... By the final episode, which I won't spoil but which touches on themes of forgiveness,
her story feels richer than many dramas.
Not exact matches
«I'm working with a wonderful new business... it's currently a rags to rags
story but I
feel sure the
riches part is right around the corner.
For me about half the book
felt fairly useless since I didn't intend to go into real estate (and he focuses on that heavily, not just on the one chapter but throughout the whole book), and I also am turned off by
stories that are purported to be true but you're not sure if they are (ie, as mentioned the whole «
rich dad» scenario).
We
feel like it could've told a
story or deliver a deeper,
richer experience, but it
feels like a solid foundation for the studio.
He gets performances that
feel genuine and
rich, giving us heroes and villains that are more complicated than the
story would suggest.
His whole idea was he just
felt that two hours wasn't enough time to tell a Jack Ryan
story because Tom Clancy's books are so detailed and
rich, and the character of Jack Ryan if he has a superpower is his intelligence, so there's a lot of problem solving and things that take time, and that's the beauty of the spy genre.
In his review for the Los Angeles Times, Justin Chang wrote, «Director Patty Jenkins and her collaborators have taken the well - worn superhero origin
story and invested it with a
rich, sometimes revelatory depth of
feeling.»
Though the operatic dissonant relationship between Jean Valjean and Russell Crowe's Javert does prove to be compelling opera as it weaves throughout the rest of the
story, the film's second act focus on the
story of
rich pretty boy Marius (Eddie Redmayne, whose singing voice is 45 percent Kermit the Frog) falling for Cosette (Amanda Seyfried) at first sight doesn't register nearly the same amount of urgency,
feeling like a silly problem that doesn't fit into the
story's near - apocalyptic presentation of revolutionary France.
And in the end that's a shame, as the world of Conan Exiles is the star of the show thanks to its
rich and varied environments that encapsulate the look and
feel set in Howard's
stories.
It was this
feeling I had while mulling how to react to Sabrina Tavernise's front - page New York Timesstory from last week, «Education Gap Grows Between
Rich and Poor,» a
story which generated a great deal of attention.
With most books, I
feel that it is a
richer story to get multiple points of view, but this book is all Ginny, starting with the title.
Peter Bognanni's The House of Tomorrow is a fresh and creative novel that I truly enjoyed reading... The plot of the
story isn't particularly fast - paced or driving, and at times it
feels slow, but [the novel] is more about the
rich conversations people have while practicing musical instruments together, how sharing CDs can be a window into someone's soul and how shared situations create a deep bond between people even if they don't always treat each other right, just like Sid and Nancy.
If he or she wants readers to fully enter the
story, and come away
feeling richer for that, then I think likability matters; likable doesn't mean perfect, but I need to connect with a character in a positive way at least some of the time.
«Delinsky nails it in her trademark latest, a captivating and moving
story about a woman who's had enough of her life and wants a fresh start... [She] keeps the
story moving with some nice twists on a familiar plot,
rich characterizations, and real -
feeling dilemmas that will keep readers hooked.»
For example, there's a character in the
story named Simon
Rich, and the pickled immigrant is his great - great - grandfather, and if you think that sounds too silly to be very funny, then maybe you should fall into a vat of something vinegary and see how it
feels.
She sweeps her listener away with her
rich tone; she lets listeners
feel as if they actually are seeing her
story unfold.
-LSB-...] Bookmarks: del.icio.us, digg, reddit Over at I Will Teach You To Be
Rich, Ramit is collecting
stories about debt, and as the first anniversary of my financial armageddon approaches, it
feels like the right time -LSB-...]
Each room has a unique
feel and is just as
rich with
stories to tell as the characters themselves.
Rich possibilities of gameplay mechanics allow a player to
feel being a hero of different
stories ranging from treasure hunt to fighting for the throne.
Boat
story time was my favorite part of the game along with just taking in the immersive visual backdrops, imo its more like an interconnected hub world where everything looks and
feel much grander in scale then it really is and its done very well in that aspect GOW is essentially to different games at the same time, a great storytelling quiet time with
rich lore on the one side and brutal precise hard hitting combat on the other, mixed up with perfect pacing and a couple of epic cliffhangers at the endd
Had TT used their newfound voices to create a
rich Batman tale, then I would have happily accepted the addition of voices without question, but since this is very much a kids
story, as it should be, then it
feels like the voices simply weren't required and that the lack of miming and mimicry have taken away from the charm of the series a little.
It is a big game and it
feels like one, with a
rich story that draws you in and gives you a great experience that encapsulates the previous game for new players and rewards players who are already fans of Castlevania.
It's newest game, Dragon Age: Inquisition, gave fans a
rich story and unforgettable characters that made you
feel like part of the
story.
We have built upon past success by dramatically improving the
feel of combat and creating a
richer, less linear world and
story, while improving upon the loot and skill systems that made TQ great.
The
story and characters are so
rich that you
feel compelled to play through the game for their sake.
The Witcher 3 showed that sidequests can be
rich, self - contained short
stories that don't
feel like filler.
The focus on
rich and well developed characters thrown into a terrible situation is compelling and even when the gameplay
feels lacking, the
story and visuals draw you back in and force you to push forward.
While today's games feature way deeper and
richer stories, I really liked the world that Gunstar Heroes painted because it really did
feel like a weird sci - fi inspired manga / anime.
The
story of abstract painting after Pollock — despite the
feeling many people have that Pollock marked an endpoint — is very
rich and very long.
Factor in a
rich, RPG - like
story mode, plenty of online options, and heaps of fan service moments both in and out of battle, and FighterZ is the ultimate game for anyone who wants to
feel like a Saiyan.
The techniques, tactics and
stories make this a
rich, must - read for anyone who
feels like they should be more outgoing, but isn't quite sure how to do it, or if they are being dishonest with themselves.»
Celebs and super
rich people often have extravagant homes with over the top spaces and I think the rest of us
feel that way about our two
story living rooms.