Sentences with phrase «stories around the character»

They pick the theme and create a story around characters they create.

The story around his character could have used a lot of work.

Build a story around the character and allow learners see what happens to the character.

Create the story around these characters that exist in your organization.

Brought to you by an array of incredible creators, praised by comic critics and gamers alike, these titles take you beyond the games, creating all - new stories around the characters and worlds that you know and love.

It's not easy to create such original stories around the character since he's been around so long, but this was unique with many exciting surprises around each turn.

Not exact matches

Much like the success of last year's Warner Bros. film Wonder Woman helped change the conversation around a female superhero movie helmed by a woman director, a box - office smashing debut for Black Panther could pave the way for a similar paradigm shift in Hollywood with regard to how studios approach big - budget stories about characters of color.

And the entire story revolves around a plot to kill the remaining supers, which alludes to the fact that there are so many more characters in this world who we aren't introduced to.

In The Man Who Walked Around the World, Glaswegian character actor Robert Carlyle strides down a rugged mountain path, telling the story of young John Walker's rise from farm boy to shopkeeper to whisky magnate in a single, uninterrupted and utterly captivating 6 1/2 minute take.

But, instead of dwelling on the mistakes or disappointments of the last «new product launch,» Star Wars» producers are reinforcing the idea that this time around is a whole new story — new director, new characters, new villains and new reasons to watch.

The cycle of stories which revolves around the character of Jacob differs from that of Abraham.

Many people start watching for the drama and to keep up with the hype, but loyal Shondaland fans stick around (even 14 seasons deep) for the inspirational characters, encouraging messages and authentic stories.

We pray for our brothers and sisters around the world, dying and starving and losing some cosmic lottery that we didn't ask to win and, from far away it looks like we are all losing but there are stories of redemption there, too, and isn't prayer more about us being changed into God's character than actually about moving his hand in our direction?

The first couple of books start out as typical «solve - this - murder» sort of books (without being gory or cruel or gratuitous, it's more about the story and the characters)-- very satisfying Saturday night read — but as the books go forward, the layers and complex storytelling becomes even more clear and right around book three or four you begin to realise that everything is connected and everything means something and something major is unfolding and OMG MUST KEEP READING.

Even though Rudolph had been around as a story book character well before 1949, Gene Autry's recording in that year of the musical version of the saga made the red - nosed reindeer a standard member of the Yuletide cast in popular culture.

In «Jonas,» another story with autobiographical elements written around the same time, the title character, a painter, is described with a little more sympathy: He «believed in his star.

Statement is baffling and is in fact the very thing that guys like cap and others are fighting against the truth is Colin didn't orignaly kneel during the anthem he sat on his bench he was then approached by vets who asked why he was sitting and asked him to do something else because sitting was disprectful it was those army vets who told cap to kneel because it shows your fighting against something and not just sitting to sit they told him it would be a better look and it's funny how people turn around and say he is disrespecting the very people who told him what to do and how to do it to get his message across this is the ignorance of America and everything cap fights against you judge a man by the color of his skin and his upbringing and not the content of his character you don't know anything about cap yet you pull this entire story out your ass go sit down clown

In character as Molly Geet, she will tell Native American maple sugaring stories and lead a «Walk with the Indian Doctress» around Old Sturbridge Village, sharing facts and folklore about native plants.

Called «All the Bridges Rusting,» it centered around a character whose job was to be a «newstaper» — he travelled with a video camera on his shoulder and produced and published television news stories in something very close to real time.

Simon Singh has fun weaving great mathematics stories around our favourite TV characters

Integrate the main character of our story into your own outfit by creating a yellow, white, and green look with an airy finish that's reminiscent of the iconic watercolor illustrations throughout the book and perfect for planet - hopping and flying around the stars.

A village with real characters strolling around who will be delighted to inform you of the stories they hold.

Similarly, the late in the game subplot that revolves around Joe agreeing to escort the sergeant - turned criminal Charles Willis (Ben Foster) ultimately distracts from the story and character threads that were already established, more than it enhances them.

I am a huge fan of the original Prince of Persia trilogy, and when I heard about this game I was a little worried that they would change to much of what made the original games great, and I was right, the gameplay has been completely destroyed, platforming is awkward do to too may actions being mapped to the same buttons, combat is tedious and unenjoyable, it's EXTREMELY repetitive, having to search around for light seeds just to advance the plot is stupid, and do to the fact that you can't really die the whole game just feels like trial and error, and the new Prince character is completely unlikeable, while they messed up most of the game it's got some good things going for it, the voice acting is solid, the graphics are beautiful, and the ending does have interested in seeing where the story goes from here, but I'm not sure if I want to pick up the next game they come out with, this was a huge disappointment and isn't worthy to bear the Prince of Persia name.

The story is centered around Kronk this time, the Emperor is narrating from time to time and pretty much all the other characters are present and correct.

So, this is not a graphic adventure, since the puzzles are way too easy (hell, everybody around tells you exactly what you have to do next, even your own character does), and this is not an interactive story either, since even if a few non important conversations play a little different in each playthrough, the major outcome will always be the same.

