Sentences with phrase «story house covered»

Down a quiet lane leading off Nantucket's cobblestoned Main Street stands a two - story house covered with unpainted shingles weathered gray by rain and fog.

Not exact matches

Here at Maclean's — as you might have noticed if you watch our cover stories, including this recent one — we are quite intrigued by the housing market.

Besides the fact that there was another Michael Hudson out there writing a Harper's cover story I wished I'd written, the thing that struck me was your willingness to go beyond a «what - goes - up - must - come - down» analysis of the housing run - up.

As Pinfold explains, each cover tells a different story, with the artist using traditional heraldry from historic coat of arms imagery to delve deep into each house.

There followed meetings at the White House, cover stories in the glossies, and countless lectures, symposia, conferences, pamphlets, and books.

The cover story of today's The Australian Financial Review Magazine features Judith Neilson whose White Rabbit art gallery, Phoenix performance space, and Indigo Slam house, represents more $ 100 million in investment in culture.

The front cover of the April 2005 issue of Tree House Canadian Family features the picture of a chubby baby sucking on a baby bottle, next to the story headline, «REACTIONS!

On the heels of a DN cover story this morning that quoted 9/11 first responders angry with President Obama for weighing in on the mosque, but not on the Zadroga 9/11 Health and Compensation Act that has been bottled up in Congress, the White House issued a statement signaling his support for the measure.

I'm still apparently capable of doing it, indeed I'm still significant enough that I've become the cover story of the House magazine.

To put it a different way, a typical one - story, single - family house with just 10 percent of its roof covered by radiative cooling panels could offset 35 percent its entire air conditioning needs during the hottest hours of the summer.

The Centre is now housed in the Wellcome Collection, and believes that scientists can have a huge impact on the way the media cover scientific issues, by engaging more quickly and more effectively with the stories that are influencing public debate and attitudes to science.

Colorful American - grown flowers and foliage (donated by three different wholesalers) cover the entire two - story house.

my understanding of regular potatoes any color skin flesh etc. is this... potatoes are on the dirty dozen list... sweet potatoes are on the clean 15... i eat over 50 % of my diet in the form of a few different colors of sweet potatoes... i buy them bulk... peel»em very deeply... at least 1/2 inch all around... i sometimes get them as large as 6 pounds (football sized)... i used to wear out the regular potatoes but after speaking with the safety expert from a huge potato company to find out if the potatoes are grown on soil which had grain crops treated with round - up herbicide filled with atrazine and glyphosate (which most grain crops are... inluding many wheat crops... they get sprayed like 3 days before harvest... then the round - up is in the soil)... problem is... the round - up stays for 7 years... after stayin» off the soil for a couple years... it can have any kind of crop planted on it and get an organic rating... but... whatever was planted on that soil is then full of round - up... so... this crop rotation onto fields which had grain crops sprayed with round - up herbicide etc. is EXTREMELY COMMON IN THE GROWING PRACTICE FOR REGULAR POTATOES... very common practice... so even if you peel»em deeply... they are still soaked with round - up... the glyphosates get in the gut... the aluminum which is all over everything grown above ground and not covered (hot house etc)... gets eaten9ya can't wash it off... unless ya peel everything... but greens etc. ya can not get it out... it gets in the fiber)... then ya eat it... it goes in the gut... mixes with the glyphosate... becomes 10,000 timesmore toxic... inhibits the bodies ability to properly process sulfur into sulfide and sulfate... basically many very smart researchers are sayin'this is the cause of all this asperger's... autism... alzheimer's like symptoms in the elderly... you can only take so much nano... pico... and heavy metal poisoning... the brain starts to act very strangely... so... long story short... i eat lots of sweet pots grown on clean soil... they are non-gmo and basically grown organically... but... the grower doesn't pay for the certification... i make sure to get my omega 3 from fresh ground flax seed in the morning away from my sweet potato consumption... the omega 6 in the sweet pots inhibits the absorption of omega 3 and i only want so much fat daily... i'm on the heart attack proof diet by dr. caldwell b. esselstyn jr....

With an embattled White House and its headline grabbing dramatics, this real - time documentary series covers the inside story from every angle, revealing the high - stakes impact throughout our divided states of America.

