Sentences with phrase «stories on art history»

Art History News - By Bendor Grosvenor Edinburgh About Blog A history of art blog covering news stories on art history matters.

Edinburgh About Blog A history of art blog covering news stories on art history matters.

Not exact matches

There is a fascinating story here to be told - but one which would take us too far afield from this discussion - about the intricate interplay between the crises of biblical authority and Christian belief on the one hand and the rise of the novel and the growth of art history and literary criticism on the other.

January 11: Young at Art features an interactive story time and hands - on art activities focused on a theme drawn from the history and culture of Cape Ann (GloucestArt features an interactive story time and hands - on art activities focused on a theme drawn from the history and culture of Cape Ann (Gloucestart activities focused on a theme drawn from the history and culture of Cape Ann (Gloucester)

FOR THE RECORD - Additional material published April 20, 2006: CORRECTIONS AND CLARIFICATIONS A Metro story Wednesday about the Art Institute of Chicago's plans to charge a fixed entrance fee incorrectly noted that the change would leave the Chicago History Museum as the only museum on Park District land with a suggested, not fixed, entrance fee.

FOR THE RECORD - Additional material published April 20, 2006: CORRECTIONS AND CLARIFICATIONS A RedEye story Wednesday about the Art Institute of Chicago's plans to charge a fixed entrance fee incorrectly noted that the change would leave the Chicago History Museum as the only museum on Park District land with a suggested, not fixed, entrance fee.

On Sunday, February 21, the Bronx Chapter of Jack and Jill of America, Inc. presents its 2016 Black History Month community arts event, Our Voices, Our Story, Our History at The Bronx Museum of the Arts, 1040 Grand Concourse (East -LSB-arts event, Our Voices, Our Story, Our History at The Bronx Museum of the Arts, 1040 Grand Concourse (East -LSB-Arts, 1040 Grand Concourse (East -LSB-...]

On tomorrows season premiere of Drunk History, Tiffany Haddish tells the story of World War II - era spy and art curator Rose Valland.

America: The Story of Us Available on DVD and Blu - ray This nine plus hour documentary from The History Channel chronicles the history of The United States from its earliest settlers until today using epic reenactments and state - of - the - art special eHistory Channel chronicles the history of The United States from its earliest settlers until today using epic reenactments and state - of - the - art special ehistory of The United States from its earliest settlers until today using epic reenactments and state - of - the - art special effects.

Some books will be about the history of the game \'s creation, some will focus on particular elements like level design, story, and music, some will investigate the subculture that has formed around a game, some will bring in outside art, science, and media, some will have a strong autobiographical element.

Based on the true story of the greatest treasure hunt in history, The Monuments Men is an action drama focusing on seven over-the-hill, out - of - shape museum directors, artists, architects, curators, and art historians who went to the front lines of WWII to rescue the world's artistic masterpieces from Nazi thieves and return them to their rightful owners.

Asger Jorn, with his artist quotes on painting, art and life story, including facts and histories by the painter - all selected and sourced, to present an impression of the characteristics of this Danish Cobra - painter.

You'll find favorite poems and rhymes, beloved stories and fables, and songs, as well as history, science, and fine art read - alouds, all on an appropriate level for your preschooler to understand.

