Sentences with phrase «story gallery building»
Kinz, Tillou + Feigen — the successor gallery to Feigen Contemporary — is a new partnership between dealers Lance Kinz and Michelle Tillou, located on the top floor of the 11 - story gallery building (in space formerly occupied by I - 20).
http://www.artnet.com/ Not exact matches
Meanwhile, a partially vacant building at 552 W. 52nd St. that currently houses the Police Athletic League's William Duncan Center will become a 13 - story building that houses 110 affordable housing units for artist families and individuals, space for the PAL and an art gallery.
They built a four - story brick building, with a two - story gallery of cast iron.
Western Spirit is a first - class museum celebrating the art, culture and history of the American West in its galleries in the 43,000 - square - foot two - story main building.
If you view the photo gallery then Fairways Self - Catering Apartment comprises the whole top story of the building.
The Battle brothers» new hotel was a four - story brick building, with a two - story gallery of cast iron.
Pedder Building Over the past decade, a half - dozen international galleries have opened in this nine - story landmark neoclassical gem in Central, among them Ben Brown Fine Arts, Gagosian, and Lehmann Maupin.
The gallery is in a three - story Lower East Side building that had been a tenement and then home to various immigrant trades.
«In the East Building, it wasn't easy telling a chronological story,» says Harry Cooper, Curator of Modern Art, of the old, more disconnected gallery spaces.
In 1968, Judd bought a five - story building in New York that allowed him to start placing his work in a more permanent manner than was possible in gallery or museum shows.
No sooner had the gallery opened in London than Annabelle Selldorf (who by now had worked on several projects for the gallery over two decades) began designing a new five - story building at 537 West 20th Street in New York.
Established in 2011, MARC STRAUS is a contemporary art gallery in the Lower East Side of New York, occupying a fully reconstructed four - story historical building on Grand Street.
Caitlin Haskell: For me, it has also been interesting to think about how the closing of SFMOMA's building allows you to see its works in new contexts — in other gallery spaces, or as parts of other stories.
SELECTED GROUP EXHIBITIONS 2014 — Building Stories — Kohler Arts Center — Sheboygan, Wi 2014 — Fearless — La Esquina Gallery — Kansas City, Mo 2014 — London Art Fair — Beers Contemporary — London, UK 2013 — Imperfect Symmetry — A+D Gallery — Columbia College — Chicago, Il 2013 — CAFKA Biennial 2013 — Waterloo / Kitchener — Ontario, Canada 2012 — Plural Zone — School of the Art Institute of Chicago — Columbus Building — Chicago, Il 2012 — Somewhere Else — Urban Institute of Contemporary Art — Grand Rapids, Mi 2012 — Evanston and Vicinity Biennial — Evanston, Il 2012 — Improbable Objects — What It Is — Chicago, Il 2011 — Experience is Never Unattached: Sullivan Galleries — Chicago, Il 2011 — P.O.D.S. Project: Lexington Art League — Lexington, Ky 2011 — The Value is Present: Inn Gallery — Ox Bow School of Art — Saugatuck, Mi 2011 — Union League Civic and Arts Finalist Exhibition: Union League Club — Chicago, Il 2011 - Weddings / Proms / Corporate Events — Zhou B Art Center — Chicago, Il 2011 — NEXT: The Invitational Exhibition of Emerging Art — Chicago, Il 2011 — MFA Thesis Exhibition: Sullivan Galleries — Chicago, Il 2010 — Alphabetization: Noble and Superior Projects — Chicago, Il 2010 — Uncommon Territories: Heaven Gallery — Chicago, Il 2010 — Usefullness: Sharp Exhibition Space — Chicago, Il 2009 — Learning Modern: Sullivan Galleries - Chicago, Il 2009 — Descours — AIA New Orleans — New Orleans, La 2009 — LeFlash: Castleberry Hill — Atlanta, Ga 2008 — Adventures in Mysticism: Athens Institute for Contemporary Art — Athens, Ga
Binder creates an almost story board tale in vibrant color; a mural that you could find on the side of a building is now in the gallery.
Previous solo and group exhibitions include: Situations, You Space and Extra Space, Shenzhen (2018); Documenta 14, Athens and Kassel (2017); Shut Up and Paint, National Gallery of Victoria, Melbourne (2016); Cher (e) s Ami (e) s, Centre Pompidou, Paris (2016); The Same Old Fucking Story, Rodeo, London (2016); Tightrope Walk: Painted Images After Abstraction, White Cube, London (2015); Unrealism, The Moore Building, Miami (2015); Burning Down the House, 10th Gwangju Biennale, Gwangju (2014); This is Not my Beautiful House, Kunsthalle Athena, Athens (2014); Everyday a Stage, Rodeo, Istanbul (2014); System of Objects, DESTE Foundation, Athens (2013); Apostolos Georgiou.
In this Whitney Stories video, Piano articulates the philosophy behind the building's design and describes the experiences envisioned for its spaces, from its expansive galleries to its city - facing terraces.
