Sentences with phrase «story form with»

All of this means that despite a few small drawbacks, I believe Knight shows us a true mastery of the short story form with Eveningland, and I certainly recommend it.

Not exact matches

Dig Deeper: Choosing the Limited Liability Company as Your Corporate Form Case Study: Why an S Corp Might Be the Better Choice While Turner's story is a compelling one for a smaller, lifestyle business, the truth is that fast - growing businesses that plan to bring on investors or share the ownership of the company with employees may need to consider making the switch to an S corp sooner rather than later.

Her fans connect with each other through the stories they share in the comments and often form friendships in real life.

Pensco has a success story of a young entrepreneur who put $ 1,800 into a self - directed IRA and, along with some friends who also invested their modestly funded IRAs, formed a company.

Avago Technologies, a chip company formed after the spin out Agilent's chip division, is seeking to expand its business with the acquisition of another semiconductor firm and has explored deals with Xilinx, Renesas Electronics and Maxim Integrated Products, according to a story in Reuters.

Stunning revelation over alleged affair... Cambridge Analytica declares insolvency... and toxic legacy of CIA's harrowing mind - control experiments

Top story: President repaid Michael Cohen, says Rudy Giuliani

Hello, it's Warren Murray with Thursday's news in precis form.

News bits include stories about Google possibly building its own smart display, controlling the Nest Secure system through Google Assistant, Sigfox doing a deal with Louis Vuitton, and enabling devices to use emotion as a form of contextual insight.

It's now possible for academic economists to uncover a news story - like Stephen Gordon did with the cancellation of the long - form census.

Missouri Synod theologians had traditionally affirmed the inerrancy of the Bible, and, although such a term can mean many things, in practice it meant certain rather specific things: harmonizing of the various biblical narratives; a somewhat ahistorical reading of the Bible in which there was little room for growth or development of theological understanding; a tendency to hold that God would not have used within the Bible literary forms such as myth, legend, or saga; an unwillingness to reckon with possible creativity on the part of the evangelists who tell the story of Jesus in the Gospels or to consider what it might mean that they write that story from a post-Easter perspective; a general reluctance to consider that the canons of historical exactitude which we take as givens might have been different for the biblical authors.

The horror genre in all its forms gives audiences an experience that is shocking yet conventional, tense yet forgettable, and with characters and stories that are interchangeable and instantly recognizable even if the viewers have never seen any of a director's other work.

Formed in Florida in 2005, Between the Trees generated huge buzz with their first album, The Story and the Song.

The popular Dr. Seuss has published a new book, but one totally inappropriate for children, a book engaged in a primitive form of military escalation, and a story with no resolution.

«Word of mouth» — the most effective form of marketing, with the fantastic attribute that nothing is written down so the story can morph without reference to contemporary records.

The story leaves us with a new form of Christianity, ostensibly born from the «swamp» of Japan, but actually born in the deserts of the ancient Near East: Gnosticism.

On the contrary, the story form, because it is concerned with individuals in action, demands just the opposite.

Such a view presupposes the ancient two - or three - story concept of the universe — with the flat earth in the center, the «heavens» above and usually various forms of nether regions either in the depths of the earth or below the earth.

It is a strange story, surely not meant to be taken as a literal record of an actual encounter with Satan in bodily form.

These stories that are peculiar to Luke seem clearly (with the exception of the appearance to Peter) to embody in the form of myth the experience of the post-Easter Church.

The Psalm does not question the relationship of David and Mount Zion to all Israel3 In its moods of deepest despair, the Old Testament story finds hope for the future of all Israel in the certainty that God would realize his purpose in the David - Zion covenant with the re-establishment of that rule in some form.

This is especially true of Westerhoff, who is attracted to the theological ethics of Stanley Hauerwas, with its emphasis on how the Christian story functioning through Christian communities shapes the character and forms the virtue of the faithful.

REDEEMING MUSLIM FORMS I rejoice with you at what is happening in Nigeria, even as we hear similar stories all around the globe.

Can it be that the two cycles of stories come to their final form with two different historical epochs in mind?

Though apparently written in a continuous sequence, the two parts were separated early in the second century so that the Gospel section could be placed with the other three Gospels to form a fourfold story of Jesus.

Some attention to the story form in apocalyptic can show us some of the reasons why the narrative form is in trouble, while process theology has some fundamentally useful hints about how we may re-imagine the story, or grasp a new narrative vision of the world, which will enable us to set the new into a meaningful framework and respond to it with hope.

