His enduring masterpiece, Ali and Nino —
a story of love across ethnic and religious boundaries, published on the eve of the Holocaust — is still in print today.
Not exact matches
I
love this
story — and not just because Erika and Sy have done such a marvelous and comprehensive job
of reporting it, interviewing more than three dozen experts from
across the spectrum
of the healthcare industry.
I
love David's
story of transformation in Salford because I've engaged in this kind
of prayer over three decades in cities and towns
across Europe, standing with local believers to declare God's promises over their area.
I
love rediscovering all these
stories, and this volume has been fun because it does a good job
of explaining what was happening
across multiple civilizations during the same time period.
I need only to ask: if you wash your feet before prayer, and when the last stoning was that you attended: to get my point
across... but you did say I had to answer in a coherent manner...:) Yes, the jesus
story... one
of those that many
love to argue about, even me at times in my life have i taken the position
of «he never existed»... but most
of us know he did, the only real question is his divinity.
Consider the following: the pastor
of a liberal Protestant church preaches a sermon on the
story of the prodigal son called «Intolerable
Love»;
across town, a preacher at a small fundamentalist church delivers a sermon called «The Meaning
of Life.»
This year, in recognition
of past America's Classics Award recipients, Rizzoli and the James Beard Foundation is publishing James Beard's All - American Eats: Recipes and
Stories from Our Best -
Loved Local Restaurants, a photo and anecdote - filled cookbook featuring more than 75 recipes from eateries
across the country that have been honored with the America's Classics Award.
My
story has been shared with many places
across the globe and we have had an amazing amount
of people that have reached out with
love and support.
Oh, and did I mention, A Stylish
Love Story is easily one
of the most professional looking blogs I have come
across?
The French mystique, under the watchful eye
of the Eiffel Tower and Norte Dame, makes it the perfect backdrop for a
love story across the ages.
There are a number
of success
stories on the homepage as testament to the site's ability to bring
loving partners together
across the world.
(2005), a British soccer drama starring Kuno Becker and Alessandro Nivola; Flushed Away (2006), a DreamWorks CG - animated picture about a mouse named Roddy who gets flushed down the toilet and winds up in a vermin - infested city called Ratropolis; and Julie Taymor's
Across the Universe, a hallucinatory musical
love story, set against the turbulent backdrop
of the»60s, with countless Beatles songs providing the backdrop.The same period found Clement hard at work developing several stage musicals: Victoria's Secret, with a score by Paul Williams and Dave Stewart; Helen
of Troy, libretto by Brendan Healy and AC / DC frontman Brian Johnson.
Although the film is designed primarily for a young audience, adult themes
of love and loss abound in its
story of mourning lovers attempting to reach out
across the dimensions.
At the film festival: Bruce LaBruce's subversive masterpiece, Gerontophilia, a lovely rom - com in which everybody fucks one another
across all age and gender borders — desire shall bind us together; Juno Mak's Rigor Mortis, a touching albeit grim look at loss and damnation in the form
of a Chinese hopping - vampire movie, with many a nod to the subgenre's clichés and conventions; Jealousy, Philippe Garrel's latest tale
of love ground down by the mill
of daily life, raw and naked even by his ascetic standards; Hayao Miyazaki's troublesome The Wind Rises, which frames the
story of a fighter - plane designer as a grand romance
of struggle and failure, with animation's supreme living master contemplating the price mankind can sometimes pay in the name
of one dreamer's self - fulfillment, and the willful blindness and egocentricity it takes to realize one's vision; and finally to Yorgos Lanthimos's Necktie and Athina Rachel Tsangari's 24 Frames Per Century, their contributions to the Venice 70: Future Reloaded omnibus, not to mention the untitled pieces by Jean - Marie Straub, Monte Hellman, Amit Dutta, and Haile Gerima.
