Sentences with phrase «story in space like»

I've never seen anyone who knows how to make paintings tell a story in space like her.

Not exact matches

The energy - drink maker Red Bull, for example, wants its users to live on the edge — and it backs that up with dramatic stories like Felix Baumgartner's famous skydive from the edge of space in October 2012.

Discovery CEO David Zaslav is quoted in the story saying, «We just felt like this was a space missing in the marketplace.»

I could talk about how consumer staples have very little fluctuation in their demand or how major brands like Colgate - Palmolive own valuable shelf space in stores, but I think the chart below tells a better story.

McMahon feels like a real waste for these two to be spending their attention on, but at least Sunday's main event advanced the story and introduced stronger tensions, while opening up a space for Daniel Bryan — SmackDown's other authority figure — to get on McMahon for directly interfering in the match, twice, after what was clearly an unintended kick from Owens.

«This is bit like a re-run to fill space in August of a story from a month ago when somebody asked Harriet [Harman] to delay the contest because they didn't like the way it was going.

Welcome to The Countdown, the Scientific American show that counts down the five coolest things happening now in space news.Episode 1: July 26, 2012 Story 5 Galaxies from the early universe usually look kind of lumpy or blobby, but scientists have spotted one with a spiral structure, making it look a lot like our own Milky Way galaxy.See Primordial Pinwheel: Astronomers Spot Oldest Prominent Spiral Galaxy Yet.

The magic of places like Wanderlust Hollywood, The Springs, and others lies in the spaces / the soft tissue — the small groups of people on the patio sipping tea, passionately exchanging ideas, telling stories, sharing dreams, making jewelry after sweating through a yoga class together.

So we're honored to have her in our space and on our platform to be a part of this community sharing empowering stories and resources like her own.

Briefly, this is a story of a space flight to confirm an «alien» intelligence located near one of the moons of Jupiter; the intelligence may have helped man in his primitive earliest past - so it could be «God - like»).

It also has this fun, yet cliched sci - fi story behind the gameplay that has a team of scientists exploring an irregularity in space which holds vast energy and like most stories, things go wrong and you end up on the other side of the universe on a strange planet as you attempt to collect the clues and find a way back home.

Once you get through the story, the game really opens up because you're not worrying as much about trying to complete the game, and you can concentrate on things like saving all of those oddball survivors, taking out the wonderfully erratic psychos in the game or having a friend drop in to help you cut and shoot your way through the unbelievable number of zombies that Blue Castle manage to pack into a single space.

This is not just a story of someone stranded in space like Gravity for two plus hours.

Like a non-musical version of Les Misérables (in which, appropriately, Seyfried plays the waif Cosette), Lovelace is a sob story in search of a real space to get grounded.

A Wrinkle in Time is a mind - bending science - fiction story that deals with follows a young girl's search for her missing scientist father through time and space, a gripping adventure story that turns cerebral once it starts dealing with concepts like wormholes and mind control.

I can see a story like this working in a Theatre in the Round type of space (when the audience surrounds the stage on all sides).

Borrowing from Takashi Miike's Audition (seminal J Horror film) source material, Nicolas Pesce had time to dress, finesse his highly anticipated sophomore film and boy did he deliver with what comes across as a Cronenberg's Crash like love story featured in hotel room spaces rather than car wreckage and works as an homage to a plethora of influential filmmakers including De Palma and the Giallo set.

Black Panther was also so beautifully grounded in African tradition that throwing anything like Infinity stones from space into the mix may have distracted audiences from the story of T'Challa.

There's even a command table, that feels a lot like the old Vanguard Hall gathering space in the first Destiny, at which you'll often find yourself being barked at by a stern old commander before story missions.

Both open with abortive space - docking action set - pieces, both involve brief explorative sections aboard the alien Derelict cruiser, and both tread the same hallowed ground of their source films with reverence that is sometimes so close to the films that it can be like playing someone's fan - fiction, in which they insert themselves into the story of the game as a way to replay the movie with themselves in the lead.

In some films, like Code Unknown and Caché, Haneke creates multiple on - screen realities, through movie sets and cameras that are part of the story, to blur the boundaries of time and space within the world of the movie.

In this second installment, I'd like to dive into the part of the story, where I discuss how I overcame challenges with space and training coaches.

Virtual Reality can take you and your pupils to new worlds like never before, immersing you in time, space and story.