1920s Delage duo — Dennis Harrison tells us about a 1928 D.M. Weymann saloon and a sporting 1926 DISS / Electro - plating of car parts — In a further article in our series on technical subjects John Teague explains nickel plating and chromium plating / Art and the automobile, Part one — Michael Worthington - Williams on the history of automobile art commenting on some colourful early advertisements / Roydale: British - made Edwardian — The history of the little - known make is recounted for us by Malcolm Jeal / Austin 12/4 restoration — Mike Burgess describes how he rebuilt his 1928 Burnham saloon / 1933 Avon Standard Special — A report on this sporting open 4 - seater from Zoe Harrison / Alvis 12/50 sports saloon — David Hawtin recalls his recent encounter with a 1927 example / Castle Three cyclecar — The story of this Kidderminster - made «runabout» is related by A.B. Demaus / School of motoring — Malcolm Jeal has discovered that training courses were being offered by the Institute of Automobile Engineers in 1920 / MC raid on New England — How some early MGs invaded the UArt and the automobile, Part one — Michael Worthington - Williams on the history of automobile art commenting on some colourful early advertisements / Roydale: British - made Edwardian — The history of the little - known make is recounted for us by Malcolm Jeal / Austin 12/4 restoration — Mike Burgess describes how he rebuilt his 1928 Burnham saloon / 1933 Avon Standard Special — A report on this sporting open 4 - seater from Zoe Harrison / Alvis 12/50 sports saloon — David Hawtin recalls his recent encounter with a 1927 example / Castle Three cyclecar — The story of this Kidderminster - made «runabout» is related by A.B. Demaus / School of motoring — Malcolm Jeal has discovered that training courses were being offered by the Institute of Automobile Engineers in 1920 / MC raid on New England — How some early MGs invaded the Uart commenting on some colourful early advertisements / Roydale: British - made Edwardian — The history of the little - known make is recounted for us by Malcolm Jeal / Austin 12/4 restoration — Mike Burgess describes how he rebuilt his 1928 Burnham saloon / 1933 Avon Standard Special — A report on this sporting open 4 - seater from Zoe Harrison / Alvis 12/50 sports saloon — David Hawtin recalls his recent encounter with a 1927 example / Castle Three cyclecar — The story of this Kidderminster - made «runabout» is related by A.B. Demaus / School of motoring — Malcolm Jeal has discovered that training courses were being offered by the Institute of Automobile Engineers in 1920 / MC raid on New England — How some early MGs invaded the USA.

An unforgettable story of epic thievery and political intrigue, Saving Italy is a testament to heroism on behalf of art, culture, and history.

Of course, the story will be much easier to follow if the reader has a sense of these artists, but for those who are not up on their art history, the book is loaded with full - color reproductions of some of the great works of art that are mentioned in the story.

- Customer Service, introducing people to new books and genres based on their taste and history at the store - Unique and engaging events - like celebrating the anniversary of the moon landing by watching the original broadcast and decorating the store - local author signings, local music and art, story hours, and a summer reading program for kids.

Literature, Installation Art, and Films on Partition A Visual History of the India - Pakistan Partition by Aanchal Malhorti Short stories by Saadat Hasan Manto Earth, film by Deepa Mehta Cracking India, a novel by Bapsi Sidhwa (the film Earth was based on this) Midnight's Children by Salman Rushdie «The Seer of Pakistan,» essay on Manto in The New Yorker by Ali Sethi 1947 Archive, A global movement to collect and preserve witness accounts of Partition Indian Summer by Alex von Tunzelmann Indian Summers, a British TV drama series, various writers Train to Pakistan by Khushwant Singh Tamas, a movie by Govind Nihalani.

Thomas Cahill is the author of the bestselling Hinges of History series (a planned seven part series) including How The Irish Saved Civilization: The Untold Story of Ireland's Heroic Role from the Fall of Rome to the Rise of Medieval Europe (1996), The Gifts of the Jews: How a Tribe of Desert Nomads Changed the Way Everyone Thinks and Feels (1999), Desire of the Everlasting Hills: The World Before and After Jesus (2001), Sailing the Wine Dark Sea: Why The Greeks Matter (2004), Mysteries of the Middle Ages: The Rise of Feminism, Science, and Art from the Cults of Catholic Europe (2006), and A Saint on Death Row (2009).

For those who like insider details on the publishing industry, NPR.org's Arts & Life section has a story on the history of blurbs.

The spot's Aloha Friday celebrations focus on special dishes and cocktails highlighting Hawaiian flavors and, once a quarter, Splash Bar welcomes special community guests to «talk story» about the region's culture, art, music, and history.

The question is whether separate exhibitions are still needed to tell the stories that were left out and continue to be absent from conventional tellings of art history, or whether creating these separate spaces amounts to a kind of ghettoization that prevents the artwork from being considered on the larger stage.

