Sentences with phrase «stories about ghosts»

The court found that neither party had a legal duty to disclose the ghosts, but granted the equitable remedy of rescission holding that the seller, who promoted stories about the ghosts in local and national publications, could...

We'd probably have a lot more cool stories about ghosts and such if the haters weren't so full of hate.

You reject the peasant's story about the ghost either because the man is a peasant or because the story is a ghost story.

Those looking for an enjoyable story about ghost hunting might be willing to overlook some flaws — just don't be surprised if your heated ghost battle turns into a less - strategic game of chase.

She suggests that one table make their story about ghosts instead of pumpkins.

Not exact matches

Your mention of public toilets reminds me of the Ja - panese ghost story about a girl who haunts a toilet.

We recently talked with Mahnke about the transition to TV, the social implications of the stories featured on the show and why it often underscores something scarier than monsters or ghosts.

There are many ghost stories about Heritage Park.

And news outlets produce the same stories about the large percentage of Americans who reject evolution or climate change or believe in UFOs or ghosts.

This is so late, but I just found a podcast - family ghosts — not ghost stories, but family mysteries, stories of things not quite figured out — a secret relative, or question about how a house fire started — its gripping, turning my 20 minute workout into 50 because I want to listen to it all!

Every day or so she has had a guest author and asks them to write about their scariest moment or a ghost story and she has a giveaway.

The movie is based on a true story about a family that was haunted by various ghosts and ones ghost in particular was very evil.

Ghosting — This was a much simpler time where dating sites were mainly perused on laptops and one didn... story in Dolly Alderton's memoir Everything I Know About Love.

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«A Ghost Story» David Lowery reunites with his «Ain't Them Bodies Saints» stars Rooney Mara and Casey Affleck for a chamber drama about a man who dies, and is forced to watch his loved one grieve over expanses of time.

Pitiful mixture of ghost story and slasher at a sorority populated by random grisly visions and gross effects, when the only thing scary about this production is the wretched writing.

Gidding met with Jackson, told her his interpretation of the novel as being really about a mental patient who's been institutionalized and that all the events of the book can be explained as manifestations of her psychosis, only to be decisively told by Jackson that her book was «a ghost story.»

Also screened: Sadako Vs. Kayako (Grade: B --RRB-, an entertaining, teen - friendly marriage of the The Ring and The Grudge mythologies that (thank God) has a sense of humor about itself, even though its final confrontation is less than satisfying; Dearest Sister (Grade: C +), a poetic (and rather slow) meditation on class conflict couched in a ghost story from Laotian director Mattie Do; and Down Under (Grade: B --RRB-, a Superbad - style profane coming - of - age comedy set against the backdrop of the Cronulla race riots that took place in Sydney, Australia in Christmas 2005.

That's because «A Ghost Story» is, at least in part, about time, and our place within it.

«When Marnie Was There — The Studio Ghibli production recalls the beautifully hand - drawn production of famed animator Hayao Miyazaki, in this adaptation of a British ghost story by Joan G. Robinson about a young girl whose new friend may be more spirit than girl.»

Best films about mortality, memory, human connection: «Personal Shopper» (Olivier Assayas), «Marjorie Prime,» elevated by the magnificent Lois Smith (Michael Almereyda), and most especially, «A Ghost Story» (David Lowery) 3.

A Ghost Story (David Lowery) A mournful and poetic film about a restless spirit (wearing a sheet with the eye holes cut out) played by Mark Ruffalo who is forced to silently and helplessly watch as life moves on without him.

It feels so different, and is in ways an art house horror about children's social anxiety, among other reasons I would certainly recommend it as a simple piece of Hollywood entertainment mixed with elements of a classic ghost story.

A ghost story as much about the vanity inherent to international stardom as it is coming to terms with grief and death, Personal Shopper receives an essential Blu - ray transfer from Criterion.

Indie - turned - Hollywood - blockbuster auteur David Lowery will have two films released in about six months (Pete's Dragon this past summer and Sundance - slotted A Ghost Story next week).

Feature nominees were Matthew Heineman's «City of Ghosts,» about anonymous activists on the ground in ISIS - controlled Raqqua, Syria; Antonio Santini and Dan Sickles» «Dina,» an unconventional love story between an eccentric suburban woman and a Walmart -LSB-...]

Once again, I'm split between loving everything about the Aragorn storyline (the ghost army, the huge final battle scene, the resolution of the Liv Tyler issues) and getting really annoyed with the Frodo story (more Sean Astin speechifying, leaving the Shire untouched, the interminable ending).

