Sentences with phrase «story kind of way»

Not exact matches

«It's a shame that the coffee price issue obscured the real story here for so many people, but, once again, this kind of «one - way» data point thinking led investors astray... when it was actually quite strong,» said the «Mad Money» host.

As our world becomes more complex, with most of us moving back and forth between the physical and virtual worlds, and stimulus of all kinds coming at us in unprecedented ways, that need to organize our lives into stories becomes that much stronger, he adds.

If Facebook and Google crack down on «fake news» sites, the Microsoft researcher argues, those who have an interest in generating that kind of content will find ways around the restrictions, as many already have by using visual «memes» instead of links to news stories.

Experienced speakers know that there is no better way to make a point than to use an apt illustration, and a good story that fits the point is the most effective kind of illustration.

But even that kind of story will not instill a deep Christian identity unless it is told and retold, related in innovative ways, and intertwined with the other individual and collective pasts that are part of every person's tradition.

Different kinds of stories function in different ways, but stories do function to form or transform persons in their world views and lifestyles.

In this way, it stands as a kind of evil twin to Green Linnet Records, which offers a lively sampling of great musical stories held together only by a sentimental affirmation of all things Irish.

the belief on the existence of the devil was concieved by theologians of the past thousands of years, there was no other way of explaining the bad experiences of people in the past because we were not educated yet to the kind of what we have now, Why this happened because that was part of the learning process that God wants us to know, in pathrotheism, we are part of God, and He himself is evolving because He is the universe, We are now the conscious part of Him, our destiny in accordance to his will also be His destiny because it is His will.Although He prepared first all the material reality of the universe ahead of us, The experiences for us humans including the supernatural is just part of nirmal process for learning because its natural process, today we reach a point of not believing the practices of the past, but it does not mean its wrong, Just like a child, adults loved to tell mythical stories to them, because we knew children enjoys it as part of their learning process.

As I've said before, the best way to move beyond a culture war mentality is to listen to one another's stories, and Justin's is just the kind of story we need to hear right now.

We just started getting into the groove of things with Snapchat, and then Stories came out, and now we are kind of at a loss:) And I do find those apps taking up way too much time.

(in a totally non lesbian kind of way... you know... which reminds me I never told you that story!)

I love reading stories like this - so often we «intend» to host these kinds of celebrations but life gets in the way - so glad that you and your sisters were able to celebrate this with your mom and her friends!

I love everything about this post — from the recipe itself to the story of trying to give away your baked goods... Oh how I identified with this story in so many ways... Really, it's very kind of you to share your culinary efforts... as I suspect even your not - quite perfect endeavors are quite yummy!

We love this kind of stories and if anyone listening, if you guys have a story that you would like us to read on the show, you can submit it to us in a couple of different ways.

Because, you know, it's one thing to have his be hot - button topic that we all kind of talk about it, but then I kind of heard some horror stories on ways that other moms have, you know, just really kind of been rude about the whole thing, not fully understanding or even knowing any information about a mom's background and why she made that choice.

Ultimately, we can lament the loss of the way things were, but change is kind of the story of New York City.

Video often evokes a stronger emotional reaction than text or still images alone, making it a powerful way to tell stories or make a political point, but online video isn't television — the kinds of content that succeeds can be quite different, with authenticity (that word again!)

Video often evokes a stronger emotional reaction than text or still images alone, making it a powerful way to tell stories or make a political point, but online video isn't television — the kinds of content that succeeds can be quite different, with authenticity and topic typically more important than polished visuals.

Known as National Planning Scenario 1 (NPS1), that nuclear attack story line originated in the 1950s as a kind of war game, a safe way for national security officials and emergency managers to test their response plans before having to face the real thing.

But one of the things that I have been very impressed by here is a lot of the stories of hope; many folks have traveled a long way to share what they are doing on a very local level to help combat climate change, and that's everything from, kind of, rural electrification in Africa and India, you know, bringing light to people who are still using dung or coal for cooking and heating and dying from indoor air pollution to, you know, major renewable energy projects, say, here in Denmark where they now get 20 percent of their electricity from wind power.

At Stanford, postdoc Robert Busch started a peer - counseling group for fellow postdocs (see the «counseling» link on the SUPD website) a few years ago after hearing various kinds of «horror stories» about the way that people were being treated in their labs.

Welcome to The Countdown, the Scientific American show that counts down the five coolest things happening now in space news.Episode 1: July 26, 2012 Story 5 Galaxies from the early universe usually look kind of lumpy or blobby, but scientists have spotted one with a spiral structure, making it look a lot like our own Milky Way galaxy.See Primordial Pinwheel: Astronomers Spot Oldest Prominent Spiral Galaxy Yet.

These kinds of success stories raise the question of whether a skills gap really exists at all, Mayo says, or whether there's just a fundamental mismatch in the way companies hire for open positions and the way potential employees present their skills.

