You'll probably crack a brief smile during the opening
story book cinematic, but shortly after that you'll likely be filled with rage, frustration and absolute disbelief.
Not exact matches
Recalled in Laura Hillenbrand's 2010
book and here made grandly episodic in the manner of
cinematic versions of the Bible and The Hobbit, Louie's
story is ideal for such epic scale, yet it's also too complicated to be reduced to such notorious generic confines.
Set on the world of Sakaar — known dearly to comic
book fans as the world the Hulk gets whisked off to in the now classic
story arc «Planet Hulk» — Thor: Ragnarok and its location open up unlimited potential for the Marvel
Cinematic Universe; it is also the planet where the Hulk had his son, Skaar, after all.
Depending on how you look at it, the Marvel
Cinematic Universe took upwards of 45 years to piece together (counting the company's comic
book origins), but according to the filmmakers entrusted with the next stages of the
story, its deconstruction has already begun.
At a recent roundtable interview, Anderson and production designer Adam Stockhausen talked about how the project first came together, what inspired the
story, the influence of Viennese writer Stefan Zweig's work on the multi-layered storytelling approach, their collaboration on the vision for the movie, how they created this rich, lush
cinematic world and brought the audience into it, how Anderson cultivated a communal atmosphere on set and made available a large selection of
books and films to the cast during production, Stockhausen's favorite day of shooting, and the challenge of using different aspect ratios.
While the literary fans will most likely be split as far as how Yates and Goldenberg have chosen to adapt the Rowling opus, fans of the movies can finally have something to smile about, and one can only hope that future film versions will continue this new trend on sticking to the basics to tell a
story in an appropriately
cinematic fashion, leaving the side
stories and whimsical superfluous characters better left to the realm of the richly - developed
book forms.
With the
story of Days of Future Past being that of a tale of time travel, from the outset and confirmation of the film's subtitle Singer explained that this project would strive to explore the larger X-Men universe and draw from grander
stories from the
books, taking inspiration with what Marvel Studios has done with their unified
cinematic universe.
But as the many of us who have now read it can attest, the
story in the
book is also peculiarly
cinematic, as an ordinary German man and his wife (played by Brendan Gleeson and Emma Thompson, respectively) are motivated to acts of quiet but resolute and extremely dangerous resistance to Nazi power during WWII.
Telling the
story of the 1996 expedition to Everest documented in Jon Krakauer's
book «Into Thin Air», Everest is a
cinematic version of that
story - being presented in IMAX 3D in many locations worldwide.
Although I do realize that Rodriguez was trying to capture the look and feel of threedistinct
stories from the
books they are based on, it probably would have helped the
cinematic flow if they overlapped each other, instead of playing out sequentially.
Lesley Coffin: When you optioned the
book, did you talk about ways to make the
story feel «
cinematic» and allow Carrie to express herself without relying on voice - over narration to mirror the character's internal dialogue?
Filed Under: Gary Collinson, Movies, News Tagged With: Alice in Wonderland: Through the Looking Glass, Ant - Man, Captain America: Civil War, Doctor Strange, finding dory, Guardians of the Galaxy 2, Marvel, Marvel
Cinematic Universe, Pirates of the Caribbean: Dead Men Tell No Tales, Star Wars, Star Wars: Episode VIII, Star Wars: Rogue One, Star Wars: The Force Awakens, The Jungle
Book, Thor: Ragnarok, Toy
Story 4
«I don't think there's a lot that we couldn't do someday, as the
cinematic universe continues to grow and expand and get as big as the comic
book universe,» he said, adding, ««Planet Hulk» is a cool
story.
He's the novelist and film maker who co-founded Red 14 Films a literary trailer production company that creates live action
cinematic book trailers to capture the plot, voice and tone of a
story without compromising the reading experience.
It's a self - published author's dream come true: Imagine having enough faith in your
story that you take the leap and self - publish — and then your
book not only flies off the shelves, it's turned into a
cinematic piece of art!
Book tells you a great
story for your imagination, movies tells you a great
story for the visuals, but games, games tells you a
story, not through
cinematic or graphics, but through gameplay.
Their latest upcoming title will breathe some new life into the Spider - Man
story as this video game title will not be linked to any past comic
books or
cinematic movies.
The
book is currently boasting over 400 full colour pages featuring an updated
story, with balanced rules and artwork from Scott Harben — a
cinematic illustrator whose work in blending photography with imagination has been heralded throughout the Kickstarter page.
The game's
cinematic story mode finally closes the
book on the hilariously dysfunctional Mishima family, explaining why its members are always trying to kill one another across a series of slick action sequences.