Not exact matches
If oil is all that really matters in the economic
story of the Harper years, I'm not sure how to
fit certain staggering sums into the
narrative.
We learn to grasp the plot of God's
story, and how we might
fit into this ongoing
narrative of heaven.
During the long period when these
narratives were regarded as historically accurate, based, as it was thought, on the memories of the apostles, all kinds of ingenious explanations were offered in an attempt to
fit all the
stories into one composite and complete picture.
Much has been made in the past decade or so of the historical - redemptive
narrative: the belief that the
story of God and His interactions with His people
fit into four categories (or stages) we call Creation, Fall, Redemption, Consummation (or shalom).
But their
stories fit a larger
narrative.
Lots of folks running around making up
stories with no factual basis because they
fit a certain
narrative.
Nor did the judges see any truth in these
stories; to them they
fit a stereotypical refugee
narrative, most likely sold to the refugees by asylum
narrative specialists so their claims were not approved.
In reality, Sputnik tends to publish
stories that Western media would not because it does not
fit their
narrative.
Stages also
fit well into a chronological sequence where
stories have set
narrative patterns.
Choose the variation on the pose, ranging from gentle to fiery, to
fit the
narrative of your personal
story on the mat today.
Hormonal
stories are hard to
fit the human desire for
narratives.
It's a lot of fun to play in the open world and the gameplay mechanics are fantastic, but the
story kidnaps you and railroads you into a very strange
narrative which doesn't really
fit all that well with the rest of the gameplay experience.
Though it does have its own version of a three - act structure, this film is not a conventional
narrative that will
fit into a tidy box and it's not a
story so much as an experience.
Films that might have
fit this putative strand included the charming but overlong Timeless
Stories, co-written and directed by Vasilis Raisis (and winner of the Michael Cacoyannis Award for Best Greek Film), a
story that follows a couple (played by different actors at different stages of the characters» lives) across the temporal loop of their will - they, won't - they relationship from childhood to middle age and back again — essentially Julio Medem - lite, or Looper rewritten by Richard Curtis; Michalis Giagkounidis's 4 Days, where the young antiheroine watches reruns of Friends, works in an underpatronized café, freaks out her hairy stalker by coming on to him, takes photographs and molests invalids as a means of staving off millennial ennui, and causes ripples in the temporal fold, but the film is as dead as she is, so you hardly notice; Bob Byington's Infinity Baby, which may be a «science - fiction comedy» about a company providing foster parents with infants who never grow up, but is essentially the same kind of lame, unambitious, conformist indie comedy that has characterized U.S. independent cinema for way too long — static, meticulously framed shots in pretentious black and white, amoral yet supposedly lovable characters played deadpan by the usual suspects (Kieran Culkin, Nick Offerman, Megan Mullally, Kevin Corrigan), reciting apparently nihilistic but essentially soft - center dialogue, jangly indie music at the end, and a pretty good, if belated, Dick Cheney joke; and Petter Lennstrand's loveably lo - fi Up in the Sky, shown in the Youth Screen section, about a young girl abandoned by overworked parents at a sinister recycling plant, who is reluctantly adopted by a reconstituted family of misfits and marginalized (mostly puppets) who are secretly building a rocket — it's for anyone who has ever loved the Tintin moon adventures, books with resourceful heroines,
narratives with oddball gangs, and the legendary episode of Angel where David Boreanaz turned into a Muppet.
It's those
narrative conveniences that make «In Darkness» feel slick and worked over - the sense that an immensely powerful
story of survival has been cut to
fit the cloth of a by now well - established genre.
The use of certain tropes in the
narrative are also glaring given the film's inertia — when Dovid starts to read a succession speech from a piece of paper, only to go off - script in a
fit of frustration — one can't help but wish that Lelio had taken more time to craft his love
story adaptation by thinking through the enormity of every small artistic decision.
In the case of Nebraska, while it's no journey to Mt. Doom or Battle Royale, Woody Grant (Bruce Dern)'s mission to get to Lincoln, Nebraska to claim his prize money of one million dollars in any way possible is very much a moving
story that uses actors who don't necessarily jump off the screen but are perfect
fits for the
narrative at hand.
Where so many docs are content to
fit into simple categories, often attempting to mimic the
narrative formulas of fiction films,
Stories We Tell embraces the form and then reaches beyond its usual confines.
The initial challenge, and this involved going back to the drawing - board on some songs, was to find the right people to help us find a lyrical language that was poetic enough, that was unfussy enough to
fit with the naturalism we were going for, and craftsmanlike enough to do what theatrical lyrics do, which is continue to tell a
story, so that musical numbers aren't just pauses in the
narrative.
