Sentences with phrase «story beat by»

This Game Club will likely be a bit completely different in that we can not be following alongside and relaying a recreation's story beat by beat, we're specializing in gameplay.

Not exact matches

For anyone who wants to read the best damn feature out there on this debate — and on the epic story of the effort to find a worthy Alzheimer's drug — I recommend this 2015 Fortune classic by my colleague Erika Fry: «Can Biogen Beat The Memory Thief?»

We are hosting another Startup Grind powered by Google, where we have Loren Brill, Founder and CEO of Sweet Loren's coming to share her story beating cancer while disrupting the healthy food space.

Tolkien says it best: «It is the mark of a good fairy - story, of the higher or more complete kind, that however wild its events, however fantastic or terrible the adventures, it can give to child or man that hears it, when the «turn» comes, a catch of the breath, a beat and lifting of the heart, near to (or indeed accompanied by) tears, as keen as that given by any form of literary art... In such stories, when the sudden «turn» comes we get a piercing glimpse of joy, and heart's desire, that for a moment passes outside the frame, rends indeed the very web of story, and lets a gleam come through.»

There are a lot of folks who tell a story of being beaten or abused to the cadence of bible verses just like those deployed by preachers who don't consider consequences of theology.

My story is about leaving the boxing gloves behind, about calling a truce on the culture wars that have left so many people beaten and bruised and left for dead by those who claim to follow a crucified Savior.

Washington (CNN)-- The killing of Osama bin Laden was voted the top story of the year by the Religion Newswriters Association, beating out Rep. Peter King's hearing on the radicalization of U.S. Muslims and Catholic Bishop Robert Finn's failure to report the suspected abuse of a child.

CNN write a story about what we care about: When will justice be done for ANASTACIO HERNANDEZ, the migrant beaten and tasered to death by a pack of rabid border patrol guards.

Id agree with you, except that even today theres a story about a Muslim actress from the Harry Potter movies being beaten by her father and brothers for the sin of — having a boyfriend.

Instead of a richly ironic story in which even Jesus» enemies are caught up in the symphony of grace, we get a Manichean morality play, in which evil is not so much transformed by God's love as merely beaten by it.

Regarding the latter, the stories are depressingly redundant: parents and other relatives who were alcoholics and / or drug addicts, who left the boys to fend for themselves or locked them for hours at a time in a bathroom or the basement, and who took out their own frustrations by beating the boys with belts and boards.

I'm so saddened by the stories lately of homosexuals being beaten up and harrassed.

Arsenal tell a different story they win more games than Liverpool and than they put the icing on the cake by wining the FA cup and beating Chelsea truly well sending all the doubters with their banners to the silence corner Well done Arsenal

So Strowman has the Raw Tag Team Championship, Nicholas has a cool story to tell and a fun memory, and The Bar have the ignominy of beating defeated by one person and an elementary school student who might not even play organized sports.

More often than I'd like, those stories finish one of two ways: Either you get beat by a competitor or you move on and forget them.

Story for the gods... they don't need Van Persie to beat us, just get some kids off the streets in a Man U, Chelski or hell, even Monaco kit, top it up by putting the moaning one [or just about any brash folk like Berbatov] in the picture and we are in deep s ** t, our players will quake in their boots and lose the plot; we only beat Man City «cos their manager is almost as studious and gentlemanly as our prof. kindly remind me of one feisty game we've won in recent times, ok maybe Stoke [it took a broken leg to Ramsey and constant harassment before our players thought it was necessary to stand up to Stoke].

Sanchez's training camp tells the story of his value at this stage in his career: The eighth - year pro wasn't good enough to beat out rookie Trevor Siemian for the Broncos» starting job, but he was signed as a safety net for Prescott almost immediately by Dallas once Denver cut him loose.

I'm sure Bolton manager Owen Coyle doesn't have time for sob stories about what could have been had some dubious decision gone their way and what not, but there was a real sense of injustice last Sunday as Bolton, who did more than merely hold their own against one of England's most successful clubs, were beaten by a then struggling Liverpool with the aid of some poor officiating.

By M.P. November, 2016 My TED Story: How We Beat Acid Reflux!

For example, the editor of Tiempo said the paper covered the story of a man beaten to death by the police, in order to show that the paper was «trustworthy media» bringing the state to account.

Share this story Leave a comment What others are reading Agogo security men not shot by herdsmen — Fulani group challenges police CHAN 2018: Nigeria leave it late before beating Libya 1 - 0 Majeed Waris gets loan move to FC Porto Friday Briefing: New KATH facility, NCCE, nomadic herdsmen, Okudzeto, Rawlings Source: myjoyonline.com

Kalief Browder's story was documented by The New Yorker, which also discovered surveillance footage of him being beaten at Rikers.

We think Discover should offer you important information before anyone else does, and we take pride in beating other publications to many stories by months and, in some cases, years.