Starting at 6 pm on Wednesday, December 6, Juxtapoz will takeover 200 E Flagler in Miami with a 3 - story building of installations, artist - site - specific works, gallery presentations and an adidas Showc
The two - story gallery is located in an historic 1914 building and is the first of its kind in the rapidly developing Hudson Yards neighborhood.
New Acquisitions and Installations New works have been added to the 1940s to Now Gallery and help build on the uniquely American story.
More importantly, and true to his concept of freestanding «specific objects» in relationship to the space they inhabit, in 1968 Judd bought a five - story cast iron building on 101 Spring Street that allowed him to install his own works and those of others in a more permanent situation than was possible in gallery or museum exhibitions.
Dominique Lévy Gallery opens September 18 on the top two floors of a three - story, 9000 - square - foot landmark building (formerly a red brick outpost of the Bank of New York and more recently, when Lévy discovered the space, it was a Rag & Bone pop - up) as a «continuation of my time at L&M» — where her first show was an Yves Klein monochrome retrospective.
Dzama utilized the architecture of the gallery itself — an eighteenth - century Georgian townhouse — by hanging puppets from a skylight above the five - story building's central spiral staircase and placing monitors in the windows so videos were viewed from the street.
In 1979, with the move to a seven - story facility in the Gallery's new East Building and the establishment of the Center for Advanced Study in the Visual Arts (CASVA), the library broadened its purpose and the scope of its collection.
Ghost House is installed in the temporary exhibition galleries where, rather than following chronological criteria, it creates environments that the artist describes as «built on memory», in which works from different periods are placed in dialogue with one another and with the museum context in the conviction that meaning can be found not only in the individual works but in their relationships, considered collectively and through time, like the narrative overlappings of a story.
Rendering of the Cubes, a two - story building designed by LOT - EK, will house arts - education activities, a gallery and offices, and allow for year - round programming.
The 10,000 - square - foot exhibition area is to be spread over the fifth and sixth floors of H Queen's, a 24 - story «gallery and lifestyle tower» under construction in the bustling Central district, and will open shortly after the building is completed.
Laurie Anderson, who has been performing her story - based multimedia pieces here since MASS MoCA opened, has built a production studio and archive alongside two galleries for rotating exhibitions of work, in another 15 - year collaboration.
Some of the biggest international galleries have already set down roots in Hong Kong, and one building in particular has proved alluring: the art - focused, 24 - story development H Queen's.
Andrew Russeth, of ARTnews, has reported that two years ago Hammons bought a one - story brick building in Yonkers, which the city's mayor, Mike Spano, announced would be renovated to house an art gallery.
Finally, the news also reached the Old Continent, with the arrival of prominent galleries Hauser & Wirth in February, to a 100,000 square foot former flour mill in the Arts District, and Sprüth Magers in March 2016, set in a two - story 14,000 square foot modernist building.
Recent group exhibitions include a site - specific installation for In Situ and Linda Warren Projects at Expo Chicago (2014), Building Stories — Kohler Arts Center, Sheboygan, WI (2014) and I am What I am Doing — La Esquina Gallery, Kansas City, MO (2014).
Currently dedicating two floors, about 10,000 square feet of gallery space, of the 4 - story building to rotating exhibitions throughout the year, the CAC is home to artists» bold experiments in painting, theater, photography, performance art, dance, music, video, education, and sculpture.
The Bushwick gallery will be providing one artist a free 300 - square foot studio space for the period of four months at its two - story building on 66 Knickerbocker.
«Our neighborhood (Condesa) was one of the most affected neighborhoods in Mexico City with an eight - story residential building collapsing just three buildings down the street while a few more across the street are in risk of collapse,» gallery cofounder José Rojas wrote to ARTnews.
An adjacent building houses nine stories of white - cube galleries, «very crisp clinical white box spaces that don't impose the character of the historic building on you.»
It is a four - story building which boasts an experimental media lab black box theatre, an art gallery designed to be a world - class exhibition space, a 2,000 - square - foot performance capture studio, a state of the art sound design and recording studio, a costume design studio and storage space, computer labs and more.
The owner of 540 - 544 West 26th Street will demolish and develop the two story building currently occupied by three art galleries: Tony Shafrazi Gallery, Lehmann Maupin and Stephen Haller Gallery.
Exhibitions organized by the Zuckerman Museum of Art opening on January 17 include Pedro: Menaboni's Lost Story (Clayton Gallery, Bailey Performance Center), The Annual Art Faculty Exhibition (The Art Gallery, Sturgis Library), and The 30th Annual Juried Student Art Exhibition (Fine Arts Gallery, Wilson Building), juried by Marcia Wood, Executive Director and Owner of Marcia Wood Gallery, Atlanta.