Films that might have fit this putative strand included the charming but overlong Timeless
Stories, co-written and directed by Vasilis Raisis (and winner
of the Michael Cacoyannis Award for Best Greek Film), a
story that follows a couple (played by different actors at different stages
of the characters» lives)
across the temporal loop
of their will - they, won't - they relationship from childhood to middle age and back again — essentially Julio Medem - lite, or Looper rewritten by Richard Curtis; Michalis Giagkounidis's 4 Days, where the young antiheroine watches reruns
of Friends, works in an underpatronized café, freaks out her hairy stalker by coming on to him, takes photographs and molests invalids as a means
of staving off millennial ennui, and causes ripples in the temporal fold, but the film is as dead as she is, so you hardly notice; Bob Byington's Infinity Baby, which may be a «science - fiction comedy» about a company providing foster parents with infants who never grow up, but is essentially the same kind
of lame, unambitious, conformist indie comedy that has characterized U.S. independent cinema for way too long — static, meticulously framed shots in pretentious black and white, amoral yet supposedly lovable characters played deadpan by the usual suspects (Kieran Culkin, Nick Offerman, Megan Mullally, Kevin Corrigan), reciting apparently nihilistic but essentially soft - center dialogue, jangly indie music at the end, and a pretty good, if belated, Dick Cheney joke; and Petter Lennstrand's loveably lo - fi Up in the Sky, shown in the Youth Screen section, about a young girl abandoned by overworked parents at a sinister recycling plant, who is reluctantly adopted by a reconstituted family
of misfits and marginalized (mostly puppets) who are secretly building a rocket — it's for anyone who has ever
loved the Tintin moon adventures, books with resourceful heroines, narratives with oddball gangs, and the legendary episode
of Angel where David Boreanaz turned into a Muppet.
Set at the end
of the 19th century, Slow West follows the
story of 16 - year - old Jay Cavendish as he journeys
across the American Frontier in search
of the woman he
loves, accompanied by a mysterious traveller named Silas (Michael Fassbender).
Though this execution could verge toward the excessively operatic, as in the heavy - handed De Mayerling à Sarajevo (1940), these managerial efforts largely paid off, with a variety
of fine performances
across the generic and national spectrum: a spirited Lien Deyers in the tongue - in - cheek The Company's in
Love; Magda Schneider, who also starred in Ophuls»
Love Story (Une histoire d'amour, 1933), as the tragically morose Christine in Liebelei, her final despair registered in an extraordinary extended close - up; and acting luminaries James Mason, Barbara Bel Geddes, and Robert Ryan, searing in Caught's three - way confrontations.
From writer / director Paul Haggis (Crash), Third Person tells three
stories of love, passion, trust and betrayal, and plays out in New York, Paris and Rome,
across three couples.
What It's About: «The
story of a young man struggling to find himself, told
across three chapters in his life as he experiences the ecstasy, pain and beauty
of falling in
love while grappling with his sexuality.»
Feature nominees were Matthew Heineman's «City
of Ghosts,» about anonymous activists on the ground in ISIS - controlled Raqqua, Syria; Antonio Santini and Dan Sickles» «Dina,» an unconventional
love story between an eccentric suburban woman and a Walmart door greeter; «Faces Places,» documenting Honorary Oscar recipient Agnes Varda and muralist JR's journey
of portraiture
across rural France; Dan Lindsay and TJ Martin's «LA 92,» a meticulously assembled first - hand account
of the 1992 Los Angeles riots; and Yance Ford's «Strong Island,» a deeply personal examination
of miscarried justice.
Borrowing from Takashi Miike's Audition (seminal J Horror film) source material, Nicolas Pesce had time to dress, finesse his highly anticipated sophomore film and boy did he deliver with what comes
across as a Cronenberg's Crash like
love story featured in hotel room spaces rather than car wreckage and works as an homage to a plethora
of influential filmmakers including De Palma and the Giallo set.
Other highlights in this section include: Pablo Larraín's THE CLUB, a mordant morality tale set in a sleepy Chilean coastal town, which won Berlin's Grand Jury Prize; CHRONIC, Michel Franco's uncompromising study
of grief and isolation, featuring a revelatory performance by Tim Roth; brothers Tarzan and Arab Nasser's feature directorial debut, DÉGRADÉ, a smart drama that moves seamlessly between humour and despair, set in a women's hair salon in Gaza; the European Premiere of George Amponsah's intimate documentary THE HARD STOP, revealing the story of Mark Duggan's friends and family following his death after being shot in a «Hard Stop» police procedure in 2011; Jonas Carpignano's engrossing feature debut, THE MEASURE OF A MAN which won Vincent Lindon Best Actor at Cannes Film Festival, MEDITERRANEA, an ultra-topical tale of two young African men from Burkina Faso who, in search of a better life, make the difficult and dangerous trip across the Sahara desert and Mediterranean Sea to reach Italy; the drama MUCH LOVED, Nabil Ayouch's searing, no - holds - barred look at the world of prostitution in Morocco; David Evans» thought - provoking documentary MY NAZI LEGACY, which raises the harrowing question, «What if your father was a Nazi?&raqu