The cover story, «Grade B — But Choice,» is devoted to an obscure 1934 musical called «Young and Beautiful,» featuring «budding starlets, grade - A character actors, grade - B musical numbers, a pair of vaudevillians, a look behind the scenes of Hollywood, bogus appearances by Charlie Chaplin and Buster Keaton and a script by Dore Schary» [later famous as a producer of films such as «Crossfire,» «Mr. Blandings Builds His Dream House,» «They Live By Night» and «The Red Badge of Courage»].

By the late Seventies, Corliss had become open to covering films ensconced in studio politics, messy interpretational questions, even violent controversy: see Wood's defense of The Last House on the Left, or Roger Greenspun's cover story on movie violence and Carrie.

This second video covers the part of the story where the lawyer Utterson attends a party at the house of his friend, Dr. Henry Jekyll.

Story presentation retelling the story, colour flashcards, character face masks, A4 topic title page, fill in the colours worksheet, make a hand puppet, draw Winnie to add to the scene, addition game, draw new clothes for Winnie, change the house, add a new character, colour in Winnie's face, Wilbur to colour, jigsaws, long banner, lettering for display title, missing word cards, nouns and adjective worksheet, nouns flashcards, high frequency word cards, draw favourite part of the story, number flahcards, reward chart, display borders, questions pack, points of view worksheet, story board to complete, sack tag, story elements worksheets, blank speech and thought bubbles, writing frames, booklet cover, sequencing cards, I like this story because... worksheet, draw the house, door hanger to Story presentation retelling the story, colour flashcards, character face masks, A4 topic title page, fill in the colours worksheet, make a hand puppet, draw Winnie to add to the scene, addition game, draw new clothes for Winnie, change the house, add a new character, colour in Winnie's face, Wilbur to colour, jigsaws, long banner, lettering for display title, missing word cards, nouns and adjective worksheet, nouns flashcards, high frequency word cards, draw favourite part of the story, number flahcards, reward chart, display borders, questions pack, points of view worksheet, story board to complete, sack tag, story elements worksheets, blank speech and thought bubbles, writing frames, booklet cover, sequencing cards, I like this story because... worksheet, draw the house, door hanger to story, colour flashcards, character face masks, A4 topic title page, fill in the colours worksheet, make a hand puppet, draw Winnie to add to the scene, addition game, draw new clothes for Winnie, change the house, add a new character, colour in Winnie's face, Wilbur to colour, jigsaws, long banner, lettering for display title, missing word cards, nouns and adjective worksheet, nouns flashcards, high frequency word cards, draw favourite part of the story, number flahcards, reward chart, display borders, questions pack, points of view worksheet, story board to complete, sack tag, story elements worksheets, blank speech and thought bubbles, writing frames, booklet cover, sequencing cards, I like this story because... worksheet, draw the house, door hanger to story, number flahcards, reward chart, display borders, questions pack, points of view worksheet, story board to complete, sack tag, story elements worksheets, blank speech and thought bubbles, writing frames, booklet cover, sequencing cards, I like this story because... worksheet, draw the house, door hanger to story board to complete, sack tag, story elements worksheets, blank speech and thought bubbles, writing frames, booklet cover, sequencing cards, I like this story because... worksheet, draw the house, door hanger to story elements worksheets, blank speech and thought bubbles, writing frames, booklet cover, sequencing cards, I like this story because... worksheet, draw the house, door hanger to story because... worksheet, draw the house, door hanger to draw.

* Haunting Miss Trentwood is an English manor story; we don't leave the house so it became a feature of the cover.

There's stories online of authors being published by a traditional big house publisher who feel their covers didn't represent their book well, but had no say in the matter.

She has worn many hats — she's published with major New York houses, then broke away and created her own imprint; has successfully published over 20 books and sold in excess of 1,000,000 copies; understands niche publishing and marketing; has created publicity campaigns for her own work that landed her on Oprah, Donahue, CNN and even grabbed a cover story in People magazine; she's penetrated the foreign rights market with her work in 16 countries to date; she has guided and coached many others from creation to completion of their work; she has created and chair several publishing conferences; and she has successfully turned several publishing disasters into successful outcomes for their authors.

There are many stories I've heard of authors doing well self - publishing (sometimes while also writing for traditional publishing houses) and many cover artists charge reasonable prices, so this is a definite consideration.

Another reason I chose to self publish my work, except that shockingly, I didn't have big name publishing houses and companies beating my door down for my signature to print my stories, was that I have total control over my work, from which pages get included, the cover design, the ISBN identification, previews that get shared on Amazon etc, the price of the finished product, the description and even keywords that are used to find it in online web searches.