Atavist juxtaposes various digital forms that lies in the space between long narrative magazine articles and traditional books and e-books — a bit like music singles in iTunes — Atavist presents stories longer and in more depth than typical magazines, less expensive and more dynamic than traditional books.

I had a few things come out, but I'd really like to use most of this space to promote the stories in Mixed Up: Cocktail Recipes (and Flash Fiction) for the Discerning Drinker (and Reader).

Ye it is possibly a genre that was popular in old newspapers and the like where space was limited and stories had to be short but have an impact on the readers so they'd buy the next edition.

The lower floor is the largest children's library in the City of San Diego, featuring a simulated ship, reading desks shaped like surfboards, an art space and a Story Time Zone.

DH: I think the first thing you notice when you pop on any of the new expansion packs — whether that's a Fun Pack, Team Pack, Level Pack, or Story Pack — like last year each of these packs unlocks a new Adventure World, however the Adventure Worlds are bigger this time around, there's more content and locations to explore, and we were excited that we were able to bring in interior spaces that you can discover.

The added fidelity in Dark Souls 3 could have just been a simple upgrade in texture detail, but FromSoftware treats the extra space like a wider canvas, pushing their themes and story through every possible avenue — sound, music, enemy design, animation, dialogue, item descriptions, environmental cues — with more finesse and frequency than ever before.

In April, PlayStation Plus subscribers will be treated to the likes of Mad Max (PS4), Trackmania Turbo (PS4), In Space We Brawl (PS3), Toy Home (PS3),... [Read full story]

Even though the story of this poor soul is never divulged, I like to think as him / her as a survivor of the abandoned space ship you encounter later in the game.

It looks like «2001,» it's as gripping as «Gravity,» and the game's story is deeply personal, touching on numerous, suffocating everyday dramas such as addiction, cancer and parenting (in space, no less).

If I'm completely honest, the story in Project X Zone 2 is something of a mess — both simplistic and convoluted simultaneously, it's sole purpose is to give the player an excuse as to why somebody like Phoenix Wright is crossing both time and space in the company of Tekken's Heihachi Mishima and Xenoblade Chronicle's Fiora to battle M. Bison and an army of Resident Evil's B.O.W's.

Red yarn connects one chair to another and also to the surfaces of the gallery itself, filling the space and tying individual stories and memories together, like neurons mapping memories in the brain.

