«Jelly's Last Jam» A musical that tells
the story of jazz through a notorious musician, Jelly Roll Morton.
Guidall's calm, assured reading of Christensen's rhythmic verses recounting
the story of jazz musician Django Reinhardt, lovely background music, and authentic sound effects combine in this exceptional read - along.
The film, from «Whiplash» director Damien Chazelle, tells the love
story of a jazz pianist and an aspiring actor.
Traveling with the elusive jazz vocalist and trumpeter Chet Baker, the filmmaker Bruce Weber weaves together the life
story of a jazz great.
Not exact matches
But don't get too
jazzed about
stories of banks eliminating it: They're not really.
Claibrone's heartfelt apology reminded me a little
of Donald Miller's
story of the «confession booth,» recounted in Blue Like
Jazz, in which Miller and a group
of young Christians apologized to their Reed College classmates for everything from the Crusades to televangelists.
Living with Phyllis «THE MO»
JAZZ FEST» Louisiana Eats:
Stories From The Back
Of The House The Oyster Farmers Top Chef Season 14 Twice As Good
The book «started out as a way to tell the
story of the science that I already knew to try to get people
jazzed about science,» he explains.
Freedom's
Story Advisors and Staff
Jazz and the African American Thousands
of Jewish singles on your new alternative to high restriction Jewish dating sites.
I advise all users to keep a close watch over their privacy and data, and monitor the progress
of this
story as
Jazzed shuts down.
This is the
story of Chet Baker, the famous
jazz trumpeter who in the mid 20th Century captivated
jazz audiences and fellow musicians until his consumption with heroin destroyed him.
Smokey rooms, smooth
jazz and a man with a briefcase: FRAMED has all the components
of a noir
story shuffled in a really smart puzzle game.
But the film — the
story a young
jazz drummer (Miles Teller) who attends one
of the best music schools in the country under the tutelage
of the school's fearsome maestro
of jazz played by J.K. Simmons — would have to be a breakout hit to make the increasingly mainstream ranks
of Oscar's big category.
Damien Chazelle's film captures the
story of Mia, an aspiring actress, and Sebastian, a dedicated
jazz musician, who are struggling to make ends meet in a city known for destroying hopes and breaking hearts.
Movie review
of «Max Rose»: Jerry Lewis, who recently turned 90, is back with this
story about a bitter, recently widowed
jazz pianist.
Since it's an oddball
story to begin with, Michael produces an equally oddball score, with elements
of ragtime, old - fashioned
jazz, and a touch
of the recently rediscovered Klezmer style
of music.
Bernard Herrmann, a longtime collaborator with Alfred Hitchcock, composed fabulous music that reflects the emotional heart
of the entire
story — the sultry
jazz reluctantly giving way to a doomed, militaristic beat, reminiscent
of the brilliant score from Stanley Kubrick's «The Killing» 1956.
1 and 2 (Netflix, Feb. 1) and Kathryn Bigelow's The Hurt Locker (Netflix and Hulu, Feb. 1), though
of the films that came out yesterday, we're most
jazzed about Walk Hard: The Dewey Cox
Story (Netflix, Feb. 1), the deeply underrated John C. Reilly vehicle that parodied the musician biopic — which has some great songs, too.