I'm obsessed with this character and this
story right now, and I think it's going to be very unique and still
fit into the overall
narrative that they're establishing.»
The game is, on the surface, an open - world urban adventure title that
fits in pretty well alongside contemporary examples of the genre (GTA, Saints Row, etc); you've got
story missions that move the
narrative forward and side missions that offer some sort of bonus to your stats or inventory, all conveniently labeled with radar blips on the maps of the sprawling cities you can explore.
Debut co - writer / director Michael Carney doesn't have much of an eye for any of this saga, which includes a «Blind Side» - like
narrative that transitions into a weepy sickness tale
fit for Nicholas Sparks that I won't spoil, but the true
story aspect is a type of preservation itself.
Determined to
fit some morals into the
story, we spend some time with the amusing bee colony and then shake up the
narrative by introducing the humans.
The Lord of the Rings trilogy benefited greatly from characters being dropped from the
story because they didn't
fit the
narrative arc of the project but in this case Jackson and his screenwriters raided Tolkien's notes and appendices from other
stories to pad out what is essentially a very simple tale into a sprawling epic.
Despite some acknowledgement that the storyline has been contorted to
fit a traditional
narrative story arc, and the fact that we know where the
story is eventually going to lead long before all of the pieces come into play, Belle hits the right notes at the right times to please fans of «hoity - toity» period piece dramas.
First off, the writers modify the parent trigger law to
fit the
story's
narrative arc.
At the same time, his
story fits neatly into another master
narrative, one about the decline of federalism in the United States.
I thought the author failed to take advantage of the culturally established traits of the golem and jinni, changing their natures to
fit her
narrative rather than sculpting the
story to
fit the characters.
The prologue's
narrative content could not
fit within the structural context of the
story which made a prologue necessary — in a speech before the
story began.
Thirty Flights of Loving turned the first - person game
narrative on its head with no expository dialogue, telling its
story entirely through its actions and environments, and employing enough jump cuts to make Godard have a
fit.
The
story in a sandbox game is always the toughest thing to balance, as a strong
narrative usually
fits a open world as snugly as a supermodel in a over-sized muumuu.
Rather, it's an alternate take on the events of that game while telling a new
story with new characters and ideas, done in a way that
fits fairly well with the existing
narrative.
Bungie also expands on a small part of the Destiny universe in its
story of the Iron Lords, how Lord Saladin and the Iron Banner Tournament
fit into the scheme of Destiny's
narrative.
If you look at just the gameplay that's been shown so far, you may think of it as a reboot at first, but the
story and
narrative have shaped up to
fit the series as a numbered title.
With Paul's ability to look into the past, the game eschews traditional linear
narrative structures, instead encouraging you to explore the environment at a more methodical pace, piecing together the
story as you see
fit.
It's a bit of everything I feel, and that should hopefully
fit in with the
narrative and pace of the game — as I feel this could have a great
story due to the cold war feel to it.
While the HD systems are receiving a new Prince of Persia title that
fits into the
narrative gap between last generation's The Sands of Time and The Warrior Within, the Wii version of The Forgotten Sands is a stand - alone
story with its own unique mechanics.
«Minerva's Den is a substantial addition that will give players more of what they're looking for: more
story, more
narrative, more gameplay and more of Rapture.Minerva's Den will be a
fitting conclusion to the BioShock 2 saga.»
Stimulated by existential queries and investigations into what - ifs, each one of his artworks acts as a vessel to tell a new
story, all collectively
fitting into an overarching
narrative where fictions and realities collide.
5) Ditch your
story if it isn't actually there: Sometimes people have an idea for a data
story and try to retroactively make their data
fit that
narrative.
Meleko Mokgosi (b. 1981, Botswana) makes figurative paintings that
fit together to form «chapters» in large installations that suggest
stories or
narratives.
Because we're hardwired to interpret facts in terms of a
story, Mr. Taleb explains, we erroneously exclude information that doesn't
fit our preferred
narrative.
I think filmmaker Josh Fox is exactly right to say, as he does in «The Sky is Pink,» that gas industry denials of harm
fit into the
narrative template of the tobacco
story.
Those things are important in showing that you're qualified to practice, but they should
fit into an overall
narrative that tells the
story of who you are, how you approach your practice, and why you're the right person to handle that client's case.
But if verbal sworn evidence is self - contradicting does rise to the level of proof to show that not only does the
narrative not
fit but that the
story was fabricated?
This idea that we make our own truth and tell our own
stories to make sense of the world is an excellent
fit for
narrative therapy.