2009 The Embassy, Curated by Xerxes Cook and Alex Dellal, 33 Portland Place, London, UK Artists» Art / Artists» Books, Glenn Horowitz Bookseller, East Hampton, NY Elevator to the Gallows, Galerie im Regierungsviertel / Forgotten Bar Project, Berlin, Germany Story without a Name, Curated by Blair Taylor, Peres Projects, Berlin, GermanyPrivate, Con Der Hydt Museum, Wuppertal, Germany The Collectors, Curated by Elmgreen and Dragset, Danish and Nordic Pavillions, 53rd Venice Biennale, Venice, Italy Onedreamrush, Beijing Independent Film Forum, Beijing, China DLA Piper Series: This is Sculpture, Tate Liverpool, Liverpool, UK Mexico: Expected / Unexpected, Tenerife Espacio de Las Artes, Santa Cruz de Tenerif Imagine, There: Three Contemporary Mythologies, A Space Gallery, Toronto, Canada The Porn Identity, Kunsthalle Wien, Wien, Germany The Temptation to Exist: Douglas Gordon, Any Warhol, On Kawara, terence koh, Yvon Lambert Gallery, London, UK KKK: Featuring terence koh, Jeff koons, and Mike Kelley, Mary Boone Gallery, New York, NY A Tribute to Ron Warren, Mary Boone Gallery, New York, NY New York Minute, Macro Future Museum, Rome, Italy Objective Affection, Boffo, Brooklyn, NY Dancing with Rodin, The Brooklyn Museum, Brooklyn, NY Tompkins Square Park Procession, Tompkins Square Park, New York, NY Art History 1642 - 2009, National Arts Club, New York, NY Performa 09, Third Biennial of Visual Art Performace, New York, NY Degeneration / Regeneration, Marina Abramovic Institute, San Fransico, CA Compassion, Curated by AA Bronson, The Institute of Art, Religion and Social Justice, New York, NY Contemporary Artifices and Baroque Difformities, Arcos - Sannio Museum of Contemporary Art, Benevuto, Italy Marina Abramovic Presents..., The Whitworth Art Gallery at the Universtiy of Manchester, UK Get a Rope, Ctrl Gallery, Houston, TX

On display from 27 October 2016 — 26 February 2017, South Africa: the art of a nation will use art to tell the story of the region's deep history, the colonial period, apartheid, the birth of the «rainbow nation» and South Africa today.