Otherwise we are back where we began: with officially exorcised but practically, dominant programs of Western and modern stories of progress; with monological forms of rationality and increasingly brittle notions of a self seemingly coherent but actually possessive and consumerist; with «others» present, if at all, only as projections of our modem selves, our desires, wants, needs.

This incident is told in story form later with the parable of the Good Samaritan (Luke 10:25 - 37).

Others are not quite so enamored with stories but continue to speak of narrative sermonic form.

Based on his many years of friendship with lots of homeless people in San Diego, Sam Riviera has learned the stories of several of them, and, with their permission, is writing their stories in the form of letters to their dads.

There are other scholars who defend the substantial historicity of the tomb pericope, and since we must reckon with this possibility, we now turn from the literary form of the story to its content to see in what way the latter may point to historical reliability rather than to legend.

Most of us are familiar with the Creek form of the story.

But whereas the first form could be held to be consistent with the empty tomb story, the second can not.

Once the tomb pericope is separated from the rest of the Gospel it is seen that it could not have existed in this form as an independent tradition, for the mention of the women with which it begins has had to take the form it does in order to link what follows with the preceding Passion story.

Even when I taught a course at Vanderbilt University divinity school in 1971 called «Forms of Religious Reflection,» in which we looked at the limitations and possibilities for religious reflection of various literary genres (parables, autobiographies, novels, poems, etc.), I did not know that a movement was aborning concerned with story and autobiography in theological reflection — a movement of which I was soon to feel very much a part.

With enormous economy of line and with great care for the power of the human form, Rembrandt tells the story of the Prodigal in ways that we have never heard it or seen it befWith enormous economy of line and with great care for the power of the human form, Rembrandt tells the story of the Prodigal in ways that we have never heard it or seen it befwith great care for the power of the human form, Rembrandt tells the story of the Prodigal in ways that we have never heard it or seen it before.

For our purposes we may pick up the form - critical story with Gunkel's work in the Psalter, where he distinguished three primary types of psalms — those of Thanksgiving (Danklied), Lament (Klagelied), and, Gunkel's unique find, the Hymnus.

Then ways of interpreting Christ's plot in and with the world are proposed in story form in chapter 12.

With Kathryn Robinson's lengthy article on the case, «Sins of the Poet,» first published in Seattle Weekly and reprinted in revised form in Lingua Franca, the story became widely known in academic circles — an embarrassment to the university, but an ironic boost for Cairns's name recognition.

But in the story of human religiousness, especially in its post-axial forms, we find perhaps the most stirring manifestation of discontent with mere appearances, and nature's grasping for the seemingly unreachable.

We know that the Big Bang occurred and that in itself is the beginning of our universe - no god required; we know that evolution forms our beginnings - none of which coincides with the biblical story.

While, at the first, it was his angel rather than himself who went with the migrant clans, the shading between Yahweh and his angel in the early documents is so vague that in the same story both forms of representation may be used.

Probably the first soma group in a parish should form by personal invitation from the pastor after he or she has heard enough faith stories of prospective members to be reasonably sure they are ready with the elements of experience and consciousness that characterize a soma group.

The entire Christian story begins with a progression from the chaotic waters of the formless Earth to God's rejoicing on the first Sabbath day: when God does the cabbage patch at the sight of the newly formed earth and declares, «It is very good.»

I've been writing out my story, experiences with sexual, emotional, and spiritual abuse, as a form of healing.

But the form of this remarkable introduction to the life of the people of Israel remained fluid from the tenth century to the fifth century and the final Genesis story may with all justification be termed a meditation on history.

With Gutenberg's printing press the story of creation, fall and redemption was put into linear form, and Protestants have always been proud of their control over the biblical narrative of redemption.

Thus, the present form of the story is obviously unconcerned with consistency.

I've especially enjoyed seeing the more creative ways in which you have interacted with the book — making your own challah, discussing hermeneutics, retelling the stories of biblical women, forming book clubs, even getting tattoos!

That was its origin and from that it grew into its present shape, first moving from a monthly festival to a weekly festival, then becoming identified with the creation story, and finally being laden with injunctions of very rigid forms of rest.

Normally they include the story of the development of these institutions, of their reciprocal relations, of the movements associated with these institutions, of the forms of worship which have arisen in them, and of the intellectual formulations of the Christian faith.

It is important to remember that we are dealing with a part of the Old Testament story which had a long oral history before it assumed its written form, and no doubt the oral form was shaped, preserved, and periodically «celebrated» at some particular, ancient cultic center.