1 «Superstar: the Karen Carpenter
Story» (Todd Haynes, 1987) 2 «Don't Look Back» (DA Pennebaker, 1967)-- Bob Dylan 3 «Gim me Shelter» (David Maysles / Albert Maysles / Charlotte Zwerin, 1970)-- Rolling Stones 4 «24 Hour Party People» (Michael Winterbottom, 2002)-- Manchester scene 5 «Topsy - Turvy» (Mike Leigh, 1999)-- Gilbert and Sullivan 6 «Monterey Pop» (DA Pennebaker, 1968)-- concert 7 «Be Here to Love Me» (Margaret Brown, 2004)-- Townes Van Zandt 8 «Thirty Two Short Films about Glenn Gould» (Francois Girard, 1993)-- Glenn Gould 9 «Cocksucker Blues» (Robert Frank, 1972)-- Rolling Stones 10 «Bird» (Clint Eastwood, 1988)-- Charlie Parker 11 «The Last Waltz» (Martin Scorsese, 1978)-- The Band & Friends farewell concert 12 «Rude Boy» (Jack Hazan, David Mingay, 1980)-- The Clash 13 «Scott Walker: 30 Century Man» (Stephen Kijak, 2006)-- Scott Walker 14 «Bound for Glory» (Hal Ashby, 1976)-- Woody Guthrie 15 «The Decline
of Western Civilization Parts I & II» (Penelope Spheeris, 1981, 1988)-- LA punk;»80s metal & hair bands 16 «The Devil and Daniel Johnston» (Jeff Feuerzeig, 2005)-- Daniel Johnston 17 «Sweet Dreams» (Karel Reisz, 1982)-- Patsy Cline 18 «Art Pepper: Notes from a
Jazz Survivor» (Don McGlynn, 1982)-- Art Pepper 19 «Elgar» (Ken Russell, 1962)-- Edward Elgar 20 «Rust Never Sleeps» (Neil Young, 1979)-- Neil Young 21 «The Future is Unwritten» (Julien Temple, 2006)-- Joe Strummer 22 «DiG!»
I am a big fan
of all four
of them, so I was
jazzed that we'd see a thrilling and fresh take on this
story.
The «untitled Nina Simone project» — which has been in the works for several years but was on hold until now due to lack
of funding — will tell the
story of the late
jazz musician and classical pianist who became known as the «High Priestess
of Soul,» including her rise to fame, her role in the Civil Rights movement, and her relationship with her manager.
But while there isn't much to distinguish Born To Be Blue's dramatic stakes from any number
of stories about self - destructive, self - centered artists (or «movies about
jazz musicians,» as they're more commonly known), the film is given a spark
of life by the inspired casting
of Ethan Hawke.
Damien Chazelle's
story of a young
jazz musician who strives to be the best and the abusive band conductor who pushes him to the brink is tense and crescendos to a finale that is arguably the best
of the year.
It tells the
story of an aspiring actress, played by Emma Stone, and a
jazz musician, played by Ryan Gosling, who sing and dance their way around Los Angeles.
Kong: Skull Island [Riveting Reboot
of Classic Franchise] https://www.amazon.com/exec/obidos/ASIN/B0714C2W9C/ref%3dnosim/thslfofire-20 Vince Giordano: There \'s a Future in the Past [Swing
Jazz Documentary] http://www.amazon.com/exec/obidos/ASIN/B071RLM3YK/ref%3dnosim/thslfofire-20 With Great Power [The Stan Lee
Story]
All modern animated content in movies, from Jabba the Hut to «Toy
Story,» springs from those years
of invention at Disney, he says: «The same principles apply everywhere, and those principles were all discovered under one roof, decades ago by a bunch
of young punks
jazzed up about creating something.»
I Called Him Morgan This docu by Kasper Collin tells the
story of the 1972 murder
of celebrated
jazz musician Lee Morgan by Morgan's wife.
Born To Be Blue tells the tragic
story of legendary Cool
Jazz trumpeter and vocalist Chet Baker — sort
of.
Add to that a cavalcade
of clichés from the local color that reads like a Chamber
of Commerce video (
jazz bands, an overdose
of zydeco flavoring in the score by Ry Cooder wannabe Steve Mazzaro, Bobo's swamp house that's apparently just down the bayou from Jason Statham's in «The Mechanic») to the utterly predictable
story beats, and you've got a thoroughly generic movie that can only sporadically provide even gut - level thrills.
December 21, 2017 • In
jazz, the best albums
of the year only tell part
of the
story.