You only have to look at the success of «The Martian'to see that people don't care about the publishing house, they care about the story, and how it's presented (professionally edited, professional book cover, etc..)

I have a lot of bad luck stories in my arsenal — horrible covers, distribution glitches, editors leaving houses, a book that came out the week of 9/11 — some tough breaks along the way.

Now, with US National home prices back at the level they were in the Fall of 2003, the magazine is at it again putting the housing market on the cover (thanks to Thicken My Wallet for alerting us to the story), only this TIME the caption reads «Rethinking Homeownership: Why owning a home may no longer make economic sense».

The two story house has multiple living areas, a covered outdoor dining terrace, lush tropical gardens, -LSB-...]

The fully furnished 3 story house and adjoining guest apartment includes 4 bedrooms and 3 1/2 bathrooms and features large windows with ocean views, a swimming pool, and a large, covered outdoor terrace.

Casa Mariolina A is a characteristic and welcoming two - story independent house located in an isolated position, on the slopes of a hill which is covered with olive groves.

Villa Mariolina Grande is a characteristic and welcoming two - story age - old farm house located in an isolated position, on the slopes of a hill which is covered with olive groves.

At Home at the White House Nov. 1: Architectural Digest magazine releases its December issue with a cover story exploring the selection of 20th and 21st century art displayed on the walls of the Obama private White House residence, including works by African American artists Alma Thomas, Glenn Ligon, and William H. Johnson, as well as Susan Rothenberg, Sam Francis, Hans Hofmann, Giorgio Morandi, Robert Mangold, Sean Scully, among others.