11a — 3p: Art - making, Peking Opera Face, relating to Wŏmen (我们): Contemporary Chinese Art (Saligman Family Atrium) 11a — 3p: Button - making (Saligman Family Atrium) 11a — 3p: Scavenger hunt (Permanent Collection Gallery) 11a — 3p: Scavenger hunt: Georges Braque and the Cubist Still Life, 1928 - 1945 (Ebsworth Gallery) 11a — 3p: Calligraphy (Saligman Family Atrium) 11a — 3p: Art - making with still - life artist Bill Neukomm (Saligman Family Atrium) 11:30 a — 12p: Live music by Washington University's Asian acapella group Sensasians (Saligman Family Atrium) 12 — 12:30 p: Storytelling: Lon Po Po: A Red - Riding Hood Story from China by Ed Young (Teaching Gallery) 1 — 2p: Gallery talk with Karen K. Butler, assistant curator, on Georges Braque and the Cubist Still Life, 1928 — 1945 and John Klein, associate professor of art history, on Face and Figure in European Art, 1928 — 19Art - making, Peking Opera Face, relating to Wŏmen (我们): Contemporary Chinese Art (Saligman Family Atrium) 11a — 3p: Button - making (Saligman Family Atrium) 11a — 3p: Scavenger hunt (Permanent Collection Gallery) 11a — 3p: Scavenger hunt: Georges Braque and the Cubist Still Life, 1928 - 1945 (Ebsworth Gallery) 11a — 3p: Calligraphy (Saligman Family Atrium) 11a — 3p: Art - making with still - life artist Bill Neukomm (Saligman Family Atrium) 11:30 a — 12p: Live music by Washington University's Asian acapella group Sensasians (Saligman Family Atrium) 12 — 12:30 p: Storytelling: Lon Po Po: A Red - Riding Hood Story from China by Ed Young (Teaching Gallery) 1 — 2p: Gallery talk with Karen K. Butler, assistant curator, on Georges Braque and the Cubist Still Life, 1928 — 1945 and John Klein, associate professor of art history, on Face and Figure in European Art, 1928 — 19Art (Saligman Family Atrium) 11a — 3p: Button - making (Saligman Family Atrium) 11a — 3p: Scavenger hunt (Permanent Collection Gallery) 11a — 3p: Scavenger hunt: Georges Braque and the Cubist Still Life, 1928 - 1945 (Ebsworth Gallery) 11a — 3p: Calligraphy (Saligman Family Atrium) 11a — 3p: Art - making with still - life artist Bill Neukomm (Saligman Family Atrium) 11:30 a — 12p: Live music by Washington University's Asian acapella group Sensasians (Saligman Family Atrium) 12 — 12:30 p: Storytelling: Lon Po Po: A Red - Riding Hood Story from China by Ed Young (Teaching Gallery) 1 — 2p: Gallery talk with Karen K. Butler, assistant curator, on Georges Braque and the Cubist Still Life, 1928 — 1945 and John Klein, associate professor of art history, on Face and Figure in European Art, 1928 — 19Art - making with still - life artist Bill Neukomm (Saligman Family Atrium) 11:30 a — 12p: Live music by Washington University's Asian acapella group Sensasians (Saligman Family Atrium) 12 — 12:30 p: Storytelling: Lon Po Po: A Red - Riding Hood Story from China by Ed Young (Teaching Gallery) 1 — 2p: Gallery talk with Karen K. Butler, assistant curator, on Georges Braque and the Cubist Still Life, 1928 — 1945 and John Klein, associate professor of art history, on Face and Figure in European Art, 1928 — 19art history, on Face and Figure in European Art, 1928 — 19Art, 1928 — 1945.

Swiss and Baltic Artists 21.11.2014 — 1.02.2015 5th floor, Gallery of Contemporary Art The exhibition brings together Estonian, Latvian, Lithuanian and Swiss artists with different backgrounds, who tell their stories based on their collective history and their personal narratives.

As part of Art Design Chicago, a year - long celebration of Chicago's art and design history spearheaded by the Terra Foundation for American Art, Rebuild Foundation presents A Johnson Publishing Story, organized by artist Theaster Gates and on view at the Stony Island Arts Bank (6760 South Stony Island Avenue) June 28 — September 30, 20Art Design Chicago, a year - long celebration of Chicago's art and design history spearheaded by the Terra Foundation for American Art, Rebuild Foundation presents A Johnson Publishing Story, organized by artist Theaster Gates and on view at the Stony Island Arts Bank (6760 South Stony Island Avenue) June 28 — September 30, 20art and design history spearheaded by the Terra Foundation for American Art, Rebuild Foundation presents A Johnson Publishing Story, organized by artist Theaster Gates and on view at the Stony Island Arts Bank (6760 South Stony Island Avenue) June 28 — September 30, 20Art, Rebuild Foundation presents A Johnson Publishing Story, organized by artist Theaster Gates and on view at the Stony Island Arts Bank (6760 South Stony Island Avenue) June 28 — September 30, 2018.

Piper's move, ARTNews's Robin Cembalest wrote, raised the question of «whether separate exhibitions are still needed to tell the stories that were left out and continue to be absent from conventional tellings of art history, or whether creating these separate spaces amounts to a kind of ghettoization that prevents the artwork from being considered on the larger stage.»

The show will be focusing on new works by the 78 - year old American artist Susan Weil, a respected figure in modern art history whose life story is truly extraordinary.

In our 40 - page cover story on Munich's HAUS DER KUNST, REM KOOLHAAS, JACQUES HERZOG, HANS ULRICH OBRIST, and MARK WIGLEY consider the museum's history from Nazi temple to art laboratory.

This idea of holistically consuming our human stories, including the many that are normally excluded from history — while it has become a normal part of daily digital living — was inconceivable in the 1980s when the Guerrilla Girls became famous for storming cultural institutions and media outlets to take on the political plight of better representation for women in the arts.

