Sentences with phrase «story beats just»

The story beats just repeat over and over again.

Teamed with director Jonathan Levine («Warm Bodies»), she alters the expected story beats just enough to keep the proceedings unpredictable — and cover the plot holes.

Not exact matches

Instagram Stories just beat that.

There are a lot of folks who tell a story of being beaten or abused to the cadence of bible verses just like those deployed by preachers who don't consider consequences of theology.

He might get beat, but I just can't imagine someone with his story having any quit in them.

A few years down the line and this will just be another mythical story in the McGregor legend... and if he beats the odds and mounts a successful comeback?

Until the last minute of the first half we actually had the better chances, but the Ox failed to beat Ter Stegen from a few yards and that is just a replay of our story in 2016 so far.

Story for the gods... they don't need Van Persie to beat us, just get some kids off the streets in a Man U, Chelski or hell, even Monaco kit, top it up by putting the moaning one [or just about any brash folk like Berbatov] in the picture and we are in deep s ** t, our players will quake in their boots and lose the plot; we only beat Man City «cos their manager is almost as studious and gentlemanly as our prof. kindly remind me of one feisty game we've won in recent times, ok maybe Stoke [it took a broken leg to Ramsey and constant harassment before our players thought it was necessary to stand up to Stoke].

We cry from good songs, beautiful prayers, absurd stories and jokes... we're just an emotional bunch, OK??? For spending time with the fam, I'm not about the full «beat» (is that what the kids say nowadays??)

However, I'm pretty much beating myself up right now because I just went to Fashion Week and was so particular about my content, I wasn't able to share much in real time (except for on Instagram Stories!)

The ending of The Empire Strikes Back is frequently cited in this regard, but I could just as easily include several story beats in everything from Mad Max: Fury Road to The Last Jedi to Marvel's own Black Panther as creating fantastical situations that nevertheless were grounded in real human feeling.

I'm not hating on Nintendo but they are known for remaking games I will agree that super smash bros for Wii u is a fun game but its definately a remake just like GTA 5 and Last of Us both GTA 5 and Last of Us are games that have an actual story and have open worlds and are not just straight up fighting games they have more going on with them than super smash bros and I don't see how super smash bros beat out dark souls 2 I'm sorry but dark souls should be higher due to the mechanics of the game and how well it is designed but I will agree that super smash bros for Wii u was one of the better games of the year but it is not in the top 3 or in metacritics opinion the best I would put it more of top 5 of top 6 game never the less super smash bros for Wii u is not a new game and is the 4th remake of the series

And, aside from a conclusion I won't spoil except to say that it plays exactly like the meta - film twist at the end of Altman's THE PLAYER, Spielberg can't resist to inject a Gumpian «brush with history» as then Assistant Attorney General Rehnquist, a future Justice of the Supreme Court, calls to advise Bradlee the publication of the papers is prohibited by the Espionage Act of 1917 — just a beat too late to stop the story going to print.

If you are a really good story gamer like me, you would be able to just rush right through and beat it in almost no time, but this actually required some thinking and planning to get through this game.

If you are a really good story gamer like me, you would be able to just rush right through and beat it in almost no time, but this

Then trailer 3, which was just a mad, difficult to follow barrage of a million snippets of the story interspersed with people getting beaten up and shot, I was like «uh, right, too much».

The resulting temporal choppiness from not being clear from the start not only continuously takes us out of the story to try to catch up with it when we're finally given enough information for it to make sense, but it also reveals just how manipulative the device is in order to try to load up all of the emotional beats for whatever version of a climax the story can muster up.

