I believe that if we start a conversation that allows people to share
their stories in a safe setting, then people will be more likely to be empathetic to what these people face in our country.
Not exact matches
Gary Ross played it too
safe with the first installment, only vaguely sketching the
story's dystopic
setting and questionably delivering a bloodless blockbuster about kids forced to kill kids
in gladiatorial combat for the reality TV era.
Most of the
story is
set at a small nuclear reactor
in California and centers on a free - wheeling cameraman, the chief engineer at the reactor, a man who truly believes that nuclear energy is a
safe and efficient form of power, and a female reporter who is trying to prove that she is better suited to hard news than the never - ending stream of fluff pieces she is handed.
It's pretty
safe to say that if you belong to the first
set, you're far more likely to enjoy the film than the second, as this is definitely a film aiming more for Eddie's fan base, not particularly concerned with its
story or plot elements when they get
in the way of allowing Eddie to do his thing
in front of the camera.
It's a classic ghost
story set in a big old mansion
in which there are areas that «are not
safe.»
But as an onscreen text at the start of Fogelman's film states, «Danny Collins» is only «kind of based on a true
story a little bit,» which means it's
safe to assume that the real Tilston (who's credited as a consultant here) did not subsequently
set off on a cross-country odyssey to meet the adult son (Bobby Cannavale) he fathered with a groupie back
in the day, or hole himself up
in a suburban New Jersey Hilton while trying to get back
in touch with his songwriting muse.
The
story follows the usual Left 4 Dead survivors (Left 4 Dead 2 survivors
in the 2014 update) through a zombie infested Nevada Desert
setting in an effort to find a rumored fortified
safe zone there.
«For the past 25 years I have been committed to providing a warm,
safe and confidential
setting in the heart of our community with the goal of helping couples, families and individuals, young and old, to find their way to richer, fuller and happier lives.It has been my absolute privilege to have been trusted with the challenges,
stories and celebrations of multiple generations of people like you.
Safe uncertainty and task -
setting: The increasing appreciation of a family's own ideas and
stories is reflected by the diminishing frequency of therapist initiated task -
setting in systemic work.
In our work together, we seek to locate each person's story in an emotionally safe and empathic settin
In our work together, we seek to locate each person's
story in an emotionally safe and empathic settin
in an emotionally
safe and empathic
setting.