Stem cell breakthrough by Lanza and colleagues was voted the year's top story, beating the Ebola outbreak, climate change crisis, entangled photons, cosmic inflation, as well as the year's other science stories ranging from topics in space exploration to mathematics, technology, paleontology, and the environment.

It's a similar story with the complex and variable taste, which is caused by the dense nutritional profile and beats the bland if pleasant sugariness of pasteurised honeys.

The Tree of Wooden Clogs Ministry of Fear Isn't Life Wonderful Valley Girl The Year of Living Dangerously Lapis Some Came Running Thunderbolt A Geisha Wonder Ring Our Hospitality Lola Montes L'avventura Sullivan's Travels Grease 2 Singin in the Rain The Immortal Story Regeneration Les Vampires Vertigo He Walked by Night Meshes of the Afternoon A Man's Castle Murder is My Beat Orpheus

The ever - increasing challenge over the course of so many hours, broken up by a bit of exploring and insipid story beats, is great.

Under Shawn Levy's direction, the story never misses a beat, with fully - committed performances by Jackman, Evangeline Lilly (as the woman who's always believed in him), and fresh - faced young Goyo, who bears a strong resemblance to Ricky Schroder and has the same ability to win you over at emotional moments, even if you're trying to resist.

Although the film is a little off - beat (it is definitely not what you would expect), the story will hook and reel you in, supported by excellent acting from the exceptional cast including Doug Jones as The Creature.

«Give Life Back To Music» with its robot voice and disco beat, «Giorgio by Moroder» with its spoken word story before kicking in with its ferocious live drumming and strange sounds, the eighties feel of «Instant Crush» with the Strokes Julian Casablancas on vocals, the Television sitcom theme style of «Fragments of Time», the closer «Contact» which builds to a glorious crescendo there is so much here to love.

When the dance is finally beat, Robert Baker... or Alabama, there's something endearing enough about the pretty points in cinematography and score work, touching occasions in entertainingly well - paced direction, interesting spots in a colorful story, and across - the - board decent performances - especially the one by Evan Rachel Wood - for the final product to border on decent, ultimately falling under the overwhelming weight of the glaring tonal and narrative incoherencies, flat humor, dramatic contrivances, problematic themes, even more problematic leads, ridiculous story and onslaught of clichés which render Andrew Fleming's «Barefoot» an occasionally charming, but mostly mediocrely misguided romantic dramedy.

And, aside from a conclusion I won't spoil except to say that it plays exactly like the meta - film twist at the end of Altman's THE PLAYER, Spielberg can't resist to inject a Gumpian «brush with history» as then Assistant Attorney General Rehnquist, a future Justice of the Supreme Court, calls to advise Bradlee the publication of the papers is prohibited by the Espionage Act of 1917 — just a beat too late to stop the story going to print.

While the film touches upon its various political and cultural issues (In addition to the give - and - take relationships between reporters and politicians, there's a lot about the overt and subtle sexism that Kat receives as the first and, at the time, only woman serving a newspaper publisher), the film plays mostly and best as a race - against - the - clock thriller of sorts, in which the obstacles are as imposing as the might of the U.S. government and as low - key as deadlines or being beaten to a story by a rival paper.

The original's commitment to tension and tone worked far better than the slackly - edited split personality of this film - a comparison almost directly invited by slavish repetition of many of the first film's story beats.

Almost all the loyalty and therefore romance missions in Mass Effect Andromeda are gated by critical path progress, so while you should make sure you check in with your squaddies for flirt opportunities between major story beats, don't worry if you're not getting anywhere with your favourite after a few priority ops.

As Frank, the player is tasked with solving the mystery of the Willamette Outbreak by following key story beats and completing «Case Files» at their designated times to advance the main story in 72 Hour Mode.

For whatever reason, Warner Brothers packaged Jammin'the Blues, one of the greatest short films ever made, alongside Michael Curtiz's feature length Passage to Marseille (1944), a thoroughly mediocre military melodrama so desperate to replicate the success of Curtiz's earlier masterpiece Casablanca (1942) that it reuses most of the principal cast and some of the same story beats about lovers torn apart by war and self - centered anti-heroes who come to learn the importance of self - sacrifice.

When caught by the authorities, however, he denies guilt, which presents the possibility of a great article or, a short time later, a book by the real Mike Finkel (Jonah Hill)-- who had been fired by the New York Times for deliberately combining a story involving five Africans exploited and beaten as slaves into a single person.

«Nymphomaniac: Volume I» is the story of Joe (Charlotte Gainsbourg), a self - diagnosed nymphomaniac who is discovered badly beaten in an alley by an older bachelor, Seligman (Stellan Skarsgård), who takes her into his home.

Set to be directed by Gaghan as well, the story follows a deep cover agent who loses everything and starts over as a beat cop in Brooklyn only to discover the organized operation he was trying to bring down is alive and kicking right under his nose.