It tells a story that captured me and the characters around me made it feel almost real.

From the top down, this is a show that has such patience and empathy for its characters, even the most minute of roles, that it makes you want to get to know the people around you in real life better, open yourself up to their stories, discover their secrets within.

Beard, the writer, spent more time developing characters which are disappearing around the story than building a story itself.

Despite the lessening of madcap energy, Shrek the Third is still quite funny in parts, with some fresh throwaway gags to produce chuckles now and then from characters you'd think they probably should have jettisoned long ago, but are secretly glad they've kept around (the Gingerbread Man, Pinocchio, etc.) The fact that they are keeping in nearly all of the characters introduced in the series thus far is a bit of a double - edged sword, as they do provide a certain respite from the main characters that are already cycling through the same jokes all over again, but on the other hand, it's getting to the point that the high overhead of injecting scenes for all of these characters takes away from the focus of the story at large.

After the bug fixes with a patch this sequel exceeds the original in every aspect.Better graphics, gamplay and story along with 2 completely different playable protaganists give Dishonered 2 more replay value then almost every triple A title this year.And this time around I did nt feel pushed to play the game in any specific way.I felt that playing stealthily was alot more rewarding then the first entry but i never felt that i was playing wrong or was being punished when i played a full on assault playthrough.Also there are several ending for every playstyle for both characters which really drive you toward a second, third or even forth playthrough and in all the chaos or silence of each level, even on my forth run, I reimagined every situation and experienced different outcomes every single time.Dishonored 2 also contains some of the best level design I have ever seen with the likes of the amazing and masterfully thought out Clockwork Mansion level being among my all time favorites.Dishonored 2 truly is a masterpiece in almost every ascpect!!!

Here the acting is wooden (puppet wooden), lines spoken too fast (as if to emphasize their meaninglessness), the child characters generally acting like adults, adults acting like children, all running around in a simple story, but even more, after awhile, you realize it is about a bunch sets and objects that look like a kid's dreams of military heroism and futile activities carried out in an oddly precise manner.

While this is definitely about animals and right around the world, this is also a very touching human story that cares about relationships and characters.

It's a film based around the stark juxtaposition of the story's stakes and the tone with which the characters approach them.

Mortal Kombat X moves forward with a snappier version of the previous game's fighting and some cool new characters, but the story and other features around the edges feel a bit rough in spots.

As you can imagine all of these little character driven stories revolve around the simple issues of sex, booze, relationships, having a good time and battling against the establishment.

It's a story about a group of relatively unknown character set in a relatively unknown setting and is so brilliant for it's ability for the character to run around and not bother with explanations except for one small part in the middle of the movie but it never loses the fast paced story and action.

For around 30 minutes, «(T) ERROR» is an interesting character study of a man with a fascinating story to tell.

It's an engaging and entertaining adventure story, refreshingly centered around a group of distinct female characters and even directed by a woman to boot.

The characters just sort of flounder around in a meaningless story saying ridiculous things, like «Gee, I sure wish I was Arc.»

Sydney Pollack's («Three Days of the Condor» / «Out of Africa») well - made but unimportant political thriller (more a character driven than a plot driven story) is set in New York City and frames its story around an assassination plot of an African leader set to speak at the United Nations.

Even with that said, it also offers a gripping story revolving around the main character and religion, that left much to be interpreted and theorized, yet kept me interested throughout the game.

Where «Roots» and «Roots: The Next Generations» were extensive studies on, not one character, but a series of members in a bloodline that spans about a century or so, this series centers around one character, thus the unevenness that plagued this series» sisters has been thinned out tremendously, though unfortunately still not quite to the point of dissipation, because as generally comfortable as this story's flow is, Halle Berry's titular Queen Jackson character extensively faces several dynamic events and characters, yet still doesn't take the time that it should to meditate upon the full exposition and depth of this story's range, thus leaving certain key story aspects to come off as unnecessary and, of course, supplementary to focal inconsistency.

For the rest, he hired a screenwriter to build a story around these bits of business, along with characters the audience would care about.

With no real story and interesting characters to hold things together, it's just more run around killing random monsters, which gets old wuick.

Scenes bump into one another as the story lacks any real sense of narrative cohesion, but more a collection of scenes meant to move the characters around the landscape in an effort to make sure all their ducks are in a row for the big finale.

The metaphysical aspects here are used in the service of the characters, not the other way around — this is, first and foremost, a human study, a love story, an existential treatise on the inevitability of death and the preciousness of life.

We spent the last six to eight months crafting stories around the cornucopia of characters at our disposal so anything is possible».

Meanwhile, Harvey's story is centered around the fascinating character of Zenzi, a revolutionary who sees Wakanda's monarchy as an affront to its people.

the idea of a story revolving around an average guy becoming a «super hero» vanishes completely, and I felt tricked into being forced to follow Big Daddy and Hit Girl as the main characters... I loved what the movie was, but wanted something different, and will read the comics before seeing any sequels.