David Walsh, Elizabeth Pearce, Jane Clark 2013 ISBN 9780980805888 Lindsay Seers, George Barber, Frieze, January 2013 One of Many, Adrian Dannatt, Artist Comes First, Jean - Marc Bustamante (ed), Toulouse International Art Festival (exhibition catalogue), June 2013 All the World's a Camera: Notes on non-human photography, Joanna Zylinska, Drone ISBN 978 -2-9808020-5-8 (pg 168 - 172) 2013 Lindsay Seers, Artangel at the Tin Tabernacle - Jo Applin, ArtForum, December 2012 Lindsay Seers, Martin Herbert, Art Monthly, October 2012 Exhibition, Ben Luke, Evening Standard, (pg 60 - 61) 20 September 2012 Lindsay Seers @ The Tin Tabernacle, Sophie Risner, Whitehot Magazine, September 2012 Artist Profile: Lindsay Seers, Beverly Knowles, this is tomorrow, 12 September 2012 Dream Voyage on a Ghost Ship, Richard Cork, Financial Times, (pg 15) 11 September 2012 Nowhere Less Now, Amy Dawson, Metro (pg 56) 7 September 2012 Voyage of Discovery, Helen Sumpter, Time Out, (pg 42) 6 - 12 September 2012 Nowhere Less Now, Rachel Cooke, The Observer, (pg 33) 2 September 2012 Divine Interventions, Georgia Dehn, Telegraph Magazine, 25 August 2012 Eine Buhne fur das Ich, Annette Hoffmann, Der Sonntag, 25 March 2012 Das Identitätsvakuum - Dietrich Roeschmann, Badische Zeitung, 27 March 2012 Ich ist ein anderer - Kunstverein Freiburg - Badische Zeitung, 21 March 2012 Action Painting - Jacob Lundström, FLM NR.16, March 2012 Dröm - fabriken - Peter Cornell, Kultur, 21 February 2012 Vita duken lockar Konstnärer - Fredrik Söderling, Dagens Nyheter (pg 4 - 5) 15 February 2012 Personligen Präglad - Clemens Poellinger, SvD söndag, (pg 4 - 5) 12 February 2012 Uppshippna hyllningar till - Helena Lindblad, Dagens Nyheter (pg 8 - 9) 9 February 2012 Bonniers Konsthall - Sara Schedin, Scan Magazine, (pg 48 - 9) Febuary 2012 Ausstellungen - Monopol, (pg 120) February 2012 Modeprovokatörer plockas up par museerna - Susanna Strömquist, Dagens Nyheter (pg 8 - 9) January 2012 Promosing in Kabelvåg - Seers» «Cyclops [Monocular] at LIAF, Kjetil Røed, Aftenposten, 10 September 2011 Reconstructing the Past - Lindsay Seers» Photographic Narrative, Lee Halpin, Novel ², May / June 2011 Lindsay Seers, Oliver Basciano, Art Review, May 2011 Lindsay Seers, Jen Hutton, ArtForum Picks (online), April 2011 Lindsay Seers: an impossibly oddball autobiography, Murray Whyte, The Toronto Star, 13 April 2011 The Projectionist, David Balzer, Eye Weekly, 6 April 2011 dis - covery, exhibition catalogue, 2011 Lindsay Seers: It has to be this way ², Paul Usherwood, Art Monthly, April 2011 Lindsay Seers: Gateshead, Robert Clark, Guardian: The Guide, February 2011 It has to be this way ², 2011, novella published by Matt's Gallery, London Neo-Narration: stories of art, Mike Brennan, modernedition.com, 2010 Steps into the Arcane, ISBN 978 -3-869841-105-2, published 2010 It has to be this way1.5, novella 2010, published by Matt's Gallery, London Jarman Award, Laura McLean - Ferris, The Guardian, September 2009 Top Ten, ArtForum, Summer 2009 Reel to Real - On the material pleasure of film, Colin Perry, Art Monthly, July / August 2009 Remember Me, Tom Morton, Frieze, June / July / August 2009 It has to be this way, 2009, published by Matt's Gallery, London Lindsay Seers at Matt's Gallery, Gilda Williams, ArtForum, May 2009 Lindsay Seers: It has to be this way — Matt's Gallery, Chris Fite - Wassilak, Frieze, April 2009 Lindsay Seers: it has to be this way, Rebecca Geldard, Art Review, April 2009 Review of Altermodern - Tate Triennial 2009, Jorg Heiser, Frieze, April 2009 Tate Triennial: «Altermodern» — Tate Britain Feb 3 — April 26, 2009, Colin Perry, Art Monthly, March 2009 Lindsay Seers: It has to be this way (Matt's Gallery, London), Jennifer Thatcher, Art Monthly, March 2009 No sharks here, but plenty to bite on, Tom Lubbock, The Independent, 6 February 2009 Lindsay Seers: Tate Triennial 2009: Altermodern, Nicolas Bourriaud, Tate Channel, 2009 «Altermodern» review: «The richest and most generous Tate Triennial yet», Adrian Searle, The Guardian, Feb 2009 Critics» Choice for exhibition at Matt's Gallery, Time Out London, January 29 — February 4 2009 In the studio, Time Out London, January 22 — 28 2009 Lindsay Seers Swallowing Black Maria at SMART Project Space Amsterdam, Michael Gibbs, Art Monthly, Oct 2007 Human Camera, June 2007, Monograph book Published by Article Press Lindsay Seers, Gasworks, London, Pil and Galia Kollectiv, Art Papers (USA), February 2006 Review of Wandering Rocks, Time Out London, February 1 — 8, 2006 Aften Posten, Norway, Front cover and pages 6 + 7 for show at UKS Artistic sleight of hand — «Eyes of Others» at the Gallery of Photography, Cristin Leach, Irish Times, 25 Nov 2005 There is Always an Alternative, Catalogue (Dave Beech / Mark Hutchinson) 2005 Wunderkammer, Catalogue, The Collection, October 2005 Lindsay Seers» «We Saw You Coming»;» 20,000 Leagues Under the Sea»; «Apollo 13»; «2001», Lisa Panting, Sphere Catalogue (pg 46 - 50), Presentation House Gallery, 2004 Haunted Media (Site Gallery, Sheffield), Art Monthly, April 2004 Miser and Now, essays in issues 1, 2 + 3 Expressive Recal l - «You said that without moving you lips», Limerick City Gallery of Art, Dougal McKenzie, Source 37, Winter 2003 Braziers International Artists Workshop Catalogue, 2002 Review of Lost Collection of an Invisible Man, Art Monthly, April 2003 Slade - Hannah Collins, Chris Muller, Lindsay Seers, Elisa Sighicelli, Catherine Yass, (A journal on photography, essay by John Hilliard), June 2002 Radical Philosophy, 113, Cover and pages 26/30, June 2002 Elle magazine, June 2002, page 92 - 93 Review, Dave Beech, Art Monthly, June 2002 Nausea: encounters with ugliness, Catalogue Lindsay Seers, Artists Eye, BBC Programme by Rory Logsdail The Fire Station, a film by William Raban and a catalogue by Acme The Double, Catalogue from the Lowry, Lowry Press, July 2000 Contemporary Visual Arts, Roy Exley, June 1999 Hot Shoe, Chris Towncover and pages 6 + 7 for show at UKS Artistic sleight of hand — «Eyes of Others» at the Gallery of Photography, Cristin Leach, Irish Times, 25 Nov 2005 There is Always an Alternative, Catalogue (Dave Beech / Mark Hutchinson) 2005 Wunderkammer, Catalogue, The Collection, October 2005 Lindsay Seers» «We Saw You Coming»;» 20,000 Leagues Under the Sea»; «Apollo 13»; «2001», Lisa Panting, Sphere Catalogue (pg 46 - 50), Presentation House Gallery, 2004 Haunted Media (Site Gallery, Sheffield), Art Monthly, April 2004 Miser and Now, essays in issues 1, 2 + 3 Expressive Recal l - «You said that without moving you lips», Limerick City Gallery of Art, Dougal McKenzie, Source 37, Winter 2003 Braziers International Artists Workshop Catalogue, 2002 Review of Lost Collection of an Invisible Man, Art Monthly, April 2003 Slade - Hannah Collins, Chris Muller, Lindsay Seers, Elisa Sighicelli, Catherine Yass, (A journal on photography, essay by John Hilliard), June 2002 Radical Philosophy, 113, Cover and pages 26/30, June 2002 Elle magazine, June 2002, page 92 - 93 Review, Dave Beech, Art Monthly, June 2002 Nausea: encounters with ugliness, Catalogue Lindsay Seers, Artists Eye, BBC Programme by Rory Logsdail The Fire Station, a film by William Raban and a catalogue by Acme The Double, Catalogue from the Lowry, Lowry Press, July 2000 Contemporary Visual Arts, Roy Exley, June 1999 Hot Shoe, Chris TownCover and pages 26/30, June 2002 Elle magazine, June 2002, page 92 - 93 Review, Dave Beech, Art Monthly, June 2002 Nausea: encounters with ugliness, Catalogue Lindsay Seers, Artists Eye, BBC Programme by Rory Logsdail The Fire Station, a film by William Raban and a catalogue by Acme The Double, Catalogue from the Lowry, Lowry Press, July 2000 Contemporary Visual Arts, Roy Exley, June 1999 Hot Shoe, Chris Townsend.