of grief and isolation, featuring a revelatory performance by Tim Roth; brothers Tarzan and Arab Nasser's feature directorial debut, DÉGRADÉ, a smart drama that moves seamlessly between humour and despair, set in a women's hair salon in Gaza; the European Premiere
of George Amponsah's intimate documentary THE HARD STOP, revealing the story of Mark Duggan's friends and family following his death after being shot in a «Hard Stop» police procedure in 2011; Jonas Carpignano's engrossing feature debut, THE MEASURE OF A MAN which won Vincent Lindon Best Actor at Cannes Film Festival, MEDITERRANEA, an ultra-topical tale of two young African men from Burkina Faso who, in search of a better life, make the difficult and dangerous trip across the Sahara desert and Mediterranean Sea to reach Italy; the drama MUCH LOVED, Nabil Ayouch's searing, no - holds - barred look at the world of prostitution in Morocco; David Evans» thought - provoking documentary MY NAZI LEGACY, which raises the harrowing question, «What if your father was a Nazi?&raqu
of George Amponsah's intimate documentary THE HARD STOP, revealing the
story of Mark Duggan's friends and family following his death after being shot in a «Hard Stop» police procedure in 2011; Jonas Carpignano's engrossing feature debut, THE MEASURE OF A MAN which won Vincent Lindon Best Actor at Cannes Film Festival, MEDITERRANEA, an ultra-topical tale of two young African men from Burkina Faso who, in search of a better life, make the difficult and dangerous trip across the Sahara desert and Mediterranean Sea to reach Italy; the drama MUCH LOVED, Nabil Ayouch's searing, no - holds - barred look at the world of prostitution in Morocco; David Evans» thought - provoking documentary MY NAZI LEGACY, which raises the harrowing question, «What if your father was a Nazi?&raqu
of Mark Duggan's friends and family following his death after being shot in a «Hard Stop» police procedure in 2011; Jonas Carpignano's engrossing feature debut, THE MEASURE
OF A MAN which won Vincent Lindon Best Actor at Cannes Film Festival, MEDITERRANEA, an ultra-topical tale of two young African men from Burkina Faso who, in search of a better life, make the difficult and dangerous trip across the Sahara desert and Mediterranean Sea to reach Italy; the drama MUCH LOVED, Nabil Ayouch's searing, no - holds - barred look at the world of prostitution in Morocco; David Evans» thought - provoking documentary MY NAZI LEGACY, which raises the harrowing question, «What if your father was a Nazi?&raqu
OF A MAN which won Vincent Lindon Best Actor at Cannes Film Festival, MEDITERRANEA, an ultra-topical tale
of two young African men from Burkina Faso who, in search of a better life, make the difficult and dangerous trip across the Sahara desert and Mediterranean Sea to reach Italy; the drama MUCH LOVED, Nabil Ayouch's searing, no - holds - barred look at the world of prostitution in Morocco; David Evans» thought - provoking documentary MY NAZI LEGACY, which raises the harrowing question, «What if your father was a Nazi?&raqu
of two young African men from Burkina Faso who, in search
of a better life, make the difficult and dangerous trip across the Sahara desert and Mediterranean Sea to reach Italy; the drama MUCH LOVED, Nabil Ayouch's searing, no - holds - barred look at the world of prostitution in Morocco; David Evans» thought - provoking documentary MY NAZI LEGACY, which raises the harrowing question, «What if your father was a Nazi?&raqu
of a better life, make the difficult and dangerous trip
across the Sahara desert and Mediterranean Sea to reach Italy; the drama MUCH
LOVED, Nabil Ayouch's searing, no - holds - barred look at the world
of prostitution in Morocco; David Evans» thought - provoking documentary MY NAZI LEGACY, which raises the harrowing question, «What if your father was a Nazi?&raqu
of prostitution in Morocco; David Evans» thought - provoking documentary MY NAZI LEGACY, which raises the harrowing question, «What if your father was a Nazi?»
When the ministry and the producer get a hold
of it, they add a
love story, an American journalist (to help sway opinion about the war
across the pond), and,
of course, a dog that the hero rescues from a German sniper.
The aim
of Battle
of the Sexes, according to its directors Valerie Faris and Jonathan Dayton, was not just to make a documentary on the dramatic life
of Billie Jean King but to also tell a modern
love story that could appeal
across the board.
ROBBERS STUDIO: Sony Pictures TV and Timberman / Beverly TEAM: Christopher Cook (w, co-ep), Michael Dinner (w, d, ep), Sarah Timberman (ep), Carl Beverly (ep) LOGLINE: Described as being in the literary - noir tradition
of Cormac McCarthy's No Country For Old Men, it tells the
story of a cop, two «running buddies» on a crime spree
across Texas and the girl who becomes the complication in a very unique
love triangle.
Moonlight is the tender, heartbreaking
story of a young man's struggle to find himself, told
across three defining chapters in his life as he experiences the ecstasy, pain, and beauty
of falling in
love, while grappling with his own sexuality.