So that is kinda like my back stories that just kinda summarizing uh — history of fibroid and there are natural ways to reduce fibroids and I've seen them reduced and it help with those kind of situation in the past.

Even ignoring the twist at the end — which, by the way, is terrible — the script is more of a collection of moments than any kind of through story.

I've been dating sugar daddies for about 10 years now (long before there were way cool sites like these to find each other) and can tell you that a lot of these guys are just plain BOZOS who will make up the most outlandish stories... the kind that makes you question their sanity.

A great cast brings a very intricate story of love, revenge, and redemption to beautiful fruition, and I'm getting to appreciate Penélope Cruz more and more in all kinds of ways:) Oh yeah, baby!

«Lean on Pete» calls to mind other greats as well — one imagines a pitch meeting where it was described as «The 400 Blows» meets «Wendy and Lucy» — but writer - director Haigh, working from the novel by Willy Vlautin, has his own way of telling this kind of story.

And this, I suppose, is his way of addressing that, yes, he's well aware of his Esquire cover story last year, in which the writer labeled him «kind of a dick,» and no, he couldn't care less.

Legato said, «It was a thrill to actually work on the film and kind of come up with a new way of telling a story, which is an old way of telling a story, just to make it look like it's a «photo - real film.»

Films that might have fit this putative strand included the charming but overlong Timeless Stories, co-written and directed by Vasilis Raisis (and winner of the Michael Cacoyannis Award for Best Greek Film), a story that follows a couple (played by different actors at different stages of the characters» lives) across the temporal loop of their will - they, won't - they relationship from childhood to middle age and back again — essentially Julio Medem - lite, or Looper rewritten by Richard Curtis; Michalis Giagkounidis's 4 Days, where the young antiheroine watches reruns of Friends, works in an underpatronized café, freaks out her hairy stalker by coming on to him, takes photographs and molests invalids as a means of staving off millennial ennui, and causes ripples in the temporal fold, but the film is as dead as she is, so you hardly notice; Bob Byington's Infinity Baby, which may be a «science - fiction comedy» about a company providing foster parents with infants who never grow up, but is essentially the same kind of lame, unambitious, conformist indie comedy that has characterized U.S. independent cinema for way too long — static, meticulously framed shots in pretentious black and white, amoral yet supposedly lovable characters played deadpan by the usual suspects (Kieran Culkin, Nick Offerman, Megan Mullally, Kevin Corrigan), reciting apparently nihilistic but essentially soft - center dialogue, jangly indie music at the end, and a pretty good, if belated, Dick Cheney joke; and Petter Lennstrand's loveably lo - fi Up in the Sky, shown in the Youth Screen section, about a young girl abandoned by overworked parents at a sinister recycling plant, who is reluctantly adopted by a reconstituted family of misfits and marginalized (mostly puppets) who are secretly building a rocket — it's for anyone who has ever loved the Tintin moon adventures, books with resourceful heroines, narratives with oddball gangs, and the legendary episode of Angel where David Boreanaz turned into a Muppet.

These investigations are hardly challenging at all, but serve to break up the action and give the player some new story information in a different kind of way.

Last year another film, Patriots Day from Mark Wahlberg and Peter Berg, tackled the Boston bombing story very well but in a more procedural kind of way.

But this story goes way deeper than that, weaving all kinds of secret Royal scandals into the mix as well.

So it was a long shoot and quite a big epic movie in one way, but very much a character drama, also some kind of reverse love story between my character and Tom's character: they've been married for eight years when the movie starts and it's like a cold war between them.

But while the wild and wooly tales from Dern's life are the most entertaining part of his story, at the core of what he has to talk about is a quiet kind of redemption, a chronicle of the way he rose to an opportunity that came along decades after opportunities had become scarce.

Producer Nate Moore shared explained that the concubine element was ``... part of the original Christopher Priest run where they were all betrothed which we felt wasn't necessary to tell the story of the Dora and in a way we all kind of rejected as being a little creepy.»

The story is set in a kind of alternate - reality Cleveland by way of Black Mirror, where (as in the source material) books have been outlawed.

But there's actually a script I'm working on now that's a European story and it kind of [draws from] my own experience here, in the details that are finding their way into it.»

Held together almost entirely by Cranston's performance, «All the Way» seems at times intentionally counter-intuitive; so much of the story's advancement depends on deals that no one feels really great about that it's hard to find the kind of catharsis many expect from these sorts of films.

«Right now, people are really hungry for these kind of stories from filmmakers from my background, or even just look the way I do,» Jenkins told IndieWire.