06.2017 Suffering ², MONA, Tasmania (solo show) 04.2017 The World Made New, PiArts London [commissioned] 03.2017 Casebooks, Ambika P3 London [commission] 10.2016 Suffering, Queenstown, Tasmania [commission] 10.2016 Nowhere Less Now ⁷ Glynn Vivian Gallery, Swansea, Wales, UK [commissioned solo show] 07.2016 Leisure Land Golf, Quad, Derby, UK 06.2016 Seeing Round Corners, Turner Contemporary UK 04.2016 Leisure Land Golf, New Art Exchange, Nottingham, UK 02.2016 Objects Do Things, Ujazdowsky Castle, Centre for Contemporary Art, Poland 03.2016 Stories in the Dark, The Beaney, Whitstable Biennale, UK 05.2015 Leisure Land Golf, Venice Biennale (EM15 commission) 01.2015 Reads Like a Book, Cricoteka, Kraków, Poland 09.2014 Mirrorcity, Hayward Gallery, Southbank Centre, London [new work] 10.2014 Top of the World, Sami Centre for Contemporary Art, Karasjok, Norway 01.2014 For The Record, Birmingham Museum and Art Gallery, UK 09.2013 Entangled ², (Theatre II), Matt's Gallery, London (solo show) 09.2013 Monocular ⁴, Quad, Derby [commission] 08.2013 Narrative Structures, Stryx, Birmingham, UK 06.2013 Nowhere Less Now ², (Red Queen) MONA, Tasmania, Australia [commission] 05.2013 A» Comes First, Toulouse International Art Festival, France [commission] 01.2013 The Book Lovers, EFA Project Space, New York, USA 11.2012 The Book Lovers, MHKA, Antwerp, Begium 11.2012 Reality Bites, Kiasma, Helsinki, Finland 09.2012 Nowhere Less Now, Tin Tabernacle, Kilburn, London [Artangel commission solo show] 07.2012 Entangled ², Turner Contemporary, Margate [commission] 06.2012 Focal Points: Art and Photography, Manchester Art Gallery, UK 05.2012 Møte (Meeting), Galleri Festiviteten, Norway 03.2012 Ich is ein Anderer, Kunstverein Freiburg, Germany 02.2012 A Trip to the Moon, Bonniers Konsthall, Stockholm, Sweden11.2011 Monodrome, Athens Biennale, Greece 11.2011 Beyond Deception, Erik Steen Gallery, Oslo, Norway 08.2011 Something In The Way, Lofoten International Art Festival, Norway 07.2011 Outrageous Fortunes, Focal Point Gallery, Southend, UK 03.2011 Extramission 6, TPW Gallery, Toronto [as part of Images Festival solo show] 03.2011 Dis - covery, Salamanca Art Centre, Tasmania 03.2011 The Collection, Rugby Art Gallery, inaugural exhibition of CAS and V&A purchase for the collection 03.2011 Just Photography, Ancient and Modern at Martos Gallery, New York, USA 02.2011 It has to be this way ², BALTIC, Gateshead (solo show) 11.2010 Persistence of Vision, Kunsthallen Nikolaj, Copenhagen, Denmark 10.2010 It has to be this way ², Mead Gallery, Warwick (solo show) 10.2010 It has to be this way1.5, Aspex Gallery, Porstmouth (solo show) 0in the Dark, The Beaney, Whitstable Biennale, UK 05.2015 Leisure Land Golf, Venice Biennale (EM15 commission) 01.2015 Reads Like a Book, Cricoteka, Kraków, Poland 09.2014 Mirrorcity, Hayward Gallery, Southbank Centre, London [new work] 10.2014 Top of the World, Sami Centre for Contemporary Art, Karasjok, Norway 01.2014 For The Record, Birmingham Museum and Art Gallery, UK 09.2013 Entangled ², (Theatre II), Matt's Gallery, London (solo show) 09.2013 Monocular ⁴, Quad, Derby [commission] 08.2013 Narrative Structures, Stryx, Birmingham, UK 06.2013 Nowhere Less Now ², (Red Queen) MONA, Tasmania, Australia [commission] 05.2013 A» Comes First, Toulouse International Art Festival, France [commission] 01.2013 The Book Lovers, EFA Project Space, New York, USA 11.2012 The Book Lovers, MHKA, Antwerp, Begium 11.2012 Reality Bites, Kiasma, Helsinki, Finland 09.2012 Nowhere Less Now, Tin Tabernacle, Kilburn, London [Artangel commission solo show] 07.2012 Entangled ², Turner Contemporary, Margate [commission] 06.2012 Focal Points: Art and Photography, Manchester Art Gallery, UK 05.2012 Møte (Meeting), Galleri Festiviteten, Norway 03.2012 Ich is ein Anderer, Kunstverein Freiburg, Germany 02.2012 A Trip to the Moon, Bonniers Konsthall, Stockholm, Sweden11.2011 Monodrome, Athens Biennale, Greece 11.2011 Beyond Deception, Erik Steen Gallery, Oslo, Norway 08.2011 Something In The Way, Lofoten International Art Festival, Norway 07.2011 Outrageous Fortunes, Focal Point Gallery, Southend, UK 03.2011 Extramission 6, TPW Gallery, Toronto [as part of Images Festival solo show] 03.2011 Dis - covery, Salamanca Art Centre, Tasmania 03.2011 The Collection, Rugby Art Gallery, inaugural exhibition of CAS and V&A purchase for the collection 03.2011 Just Photography, Ancient and Modern at Martos Gallery, New York, USA 02.2011 It has to be this way ², BALTIC, Gateshead (solo show) 11.2010 Persistence of Vision, Kunsthallen Nikolaj, Copenhagen, Denmark 10.2010 It has to be this way ², Mead Gallery, Warwick (solo show) 10.2010 It has to be this way1.5, Aspex Gallery, Porstmouth (solo show) 0In The Way, Lofoten International Art Festival, Norway 07.2011 Outrageous Fortunes, Focal Point Gallery, Southend, UK 03.2011 Extramission 6, TPW Gallery, Toronto [as part of Images Festival solo show] 03.2011 Dis - covery, Salamanca Art Centre, Tasmania 03.2011 The Collection, Rugby Art Gallery, inaugural exhibition of CAS and V&A purchase for the collection 03.2011 Just Photography, Ancient and Modern at Martos Gallery, New York, USA 02.2011 It has to be this way ², BALTIC, Gateshead (solo show) 11.2010 Persistence of Vision, Kunsthallen Nikolaj, Copenhagen, Denmark 10.2010 It has to be this way ², Mead Gallery, Warwick (solo show) 10.2010 It has to be this way1.5, Aspex Gallery, Porstmouth (solo show) 09.

