Sentences with phrase «story form by»

Regarding the latter initiative, 10 % of the profits of the new joint venture Mealtime Stories formed by Kraft Heinz and Oprah Winfrey have to market «O, That's Good!»

So then the science becomes weak because it is constantly constrained to steer towards an impossible position (the story formed by the core narratives).

Not exact matches

The author admitted to fans of the story — both in written and televised form — that there may be some aspects of the novels that are spoiled by seeing the acted adaptation first, but also acknowledged how the story differs between the two mediums.

We're creatures of narrative, and our memories are especially pleased by anything that takes the form of a story.

ICC ® Property Management Ltd. is also featured in the book by Michael Caldwell: «The Corporate Wizards» An Inspiring stories of Canadian entrepreneurs who take company building to a high art form.

Formed by a group of industry pioneers who have been tied to many of Alberta's technology success stories, the organization now has over 75 members across the province.

The Christians that would have us believe that stories by non-Christians are a form of escape from the real world have not been paying attention to what is being said in those stories.

Tolkien says it best: «It is the mark of a good fairy - story, of the higher or more complete kind, that however wild its events, however fantastic or terrible the adventures, it can give to child or man that hears it, when the «turn» comes, a catch of the breath, a beat and lifting of the heart, near to (or indeed accompanied by) tears, as keen as that given by any form of literary art... In such stories, when the sudden «turn» comes we get a piercing glimpse of joy, and heart's desire, that for a moment passes outside the frame, rends indeed the very web of story, and lets a gleam come through.»

But regarding the creation story, it makes specific factual claims (albeit, internally contradictory when comparing the two different creation narratives) regarding the order of creation which are directly contradicted by observable, physical evidence, e.g. earth before sun, the order of the appearance of particular forms of life, etc..

Christian missionaries in Mughal India were constantly trying to present the Christian faith not only by writing in Persian (the language of the Court) but also by telling the Christian story, for example, through the painting of miniatures, a notable art form at the time.

From my personal experience of loss as well as from my work as a counselor, my hope for women who've suffered through miscarriage, infertility, or other forms of loss is that we will see our stories accurately rather than through a cloud by condemnation.

To see belief not as a set of beliefs but as a story, an experience of coming to belief, means that theological reflection ought itself to be shaped by the story, take to itself, both in form and content, the story.

Still other material was found and used by Mark, including some that is clearly legendary — that is, «popular» stories handed down orally in extended form, and not necessarily all of them really Christian in origin — for example the great legends of the Gerasene demoniac, 5:1 - 20; the death of John the Baptizer, 6:17 - 29; the walking on the sea, 6:45 - 52; and the cursing of the fig tree, 11:12 - 14, 20 - 25.

Moreover, as William Beardslee insists, the story form tells the individual «where he has come from and where he is going,» since «by creating its own ordered world, wherein through struggle and action an end is achieved, the story expresses faith in the ultimate reality of order and life.

What is he allowed himself to be crucified (by not commanding or otherwise organizing a political kingdom or other form of resistance) because he knew from stories and other traditions (or even the Jewish tradition) that a prophet / king is only understood for so long and gradually the religion that spawns from that individual corrupts into something that the prophet never would have wanted.

In the following two chapters, I shall examine more precisely the various forms that parish stories assume and show how by observation and inquiry one can explore the setting of a congregation's narrative.

The latest episode in this long and continuing story was frst fully broken shortly after the Synod's decision in July by The Catholic Herald, who had a long news piece, an article by «fying bishop» Andrew Burnham (who had just returned from discussions in Rome), and an opinion piece by Damian Thompson containing «well - informed» speculation as to the shape of any agreement over some form of corporate solution to the Anglo - Catholics» problem.

Human imagination as a whole provides the particular idiomatic and narrative construction of a congregation; its members communicate by a code derived from the totality of forms and stories by which societies cohere.

The taking of case histories in the form of listening to stories of faith journeys not only increases the capacity of the pastor to understand and serve the parishioner but also tends to stimulate maturing in the faithful by raising to consciousness the crucial factors in maturing.

By using this technical Whiteheadian language, the basic idea may seem more complex than it is: in fact, what is being said here was discussed earlier in relation to Dominic Crossan's idea that stories can either form world (myth) or transform world (parable).

