Sentences with phrase «story house feels»

Set just 12 feet from the cliff's edge, the one - story house feels, Turner says, like it is floating on the sea's waves, and the decorators capitalized on that sensation with a palette of serene blues, greens, grays, and creams.

Not exact matches

As Stone retells the story, Nixon expressed to him afterward that he felt Trump had the ability to make a successful run at the White House, or as Stone said the ex-president said,» «he could go all the way.»»
An April 5 Associated Press story followed by a similar April 7 Washington Post story both asserted that White House Chief of Staff John Kelly was suffering from diminished clout in the White House, as a more confident President Trump feels comfortable taking matters directly to new hires like John Bolton and Larry Kudlow, chatting on the phone with outside advisers, and firing Cabinet secretaries over Kelly's objections.
The Little House stories introduced me to my first feelings of nostalgia.
Who could easily forget the story of the woman who had lost a highly prized coin, who sought it in every corner of the house before she found it, and the joy she felt, leading her to call in her neighbors to celebrate the finding?
For weeks last summer, JRW was a national feel - good story, and President Obama invited the team to the White House.
Great article, but I feel that as a working mom we need to just also be represented... SAHMism is always so glorified, most of us who work feel like we are failing our kids in some way... So I work a full day, I ferry the kids, once home I bathe them, cook for them, pack their lunches, sing - read stories - do homework, put them to sleep, clean the house, do the budgeting, catch up with my family and friends online, have a coffe, run back to the kiddo moaning, whip out a boob to sush him back to sleep, fall asleep exhausted and do it all over again the next day.
That is the story of this country, the story that has brought me to this stage tonight, the story of generations of people who felt the lash of bondage, the shame of servitude, the sting of segregation, but who kept on striving and hoping and doing what needed to be done so that today I wake up every morning in a house that was built by slaves.
And now she gets all outraged when we camp outside her house waiting for her to emerge for a pint of milk without makeup so we can flog it to some copy - short hack who will write a story about how she's either a «fresh faced beauty» or «causing concern with her bedraggled appearance» depending on how he's feeling
I was feeling cranky Primary night because all I had was my lousy local news (fires murders stupid weather stories) and everybody else in the state was watching Liz (they were probably all at her house or something).
It's only the latest story in a statehouse where a handful of lawmakers feel they can get away with anything — be it frat house behavior and sexual harassment, bribery, or misuse of member items.
We incorporate the tree with our garland on the stairs, our mirror, and fireplace mantel as well as with the wreaths around the house so it all feels like one cohesive story.
When I found myself sitting on the couch reading Elle magazine drinking coffee at 11 a.m. during the middle of the week with old episodes of American Horror Story playing in the background of an otherwise silent house, I felt my whole body relax.
Though Unrelated and Archipelago took place on family holidays and Exhibition is confined to the house, the sense of place feels like an additional character in her stories.
It feels so different, and is in ways an art house horror about children's social anxiety, among other reasons I would certainly recommend it as a simple piece of Hollywood entertainment mixed with elements of a classic ghost story.
because Spielberg felt that the story of newspapers trying to expose massive corruption in the White House was... you know... timely.
I feel that this house lives up to the stories found within the Ash vs Evil Dead series, and isn't that what every fan wants to say?
The market's unresponsiveness to the winsome New York story Two Family House, in particular, generates the following theory: American moviegoers now feel guilty for seeing The Mummy Returns twice instead of something less promoted once; they take the least painful route of cultural redemption by buying tickets to the most domestic thing with accents available, thus developing a distrust of or distaste for the genuine article.
It's beautiful to watch, and the story of the house being sung as a ballad makes this feel even more enchanting.
A thoroughly exciting and engrossing story makes for great entertainment with Monster House, a film that doesn't constantly resort to potty humour or feel like the mass - produced cardboard cut - out kids flicks we've seen recently.
Like Jack Nicholson in «The Shining,» Harris makes you feel the story's terror — the menace and the entrapment of Hill House as Nell is pulled into the evil of the haunted domicile's very dark past.