Some of the earliest depictions of African individuals in Western art, their stories are now «lost to the winds of history» and it is a meditation on diaspora and the realities of an imagined promised land.

175 years after the invention of photography, the extensive two - part exhibition presents a somewhat different history of the medium: rather than focusing on technical, sociological aspects or those related to media science and art history, it tells the story of photography from the point of view of artists.

During this discussion, Allison Harbin, the blogger of Post PhD and Alt - ac PhD in Art History, will share her personal story of misappropriation by a faculty member on her dissertation committee (detailed on her blog), and discuss the questions that have been raised from that experience, such as: What place (if any) does ethics have in the culture of academia and the arts?

Based on a True Story illuminates this ethos through a number of key encounters: between art and art history, curator and exhibition, collector and artist, teachers and students, lovers and friends.

In creating his multimedia works, Irish artist Gerard Byrne draws on a range of different sources including literature, pop culture, art history and contemporary history, selectively borrowing images and stories and viewing them by present - day standards.

«A Universal History of Infamy,» which takes its name from Jorge Luis Borges» 1935 collection of short stories (known for moving between the fiction and the nonfiction sphere of real crime tales), will center on alternative Latin American and Latino art practices.

Based on research related to the history of the Villa's original designer and owner, Clara Driscoll, and Laguna Gloria's architecture, grounds, and sculpture — and incorporating Baggesen's signature mélange of art history, pop culture, politics, and music — this walking guide offers an additional participatory component, inviting visitors to uncover forgotten stories and explore Laguna Gloria and its artwork in new ways.

2008 Never let the truth get in the way of a good story, Site Gallery, Sheffield, UK A Recent History of Drawing & Writing, ICA, London, UK Playtime, Betonsalon, Paris, FR Panorámica ciclo de video, Bailando sin salir de casa, Museo Tamayo arte contemporáneo, Bosque de Chapultepec, Mexico, MX Wouldn't it be nice, Somerset House, London, UK Out of sight, Proyectos Monclova, Mexico, MX AWOL — Biennale of Young Artists, META Cultural Foundation, Bucharest, RO Wouldn't it be nice, Centre d'art Contemporain, Zurich, CHSelf Storage, Curatorial Industries, San Francisco, US I desired what you were, I need what you are, Galleria Maze, Torino, IT Within the big Structure, Megastructure, Berlin - Mitte, Berlin, DE Delirious Beijing, PKM Gallery, Beijing, CN Life on Mars, 55th Carnegie International, Carnegie Museum of Art, Pittsburgh, US Revolutions — forms that turn, 16th Biennale of Sydney, AU As it presents itself, Whitstable Biennale, Whitstable, UK Featuring, Galerie Chez Valentin, Paris, FR The flight of the Dodo, Project Arts Centre, Dublin, IE One of these things is not like other things, Unosunove Gallery, Rome, IT Art Now Curate, Tate Modern, London, UK Inaugural Show, Marz Galleria, Lisbon.

Pumflet: art, architecture and stuff is a publication series exploring the social imagination, stories of neighbourhoods and reflecting on histories of the present.

