Also going on sale February 14th is the long - awaited, much - demanded debut of Yuki Suetsugu's Chiyahafuru,
the story of adolescent lives and emotions playing out against the high drama of karuta — traditional Japanese card - playing.
Not exact matches
Click for showtimes and tickets — JR Byzantium Neil Jordan (The Crying Game) shows there's plenty
of life left in the undead - bloodsucker genre: His Irish - seaside horror
story features a brilliantly brooding performance by Saoirse Ronan as an
adolescent vamp, and the kind
of mythic, adult - fairy - tale imagery — a mountain waterfall running crimson red — at which this incomparable film fantasist excels.
The
story is a vague, world is ending and we need to save it mess, and it does have that old time standard
of characters involved in massive,
life altering events who seem oblivious to the scope, instead focused on the mundane and
adolescent interactions that most characters have.
And the first one on board is Felicity Jones, with the actress joining the Black List approved
story that follows an
adolescent boy with a terminally ill single mother begins having visions
of a tree monster, who tells him the truths about
life in the form
of three
stories, helping him to eventually cope with his emotions over his dying mom.
The latest re-telling
of Charles Dickens» classic
story of squalor, neglect and
adolescent exploitation in 19th century London — the original hard - knock
life, yo!
by Walter Chaw Angry businessman Howard Wakefield (Bryan Cranston) tunes in and drops out when, after chasing a raccoon into the unused attic
of his garage, he decides to
live there for a few months, spying on his wife Diana (Jennifer Garner) and their twin «budding
adolescent» girls (as E.L. Doctorow, author
of the
story upon which this is based, calls them).
Collectively they tell the
stories of six Latino
adolescents from across the country, focusing on the obstacles they must overcome in order to have the opportunity
of attending college or following other avenues to successful and enriching
lives.
Or are they just giant intellects on top
of a lollipop - stick bodies?The body is such a central part
of the
adolescent experience — its growth, its betrayal, its tortures when it comes to comparison, its developing talents — that must be included to make a YA
story come to
life.
The
story is a vague, world is ending and we need to save it mess, and it does have that old time standard
of characters involved in massive,
life altering events who seem oblivious to the scope, instead focused on the mundane and
adolescent interactions that most characters have.