Impelled by a need to find the roots of their form of Mormonism, leading historians of the Reorganization have embarked on an exercise in higher criticism, subjecting to close scrutiny Joseph Smith's story and Mormon scripture as well as the two official versions of church history.

Much of the damage that has been done to Catholicism in recent decades — by the abuse scandals, by the ongoing horror stories of mid-twentieth century Catholic life in Ireland, by forms of intellectual dissent that empty Catholicism of the patrimony of truth bequeathed to it by the Lord, by the counter-witness of Catholics in public life who fail to stand firm for the dignity of the human person at all stages of life and in all conditions of life — is a matter of self - imposed wounds, which Church authorities have an obligation to address.

He then concludes by commending, as the solution, a return to a fairly traditional form of the Christian story, even suggesting that «Jesus embodies and transcends the post-modern sensibility».17

The apostolic Christian fellowship by whose interest and by whose memory this story came to be told — and here the contribution of form - critical and redaction study of the New Testament material is enormously helpful to us — did not use the incident as an interesting bit of historical information.

Was there a time when the story of the burial by Joseph was told by itself without being followed by what now forms the sequel?

«By the time of the writing of the gospels,» notes C. F. Evans, «it had disappeared, leaving behind no more than an echo, and that not in narrative but in credal form («The Lord is risen indeed, and has appeared to Simon»), which Luke has some difficulty in attaching as an awkward pendant to his Emmaus story.»

The film — which is based on a novel by William Paul Young — tells the story of a grieving father who meets God in the form of three individuals who represent members of the trinity.

It is unlikely that any of the stories in the form in which they have come down to us were created by one man.

Here we have no other version to help us reconstruct the original form of the parable, but the task is not difficult, since the tradition has sought to make the parable edifying by means of additions at the conclusion rather than by allegorizing the story itself.

Concert in an Egg, in regards to Genesis 1:27, which was written by the Priestly Source, stating the first man and woman were created simultaneously, whereas the Genesis 2 creation story, written by the Yahwist, which is the older of the two creation stories, has Eve formed from Adam's rib, there are other early Jewish myths that provide an explanation, i.e., that Eve was not the first woman Yahweh provided for Adam.

This kind of study is termed Form Criticism because it began by studying the structure of the stories and sayings and proceeded to infer their functions in the community.

After the story broke and public opinion wondered why these criminals were treated so leniently, the bishops then made the equal and opposite mistake: having been burned by being too merciful, they turned around and zealously applied the strictest justice, in the form of «zero tolerance» policies.

If there is a historical nucleus in the story, the symbolism of its present form may have been added by Mark or by one of his predecessors.

The prominent place evil assumes in the stories broadcast by the electronic church indulges our need for this strange form of «beauty» without granting us an enabling vision.

Probably the first soma group in a parish should form by personal invitation from the pastor after he or she has heard enough faith stories of prospective members to be reasonably sure they are ready with the elements of experience and consciousness that characterize a soma group.

Essentially, the church was formed by Rome thanks to the salesmanship and editorial skills of Paul, who by his writings and interpretations of the various fables and stories surrounding the Jewish rabbi known as Jesus, was able to «de-Jew» those earliest Christian beliefs, thereby making them into something more palatable to the masses, and ultimately to the Roman Emperor Constantine, whose mother converted to the new religion before her death.

Everything of enduring significance that ancient Israel became, believed, and proclaimed is ultimately influenced not only by what actually occurred in the time of the exodus, but by the story of the exodus — the story as it was first remembered and repeated; the story as it assumed relatively fixed classical forms in different areas, in the North or South; the story as its multiple versions, written and oral, were compared, mutually «corrected,» and finally composed into the single, unified narrative that is before us now.

This is the whole point of form criticism — or tradition criticism, as it ought to be called: the units in the evangelic tradition were handed down orally, in separation, and in the form given them by the earliest preachers and teachers of the gospel, the «gospel» being, not the total story of the life of Jesus, but the proclamation of the message of salvation through him, a salvation fully to be effected in the future, though it could be realized in anticipation even now, before the final Parousia.

We are story - formed, and those of us who are Christians are formed (or transformed) by the Christian story.

It is of course God by whom victory is snatched from the seemingly vastly superior Egypt; but the form of the present story evidences huge enjoyment of sophisticated Egypt's embarrassment and humiliation through the instrument of the rough Hebrew.

Story is also the form by which corporate experience is in the first instance perceived.