Black and White, Mostly — Hiram Butler Gallery, Houston, TX The Grant and Peggy Reuber Collection of International Works on Paper — McIntosh Gallery, London, ON Local History: Enrico Castellani, Donald Judd, Frank Stella — Dominique Lévy Gallery, New York City, NY Local History: Castellani, Judd, Stella — Dominique Lévy Gallery — London, London In Living Color: Andy Warhol and Contemporary Printmaking — Joslyn Art Museum, Omaha, NE Taking A Stand Against War — Lehmbruck Museum, Duisburg Alois Breyer, El Lissitzky, Frank Stella: Wooden Synagogues — Tel Aviv Museum of Art, Tel Aviv Love Story — Sammlung Anne & Wolfgang Titze — Schweizergarten, Vienna Modernism from the National Gallery of Art: The Robert & Jane Meyerhoff Collection — The de Young Museum, San Francisco, CA Openness And Clarity: Color Field Works From The 1960S And 1970S — Honor Fraser, Los Angeles, CA Summer Group Exhibition: Part I — Van Doren Waxter, New York City, NY The Shaped Canvas, Revisited — Luxembourg & Dayan, New York City, NY Calculated Abstractions — Hard - Edge Prints — UB Art Galleries — University of Buffalo, Buffalo, NY Solidaridad Y Resistencion Paper — McIntosh Gallery, London, ON Local History: Enrico Castellani, Donald Judd, Frank Stella — Dominique Lévy Gallery, New York City, NY Local History: Castellani, Judd, Stella — Dominique Lévy Gallery — London, London In Living Color: Andy Warhol and Contemporary Printmaking — Joslyn Art Museum, Omaha, NE Taking A Stand Against War — Lehmbruck Museum, Duisburg Alois Breyer, El Lissitzky, Frank Stella: Wooden Synagogues — Tel Aviv Museum of Art, Tel Aviv Love Story — Sammlung Anne & Wolfgang Titze — Schweizergarten, Vienna Modernism from the National Gallery of Art: The Robert & Jane Meyerhoff Collection — The de Young Museum, San Francisco, CA Openness And Clarity: Color Field Works From The 1960S And 1970S — Honor Fraser, Los Angeles, CA Summer Group Exhibition: Part I — Van Doren Waxter, New York City, NY The Shaped Canvas, Revisited — Luxembourg & Dayan, New York City, NY Calculated Abstractions — Hard - Edge Prints — UB Art Galleries — University of Buffalo, Buffalo, NY Solidaridad Y ResistenciON Local History: Enrico Castellani, Donald Judd, Frank Stella — Dominique Lévy Gallery, New York City, NY Local History: Castellani, Judd, Stella — Dominique Lévy Gallery — London, London In Living Color: Andy Warhol and Contemporary Printmaking — Joslyn Art Museum, Omaha, NE Taking A Stand Against War — Lehmbruck Museum, Duisburg Alois Breyer, El Lissitzky, Frank Stella: Wooden Synagogues — Tel Aviv Museum of Art, Tel Aviv Love Story — Sammlung Anne & Wolfgang Titze — Schweizergarten, Vienna Modernism from the National Gallery of Art: The Robert & Jane Meyerhoff Collection — The de Young Museum, San Francisco, CA Openness And Clarity: Color Field Works From The 1960S And 1970S — Honor Fraser, Los Angeles, CA Summer Group Exhibition: Part I — Van Doren Waxter, New York City, NY The Shaped Canvas, Revisited — Luxembourg & Dayan, New York City, NY Calculated Abstractions — Hard - Edge Prints — UB Art Galleries — University of Buffalo, Buffalo, NY Solidaridad Y Resistencia.

HISTORY / HER STORY is an opportunity to celebrate emerging and mid-career New Mexican women photographers,» said Eva Borins, President of the New Mexico Committee on the Arts.

Her influence on the course of recent art history is profound, and there are too many great, fascinating Sturtevant stories to even begin to present her ranging wit here, but one particularly interesting one — told in a pamphlet accompanying her White Columns show — concerns Marcel Duchamp, whose notion of readymade sculpture she carried into uncharted territory.

More importantly, when galleries attempt to influence contemporary art history on their artists» behalf by presenting shows like this, they need to tell a more complete story.