Seeing Round Corners (Turner Contemporary, Margate UK, 2016); Objects Do Things, (Centre of Contemporary Art, Poland 2016); Stories in the Dark (Whitstable Biennale, UK, 2016); Doug Fishbone's Leisure Land Golf, (Venice Biennale 2015); Reads Like a Book The Book Lovers (Cricoteka, Poland, 2015); Mirrorcity (Hayward Gallery, London, 2014); The Red Queen (MONA, Tasmania, Australia 2013); Toulouse International Art Festival (Hȏtel - Dieu, Toulouse, France, 2013); Entangled2 Theatre II (Matt's Gallery London 2013); Monocular4 (Quad, Derby, UK 2013); Nowhere Less Now (Artangel commission, Tin Tabernacle, Kilburn, London, 2012); Entangled2 (Turner Contemporary, Margate, UK 2012); Extramission 6 (Gallery TPW, Toronto, 2011); Einladung zur Ausstellung (Kunstverein Freiburg, Germany 2012); A Trip to the Moon, (Bonniers Konsthall, Sweden 2012); Monodrome, Athens Biennale, (Greece 2011); Lofoten International Art Festival, (Norway, 2011); Dis - covery (Salamanca Art Centre, Tasmania, 2011); The Collection (Rugby Art Gallery, 2011); Steps into the Arcane (Kunstmuseum Thurgau, Switzerland 2011); It has to be this way ² (National Gallery of Denmark, 2010 (SMK), Mead Gallery, Warwick, 2010 and BALTIC, Gateshead, 2011); Broadcast commission 3 minute wonder series, Channel 4 (27,28,29,30 Sept 2010 and October 2010); It has to be this way 1.5 (Aspex gallery Portsmouth, 2010); Persistence of Vision (FACT, Liverpool, 2010 and Nikolaj Art Centre Copenhagen 2010 - 2011); It has to be this way, (Matts Gallery, 2009); Altermodern, 4th Tate Triennial, (Tate Britain, 2009); Event Horizon, (Royal Academy of Art, 2008); Swallowing Black Maria, (Smart Project Space, Amsterdam 2007); CinemArt, (The Auditorium, Rome, 2007); Foreign Bodies, (White Box, New York, 2007); The Believers, (touring show in Norway with performances, Stavanger, Førde and Bergen, 2007).

Taking place in high - rise hotel rooms, several stories above street - level, three films find K.E. and Meisenberg walled - in by the clean, generic spaces — it's as if the semi-reflective, screen - like windows offer refuge or vacation from the bombardment of city noise and visual overflow.

, you are lying on the floor of your place looking up, a small draft runs through the room, between the door and the window, and all things seem perfectly still, wind only disturbs concrete in imperceptible ways, or it may take millions of years to be noticed and, as the air runs through the space, all your plants move and all is animated and all is alive somehow, and here are the thoughts of all men in all ages and lands, they are not original with me, and that wind upon your plants is the common air that bathes the globe, and we have no ambitions of universalism, and I'm glad we don't, but the particles of air bring traces of pollen and are charged with electricity, desert sand, maybe sea water, and these particles were somewhere else before they were dragged here, and their route will not end by the door of this house, and if we tell each other stories, one can imagine that they might have been bathed by this same air, regrouped and recombined, recharged as a vehicle for sound, swirling as it moves, bringing the sound of a drum, like that Kabuki story where a fox recognizes the voice of its parents as a girl plays a drum made out of their skin, or any other event, and yet I always felt your work never tells stories, I tend to think that narrative implies a past tense, even if that past was just five seconds ago, one second ago was already the past, and human memory is irrelevant in geological time, plants and fish know not what tomorrow will bring, neither rocks nor metal do, but we all live here now, and we all need visions and we all need dreams, and as long as your metal sculptures vibrate they are always in the Present, and their past is a material truth alien to narrative, but well, maybe narrative does not imply a past tense at all and they are writing their own story while they gently move and breathe, and maybe nothing was really still before the wind came in, passing through the window as if through an irrational portal to make those plants dance, but everything was already moving and breathing in near complete silence, and if you're focused enough you can feel the pulse of a concrete wall and you can feel the tectonic movements of the earth, and you can hear the magma flowing under our feet and our bones crackling like a wild fire, and you can see the light of fireflies reflected in polished metal, and there is nothing magical about that, it is just the way things are, and sometimes we have to raise our voice because the music is too loud and let your clothes move to a powerful bass, sound waves and bright lights, powerful like the sun, blinding us if we stare for too long, but isn't it the biggest sign of love, like singing to a corn field, and all acts of kindness that are not pitiful nor utilitarian, that are truly horizontal as everything around us is impregnated with the deadliest violence, vertical and systemic, poisonous, and sometimes you just want to feel the sun burning your skin and look for life in all things declared dead, a kind of vitality that operates like corrosion, strong as the wind near the sea, transforming all things,

