Sentences with phrase «still young century»

They all realize they've uncovered something that has the makings of becoming the crime of a still young century, one that will rattle pillars, not just in Boston or in Rome, but everywhere around the globe where the Catholic Church plants a footprint.

Not exact matches

Although the modern trucking industry has existed for over a century it is still younger than the railroad, which still holds tremendous influence over transportation policy today.

... The reality is that the adherents of this view of Islam are numbered in many millions, have in some countries, elements of official support, and are systematically teaching it to millions of young people across the world... even in its more moderate and non-violent form it has a way of thinking that is still inconsistent with the pluralist and open - minded view of the world that defines the only way it can work peacefully in the 21st century.

Silence ---- a mid — twentieth century novel by a Japanese Catholic about Portuguese Jesuits halfway around the world from their home in the seventeenth century ---- remains a powerful reminder in our still - young century of the importance of faith despite the silence of God.

Wenger have to go first, I doubt some of the young sharp manager out there will want to compromise their aspirations, dreams and profile for some stupid investors, at that level of management, a 21st century manager will not sign a contract that stands him still, by the time Kroenke changes up to 10 managers in two years he will sit tight and do it the right way or quit.

Small, incidental scenes contribute nifty insights and shading: the Post sends a young reporter up to New York to sneak into the Times offices to try to find out what Sheehan is up to; an elite dinner at Graham's home concludes when the men and women retire to different rooms, as if it were still 19th century England; when Sheehan's first Pentagon Papers story is set to break in the Times the next morning, it's none other than McNamara (Bruce Greenwood) himself who calls his old friend Graham to alert her.

In Stone's view, this is a highly neurotic young man whose emotions, far from being repressed or disciplined as one would expect of a great soldier of the 4th century B.C., are worn on his sleeve, except, of course, that he doesn't have sleeves, the shirt still being two millennia down the road.

Frederick Knott and Arthur Penn's play was very successful, ending its Broadway run only after a total of 374 performances, but it wouldn't be unfair to argue Terence Young's cinematic version reached even more impressive heights, as Wait Until Dark, the motion picture, is still loved and equally chilling even after exactly half a century of homages and plain imitations.

We are still operating in an 18th - century mindset, believing that these young, half - civilized things called children must be literally whipped into shape, if not with a stick then with a never - ending schedule.

For young readers, the economy and emotion of poetry hold a unique appeal, and this special month is the perfect time for them to learn more about a genre that's centuries old but still as fresh as an April shower.

In literature, as in life, even if the woman's commitment to art was a serious one, she was expected to drop her career and give up this commitment at the behest of love and marriage: this lesson is, today as in the 19th century, still inculcated in young girls, directly or indirectly, from the moment they are born.

His new show, «Bright Young Things,» now on view at the Lehmann Maupin gallery, draws on sources from classical still lifes, art deco motifs and early 20th - century artists like Cecil Beaton, Marie Laurencin and Nils von Dardel.

As Sally Morgan Lehman, Founder and Director at Morgan Lehman Gallery explains, for The Armory Show the gallery is structuring their booth around a single installation by a young New York City artist who constructs her work around the premise of combining opposite notions and using that new concept as a foundation for her reinvented Baroque still lives or the 18th century Roman Ruins after Giovanni Battista Piranesi.

From 1924, it's a still life — nature morte, or dead nature, as the French would say — and it's a composition that has more to do with Dutch painting from the 17th century than with Paris or with anything that Soutine saw as a young man in Belarus.

The immense influence on generations of young artists is additionally straitened by the fact that Eric Fischl is still innovative, progressive and one of the most influential figurative painters of the late 20th and early 21st centuries.

Mark Rothko introduced Still to Peggy Guggenheim in 1946 and she was so impressed with the young man that she gave him a solo exhibition at her The Art of This Century Gallery that same year.

The gallery devoted to 19th century American still life and trompe - l'oeil painting, one of the de Young's unique areas of depth, contains a famous multiple by Jasper Johns, «Bread» (1969): a thin lead sheet that appears to hold a slice of ever - fresh white bread.

