Sentences with phrase «stone lithograph»

This 1966 original stone lithograph on paper abstract with red, blue, and black is by New York / San Francisco Abstract Expressionist artist Gary Lee Shaffer (1936 - 2001).

Striking red stone lithograph by renowned French modern artist Charles Lapicque (1898 - 1988), circa 1960.

This 1974 stone lithograph on paper in red and blue is by New York / San Francisco artist Gary L. Shaffer (1936 - 2001).

Kathy will receive «Winter Shelter,» an original Stone Lithograph which was generously donation by acclaimed natural history illustrator Gordon Morrison.

Not exact matches

In their dining room in Riga hung a bad lithograph of the walled city like a fortress out of Beau Geste, its stone golden in the numinous desert light.

Fig. 1 shows the drawing from which Bonnard made the gouache which was the study for the lithograph «The Yellow Room», 1942 - 1946, one of the series put on stone by Jacques Villon.

The Artist and the Model, a portfolio of twelve intaglio prints, is published by Sylvan Cole at Associated American Artists, New York; receives a Tamarind Artist Fellowship and travels to the Tamarind Lithography Workshop in Los Angeles, where he produces thirty - four editions of primarily black - and - white lithographs that continue the Artist and the Model theme; begins using the airbrush, which he had learned from the artist Billy Al Bengston while at Tamarind; sees the exhibition Edgar Degas: Monotypes at the Fogg Art Museum and subsequently begins making monotypes; in Boston co-founds Artists against Racism and the War and collaborates with Fred Stone on The American Way Room (fig), an antiwar installation piece that is shown throughout the Boston area and subsequently travels to New York, Atlanta, Syracuse, and Philadelphia; solo exhibitions: Associated American Artists, New York (The Artist and the Model); Comsky Gallery, Los Angeles; group exhibitions: Contemporary American Graphic Artists, Rijksakademie van Beeldende Kunsten, Amsterdam (travels); New Expressions in Fine Printmaking, National Collection of Fine Arts, Washington, D.C. (travels in Germany and Belgium); 16th National Print Exhibition, Brooklyn Museum, New York; Annual Exhibition, Whitney Museum of American Art, New York; Graphics» 68: Recent American Prints, University of Lexington, Kentucky.

Quint Gallery is pleased to announce the opening of RYAN MCGINNESS: COMMUNITY IDENTITY STABILITY, which will feature ten new paintings and ten monoprint lithographs from stone, published by Edition Copenhagen.

In Ryan McGinness» lithographs printed from stones carry the unique iconography that the artist has made a staple in his oeuvre.

It contains a representation of the American flag in colours opposed to the original, and a lithograph by Barnett Newman that Johns owns, reversed in a mirror image as it would have looked on the original stone.

Théodore Géricault, French (1791 - 1824), The Piper, from Various Subjects Drawn from Life on Stone, 1821, lithograph, 390 x 297 mm.

... plate 2 from Various Subjects Drawn from Life on Stone, 1821, Lithograph in black on ivory wove paper.

Just as she placed canvas on the floor in her studio, Frankenthaler sometimes poured pools of greasy ink onto the heavy Bavarian stone in making her lithographs, going with the flow of the ink itself.

Dorit Cypis «To See,» 2013 30 ″ x 22,» Hanemuhle Rag paper Stone Press Lithograph * Edition of 2, + 1 AP Courtesy of the artist and LM Projects

LM Projects is pleased to be part of this project by collaborating with Cypis to produce a set of three text prints as stone press lithographs.

Quint Gallery is pleased to announce the opening of RYAN MCGINNESS: COMMUNITY IDENTITY STABILITY, which will feature ten new paintings and ten monoprint lithographs from stone, published by Edition

Sarah Campbell Blaffer Gallery, University of Houston, Images on Stone: Two Centuries of Artists» Lithographs, Oct. 30 — Dec. 19.

In this lecture, recorded on February 14, 2016, at the National Gallery of Art, exhibition curator Ruth Fine presents an overview of the approximately 130 paintings, unique works on paper, objects, and prints dating from the early 1930s through the late 1970s featured in both the Procession exhibition and its companion show Stone and Metal: Lithographs and Etchings by Norman Lewis.

However, due to the complex process and the high price of stones required for printing, lithographs had declined in popularity before Adams and Wayne began the Tamarind Institute, she noted.

«Rock, Paper, Image» will feature over 30 lithographs, an art form made by drawing a design on a stone or metal surface using a waxy, oily substance that repels water but absorbs ink, allowing the image to be transferred to paper, said Mia Lopez, the museum's assistant curator.

HELEN FRANKENTHALER (b. 1928) First Stone (Harrison 1) lithograph in colors, 1961, on Arches, signed and dated in pencil, numbered 2/12 (there were also 5 unnumbered artist's proofs), published by ULAE, with full margins, two pinholes in the blank at lower left, very pale time staining, remains of old glue at the reverse of the margin corners, otherwise in good condition, framed S. 22 1/4 x 29.7 / 8 in.

Helen Frankenthaler (American, 1928 - 2011) A Slice of Stone Itself, 1969 lithograph edition 21/24, signed Frankenthaler and dated (lower right) 19 x 15 inches.