Directed by John Maclean - who Fassbender previously worked with on short films Man on a Motorcycle and Pitch Black Heist - Slow West tells the
story of Jay Cavendish (Kodi Smit - McPhee) who embarks on a quest
across the American frontier to be reunited with the woman he
loves.
But «The Big Stick» is not one
of those semi-awful, schematically spelled out conflicts such as the unfunny «My Big Fat Greek Wedding», but rather features a crackerjack script graced with a marvelous ensemble that mixes melodrama and broad comedy, and comes
across like a hilarious memoir based on Kumail's actual marriage to Emily in one
of the most beautiful
stories of love and its conflicts you may run
across in the theaters this year.
Directed by Chad Hartigan, who won Sundance's Best
of Next prize in 2013 for This is Martin Bonner, Morris may be relatively light viewing but with fine performances
across the board and a semi-charmed approach to talking about race and culture, Morris is a crowd - pleasing success
story that could find
love outside the festival circuit.
And now the first trailer has arrived for the
story that follows 16 - year - old Jay Cavendish (Smit - McPhee) journeying
across the American frontier in search
of the woman he
loves.
More than speeches — a painting, a poem, a song, a play, a dance piece, a film, animated legends inspiring
stories of love, heroism and courage
of commitment — CAN BRING THE MESSAGE
ACROSS.
A coming -
of - age novel and a literary thriller that weaves back and forth through time and
across America, from Alaska to the Adirondacks, The Twelve Lives
of Samuel Hawley is an unforgettable
story about the cost we pay to protect the people we
love most.
A spellbinding memoir entwines family, cultural, and natural history in a
story of a tomboy who grew up in a junkyard,
loved the outdoors, and heard riveting
stories across generations.
AuthorHouse authors come from all walks
of life, both
across the country and around the globe, but they share one thing in common: a
love of writing, and a desire to share their
stories.
A
story of families and friendships,
of mental illness and addiction,
of growing up and growing older,
of first
loves and second chances and
of one man's journey
across America toward personal redemption.
Rae Earl's
story has had success
across the pond in the U.K., where it became the basis
of a well -
loved TV adaptation.
In this unforgettable
story of love and loss, Ben learns the enduring truth that some violent crimes renew themselves
across generations.
so i decided to look for help to see if i can get my bf back i try all means to the stage
of applying for a
love spell from different spell casters but no one could work out after sending money to them they keep telling me different
stories, i was totally down about to give up coz i have spend so many money on him trying to see if i can get him back so i read and come
across a site http://happylovespell2.webs.com/ with a wonderful testimony
of a real spell caster call Dr happy i never believe coz i have try so many spell casters i said to my self let me give to the last try i email Dr happy urgently on [email protected] explain my problem to him do what he ask
of me even when i have to borrow up some money he ask i did and he give me reassurance that with 27 hours after the spell, my bf who left will come back for me, i still never believe i was doubting his judgement not knowing that he is the real man who god has sent to restored and bring back my bf.
Now, here is where I would
love to go into in - depth talk on the storyline and the progression
of the
story across the life
of the game.
«We
love the fact our
story is being told
across multiple forms
of media, providing different experiences to different audiences, which all lead to the same dark place,» Schofield says.
Discover the thrills
of finding your soulmate in Japan's iconic musical
love story, and prepare to fight for your
love in the most testing
of times, as an apocalyptic virus begins sweeping
across the world and threatens to infect those closest to you.
While these child characters are interesting (and often times amusing) I would
love to see a gaming franchise create a
story across decades, where the player character's children fight alongside an older, wiser version
of their parents so that their inclusion seems at least somewhat plausible.
is the tender, heartbreaking
story of a young man's struggle to find himself, told
across three defining chapters in his life as he experiences the ecstasy, pain, and beauty
of falling in
love, while grappling with his own sexuality.
Moonlight is the tender, heartbreaking
story of a young man's struggle to find himself, told
across three defining chapters in his life as he experiences the ecstasy, pain, and beauty
of falling in
love, while grappling with his own sexuality.
Yes, and Soul Food: The Surprising
Story of an American Cuisine, One Plate at a Time became a
love letter to African - American cooks
across the nation.
News9.com is proud to provide Oklahomans with timely and relevant news and information, sharing the
stories, pictures and
loves of Oklahomans
across our great state.
Nate Bagley has traveled over 20,000 miles and documented over 100
stories of true
love across America in the hopes that he will find out what separates the happiest couples from those whose relationships fail, or suffer from mediocrity and insufferable stagnation.
Love stories gone wrong have universal features, and the risks to children and women when there has been a history
of domestic violence are the same
across all cultures,» he said.