The Last Jedi is a sprawling — at 152 minutes, you could say overlong, and you wouldn't be totally wrong — tribute to the franchise's past and future, with enough fan service and enough of the franchise's recognizable house style to make sense as part of the greater story, but enough of Johnson and his collaborators» own sense of invention to make the movie feel almost personal.
As far as Anderson's own in - house oeuvre, this feels similar to 2012's Moonrise Kingdom, except with dogs instead of children, while DP Tristan Oliver is allowed some playful transitions (unlike the sometimes story - line suffocating perfection often witnessed in Anderson).
The developer, The Fullbright Company, does a great job (almost too good at times) in making this house and the people and their story feel real.
In reality, what began development feeling highly original late last decade, before either Richard Linklater (Waking Life, A Scanner Darkly) or Robert Zemeckis (The Polar Express, Monster House) had dabbled in computer - aided rotoscoping, ultimately registers less than groundbreaking in terms of technique and the gritty postmodern story isn't strong enough to make up for that.
Clinging closely to the template of the 1991 Best Picture nominee, its story, characters and songs will feel potently familiar to anyone who's seen the Mouse House's first crack at the tale as old as time.
Story about spiders (so subtle Halloween feel) hiding around the house.
In 1932 North Carolina, Stella feels the effects of a Klan cross burning, segregation, voter registration, and a major house fire in a story of change in a close - knit community.
Peter Bognanni's The House of Tomorrow is a fresh and creative novel that I truly enjoyed reading... The plot of the story isn't particularly fast - paced or driving, and at times it feels slow, but [the novel] is more about the rich conversations people have while practicing musical instruments together, how sharing CDs can be a window into someone's soul and how shared situations create a deep bond between people even if they don't always treat each other right, just like Sid and Nancy.
Though we know the outcome of this story going in — Dubus III eventually writes House of Sand and Fog — you'll read with the same anticipation you might feel while watching a hard - scrabble sports movie (think The Fighter).
There's stories online of authors being published by a traditional big house publisher who feel their covers didn't represent their book well, but had no say in the matter.
On the whole the reviewers praise Rules For Old Men Waiting for its depth and lyricism, but some felt that Pouncey over reached himself at times, pushing his points too hard, and that the story lacked drama (essentially it is the story of an old man in an old house with his memories).
A couple of years ago, both of us felt the desire to create a publishing house which would seek out this type of story, but the timing wasn't right.
I will, however: — write in my blogs about things other than publishing — work on my next novel and story collection — play lots of sims — write and share a short illustrated story, to see if I can — tweet whatever I want — read and review books when I want — make art, if I feel like it — make some new things for my Etsy shop — upload multitudes of unsorted travel photos from this summer — clean my house and get ahead of my laundry situation — help my son learn addition and subtraction — get away from the internet sometimes — experience daylight
Nobody from the outside would even notice the change, but we feel the difference and it's almost crazy to think that a book of short stories is actually making the house warmer.
The Ellwood City Ledger brings us a story of a man in a housing complex who simply didn't feel like taking out the trash and was willing to go to extraordinary lengths to avoid doing so.
KULA HOUSE: This large two story house is perfect for families or a group of friends that want to feel at home with all the luxuries of being at a hHOUSE: This large two story house is perfect for families or a group of friends that want to feel at home with all the luxuries of being at a hhouse is perfect for families or a group of friends that want to feel at home with all the luxuries of being at a hotel.
This double story, 11 roomed guest house feels like another world when you walk through the reeds and the exquisitely carved mahogany doors of Lala Thai.
However, despite all of its art - house inspired roots, innovative gameplay features, and wondrously interpretive story, Rain unfortunately feels like it is missing something.
The photographs and viewable items scattered all around the house made you feel like you were truly apart of this story that was unfolding in front of your eyes.
Each story and character will look and feel different from each other, and our first look of the game is set at its beginning, with Edith Finch at the family house.
Newer pixelated horror titles such as Home and even lesser known ones such as The Witch's House are good examples of how visual simplicity allows the story and the feelings the game elicits to overlay what is otherwise nothing more than a wire frame for our imaginations.
