self - Published 2014 Yearbook, Self - Published 2014 Climbing Things, Self - Published 2014 Pictures Not Used, Artist Book 2014 AM SCHMIDT: Fierce (Untitled), Foreword by Daniel Terna 2014 My First Wife Stella, Block Magazine, Issue 1 2013 My First Wife Stella, Big Big Wednesday, Issue 1 2012 Open to Interpretation: Intimate Landscapes 2012 Help Yourself to Feel at Home, Self - Published 2009 I'll See You on the Beach, Self - Publishon the Beach, Self - Published

Curator Martina Weinhart visits the artist Peter Saul who, at the age of 81, still enjoys jumping on a trampoline at his home in Upstate New York and works on his paintings every day.

On the occasion of her recent exhibit Ellen Phelan Still Life at Texas Gallery, which was on view from December 11, 2008 to January 24, 2009, Rail Publisher Phong Bui paid a visit to the painter's Upper East Side home to talk about her life and worOn the occasion of her recent exhibit Ellen Phelan Still Life at Texas Gallery, which was on view from December 11, 2008 to January 24, 2009, Rail Publisher Phong Bui paid a visit to the painter's Upper East Side home to talk about her life and woron view from December 11, 2008 to January 24, 2009, Rail Publisher Phong Bui paid a visit to the painter's Upper East Side home to talk about her life and work.

n the occasion of her recent exhibit Ellen Phelan Still Life at Texas Gallery, which was on view from December 11, 2008 to January 24, 2009, Rail Publisher Phong Bui paid a visit to the painter's Upper East Side home to talk about her life and work.

While the art world has become global in reach during the past several decades, contemporary artists from Africa are still vastly underrepresented at art fairs, galleries and museum in the West, despite the creative energy and innovation of artists who either make their home on the continent, or who work as part of the worldwide African diaspora.