Jack Flam: President of the Dedalus Foundation, and Distinguished Professor Emeritus of Art and Art History, Brooklyn College and the Graduate Center, CUNY; Editor, The Collected Writings of Robert Smithson; co-author, Robert Motherwell Paintings and Collages: A Catalogue Raisonné, 1941 - 1991; Author of numerous books, catalogues, and articles on 19th and 20th century art, including Matisse: The Man and His Art, and Matisse and Picasso: The Story of Their Rivalry and FriendshArt and Art History, Brooklyn College and the Graduate Center, CUNY; Editor, The Collected Writings of Robert Smithson; co-author, Robert Motherwell Paintings and Collages: A Catalogue Raisonné, 1941 - 1991; Author of numerous books, catalogues, and articles on 19th and 20th century art, including Matisse: The Man and His Art, and Matisse and Picasso: The Story of Their Rivalry and FriendshArt History, Brooklyn College and the Graduate Center, CUNY; Editor, The Collected Writings of Robert Smithson; co-author, Robert Motherwell Paintings and Collages: A Catalogue Raisonné, 1941 - 1991; Author of numerous books, catalogues, and articles on 19th and 20th century art, including Matisse: The Man and His Art, and Matisse and Picasso: The Story of Their Rivalry and Friendshart, including Matisse: The Man and His Art, and Matisse and Picasso: The Story of Their Rivalry and FriendshArt, and Matisse and Picasso: The Story of Their Rivalry and Friendship.

Another Story gives a fresh angle on art history, based on works from the Moderna Museet collection.

«Physical Evidence,» Lehman College Art Gallery, Bronx, NY, April 12 — May 28, 1994 «Duchamp's Leg,» Walker Art Center, Minneapolis, MN; traveled to the Center for the Fine Arts, Miami, FL; brochure «The Magic Magic Book,» Whitney Museum of American Art, New York, NY, 1994; catalogue «New Paintings,» Max Protetch Gallery, New York, NY, 1994 «Black Male: Representations of Masculinity in Contemporary Art,» Whitney Museum of American Art, New York, NY, 1994; traveled to the UCLA Hammer Museum, Los Angeles, CA; catalogue «Transformers: The Art of Multiphrenia,» Center for Curatorial Studies, Bard College, Annandale - on - Hudson, NY; traveled to Decker Galleries, Maryland Institute College of Art, Baltimore, MD; Herbert F Johnson Museum of Art, Cornell University, Ithaca, NY; Nexus Contemporary Art Center, Atlanta, GA; Art Gallery of Windsor, Windsor, Ontario, Canada; Illingworth Kerr Art Gallery, Alberta College of Art and Design, Calgary, Alberta, Canada; catalogue «Dark o'Clock,» Museu de Arte Moderna de Sâo Paulo, Sâo Paulo, Brazil, 1994; traveled to Plug In, Inc, Video Pool, Ace Art, Winnipeg, Manitoba, Canada; catalogue «Stories,» Max Protetch Gallery, New York, NY, 1994 «Equal Rights and Justice, High Museum of Art,» Atlanta, GA, 1994; traveled to the National Museum of African American History and Culture, Smithsonian Institution, Washington, DC; catalogue «Drama,» Max Protetch Gallery, New York, NY 1994 «Oliver Herring, Byron Kim, Glenn Ligon,» Galerie Gilles Peyroulet, Paris, France, 1994 «The Label Show: Contemporary Art and the Museum,» Museum of Fine Arts, Boston, MA, 1994; brochure «Don't Look Now,» Thread Waxing Space, New York, NY, 1994; catalogue

This exhibition — organized by the Smart Museum of Art in collaboration with the DuSable Museum of African American History and other cultural partners and presented concurrently with the DuSable's exhibition South Side Stories: Holdings — takes a nuanced look at the cultural history of Chicago's South Side during this momentous era of change and conflict, with a focus on artists of the Black Arts MoHistory and other cultural partners and presented concurrently with the DuSable's exhibition South Side Stories: Holdings — takes a nuanced look at the cultural history of Chicago's South Side during this momentous era of change and conflict, with a focus on artists of the Black Arts Mohistory of Chicago's South Side during this momentous era of change and conflict, with a focus on artists of the Black Arts Movement.

This panel is presented in alignment with Art Design Chicago exhibitions at the Smart Museum of Art and the DuSable Museum of African American History, «South Side Stories: Rethinking Chicago Art, 1960 — 1980» and «South Side Stories: Holdings», which focuses on the Black Arts Movement — from the Civil Rights Movement to AfriCOBRA.

That the material stuff of paint encouraged the unselfconscious mark not only bolstered painting's already privileged position in the larger telling of recent art history, it also pushed it toward center stage when the curtain opened on Surrealism's part of that story.