2017 She Who Tells a Story, Canadian War Museum, Ottawa, Canada Lo schermo dell» arte Film Festival 2017, Florence, Italy Like a Moth to a Flame, Fondazione Sandretto Re Rebaudengo, Turin, Italy COUNT / RECOUNT: Feminist Film and Video, Hirshhorn Museum, Washington DC I Am You, MCA Chicago, Chicago, Illinois Selected, Sean Kelly, New York Beyond the Ban: Contemporary Iranian Art, Center for Human Rights in Iran and Susan Eley Fine Art, New York Wrong Side of History, Bullet Space, New York 21, 39 Jeddah Arts, Saudi Art Council, Jeddah, Saudi Arabia 2016 Summer Show, Goodman Gallery, Cape Town Behind the Curtain.

You might not notice walls like these as much in a museum because they typically are built close to ceiling height, but Capitain Petzel's space is two stories high with a mezzanine, which meant that I couldn't just hang a painting on one of those walls without it looking like a sculpture.

Case in point: In Cheng's March solo exhibition at the K11 Art Foundation's Hong Kong outpost, chi art space, he unveiled an epic nine - hour film, In Course of the Miraculous (2016), which visualized the stories behind unsolved mysteries, like the disappearances of British mountaineer George Mallory and conceptual artist Bas Jan Adein point: In Cheng's March solo exhibition at the K11 Art Foundation's Hong Kong outpost, chi art space, he unveiled an epic nine - hour film, In Course of the Miraculous (2016), which visualized the stories behind unsolved mysteries, like the disappearances of British mountaineer George Mallory and conceptual artist Bas Jan AdeIn Cheng's March solo exhibition at the K11 Art Foundation's Hong Kong outpost, chi art space, he unveiled an epic nine - hour film, In Course of the Miraculous (2016), which visualized the stories behind unsolved mysteries, like the disappearances of British mountaineer George Mallory and conceptual artist Bas Jan AdeIn Course of the Miraculous (2016), which visualized the stories behind unsolved mysteries, like the disappearances of British mountaineer George Mallory and conceptual artist Bas Jan Ader.

«It is about combining single paintings in a space like there are single words in a sentence, and finally a story.»

The works are partially organized in horizontal installations that have paintings one next to another with space in between, like horses in a stable, that tell stories in more of a 20th Century format.

I had seen and studied many of Andersson's works in reproduction and while her muted color palette and references to period interiors sometimes cast a vintage - like shadow over her surfaces, an effect that I might normally find gratuitous or off - putting, her strange way of telling a story with no resolution or creating an in - between space transported me to a timeless realm where I was free to imagine with reckless abandon.

For many years, getting the paper to grant space for a story on a significant advance in climate science was something like trying to get an elephant into a Prius.

Follow Jaymi on Twitter for more stories like this More on Green Bike Design Folding Electric Bike Design Sets The Bar On Functional And Beautiful Tiny Concept Commuter Bike Folds Up To Just 8 Inches Clever Design Turns Bike Handlebars 90 °, Makes Storage in Tight Spaces a Snap

With the Windows 10 Fall Creators Update, you can also save files in OneDrive, and access them like any other file on your PC without filling up disk space; download files on - demand; or select files to always be available offline — or, tell your story easily in the reimagined Photos app with a soundtrack, transitions, 3D effects, and more.

Ive opts to take me in through the café, a massive atrium - like space ascending the entire four stories of the building.

Landlords looking to fill vacancies with creditworthy tenants likely to stay in their leases long term can always look to major success stories like the 100 Oaks Mall in Nashville, Tenn., which leased about half of its 800,000 to 900,000 sq. ft. of space to Vanderbilt Health.

In contrast, office space offers a mixed story, with supply expected to exceed demand in 2016 for some segments like Grade B spacIn contrast, office space offers a mixed story, with supply expected to exceed demand in 2016 for some segments like Grade B spacin 2016 for some segments like Grade B space.