John Wick: Chapter 2 La La Land A Brave Heart: The Lizzie Velasquez Story A Most Violent Year Adult Beginners Adventures of Power Afternoon Delight Alex of Venice All The Light In The Sky Amy Animal Kingdom Attenberg Avengers: Age of Ultron Bad Turn Worse Beats Rhymes & Life: The Travels of a Tribe Called Quest Bellflower Big Game Birdman Black Blue Ruin Blue Valentine Bones Brigade: An Autobiography Boyhood Brick Mansions Butter C.O.G. Ceremony Charlie Countryman Child of God Cop Car CXL Dark Places Dawn Of The Planet Of The Apes Deadfall Don Jon Don't Think Twice Drive Dumb and Dumber To Embers Escape from Tomorrow Foxcatcher Frank Miller's Sin City: A Dame to Kill For Fubar: Balls to the Wall Fury Godzilla Going the Distance Gone Girl Grey Gardens Gridlocked Guardians of the Galaxy Holy Motors Holy Rollers Hungry Hearts Hunt for the Wilderpeople I Am Chris Farley Imperial Dreams In the Blood Inherent Vice Inside Out Iris Jack Goes Boating Jackass 3 Jersey Boys Joan Rivers: A Piece Of Work Joe Jurassic World Just Jim Kaboom Kill the Irishman Klovn: The Movie (Klown) Let Me In Liberal Arts Life Itself Live Die Repeat: Edge of Tomorrow Lola Versus Louder Than a Bomb Lucy LUV Mad Max: Fury Road Maggie Man of Steel Maps to the Stars Melancholia Men, Women, & Children Miami Connection Middle of Nowhere My Life Directed by Nicolas Winding Refn Nature Calls Nightcrawler Nighthawks Oddsac One & Two Only God Forgives Peep World Pincus Pricecheck Prince Avalanche Rabbit Hole Raze Robot & Frank Rosewater Rubber Rudderless San Andreas Save the Date Scream 4 Sleepwalk With Me Smashed Snowpiercer Somewhere Southpaw Spring Breakers Star Wars: Episode VII - The Force Awakens Submarine Sun Don't Shine Take Shelter Take This Waltz Teenage Mutant Ninja Turtles Terminator Genisys The Amazing Spider - Man The Bastard Sings The Sweetest Song The Cold Lands The Comedy The Equalizer The Expendables 3 The Fault in Our Stars The Gambler The Girl The Girlfriend Experience The Grand Budapest Hotel The Hateful Eight The Hunger Games: Mockingjay - Part 1 The Kids Are All Right The Kings of Summer The One I Love The Raid The Rambler The Revenant The Rover The Second Mother (Que Horas Ela Volta?)

Audiences are extremely familiar with the kinds of story beats that drive not just these «new» programs but the hundreds that came before them; buddy - cop and spy - guy moves have been remixed and repeated for decades, but these derivative works ignore that reality.

But on the other side of things, while it isn't an origin story, it actually still manages to hit a lot of the origin story beats that we're used to, just with a slight adjustment to them.

The finale is preordained, as the film moves toward an ending that sets up Carpenter's beginning, but the story beats along the way are just as familiar.

If the plot sounds familiar, it's because the movie follows the same basic story beats of the original, and while that's not as problematic as it would be for most sequels — after all, these guys are so dumb they transcend logic — there's something that just feels off about this installment.

The fast paced nature of the story means that a lot of the emotional beats and character development that are seen in the anime lose their impact here, but it also makes it easier to experience the game if you are playing it as a fan, just to witness some of the epic boss fights.

This is just the central thread in an increasingly tangled story: there's also Anne Hathaway as a slinky, burgling Catwoman, Joseph Gordon - Levitt as a square - jawed beat cop and lots of confusing financial shenanigans with the shareholders of Wayne Enterprises.

Just following the main story beats will always place you at an underleveled disadvantage, so Chronicles X offers you an endless supply of fetch, Affinity, and kill sidequests that have the secondary objective of grinding you to the proper level to continue the main plot.

I remember Mario party 4 was one of the first Mario games I had ever played it was really fun and a good game to play with friends even though I technically played it by myself however one thing that I never did was beat story mode with all characters I always just did one character and played everything else that was unlocked

But it feels like just another story beat, rather than a revelation that should open the film up dramatically for dissection.