EXHIBITIONS 2016 «Growth / Decay», Antler Gallery - Portland, OR 2016 «Growth / Decay», Paradigm Gallery - Philadelphia, PA 2016 «Year Two», Sweet As Studios - Pittsburgh, PA 2016 «Photobook 2015 Exhibition», Griffin Museum of Photography - Winchester, MA 2015 «Photobook 2015 Exhibition», Davis Orton Gallery - Hudson, NY 2015 «Art All Day», Artworks Trenton - Trenton, NJ 2014 «Works by Nick Pedersen», Paradigm Gallery - Philadelphia, PA 2014 «Pratt Digital Arts» Art Basel Miami Beach - Miami, FL 2014 «Virtual Vision», Auguste Clown Gallery - Melbourne, Australia 2014 «Art All Night», Artworks Trenton - Trenton, NJ 2013 «Story of the Creative», Angel Orensanz Foundation - New York City, NY 2013 «Superstition», San Francisco Center for the Book - San Francisco, CA 2013 «Graphique Noir», Orange County Center for Contemporary Art, CA 2012 «Electron Salon», Los Angeles Center for Digital Art - Los Angeles, CA 2012 «Daylight Savings», The Banff Centre - Alberta, Canada 2011 «Object / Self / Subject», Museum of Russian Art - Jersey City, NJ 2011 «Devoción por un ídolo», Bastardo Gallery — Bogotá, Colombia 2011 «Pratt Show», The Manhattan Center - New York City, NY 2011 «Digital Print Exhibition», D&D Building - New York City, NY 2010 «Art and Sustainability», Schafler Gallery - Brooklyn, NY 2009 «Politics and Media», Schafler Gallery - Brooklyn, NY
It is organized as a story narrated in several episodes: fictional worlds sited in galleries, public spaces, unused buildings, and online, which draw from Liverpool's past, present and future.
Germany Sex and the City, Art: Concept, Paris, France 2015 Tropenkoller, Stuart Shave Modern Art, London, United Kingdom 2014 PEOPLE LIKE YOU MAKE IT EASY, Anton Kern Gallery, New York, NY Mäusebunker, The Kitchen, New York, NY 2013 Lothar Hempel, Art Basel Parcours, Museum Kleines Klingental — Historic Monastery Building, Basel, Switzerland Songs for the Blind, Hezi Cohen Gallery, Tel Aviv, Israel Loneliness is a cloak you wear, a deep shade of blue is always there, Gerharsen Gerner, Berlin, Germany 2012 Opium, La Conservera Centro de Arte Contemporanea, Ceuti (Murcia), Spain The story of The Old New Girls, Galerie Art Concept, Paris, France 2011 Suedehead, Anton Kern Gallery, New York, NY [cat.]
The Studio Museum in Harlem — an institution dedicated to exhibiting artists of African descent — currently occupies a 60,000 - square - foot building at 144 West 125th Street, and the new five - story facility will add over 10,000 - square feet, doubling its existing gallery space, according to The New York Times.
Paul Noble's drawings of Nobson, showing at London's Gagosian gallery, make you count the effort: all those leaves on all those branches, all the buildings, all that nature and all that town - planning, all those hand - drawn bricks — and all of Noble's daft ideas, his stories, jokes and fragments.
Diary of an Artist and Other Stories takes place at Halcyon Gallery, 144 New Bond Street, a 12,500 sq ft Georgian building in London's Mayfair.
The hulking three - story Building 6 — each floor measures roughly an acre — will deliver more than 105,000 square feet of new gallery space, giving Mass MoCA roughly 250,000 square feet of exhibition space across its museum's 16 - acre campus.
The first, completed in 1992, was an $ 80 million restoration of the building's interior, along with the construction of a 10 - story tower gallery and office building designed by Gwathmey Siegel & Associates.
Blaffer Gallery, the art museum of the University of Houston, will present Terry Allen: Stories from the DUGOUT, at 120 Fine Arts Building.
«The Story of the Creative» Angel Oransaz Foundation, New York and the See exhibition Space, New York (2013); «Creatives Rising» Projections Garden, Linc Lic Building, New York and See exhibi tion Space, New York (2013); Practical Dialogue» Eleven Gallery, Hull (2013) with subsequent tour Embrace Arts, Richard Attenborough Centre, Leicester (2013) Alfred East Gallery, Kettering (2014): and MK Gallery, Milton Keynes (2014).
Select group exhibitions include: Cathouse FUNeral Harvested: The Hunt Intensifies at Coustof Waxman Annex, New York, NY 2017, Future memories at Pfizer building, Brooklyn, NY, 2016, #makeamericagreatagain at WhiteBox, New York 2016, Picture Yourself at The college of Wooster Art Museum, (CWAM), Wooster, OH 2016, Cathouse Retrospective at Chemistry Creative, Brooklyn, NY 2016, Maximum Entropy, CP Project space, New York, NY 2015, Photography Now, The Center of Photography at Woodstock, Woodstock, New York 2014, and War Stories, William Holman Gallery, New York 2014.