Feature nominees were Matthew Heineman's «City of Ghosts,» about anonymous activists on the ground in ISIS - controlled Raqqua, Syria; Antonio Santini and Dan Sickles» «Dina,» an unconventional love story between an eccentric suburban woman and a Walmart door greeter; «Faces Places,» documenting Honorary Oscar recipient Agnes Varda and muralist JR's journey of portraiture across rural France; Dan Lindsay and TJ Martin's «LA 92,» a meticulously assembled first - hand account of the 1992 Los Angeles riots; and Yance Ford's «Strong Island,» a deeply personal examination of miscarried justice.

Included: Joan Rivers talks about an encounter with an angry ghost; Scott Baio recounts a story involving unresolved issues with his deceased father; Teri Polo remembers a childhood experi (more...) A series in which celebrities recall paranormal experiences begins.

Personal Shopper is more of a psychological drama about loneliness and grief rather than a frightening ghost story.

The «Ghost Stories» actor - who plays Mike Priddle in the new horror film - opened up about the possibility of supernatural spooks and ghastly ghouls as he chatted about his role in the movie.

«The Keeping Hours» is a gentle ghost story about that deserted house in your neighborhood and works because of the tragic chemistry between Pace and Carrie Coon.

As she is trying to cope with her loss and searching for a sign of her brother's presence, it becomes clear that Personal Shopper is more of a psychological drama about loneliness and grief rather than a frightening ghost story.

One quick ghost story, another quick urban legend, and then somebody says «Do you know about the boogeyman?»

But this ghost story about an old house and its spooked caretaker is immensely worth your time, especially during one quiet afternoon, when you can hear the creaks in the floor.

She's equally great in Personal Shopper, a Parisian «ghost story» about a young American women working as a high - fashion shopping assistant, who secretly dresses up in the haute couture wears of her celebrity boss.

Spooky stories about goblins and ghosts have existed for as long as mankind has been able to gather «round a campfire...

Ghost stories have been done to death, but James Wan (THE CONJURING 2) knows a thing or two about feeding you nightmares and making you shriek.

If «A Ghost Story» is about the tendency for places to linger within our hearts and minds, Olivier Assayas's uncategorizably bizarre supernatural drama «Personal Shopper» is a metaphor about being stuck in place.

And finally, a brief word about Ghost Stories, Andy Nyman and Jeremy Dyson's nicely atmospheric chiller which evokes the great traditions of British horror.

The key texts in Ghost Dog are Yamamoto Tsunetomo's Hagakure: The Book of the Samurai (an 18th - century warrior text), Ryunosuke Akutagawa's Rashomon and Other Stories (an early - 20th - century collection), Mary Shelley's 19th - century Frankenstein, and an undated French book about bears.

Teresa Palmer is the best thing about this ghost story of a woman who can only be seen when the lights are off, but it's half - baked and no exaggeration to say that you saw everything worthwhile in the trailers.

Is it that type of ghost story where the recently deceased has to learn to let go, or is it about the destruction left in the wake of such a shocking death?

Before getting into how spectacular the action sequences truly are (and trust me, they save the blockbuster from plundering to the bottom of the ocean), it must be said that Oscar - nominated Kon - Tiki directors Joachim Ronning and Espen Sandberg have no idea whose story the movie should actually belong to, starting out as Henry Turner's (Brenton Thwaites) quest to free his cursed father at sea Will Turner (Orlando Bloom in a glorified cameo along with Keira Knightley as his partner Elizabeth Swann) to locate the Trident of Poseidon subsequently lifting that curse, and while the ultimate goal of the movie for all characters is finding said artifact for different reasons, by the end it's hard to fault the audience if they have forgotten all about that plot element and are just living in the moment of Jack Sparrow and company battling an army of decomposing, undead ghost pirates led by Captain Salazar.

It's described as a «spellbinding ghost story about desire, repression and its consequences», which sounds like it could be good, but also sounds like it could be bad.

There's comedy, a saucy menage - à - trois, a film about golf and even a ghost story.

Yet, Stories We Tell often feels more like a dramatic suspense saga, or even a gothic romance, more than a movie about Sarah Polley because even though she sits at the very centre of the frame, this is really a biographical portrait of a ghost.

A Ghost Story... * New fathers staring into maternity ward, Mom and Dad... * «I thought about drowning.

The scenes run the gamut from skillful (a ghost story told by one of the townsmen) to cringeworthy (Ivy shouting in the woods about love — a scene that the director thought inconceivable to cut) to short and unimportant (Adrien Brody's character defacing decorations).

«A Ghost Story,» a surreal drama about death and grief, is the best movie of 2017 — so say the members of the Utah Film Critics Association, who voted Sunday on the group's major awards.