«U.N.I (You And I)» from And the Winner Isn't «Love and Lies» from Band Aid «If I Dare» from Battle of the Sexes «Evermore» from Beauty and the Beast «How Does a Moment Last Forever» from Beauty and the Beast «Now or Never» from Bloodline: Now or Never «She» from Bombshell: The Hedy Lamarr Story «Your Hand I Will Never Let It Go» from The Book of Henry «Buddy's Business» from Brawl in Cell Block 99 «The Crown Sleeps» from The Breadwinner «World Gone Mad» from Bright «Mystery of Love» from Call Me by Your Name «Visions of Gideon» from Call Me by Your Name «Captain Underpants Theme Song» from Captain Underpants The First Epic Movie «Ride» from Cars 3 «Run That Race» from Cars 3 «Tell Me How Long» from Chasing Coral «Broken Wings» from City of Ghosts «Remember Me» from Coco «Prayers for This World» from Cries From Syria «There's Something Special» from Despicable Me 3 «It Ain't Fair» from Detroit «A Little Change in the Weather» from Downsizing «Stars in My Eyes (Theme From Drawing Home)» from Drawing Home «All In My Head» from Elizabeth Blue «Dying for Ya» from Elizabeth Blue «Green» from Elizabeth Blue «Can't Hold Out on Love» from Father Figures «Home» from Ferdinand «I Don't Wan na Live Forever» from Fifty Shades Darker «You Shouldn't Look at Me That Way» from Film Stars Don't Die in Liverpool «This Is How You Walk On» from Gifted «Summer Storm» from The Glass Castle «The Pure and the Damned» from Good Time «This Is Me» from The Greatest Showman «The Hero» from The Hero «How Shall a Sparrow Fly» from Hostiles «Just Getting Started» from If You're Not in the Obit, Eat Breakfast «Truth to Power» from An Inconvenient Sequel: Truth to Power «Next Stop, The Stars» from Kepler's Dream «The Devil & The Huntsman» from King Arthur: Legend of the Sword «Have You Ever Wondered» from Lake of Fire «I'll Be Gone» from Lake of Fire «We'll Party All Night» from Lake of Fire «Friends Are Family» from The Lego Batman Movie «Found My Place» from The Lego Ninjago Movie «Stand Up for Something» from Marshall «Rain» from Mary and the Witch's Flower «Myron / Byron» from The Meyerowitz Stories (New and Selected) «Longing for Summer» from Moomins and the Winter Wonderland «Mighty River» from Mudbound «Never Forget» from Murder on the Orient Express «Hold the Light» from Only the Brave «PBNJ» from Patti Cake $ «Tuff Love (Finale)» from Patti Cake $ «Lost Souls» from The Pirates of Somalia «How a Heart Unbreaks» from Pitch Perfect 3 «The Promise» from The Promise «Kaadanayum Kaalchilambe» from Pulimurugan «Maanathe Maarikurumbe» from Pulimurugan «Stubborn Angel» from Same Kind of Different as Me «Dancing Through the Wreckage» from Served Like a Girl «Keep Your Eyes on Me» from The Shack «On the Music Goes» from Slipaway «The Star» from The Star «Jump» from Step «Tickling Giants» from Tickling Giants «Fly Away» from Trafficked «Speak to Me» from Voice From the Stone «Walk on Faith» from Year by the Sea

It's actually kind of impressive how far out of his way screenwriter Nicholas Stoller went to not come up with a coherent story, and then you remember that he's written some funny movies that had a story (the two most recent Muppets films, for starters), and that's when the feeling of being cheated sets in.

This biopic kind of dwells on the misery in Coco Chanel's life, but it's a strong story of a woman who made her own way against all odds.

The surface story is pretty straightforward in a Best In Show or Strictly Ballroom kind of way.

Maybe what most marks Beau travail as a film by a woman is the way Denis uses African women to subtly impose an ironic frame around the story; from beginning to end, they figure implicitly and unobtrusively as a kind of mainly mute Greek chorus — whether they're dancing in the disco, speaking in the market, appearing briefly as the girlfriends of some legionnaires (including Galoup), or serving as witnesses to portions of the action.

The chemistry between the main players is it's own kind of special effect, atoning for the familiar story beats as the group make their way up the Eastern seaboard.

The rest of the movie is the usual fish - out - of - water kind of story (or, given the recurring swim - class theme, human - in - water kind of story), in which Nick must learn to be a good person before he can work his way back.

And by the end of Stories We Tell, Polley admits (when pressed by her father) that her Big Theme is kind of bullshit, and may just be a way of avoiding her own complicated feelings about her mother, her father, and the people whose lives they affected.

This time out, this story of a claim jumper teaming up with a pioneer woman to transport three mentally unstable women from Nebraska to Iowa has such an insanely heavyweight cast that, assuming it's ready (and it shot all the way back in May of 2013) we can safely assume it's heading for the Croisette, and it seems likely to offer the kind of attention - grabbing roles to its principals that may well make it part of the awards conversation beyond Cannes too.