As Sally Morgan Lehman, Founder and Director at Morgan Lehman Gallery explains, for The Armory Show the gallery is structuring their booth around a single installation by a young New York City artist who constructs her work around the premise of combining opposite notions and using that new concept as a foundation for her reinvented Baroque still lives or the 18th century Roman Ruins after Giovanni Battista Piranesi... Click here to read on and watch video.

In 1998, he was included in the group of 31 artists comprising the American Folk Art Museum's travelling exhibition «Self Taught Artists of the 20th Century» and one of the four then still living — along with Thornton Dial, Purvis Young, and Lonnie Holley.

In spite of his self - imposed obscurity over the past half - century, Rolph Scarlett's paintings are represented in a number of significant museum collections including the Guggenheim (which still owns over 30 works), the Smithsonian Institution, the Los Angeles County Museum of Art (from the important Leslie Collection), the Montreal Museum of Art, and the de Young Museum in San Francisco.

Traveled to Nasher Sculpture Center, Dallas The Future Demands Your Participation: Contemporary Art from the British Council Collection, Minsheng Art Museum, Shanghai Grand National: Art from Britain, Vestfossen Kunstlaboratorium, Norway The Contemporary Figure, Donald Young Gallery, Chicago 2009 Accrochage, Galerie Max Hetzler, Berlin Classified, Tate Britain, London DLA Piper Series: This is Sculpture, Tate Liverpool Donald Young Gallery, Chicago British Council Collection: The Third Dimension, Whitechapel Gallery, London 2008 The Vincent Award 2008, Stedelijk Museum CS, Amsterdam Origins, Hudson Valley Center for Contemporary Art, Peekskill, NY Martian Museum of Terrestrial Art, Barbican Art Gallery, London Donald Young Gallery, Chicago 2007 Five Works in Bronze: Darren Almond, Robert Gober, Ellsworth Kelly, William de Kooning, Rebecca Warren, Matthew Marks Gallery, New York Unmonumental: The Object in the 21st Century, New Museum, New York The Third Mind, Palais de Tokyo, Paris Makers and Modelers, Gladstone Gallery, New York No Room for the Groom, Herald St. London 2006 Turner Prize Exhibition, Tate Britain, London Tate Triennial 2006: New British Art, Tate Britain, London Toutes Compositions Florales, Counter Gallery, London Anne Chu, Gary Hill, Martin Puryear, Rebecca Warren, James Welling, Donald Young Gallery, Chicago flutter, The approach, London If it didn't exist you'd have to invent: a partial Showroom history, The Showroom, London China Art Objects Galleries, Los Angeles 2005 The British Art Show 6, Hayward Gallery (catalogue) Trumpets of Justice, Counter Gallery, London Body: New art from the UK, Vancouver Art Gallery (1995); The Ottawa Art Gallery (2006); Oakville Galleries (2006); Edmonton Art Gallery (2006)(catalogue) 2004 Strange, I've seen that face before, Gallery of Modern Art, Glasgow, Scotland Sculpture: Precarious Realism between the Melancholy and the Comical, Kunsthalle Wien, Vienna Collage, Bloomberg Space, London 2003 Rachel Harrison, Hirsch Perlman, Dieter Roth, Jack Smith, Rebecca Warren, Matthew Marks Gallery, New York Still Life, Museo Nacional de Bellas Artes, Santiago, Chile.

Cultural evolution is younger and sub-fields like memetics younger still; we are unlikely to see any definitive answers to cultural evolutionary mechanisms in this century, if not much longer.

Recognizing that even within more stringent animal welfare conditions imposed by organic certification schemes cows are stilled killed when they stop producing milk and young bulls have no better a fate than in industrial farming, the residents of the Manor (given to the community by George Harrison in the early 1970s) have created a model for compassionate, environmentally sustainable and low - carbon dairy farming for the 21st century.