Sentences with phrase «stories about making the movie»

Their stories about making the movie are not particularly special, but each makes a point to indicate that though life - changing the experience has not entirely defined their lives.

Not exact matches

«There are a lot of tasty restaurants in the food court area,» Hanks said in a December 2003 story about the making of the movie.

So as you go about tying fluffy red bows on neatly wrapped packages and compulsively checking to make sure you recorded every holiday movie known to man, relish and rest in the fact that the most beautiful story ever told is so much more beautiful than we ever thought possible.

If you are familiar with the story of Martin Luther, or have seen the recent movie made about him, then you know that the situation he faced is very similar to what John faced.

Even after The Disaster Artist gave his own story and his cult - classic indie film The Room — largely regarded as the worst movie ever made — new prominence, little is known about where he comes from or who he truly is.

But all movies, no matter which genre we are talking about, accurately make the point or tell the story that the director intended, within the limited confines of the TV screen and movie length.

One of the neat things about the Toy Story movies is that they show kids how to flex their imaginations and make up tales about their toys.

When I want to enjoy a good old - fashioned story about life — its trials, its happiness, and the love and friendship that make it worthwhile — then I watch a feel - good movie.

In this wide - ranging, humorous talk, Seth Shostak takes a look at Star Wars and other science fiction films from the point of view of a skeptical scientist, tells stories about the movies he has been asked to advise, and muses about aliens from space and how we might make contact with them.

To read more about the movie, how it was made, and the courage it took to tell her story, visit the official website.

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Fantastic Beasts 2 Won't «Explicitly» Address the Fact That Dumbledore's Gay, Even Though It's a Movie About Him and the Man He Loved What makes these stories the Most Popular?

This movie is about drawing things out as much as possible to make a snack - size story feel like a meal.

The Disaster Artist is an attempt to tell the story about the making of Tommy Wiseau's The Room, and the friendship behind it, and their dream to become famous, and make a movie that everyone would love.

Of course, in hindsight it's hardly a stretch to make that assumption when just two years later the director gave us his magnum opus with the crushingly heartfelt Holocaust story «Schindler's List,» a film that many consider to be one of the best movies ever made about this dark hour in world history.

If the guard is not precisely self - aware, he does make the act of torture (and murder, which becomes a natural extension) into a scene you might recognize, not only from other movies or stories about torturers, damaged souls in need of punishing or saving.

Good: Starscream is a lot cooler in this movie, Best computer - graphics for any movie to date, Original Optimus voice, Bumblebee vs. Barricade scene was awesome, Decent story, but the Unicron story is a million times better Bad: No Hot Rod or Soundwave, Shia LeBeouf, Ending, Futile attempts to connect to classic scenes, lines and concepts, No Stan Bush soundtrack, Some immature humor ruined a lot of the movie for me, Poor dialogue I really expected a lot from this movie and am very critical about my feelings towards it - Overall Michael Bay made a good movie, but he made it appeal to the masses (immature jokes and a lot of action) and it gave up a lot of other crucial aspects to the story and quality of the Transformers franchise.

And now, director / star James Franco has brought the equally bizarre real - life story behind the movie's creation to the big screen with «The Disaster Artist» - proving that, at the very least, good films can definitely be made about bad movies.

Chloé Zhao, a Chinese - American up for Independent Spirits awards for movies that cost under $ 20 million to make, developed the story after hearing about the accident.

It helps make «Coco,» scored by the erstwhile Michael Giacchino, play like a movie about music, rather than a musical, and the distinction is important as the story unfolds.

While I have no doubt that he believes this fiction (in spirit if not particulars, perhaps), Brashear's story — even in its big - screen dilution — is so manifestly about long - term, institutionalized racism, that such a comment appears patently naive, even disingenuous (the movie even makes the case, somewhat ironically, that the Navy's greatness is proved by the fact that someone so exceptional as Brashear would want to be part of it).

The human scale of this story about a very real threat to one Norwegian village makes the movie more tragic and also more chilling.

What makes After Midnight more than just another ménage à trois (in homage to Truffaut) is the way Ferrario, who also writes about movies, weaves the allure of early film into a contemporary story, shot with the latest high - definition technology.

AS FAR as making a movie about Alexander the Great, Oliver Stone knew at least two things: He could adhere to the known facts about the boy king and still have a salacious, blood - and - gutsy story.

After recounting their harrowing stories of braving the hoards of teenage girls at their respective screenings, Kevin and Neil take a trip to Planet 51 then are Blind Sided by Precious before laying down a Fat Guy Five about awesome vampire / werewolf movies (hint: neither Twilight film makes the list).