It may just suffice as a sun kissed slice of distraction but in reality, there's not a beat of this story that isn't predictable or even tries to subvert the overly familiar.

If anything, these longer cuts show just how effectively Demme was at expressing the same character and story beats more efficiently in the final cut.

The two standouts that make Get On Up a film you must see is the galvanizing performance by Chadwick Boseman, utterly transfixing as the «hardest working man in show business,» with moves and attitude that must exist deep within the actor and assure him an Oscar nom, and the music, which infuses the story not just with authenticity, but with an electricity that insures if you don't move to the beat, you are a corpse.

But just in case you find the game too difficult, try playing on an easier setting as Dark Witch Music Episode: Rudymical has four available (Easy, Normal, Hard and Lunatic, but Lunatic can only be unlocked by beating every stage once), you can of course skip the 1 Player story mode and try out the split screen co-op mode instead, as you and a friend go toe - to - toe against the bosses you couldn't beat, armed with a single Joy - Con Controller each.

AM: There's one big one: not to repeat the first movie, not to do that thing where you just recycle the same story beats as the first one.

While the game traditionally has just been a beat - em - up, the new game adds an additional story mode which can be played through with a buddy.

Add to that a cavalcade of clichés from the local color that reads like a Chamber of Commerce video (jazz bands, an overdose of zydeco flavoring in the score by Ry Cooder wannabe Steve Mazzaro, Bobo's swamp house that's apparently just down the bayou from Jason Statham's in «The Mechanic») to the utterly predictable story beats, and you've got a thoroughly generic movie that can only sporadically provide even gut - level thrills.

Not a huge negative, just what one expects out of an origin story by hitting all of the beats without excelling in any area.

Just in case you couldn't figure out the story beats from that trailer, here is an official synopsis (courtesy of Icon Films):

Starting off small, you take odd jobs here and there, the game gives you several story missions that involve doing slightly different tasks, some lap knockouts, some straight up racing, some pursuits and some assassinations (essentially just a beat»em up).

The story just jumps around from beat to beat too quickly and Affleck, as the director, never gives the audience the chance to fully get enveloped in the deeper story, he just keeps pushing it along like a glitzy Hollywood crime thriller, not an intricate crime drama (which I know he's capable of, because I saw it Gone Baby Gone).

Just beat the story mode which I thought was okay and the mission mode is good to learn the combos.

From Conor McGregor having only just been arrested and charged after he literally beat up a bus, to our roundup of 2018's best April Fools» jokes, this week's selection of hilarious reader comments saw our loyal readership rise up in true form to lambaste the aforementioned stories, as well as a few others.

Just know that the comedy and drama don't merely co-exist; they are one and the same, arriving in an endless stream of surprising story beats that concurrently shock and dazzle.

The story of an education crisis in the world - beating U.S. economy just doesn't make sense.

Stories like this really are sad, I'm just happy Speckles beat the odds and survived.

The thing about AER, though, is that the story is just so fascinating and the exploration so intriguing that it's beating virtually anything else that I played in 2017.

I mean that's one of the biggest downsides with that game along with it's questionable gameplay and along with the really terrible main story I absolutely hated what they did with the main quest but I absolutely love the side quest of just randomly going town to town beating a bad guy for the citizens.

Starting off small, you take odd jobs here and there, the game gives you several story missions that involve doing slightly different tasks, some lap knockouts, some straight up racing, some pursuits and some assassinations (essentially just a beat»em up).

If for you, beating the game means defeating the final STORY boss and just following the STORY without fighting any UMs, then you really don't need to get too far into the combat system.

Unfortunately, once you beat a level, you can't go back to it without restarting the story, which felt just a little unfair.

I beat the game yesterday, and I remembering thinking to myself during the final scene, «if this was a well - told story, this ending may have been beautiful,» but as it was, I was just excited that I finally reached the post-game and thus the final level of the Crystarium.

Granted, I just beat the prologue, so I know I've barely tasted the title, but the style is cool, the story is interesting, the battle system is intriguing and the voice acting is complete shit.