Helen Frankenthaler (American, 1928 - 2011), «The Red Sea,» 1978 - 1982, color lithograph from four stones and four aluminum plates on pink wove handmade paper, pencil signed and dated lower right, edition 13/58, printed by Roger Campbell, Lee Funderburg, and Kenneth Tyler, published by Tyler Graphics, Ltd., image: 15.5 «h x 20.75 «w, sheet: 24 «h x 28 «w, overall (with frame): 29 «h x 37 «w

(New York / Connecticut, 1928 - 2011) Venice II, 1969 - 1972, edition 3/8, published by Universal Limited Art Editions with blindstamp lower left, signed lower left «Frankenthaler» and titled and dated, lithograph in colors in two stones on English hand - made paper, 31 x 23-1/4 in.; sturdy metal frame, floated, full sheet with deckled edges, four points of foxing; frame with abrasions

HELEN FRANKENTHALER Flirting with Stone (H. 171) lithograph in colors, 1985 - 90, on Arches Cover, signed and dated in pencil, numbered «P.P. I» (the edition was 60 plus 14 artist's proofs), with the Tyler Graphics, Ltd. blindstamp, Mount Kisco, New York, with full margins, apparently in very good condition, not examined out of the frame L. 36 3/4 x 26 3/4 in.

Loose in Some Real Tropics: Robert Rauschenberg's «Stoned Moon» Projects, 1969 - 70: Lithographs, collages, photographs and ephemera.

1987 Art — to — Wear Fashion Show, Boutique and Luncheon, The Cleveland Center for Contemporary Art, USA Malerei — Wandmalerei, Grazer Kunstverein, Stadtmuseum Graz, Austria Drawings from the Eighties, Carnegie Mellon University Art Gallery, Pittsburgh, USA Art Against Aids, M. Knoedler & Co, New York, USA (Benefit exhibition and auction for the American Foundation for Aids Research) Avant Garde in the Eighties, Los Angeles County Museum, USA Romanticism and Classicism, The QCC Art Gallery, Queensborough Community College, Bayside, New York, USA Working Woman, The Harcus Gallery, Boston, USA Stations, IAC (Centre International d'art Contemporain de Montreal), Canada The Success of Failure, Laumeier Sculpture Park and Gallery, Saint Louis, USA, traveled to Johnson Gallery, Middlebury College, Middlebury, Vermont; University of Arizona Museum of Art, Tucson, AZ (Exhibition organized and circulated byIndependent Curators Incorporated, New York) The Importance of Drawing, Fuller Goldeen Gallery, San Francisco, USA Still Life: Beyond Tradition, Visual Arts Museum, New York, USA Not So Plain Geometry, and Prints in Paris, Crown Point Press, New York, USA Faces, Crown Point Press, San Francisco, USA (Prints by Alex Katz, Francesco Clemente, Chuck Close and Pat Steir) and Recent Publications D'ornamentationi, Daniel Newburg Gallery, New York, USA A Decade of Pattern: Prints, Pieces and Prototypes from the Fabric Workshop, The Graduate School of Fine Arts, University of Pennsylvania at the Institute of Contemporary Art, Philadelphia, USA Stephen Antonakos, Michael Singer, Robert Stackhouse, Pat Steir, 19th Bienal de Sao Paulo, Brazil (Panorama of seven drawings by Steir) For 25 Years: Crown Point Press, Museum of Modern Art, New York, USA Drawings, Sylvia Cordish Fine Art, Baltimore, USA, The West Company, St. Paul, MN, Art and the Law (Traveling exhibition) Images of Stone: Two Centuries Artists» Lithographs, Sarah Campbell Blaffer Gallery, University of Houston, USA, traveled toSan Angelo Museum of Fine Arts, San Angelo, TX; Tyler Museum of Art, TX; Aspen Art Museum, Aspen, CO..

Robert Rauschenberg Lithographs: Selections from the «Stoned Moon Series», Hirshhorn Museum and Sculpture Garden, Washington, D. C., September 28, 1989 — January 16, 1990.

Rare Mokulito lithograph whose image Cathie Pilkington RA has printed from a wooden block rather than a stone or metal plate.

The lithographs she created were some of her most creative graphic work, using unconventional materials like cheese cloth, lace, and textiles on the lithographic stone to create interesting textural effects.

Museum Purchase: funds provided by Alice and Lewis Nelson and Frank Raysor Fund • Théodore Géricault, French (1791 - 1824), The Piper, from Various Subjects Drawn from Life on Stone, 1821, lithograph, 390 x 297 mm.

For more, see Stone and Metal: Lithographs and Etchings by Norman Lewis, the companion exhibition to Procession.

Monumental lithographs from the Stoned Moon series, based on the American Apollo Moon exploration program are represented, as well as his innovative Cardbird Door.

Rauschenberg created his «Stoned Moon Series» of lithographs as his response to this historic event and unique opportunity.

SOLD James Rosenquist Mirage Morning 1974 Lithograph in colors with three modified, painted window shades attached to a Plexiglas face with attached strings and stones 36h x 74w x 2d in.

Images on Stone: Two Centuries of Artists» Lithographs.

• Cancellation stone for Jasper Johns» lithograph, «Figure 7», Gemini G.E.L., 1969 Photo: Malcolm Lubliner © 1969