Every beat of mental and physical anguish that Margot Robbie nails with her pitch - perfect portrayal of Tonya Harding, brings the audience to an intimate understanding of story misstated and mishandled by the media and by the judge who oversaw Harding's case related to a brutal attack against fellow figure skater Nancy Kerrigan by Shane Stint (Ricky Russert).

John Wick: Chapter 2 La La Land A Brave Heart: The Lizzie Velasquez Story A Most Violent Year Adult Beginners Adventures of Power Afternoon Delight Alex of Venice All The Light In The Sky Amy Animal Kingdom Attenberg Avengers: Age of Ultron Bad Turn Worse Beats Rhymes & Life: The Travels of a Tribe Called Quest Bellflower Big Game Birdman Black Blue Ruin Blue Valentine Bones Brigade: An Autobiography Boyhood Brick Mansions Butter C.O.G. Ceremony Charlie Countryman Child of God Cop Car CXL Dark Places Dawn Of The Planet Of The Apes Deadfall Don Jon Don't Think Twice Drive Dumb and Dumber To Embers Escape from Tomorrow Foxcatcher Frank Miller's Sin City: A Dame to Kill For Fubar: Balls to the Wall Fury Godzilla Going the Distance Gone Girl Grey Gardens Gridlocked Guardians of the Galaxy Holy Motors Holy Rollers Hungry Hearts Hunt for the Wilderpeople I Am Chris Farley Imperial Dreams In the Blood Inherent Vice Inside Out Iris Jack Goes Boating Jackass 3 Jersey Boys Joan Rivers: A Piece Of Work Joe Jurassic World Just Jim Kaboom Kill the Irishman Klovn: The Movie (Klown) Let Me In Liberal Arts Life Itself Live Die Repeat: Edge of Tomorrow Lola Versus Louder Than a Bomb Lucy LUV Mad Max: Fury Road Maggie Man of Steel Maps to the Stars Melancholia Men, Women, & Children Miami Connection Middle of Nowhere My Life Directed by Nicolas Winding Refn Nature Calls Nightcrawler Nighthawks Oddsac One & Two Only God Forgives Peep World Pincus Pricecheck Prince Avalanche Rabbit Hole Raze Robot & Frank Rosewater Rubber Rudderless San Andreas Save the Date Scream 4 Sleepwalk With Me Smashed Snowpiercer Somewhere Southpaw Spring Breakers Star Wars: Episode VII - The Force Awakens Submarine Sun Don't Shine Take Shelter Take This Waltz Teenage Mutant Ninja Turtles Terminator Genisys The Amazing Spider - Man The Bastard Sings The Sweetest Song The Cold Lands The Comedy The Equalizer The Expendables 3 The Fault in Our Stars The Gambler The Girl The Girlfriend Experience The Grand Budapest Hotel The Hateful Eight The Hunger Games: Mockingjay - Part 1 The Kids Are All Right The Kings of Summer The One I Love The Raid The Rambler The Revenant The Rover The Second Mother (Que Horas Ela Volta?)

And there are a couple of effective moments: an early scene, in which we see an advancing «army» (about four men to be honest) of zombies in the WW1 trenches is well done, and it's a shame Halperin didn't concentrate on this aspect of the story — had he done so he would have beaten the first horror movies (to my knowledge) to be set in the Trenches by some sixty years.

The story takes place in a near future where boxing has been outlawed because it is considered too violent and has been replaced by robot boxing in which 2 000 pound robots beat the bejesus out of one another.

Reflecting the decades in which the story unfolds, the assured narrative beats captured by Bernstein recall the thoughtful, expertly rendered, small - scale dramas (such as Resurrection with Ellen Burstyn or Testament with Jane Alexander) that were once produced by studios and shown by major theatrical chains.

The Program (2015): A by - the - book story about Lance Armstrong's doping scandal that suffers from the problem that plagues many biopics: namely, it operates with the understanding that we already know the real story (or most of it), so it doesn't work that hard to make the characters seem real or to make the emotional beats land with any sense.

Scenes allude to the band's gloomy inclinations, bass - driven melodies and innovative use of audio effects (one band member uses an aerosol spray can to form a beat), but the story of Joy Division is an afterthought in the movie, replaced instead by a much more routine study of depression and the effects of sudden success and touring on a marriage.

The third entry in the apparently six - part Kung Fu Panda series continues the telling of the true story of Po, who meets his biological father only after seeing his dumpling - eating record beaten by him and then battles a spirit warrior (J.K. Simmons) who returns to the mortal world after stealing Master Oogway's chi from the spirit world, the bounder!

For one thing, the story is almost a beat - for - beat repeat of James Cameron's Aliens, while the visual grammar of both the action sequences and the designs is heavily inspired by the video game likes of Gears of War.

When Boreman came out with stories of violent abuse, beatings, threats at gun point, and gang rape, she found supporters in Gloria Steinem (who, played by Sarah Jessica Parker, ended up in the cutting room), Andrea Dworkin and Catharine MacKinnon (whose radical feminism does not appear in the film, even though MacKinnon is credited as an adviser).