It often feels like the people at Arkane made the core of this game, i.e environments, story beats and enemies, but then they just made the clever folks in - house play through the game and tag things they wanted to add to each environment to make them diverse and add flavour.
, you are lying on the floor of your place looking up, a small draft runs through the room, between the door and the window, and all things seem perfectly still, wind only disturbs concrete in imperceptible ways, or it may take millions of years to be noticed and, as the air runs through the space, all your plants move and all is animated and all is alive somehow, and here are the thoughts of all men in all ages and lands, they are not original with me, and that wind upon your plants is the common air that bathes the globe, and we have no ambitions of universalism, and I'm glad we don't, but the particles of air bring traces of pollen and are charged with electricity, desert sand, maybe sea water, and these particles were somewhere else before they were dragged here, and their route will not end by the door of this house, and if we tell each other stories, one can imagine that they might have been bathed by this same air, regrouped and recombined, recharged as a vehicle for sound, swirling as it moves, bringing the sound of a drum, like that Kabuki story where a fox recognizes the voice of its parents as a girl plays a drum made out of their skin, or any other event, and yet I always felt your work never tells stories, I tend to think that narrative implies a past tense, even if that past was just five seconds ago, one second ago was already the past, and human memory is irrelevant in geological time, plants and fish know not what tomorrow will bring, neither rocks nor metal do, but we all live here now, and we all need visions and we all need dreams, and as long as your metal sculptures vibrate they are always in the Present, and their past is a material truth alien to narrative, but well, maybe narrative does not imply a past tense at all and they are writing their own story while they gently move and breathe, and maybe nothing was really still before the wind came in, passing through the window as if through an irrational portal to make those plants dance, but everything was already moving and breathing in near complete silence, and if you're focused enough you can feel the pulse of a concrete wall and you can feel the tectonic movements of the earth, and you can hear the magma flowing under our feet and our bones crackling like a wild fire, and you can see the light of fireflies reflected in polished metal, and there is nothing magical about that, it is just the way things are, and sometimes we have to raise our voice because the music is too loud and let your clothes move to a powerful bass, sound waves and bright lights, powerful like the sun, blinding us if we stare for too long, but isn't it the biggest sign of love, like singing to a corn field, and all acts of kindness that are not pitiful nor utilitarian, that are truly horizontal as everything around us is impregnated with the deadliest violence, vertical and systemic, poisonous, and sometimes you just want to feel the sun burning your skin and look for life in all things declared dead, a kind of vitality that operates like corrosion, strong as the wind near the sea, transforming all things,
Talk to many of our Climate Reality Leaders and you'll hear a story about the moment climate science went from a dry subject in textbooks to the feeling of floodwaters soaking through jeans or the sight of wildfires leaping from house to house.
Michelle: There was a great story about these women at the white house who were on the white house staff I think in the previous administration who had kind of got together and said, «This is what we're going to do,» and they had a name for it that will not come to me right now but it was essentially that anytime that one woman gave an idea in a meeting, another woman would sort of echo that in order to reinforce and to prevent the mansplaning or the manterrupting, which is another great little term that people use or really allow that woman who originally said the idea to be able to take credit for it and be able to speak out and feel reinforced in that meeting which I just thought was a really clever way to do it.
The Ellwood City Ledger brings us a story of a man in a housing complex who simply didn't feel like taking out the trash and was willing to go to extraordinary lengths to avoid doing so.
Your point that Ross stated previously (in a previous story) that he did not feel the need to disclose his primary (or secondary) motivation for conducting open houses to his clients, yet he then said that potential clients who hopefully would list with him ought to disclose that they had, or would have, other Realtors in to discuss listing issues, aka competitors, reveals the true inner workings of a commissioned sales person's mindset.
There's definitely the feeling of F Korporate Amerika in our house these days:) I have received awesome replies, I'm humbled and I look forward to contributing a success story and posting a link to this thread with it...; — RRB - All the best in your investment success!
«The «Hoops» campaign is a story that showcases how our agents truly feel about what they do every day: help people turn a house into a home.»
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