New York firm LOT - EK offers CHK compact (below) and CHK loft houses which both cantilever a second story of containers over the first, maximizing space with a terrace at one end of the house and a covered porch at the other.

While everyone is hyperventilating over him and russia, behind the scenes the real damage is being done and the real story of the in - house manipulation US elections for decades is being covered up and ignored.

The roundtable is also the cover story of the latest issue of Canadian Lawyer InHouse magazine: Managing risk in - house.

As you will read in both our cover story «The era of no excuses» and the interview I did with VIA Rail's Denis Lavoie in the Quebec report, the challenge of managing the various risks around cybersecurity is landing with a thud on the desks of in - house counsel.

His private insurance, with a total value of $ 200,000, only paid him $ 900 for damage on the second story of the house, which could have only been caused by wind and rain (which should have been covered by the private insurance plan).

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The ashen porcelain tiles that cover the floors throughout the two - story house were made in the United States, though the supplier is a subsidiary of Italy's Florim Ceramiche SpA.

Good question — we wanted to remove it (I did concrete countertops at our first house and regretted not taking it out) well, long story short we ended up not doing it again and we laid painters tape across the edge and 1/4 inch onto the countertop as well, used a straight edge razor to slice off the excess and it covered the sink perfectly!!

When you enter the house your first view is of a two story rear wall covered with mirrors and a loft overlooking the family room below.

When the clutter was gone all that was visual was lots of rooms with painted trim (every color of the rainbow), cardboard covered missing windows, a kitchen ceiling falling down due to a leaking bathroom, ivy covering the first two stories and coming in the house through the windows, and a furnace in the basement that was coal converted dubbed «the octopus».

As People magazine announced in a recent cover story, Sandra Bullock has filed for divorce from Jesse James, secretly adopted a baby boy named Louis, put her California beach house on the market, and moved into the Gothic Victorian house she owns in New Orleans.

Between the pages of this cover, I'm sharing my house stories (the awkward, the humorous and the lessons learned), my heart for the home, my journey to contentment with what I have.

Georgia Farmhouse is a 2 story house plan with a covered porch and craftsman style details throughout the elevations and floor plan.