Blu - ray Highlight: The audio commentary with directors / producers Mike McCoy and Scott Waugh is filled with a ton of great information about making the movie, including the technical aspects of filming the combat sequences, the real stories that inspired them, and the level of realism that was achieved thanks to the cooperation of the Navy.

The Week in Movies discusses the last seven days in cinema, including the controversy surrounding an X-Men: Apocalypse billboard, John Brolin speaks about Avengers: Infinity War's impressive story, Mel Gibson is making a sequel to The Passion of the Christ, and much, much more... The Week in Movies is an excerpt from the weekly Flickering Myth Super Newsletter.

In talking about the movie, Clooney admitted he made story changes after Trump was elected (in the middle of Suburbicon's production).

Ryan Reynolds, celebrity and manufacturer of Deadpool 2, unearths the film at the beginning contained a specific funny story about movie studio Walt Disney Pictures, however 20th Century Fox made him reduce it.

But what about a story from 2003 that was supposed to be a movie but never got made?

The story for this sequel doesn't make a lick of sense, of course, but this sleight - of - hand movie is all about the smoke and mirrors, and it doesn't pretend to be anything else, except when it's delivering a few hollow lamentations about income inequality.

With The Lost City of Z, he has realized his true epic — a story that spans continents and decades — yet kept his finger on the intimate pulse that's always made his movies work: This is a great movie about ambition, colonization, and audacious dreaming, but even more than that it's a moving (and tragic) story about fathers and sons.

Get Out is a great movie, and one of the few I saw this year that made me think for a long while about the story I tell myself about the life I live.

There's a terrific story inside this well - made but bloated movie, as if director - cowriter Crowe simply couldn't figure out which elements he most cared about, so he included everything.

To some, James Franco's adaptation of Greg Sestero's chronicle of the making of Tommy Wiseau's The Room is a funny story about a kooky aspiring filmmaker making the worst movie of all time.

In fact, it so desperately wants to capture that beatnik - y place and tone where crime films and swinging London met that it just seems to try too hard, slathering the movie with music, trippy visuals and other elements that just can't make up for the deficit of a weak and blandly told story about a ex-con (Colin Farrell) hired to look after a reclusive young actress (Keira Knightley) who finds himself falling in love, which of course puts himself in direct confrontation with one of London's most vicious gangsters.

This is a true story about the making of THE ROOM — the cult classic described as the «Citizen Kane of bad movies».

Stay for the truly wild story — about Tommy Wiseau and the making of the «greatest bad movie ever,» The Room — and even wilder casting: Zac Efron!

He began thinking about bank robberies — specifically, stories about heists — and why the idea of making yet another movie about guys with guns, ski masks and loot seemed like a dead end.

The true story behind this movie just about makes up for its oddly flat tone, which never quite captures either the grandeur of the Australian Outback or the deeper emotions of the people on - screen.

Fortunately for us, we made a movie that is a comedy in a time that I think a lot of people need some levity, but it's also just an unapologetic love story, a buddy story about following your dreams.

Colson Googled to find out more about the story and became even more enthralled when he discovered that no big screen movie had been made about a match that riveted the nation.

It might have been a case of not wanting to confuse things (Robert Jr. is always played by a different actor, including the recently deceased Sage Stallone) or fearing too much of Rocky's backstory would distract from Donny, but the movie isn't subtle about making the father - son story a key element, so it's odd that they seem to be actively trying to avoid him.

I saw a beautiful movie at Cannes on Saturday night — an artful, surprising and thrillingly intelligent story about a few women trying to make a difference, forging bonds of solidarity in quiet defiance of the repressive, small - minded men in their rural village.

The advertising for the movie makes it appear as if the movie is all about the match, but this really is the Billie Jean King story.

«This was billed as a movie about making the «best worst» movie ever made, but in fact it's a story about friendship.

Being a Thor movie first and foremost, Ragnarok tells its own story with more immediate stakes than to make audiences worried about a movie that's still five months away.

He discusses his appreciation of The Wire, how he approached «the best worst movie ever made,» telling the universal story about dreamers on the outside, the soul of The Room's Tommy Wiseau, choosing to honour other artists, Basquiat, Pollock, the addiction and pitfalls of public persona, relieving ego to find happiness, recognizing workaholic and escapism tendencies to find happiness and what's on his work - out playlist (Jonathan Richman, Jamie XX, Mura Masa, A$ AP Rocky).

When a movie about the African - American experience in Jackson, Mississippi, during the early 1960s bypasses the assassination of Medgar Evers to move on to a plot point about a pie made of human feces, though, one has to question the story's priorities.

I don't mind directors trying to do something new with the story (Oldboy's prison for hire is a great idea and I wouldn't mind someone forgetting the original movie and making a film about that concept with a totally new character), but when Spike Lee sticks so closely to the plot, he is setting himself up for failure.