It's going to be like
jazz, you'll feel the spirit
of the original
story but it'll be re-invigorated and vital,» said Lelio.
In a
story that would be kind
of wacky and fun if it didn't concern two awful people, The Hollywood Reporter says that Woody Allen was supposed to play clarinet with his
jazz band at the wedding
of former Amazon Studios head Roy Price before the allegations about him being a harassing creep came out and his fiancée...
A different description
of the
story from SlashFilm earlier this year explains that J.K. Simmons plays a «brutal
jazz orchestra teacher», training Miles Teller who is trying desperately not to lose his mind as he tries to become the top percussionist in one
of the most illustrious
jazz orchestras in the country.
In the video above, he shares
stories about some
of the movies most near and dear to him, including Vittorio De Sica's Bicycle Thieves and John Frankenheimer's Seconds — which he first saw while attending film school at USC, where he also worked as a projectionist — and Mike Nichols's The Graduate and Bob Fosse's All That
Jazz, which brought home to him the «power
of editing.»
And this is especially true, not only given to tough road
of a musical that has no pre-established fan base, as well as one that incorporates so many
jazz pieces that can't be made into pop tunes, along with a romance that doesn't actually give those who just want a sweeping love
story something to fawn over as they leave the theater.
Screenwriter: Jody Lee Lipes This scripted adaptation
of a 1958
jazz ballet by Jerome Robbins (West Side
Story) takes the original choreography and returns it to the streets that inspired it in this tale
of disaffected urban youth.
The
story of a talented young
jazz drummer and his cruelly sadistic mentor features powerful performances from Miles Teller and J.K. Simmons and editing so intricate and masterful, it feels like
jazz itself.
Director Sagal (Night Gallery, Girl Happy), working with the script by the Corringtons (Battle for the Planet
of the Apes, Boxcar Bertha), brings Matheson's
story to the 1970s, complete with hip
jazz - funk soundtrack, blaxploitation elements, and hippie jargon and tie - ins.
Damien Chazelle's second film is the
story of two struggling artists —
jazz pianist Sebastian (Ryan Gosling) and wannabe actor Mia (Emma Stone)-- who don't exactly meet cute, then do before going on to have a very real relationship (cleverly camouflaged as piece
of fluff musical).
While her co-star Ryan Gosling, in the role
of a purist
jazz musician with aspirations and plans
of his own, equally inhabits this joyous yet heartbreaking
story of young lovers with incompatible ambitions, it is Stone's Mia that eventually steals the show and occupied the chatter in the mountains.
This time, they focus
of old
jazz standards, making them an integral part
of the
story.
There's a familiarity in both the setting and the structure
of this low - budget ensemble drama, which intercuts five
stories of relationship troubles among New Yorkers, from an eager journalist (Abbi Jacobson) tracking a murder case to a
jazz aficionado (Bene Coopersmith) chasing down a rare vinyl record.
Get really creative with your idea
of what a yield can be: excited parents, a newspaper
story,
jazzed kids, pumpkins.
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In this stunningly researched novel, Nicole Mones not only tells the forgotten
story of black musicians in the Chinese
jazz age, but also weaves in a startling true tale
of Holocaust heroism little - known in the West.
Poetic vignettes depict the dramatic
story of a band
of African American soldiers — who are also
jazz musicians — during WWI.
In spare, simple, rhythmic verses, Christensen tells the
story of a young Gypsy boy who overcame a physical disability to play the guitar in a way that was perfect for the syncopated
jazz style.
While this
story might seem simple enough, Chabon sprinkles it with doses
of trivia from the 70s: blaxploitation movies (see Beyond the Book), and
jazz, soul and funk music; as well as cult movie classics - a noticeable nod to Quentin Tarantino is included.
African American
jazz drummer David «Panama» Albert Francis first heard
stories of magical island drums from his Haitian father.
Weatherford has constructed a fictional verse memoir to tell the first - person life
story of the legendary
jazz singer Billie Holiday.