The relationship between theological liberalism and cultural optimism is, however, by now an old, old story, so let us leave the external historical circumstances and return to more purely academic and theological considerations, of which the next to concern us is the rise of form criticism in the 1920s.

Many of the stories are nothing but old beast fables adapted to Buddhist purposes simply by having the Buddha in a former birth take the form of one of the beasts of the fable.

By turning together toward the Lord - who - comes — now, under the forms of bread and wine; later, as the Risen Lord who will hand everything over to the Father so that «God may be all in all» (1 Corinthians 15.28)-- the praying Church would be regularly reminded that Christians are the people who know how the world's story is going to turn out.

Neiman Marcus Cookie Recipe I'm sure you have all by now heard some form of the story of the «Neiman Marcus Cookie Recipe».

Every Grain of Rice — authentic Chinese home - cooking Breakfast for Dinner — sweet and savory breakfast combinations re-purposed for dinnertime The Little Paris Kitchen — classic French cooking made simple enough for every day by TV star Rachel Khoo Sicilia in Cucina — gorgeous, dual - language cookbook focused on the regional flavors of Sicily Venezia in Cucina — sister book to Sicilia in Cucina, but focused on Venice Vegetable Literacy — highly informative vegetable cookbook / encyclopedia, a great resource for enthusiastic kitchen gardeners The Chef's Collaborative — creative recipes from a number of chefs celebrating local, seasonal produce Home Made Summer — a sequel to Home Made and Home Made Winter, packed with simple, summery recipes that make the most of the season's bounty Try This At Home — a fun introduction to molecular gastronomy techniques through the ever creative eyes of Top - Chef Winner Richard Blais Cooking with Flowers — full of sweet recipes that can be made from the flowers in your neighborhood, like lilacs, marigolds, and daylilies Vegetarian Everyday — healthy, creative recipes from the couple behind Green Kitchen Stories The Southern Vegetarian — favorite Southern comfort food classics turned vegetarian by the folks at The Chubby Vegetarian Le Pain Quotidien — simple soups, salads, breads, and desserts from the well - loved Belgian chain Live Fire — ambitious live - fire cooking projects that range from roasting an entire lamb on an iron cross to stuffing burgers with blue cheese to throw on your grill True Brews — a great, accessible introduction to brewing your own soda, kombucha, kefir, cider, beer, mead, sake, and fruit wine Le Petit Paris — a cute little book of classic sweet and savory French dishes, miniaturized for your next cocktail party Wild Rosemary & Lemon Cake — regional Italian cookbook focused on the flavors of the Amalfi coast Vedge — creative, playful vegan recipes from Philadelphia's popular restaurant of the same Full of Flavor — a whimsical cookbook that builds intense flavor around 18 key ingredients Le Pigeon — ambitious but amazing recipes for cooking meat of all sorts, from lamb tongue to eel to bison Pickles, Pigs, and Whiskey — a journey through Southern food in many forms, from home pickling and meat curing to making a perfect gumbo Jenny McCoy's Desserts for Every Season — gorgeous, unique desserts that make the most of each season's best fruits, nuts, and vegetables Winter Cocktails — warm toddies, creamy eggnogs, festive punches, and everything else you need to get you through the colder months Bountiful — produce - heavy, garden - inspired recipe from Diane and Todd of White on Rice Couple Melt — macaroni and cheese taken to extremes you would never have thought of, in the best way possible The Craft Beer Cookbook — all your favorite comfort food recipes infused with the flavors of craft beers, from beer expert Jackie of The Beeroness

Story and Photos by Paul Ross Recipes: Pit Pig Roasting Underground Polynesian Pig Rub South Pacific Barbecue Sauce Poisson Cru Controlled burning was the first and is still one of the most popular forms of cooking, as evidenced by Neolithic (Cro - Magnon) finds and modern (Pro-Mignon) beef grilling.

In a report commissioned by the BCA, consultants McKinsey said dairy was «a story of squandered potential», and pointed to the success of New Zealand's Dairy Industry Restructuring Act, which formed Fonterra.

«We are delighted by the response this year, and look forward to this special time to learn from each other, share our stories, form networks, and collaborate.»

You get in the team by being in outstanding form or if the coach favours you (honestly I don't believe these stories with Wenger favouring anyone but I will accept your point even if you have no proof to back it).